Owned by Darryl Kennedy, given to Anne Grant for donation to the collection.Folded colour invitation. On front is a picture of Portland Aluminium Smelter. Inside pages depict black and white photographs of smelter and an invitation. Invitation to Alcoa Portland Aluminium 20th Anniversary celebrations, 12th October 2006Front: Darryl Kennedy (black pen, inside invitation) Back: -alcoa, celebration, 20th anniversary

Coloured photo of painting. Joshua Black - Head and shoulders. Black Jacket and tie. White shirt.Back: Holland's Picture Framing and Art Supplies. Hilary. 16 Henty St, Portland. Phone 03 55233582

Art CollectionThe picture depicts a giraffe's neck sloping from the bottom right corner progressing into a giraffe's head at the top left. The background is plain, except for a yellow streak across the giraffe's neck close to the bottom. It is a front-view of the giraffe. Wood frame, thin white mount and glass.Front: 1/10 Giraffe 11 Mary MacQueen 69 (lower left centre, lead pencil) Back: Mary MacQueen "Giraffe 11" (1969) Litho (Bottom right, rectangle piece of white paper, printed)

Port of Portland CollectionFront: Portland from the Bay (lower centre, printed) Back: 18 UL Pencil, 1996 UR Pencilport of portland

Port of Portland Authority archivesFront: (no inscriptions) Back: ALLAN GUTHRIE/ FAREWELL (black pen, white label, centre left)port of portland authority archives

Lake Bolac residents George Murray and his wife Frances, circa 1930. They were the parents of Cliff, Faith, Leila and Leo Murray. They are pictured standing in the doorway of the Lake Bolac Post Office.lake bolac, post office, murray

Lake Bolac Football Club Premiers in 1935, Hamilton League. Pictured at Back from left: RJ Lacey, Leo O'Rorke, Jim Wills, Col Graham, Don Graham, Neil 'Rusty' Graham, Alec McMaster, Pat Murphy. 2nd row: RJT Murray, Murray Rees, Lloyd Osmond, Martin Quinlivan (Capt.), Bern Nicholson, Louis Duncan, Norm Kinnersley (V.C.). Front: Cliff Murray (Trainer), George Hucker, Ian Robertson, Jack Veale (mascot), Bill Watson, Fred Drever, Watt Nicholson (Trainer).lake bolac, football, premiers, drever, duncan, graham, hucker, kinnersley, lacey, mcmaster ,murphy, murray, nicholson, o'rorke, osmond, quinlivan, rees, robertson, veale, watson, wills.

Strampp lived and worked at Clifton Pugh's artist colony Dunmoochin from 1980 to 1985. 'Into the Night' is Strampps' "own marriage painting". The wedding dress and horse, "a symbol of virility and passion" represents Strampp and the background landscape was inspired by her stay in Somerset, England. The cliff edge on the left symbolises "an audacious step into the future." The painting "is of a bride, passionate yet absent, about to embark upon a new journey in life, and of the voyage ahead. It is about acknowledging the past, and having the courage to move forward. To take risks". Strampp was largely influenced by both the new German Neo-Expressionists of the time and by English artist John Walker, which is evident in this painting. Her work took on popular stylistic trends and themes of the time, which included a painterly aesthetic and an energetic application of the medium, which transferred to an emotional and or personal connection to subject matter that was communicated symbolically. Strampp is an artist of national significance. This work encompasses themes and a style of painting (Neo - Expressionism) that was prevalent during the time of its making in the eighties. This work represents a transition from Strampp's highly regarded early paintings of heroic horses in the mid to late 1980’s to her highly regarded paintings of contemporary wedding and/or armour-like bodices dresses of the 1990s. Both the 'horse' and 'dress' were often set in empty backgrounds or dreamy/foreboding landscapes. Painted in oil on linen (x2) in a 'Neo-Expressionist' style, 'Into the Night' depicts a ghostly white horse to the right of the painting looking away from a ghostly white wedding dress to the left of the painting. The dress has sprouted white wings and is adorned with bows on the bottom edge of the dress and roses on the sleeves. The dress seems full bodied although there is no figure. The dress and horse are placed in the foreground on a stage like platform with a white curtain framing the picture to the right, and a black ladder and brown cliff edge framing the picture to the left. The background depicts a foreboding and dark cloudy sky and seascape with a firery red landscape burning on the horizon. Signed low right (1988.7b VA) with brush in purple (light) 'Adriane Strampp 87'. into the night, neo expressionism, wedding dress, horse, symbolism, painting, seascape, dramatic, emotional, poetic, strampp

All pictured were residents of Rutherglen; in 1885 only Nell Burch is alive. Ella Thompson was mother-in-law to Aileen Terrill, member of Rutherglen Historical Society and Museum Cataloguing Committee.Black and white photograph of eight young people in stage costume in line under a small banner, mounted on stiff cardboard, unframedUnder photo, typewritten and on reverse hand written: "L to R, Billy Cottingham, Doris Judd, Syd Gregory, Elsie Scott, Cliff Thompson, Nell Burch, George Judd, Ella Thompson". On Banner in photo "Magpie".billy cottingham, doris judd, syd gregory, elsie scott, cliff thompson, nell burch, george judd, ella thompson, magpie