The East Kew Women’s Club was formed on 20 July 1945 as an experiment amongst local women, who felt that there was a need for some organised group to give full scope to their various interests and hobbies. In the beginning, they met at the house of their founder, Mrs Eric Thake, 48 Harp Road, East Kew, but the growth and interest was so rapid that it was soon necessary to find a larger meeting place, so the group moved to the Harrier’s Pavilion in Victoria Park, Kew. At the fifth meeting of the group, a committee was formed, and a constitution adopted on 4 December 1945.The Club was aimed to be non-political, non-sectarian and open to women from any locality. The Club’s motto was “To Help others, Improve Ourselves, and Foster the Community Spirit”. The first twenty years of the Club was recorded in a small, nine-page publication “East Kew Women’s Club : Twenty Years 20-7-1945 - 30-7-1965”. Following the closure of the Club in 1973, after twenty-eight years, its records were deposited with the Kew Historical Society and are thus available for research into the history of women’s groups in the post war period in Australia. The Society holds the Club’s Minute Books of Meetings (1953-73), Attendance Registers (1959-73), Visitors Book, and sundry items of print ephemera published by the Club.1-page typed Constitution of the East Kew Women's Clubeast kew women's club, community groups, women's groups

The East Kew Women’s Club was formed on 20 July 1945 as an experiment amongst local women, who felt that there was a need for some organised group to give full scope to their various interests and hobbies. In the beginning, they met at the house of their founder, Mrs Eric Thake, 48 Harp Road, East Kew, but the growth and interest was so rapid that it was soon necessary to find a larger meeting place, so the group moved to the Harrier’s Pavilion in Victoria Park, Kew. At the fifth meeting of the group, a committee was formed, and a constitution adopted on 4 December 1945.The Club was aimed to be non-political, non-sectarian and open to women from any locality. The Club’s motto was “To Help others, Improve Ourselves, and Foster the Community Spirit”. The first twenty years of the Club was recorded in a small, nine-page publication “East Kew Women’s Club : Twenty Years 20-7-1945 - 30-7-1965”. Following the closure of the Club in 1973, after twenty-eight years, its records were deposited with the Kew Historical Society and are thus available for research into the history of women’s groups in the post war period in Australia. The Society holds the Club’s Minute Books of Meetings (1953-73), Attendance Registers (1959-73), Visitors Book, and sundry items of print ephemera published by the Club.Document: Attendance Register, East Kew Women’s Club, 1965-67east kew women's club, community groups -- kew east (vic)

The East Kew Women’s Club was formed on 20 July 1945 as an experiment amongst local women, who felt that there was a need for some organised group to give full scope to their various interests and hobbies. In the beginning, they met at the house of their founder, Mrs Eric Thake, 48 Harp Road, East Kew, but the growth and interest was so rapid that it was soon necessary to find a larger meeting place, so the group moved to the Harrier’s Pavilion in Victoria Park, Kew. At the fifth meeting of the group, a committee was formed, and a constitution adopted on 4 December 1945.The Club was aimed to be non-political, non-sectarian and open to women from any locality. The Club’s motto was “To Help others, Improve Ourselves, and Foster the Community Spirit”. The first twenty years of the Club was recorded in a small, nine-page publication “East Kew Women’s Club : Twenty Years 20-7-1945 - 30-7-1965”.Following the closure of the Club in 1973, after twenty-eight years, its records were deposited with the Kew Historical Society and are thus available for research into the history of women’s groups in the post war period in Australia. The Society holds the Club’s Minute Books of Meetings (1953-73), Attendance Registers (1959-73), Visitors Book, and sundry items of print ephemera published by the Club.Photograph of flowers sent to Queen Elizabeth the Queen Mother in 1958 by the East Kew Women's Club.east kew women's club, queen elizabeth the queen mother, royal visit (victoria) 1958

The East Kew Women’s Club was formed on 20 July 1945 as an experiment amongst local women, who felt that there was a need for some organised group to give full scope to their various interests and hobbies. In the beginning, they met at the house of their founder, Mrs Eric Thake, 48 Harp Road, East Kew, but the growth and interest was so rapid that it was soon necessary to find a larger meeting place, so the group moved to the Harrier’s Pavilion in Victoria Park, Kew. At the fifth meeting of the group, a committee was formed, and a constitution adopted on 4 December 1945.The Club was aimed to be non-political, non-sectarian and open to women from any locality. The Club’s motto was “To Help others, Improve Ourselves, and Foster the Community Spirit”. The first twenty years of the Club was recorded in a small, nine-page publication “East Kew Women’s Club : Twenty Years 20-7-1945 - 30-7-1965”. Following the closure of the Club in 1973, after twenty-eight years, its records were deposited with the Kew Historical Society and are thus available for research into the history of women’s groups in the post war period in Australia. The Society holds the Club’s Minute Books of Meetings (1953-73), Attendance Registers (1959-73), Visitors Book, and sundry items of print ephemera published by the Club.Register which visitors signed when attending meetings of the East Kew Women's Club. The register contains names and addresses.east kew women's club, community groups -- kew east (vic.)

The East Kew Women’s Club was formed on 20 July 1945 as an experiment amongst local women, who felt that there was a need for some organised group to give full scope to their various interests and hobbies. In the beginning, they met at the house of their founder, Mrs Eric Thake, 48 Harp Road, East Kew, but the growth and interest was so rapid that it was soon necessary to find a larger meeting place, so the group moved to the Harrier’s Pavilion in Victoria Park, Kew. At the fifth meeting of the group, a committee was formed, and a constitution adopted on 4 December 1945.The Club was aimed to be non-political, non-sectarian and open to women from any locality. The Club’s motto was “To Help others, Improve Ourselves, and Foster the Community Spirit”. The first twenty years of the Club was recorded in a small, nine-page publication “East Kew Women’s Club : Twenty Years 20-7-1945 - 30-7-1965”. Following the closure of the Club in 1973, after twenty-eight years, its records were deposited with the Kew Historical Society and are thus available for research into the history of women’s groups in the post war period in Australia. The Society holds the Club’s Minute Books of Meetings (1953-73), Attendance Registers (1959-73), Visitors Book, and sundry items of print ephemera published by the Club.4 printed programs of meetings and activities of the East Kew Women's Club for the years 1953, 1969-70, 1970-71, 1971-72.clubs -- kew east (vic.), east kew women's club

Magazine Special Editionnon-fictionThis picture-book magazine is special edition of The Australian Women's Weekly featuring a selection of native Australian animals, birds, trees & flowers.

This is a local history book produced by a local sporting club.A spiral bound book of 18 pp with a yellow cover. It is titled Orbost Women's Hockey Association 63 to 93. There are hand drawings on the front cover.sport recreation hockey-women's-orbost

104 page paper covered book. Through women's eyes at pioneering days / compiled by B. Leitch for the B.P.W. Club Wangaratta. ISBN 0958970416Written at top of title page: "Jeanette D Jasper"pioneer women, north east victoria, wangaratta

This journal is the first issue of the Women's Art Forum, a women artists' collective established in 1978 (Melbourne, Australia), in connection with the Women's Art Register.The Women's Art Register is an Australian collection of national significance, documenting the work of Australian women artists from the 19th, 20th and 21st centuries.First issue of the Women's Art Forum, reporting on the state of feminist art in Australia in 1978. 100 pages. B/W text and illustrations. Articles include artist drawings, stories, histories of women artists, and reports, advocating and representing Australian women artists.Published by the Women's Art Forum of Victoria. Printed by Sybylla Co-operative Press Ltd.

Life Governor certificate in gothic script produced by the Royal Women's Hospital in 1960. The crest of the Hospital is at the top. Information about the recipient is followed by signatures of the President, Vice President, and the Manager/Secretary.nellie may ferguson, royal women's hospital -- certificates

A short history of the Country Women's Association of Victoria 1928-1978. 76 pages, black and white photographs. Soft cover.country womens association of victoria

An early edition of The Australian Women's Weekly with Danny Kaye on cover.Content of articles and advertisements illustrates popular culture of the period.1 April 1959 issue. 72p., col. cover.magazines, the australian womens weekly

Two small books written or edited by Miriam Faine and illustrated by David Pearson. Produced by Migrant Women's Language Centre, NMCOT, with support from Victorian International Literacy Year Secretariat. The book "School" relates the experiences of four women from various cultures.2 books, 12 and 16 pages. Hand drawn illustartions.Both books are stamped withNMCOT Library Network stamps.english as a second language, literacy, migrant women's language centre, nmcot, nmit,

Official program, rules, and local teams for Women's Golf Victoria Pennant competition 2001.Collection of administrative recordswomen's golf, associates, ladies' golf, pennant

This document was produced in 1989 by the Pulp Mill Women's awareness Group to inform the community and raise awareness of the pulp mill proposed for Orbost. Chair of the group was Heather Richardson and secretary was Beryl FearnleyThis document is a useful reference on the pulp and paper mill issue which caused much concern in the community and resulted in the formation of several new community groups.A 4 pp document with plastic binding. Document contains research on the proposed Orbost pulp mill.In top left corner -PULP AND PAPER MILL RESOURCE CENTREpulp-mill-orbost

256 pages.

Wangaratta RSL Sub branch Women's Auxiliary Honour Board of Treasurers from 1955 to present day On the 18/5/2018 the Women's Auxiliary celebrated its Centenary and is believed to be one of the oldest if not the oldest RSL Women's Auxiliary in Victoria.Brown timber look laminate five sided with RSL Women's Auxiliary crest with one column of names in gold coloured paintWangaratta Sub Branch Women's Auxiliary Treasurerswangaratta rsl sub branch, women's auxiliary treasurers

20 page Magazine photocopy in black and white with following contents where the first figure is the page number and this is followed by the article title then the author.#40 3 News from the Register 4 Unique artworks by Melbourne “re-emerging “ artist. Veronica Caven Aldous 5 Art among the guntrees – an unusual gallery at Tanja Kerry-Anne Cousins 6 Karen Ferguson’s Pear Tree (memento mori) Penny Peckham 7 Plus, Loris Button, Sally Miller & Maryanne Coutts Dr Nola Stratford 9 Women’s Suffrage in Victoria – Exhibition Margaret Gurney, A bare and beautiful exhibition 10 Art and Healing, paintings by Rosemary Mangiamele- Julianne Lewis 11 Sufferance: women’s artists’ books State Library of Queensland 12 Wise Reflections Dr Alison Richardson 14 Give up today… Naomie Sunner 15 Opportunities 17 Back issues 19 Membership details veronica caven aldous, kerry-anne cousins, karen ferguson, penny peckham, loris button, sally miller, maryanne coutts, dr nola stratford, margaret gurney, rosemary mangiamele, sufferance: women’s artists’ books state library of queensland, dr alison richardson, naomie sunner

Refer Cat 8021 for details re Bendigo Women’s Auxiliary.Framed certificate, frame is plastic, black with gold colour edge, certificate whitish background, all print blue and black, at the top badge of “RSL Women’s Council of Victoria” followed by details of the certificate.Main points. “Presented to Bendigo Auxiliary as a token of esteem and in grateful recognition of valuable services rendered as an Auxiliary for 60 years of the RSL Women’s Council” - “Year 1996” “Judy Murdoch - President RSL Women’s Council” “Joan Russell - Secretary RSL Women’s Council”brsl, smirsl, auxiliary, wabrsl

28 page Magazine photocopy in black and white with following contents where the first figure is the page number and this is followed by the article title then the author. #44 
19 2 Heads are Better than 1 Judy Bourke
 22 A Dark and Merry Dance - Mona Ryder Ingrid Hoffmann Arts Writer
 28 Advertising rates
 17 Artist Statement Dragica Milunovic 
7 Art for Community Enjoyment. -
The Majura Women’s Group Project Kerry-Anne Cousins 
26 Arts Residencies in Asia 2009
 6 From Mao to Now Denise Keele-Bedford
 10 I call myself an artist. Carmel O’Connor
 14 Josie Telfer - Nine Waves Richard Perry
 18 Nature and Change Ev Hales
carmel o'connor, judy bourke, ingrid hoffmann, mona ryder, dragica milunovic, kerry-anne cousins, denise keele-bedford, josie telfer, ev hales, margaret gurney, anna glynn, lea kannar, janet goodchild chuffley, desiree radi-mansbridge, sayraphim lothian, noela stratford, sasha grishin, annette vincent, women's art library london, annette iggledon, gail stiffe, althea greenan

28 page Magazine photocopy in black and white with following contents where the first figure is the page number and this is followed by the article title then the author.#43 3 News from the Register Gail Stiffe July 2008
25 Nude Margaret Gurney
5 Parallel Dreams Anna Glynn
24 Reflection Helen Clancy and John Bainbridge
13 Success for one of our members Lea Kannar
9 Tin Sheds Gallery, Malmsbury Janet Goodchild-Cuffley and
Desiree Radi-Mansbridge
26 Totem Sayraphim Lothian
12 Travelling: Time, Place and Translation:
1 998 – 2008 Noela Stratford
19 Warringah Printmakers Sasha Grishin
21 Water Ghosts Annette Vincent,
15 Women’s Art Library Gail Stiffe and Althea Greenan
7 Words and Images Annette Iggledonmargaret gurney, judy barrass, kate hendry, jan delaney, irina kuzminsky, ramona barry, kevin murray, ellen michel, francesca mataranga

Soft cover book showing a number of prominent women on the front cover.non-fictionThe book features four self-guided walking tours and historical sites including maps, tied to prominent women in Melbourne.melbourne, prominent women

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A pressed metal fundraising button released in 1919 to support the Royal Women’s and Queen Victoria Hospitals. In June 1919, The Argus reported that a ‘A well attended public meeting was held at the Town Hall yesterday afternoon to complete arrangements for the Button Day on June 27 in aid of the Women’s and the Queen Victoria Hospital. The Button Fund committee desires it to be known that several busy city sections are still vacant and that further offers of help in the sale of buttons will be welcomed’. It would appear that different buttons were released on the same day to support different hospitals in various urban and rural locations in Victoria."Women’s Day / Women’s Hospital 27th June 1919 [&] Queen Victoria Hospital"patriotic buttons, first world war (1914-18), royal womens hospital, queen victoria hospital, button fund

76 pages.

72 pages.

Small metal Women's Auxiliary Badge. No claspWomens Auxiliary RSSA I.L.A. Stokes

This book by C.E. Sayers details the history of the Royal Women's Hospital from the time of its foundation as the Lying In Hospital in 1856.It includes information on doctors and nurses and managerial staff connected with the hospital. Some Warrnambool medical staff in the past have been connected with the Women's Hospital. Apart from its detailing of the history of an important institution in Victoria, this book is of particular interest to the Warrnambool and District Historical Society because William Dixon Saltau (1894-1970), born in Warrnambool, was the Medical Superintendent of the Women’s Hospital from 1924 to 1951. Dr Saltau was the son of Marcus Saltau (M.L.A.) and his wife Jean and the grandson of Henry Saltau who came to Australia in 1860 and who founded in the 1870s the Warrnambool firm of Saltau and Son, general carriers, coal, wood and produce merchants and forwarding agents. Dr Saltau’s father Marcus was Mayor of Warrnambool and a generous benefactor of the Warrnambool Hospital (Marcus Saltau House and Jean Buick Saltau Maternity Ward). Dr Saltau was educated at Warrnambool Academy (Richard Lawson, Headmaster), Scotch College, Melbourne and Melbourne University. He specialized in obstetrics and gynaecology and practised in England, Adelaide and Melbourne. .This book is of general historical interest as it describes the history of the Royal Women’s Hospital in Melbourne and because a Warrnambool identity, Dr William Dixon Saltau, was the Medical Superintendent of this hospital for 25 years. His name is listed in this book. This is a soft-cover book of 170 pages printed in 1976 and giving the history of the first 100 years of the Royal Women’s Hospital, Melbourne. It has a white cover of thick paper with the emblem of the hospital on the front in blue, red, black and white. There is also a dust cover with the same material on it. The book has 26 Chapters and ten Appendices, an Index, a Foreword and an Introduction. It has a black and white sketch of the entrance to the first hospital and portraits of the two medical founders of the hospital. The pages have been bound using glue.Melbourne The Royal Women's Hospitalwarrnambool medical staff, royal women’s hospital, melbourne, saltau family, warrnambool, dr william dixon saltau, statement of significance

This is the story of the women of the bush, women who performed more than the traditional duties of wife and mother. They worked alongside their men, through good/times and bad and they were rare to complain. Six former country women of the Portland/Heywood district provide us with a snapshot of life as it was from the 1920's through to the 1960's. They speak about their own and their mother's lives, lives which have experienced the greatest material and personal changes in history. The story of the 'Remarkable Mary Stuchbery' details the struggles of a wife and family whose husband/father contracted polio shortly after returning from WWII service. Garry Kerr has produced a series of local history stories, initially for the Heywood [history group] and more recent items privately.The material contained in these interviews provides a first-hand insight into the experiences of women who were involved in carving farms from virgin bush. Their recollections of work, social activities and opportunities for their children are an invaluable primary source.Full colour DVD cover featuring image of old hip-roof weatherboard house with front verandah and skillion roof to rear with stone chimney attached to outside. Corrugated iron roof is rusty. To the left is an outbuilding. Picket and wire fencing is in the foreground, background has large cypress tree to left and gum to right. At the bottom is a series of three black and white images showing (L-R) three women in working clothes and a woman holding a baby; woman chopping wood; woman milking cow with young boy standing beside her. The back cover is yellow with images of the seven women featured showing coloured images of the interviewees beside black and white images of the interviewees when young. DVD features the same images as the front cover.Garry Kerr's LOCAL HISTORY Series 5/On Our Selection/The/Women's/Story/Produced by Garry Kerr (front) WOMEN WERE THE UNSUNG HEROES OF THE BUSH/This is the story of the women of the bush [see historical information] ... Running time 74 minutes/Plus an additional 30 minutes of/'The Remarkable Mary Stuchbery'

Blue coloured soft cover with the title in white lettering. A blue and white crest with yellow lettering is located at the top centre of the front cover. A larger version of the same crest is located in the centre of the back cover. 143 pages with cut edges and black and white photographs and illustrations.non-fictionThe book details the history of the Australian Women's Army Service and the Albury Army Areaaustralian women's army service, bandiana museum, albury army area, major thomas b. williams, army history