East Jubilee Gold Mining Company share receipt issued on March 3rd 1897, to Mr Cork (manager of Bank of NSW at Linton) for a charge of one pound. Found in attic of Linton Bank of NSW.White, oblong paper receipt, with block printing, dated March 3rd 1897."Scarsdale March 3rd 1897/Mr Cork/One/thirteenth share/1-0-0 in East Jubilee G.M. Coy/H. Blarneepi/Hon. Secy".mr cork, east jubilee gold mining company, m.c. blarneepi

Commemorative medal made for the 1897 Diamond Jubilee of Queen Victoria. Two portraits of Queen Victoria on the face, one as a young girl, the other an older, veiled woman. The medal originally had the words "Queen Victoria's 60th Year of Reign 1837 to 1897" around the perimeter of the face, however the medallion is so worn that the words are barely visible. The reverse has the Australian Coat of Arms, within a diamond shape. The words "Diamond Jubilee / Australia's Celebration" are around the perimeter (barely readable due to wear). A small crown is above the Coat of Arms and the date "1897" is below it, these are also barely visible due to wear. The medallion appears to have been of gilt plate, however only small areas of gilding are left on the reverse side. Found in the ground by Geelong Bottle Club Prospectors.Round bronze coin, small hole at top, with two faces of Queen Victoria on obverse, and the Australian coat of arms on reverse.On face: "Victoria - 1837-1897". Reverse: "1897-Diamond Jubilee Celebration Australia".queen victoria, diamond jubilee celebrations, medals

research material for 1914-1918 RemembranceResearch Material 1914 - 1918 Remembrance DayPapers and research Materials for 1914 - 1918 Remembrance Day1914-1918 remembrance

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.Small circular pressed tinplate badge featuring the words “Hospital Day 1918’ on a white heart overlaid on a red ground. The badge is bordered in gold. Hospital Day badges were sold for fundraising purposes during and after the First World War (1914-1918)."Hospital Day / 1918"patriotic buttons, hospital day, badges

In Loving Memory of Annie Lyon Widow of the late Andrew Lyon of Mildura Died 12th March 1918 and of Helen Bird Widow of Arthur Andrew Bird Daughter of Annie Lyon Died 4th July 1993 Aged 96 yearsRoll of 35mm colour negative film, 6 stripsKodak GC 400-9andrew lyon, annie lyon, arthur andrew bird, eltham cemetery, gravestones, helen bird (nee lyon)

Small Christmas card produced for the Australian Comforts Fund, Christmas 1918. Christmas & New Years Greetings, 1918-19, with scenes of battles at Villers-Brettonneux and Hamel, and views of a captured tank and a 14cm. gun. Produced by Raphael Tuck & Sons, Publishers to the King and Queen.These cards were sent by service personal serving overseas to family members back home.l Sent by J.L.Mcintre while on active service in France to his loved ones back home.Christmas card with blue and black lettering Australian Comforts Fund Christmas & New Years Greetings, 1918-19, Produced by Raphael Tuck & Sons, Publishers to the King and Queen. The card depicts four scenes from the First World War: Australians Advancing from Villers-Brettonneux August 8th 1918, A German tank captured by the Australians near Villers-Brettonneux, Capture of Hamel Village July 4th 1918 by Australians assisted by a detachment of Americans, Captured by The Australians a 14 C.M. German Naval Gun intact with its Train & Equipment.Australian Advancing from Vlllers-Brettonneux.August 8th 1918. From Original specially painted for the Australian Comforts Fund by Captain Will Longstaff.A.I.F.War Artist.

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.Circular pressed tin button featuring the Red Cross flag. Beneath the flag is a two-tiered scroll with red text ‘Australian Red Cross Appeal 1918’, against a gold background with a white and red border."Australian Red Cross Appeal 1918"patriotic buttons, first world war (1914-18)

This book mark was issued by Cramond & Dickson's store Warrnambool to honour Queen Victoria's Diamond Jubilee in 1897. The Cramond & Dickson's store was established by John Cramond and James Dickson in 1855 and closed in 1974. The first store was in Timor Street and later moved to the corner of Liebig Street and Timor Street in 1865 . They opened a branch store in Poultry Lane in London in the 1880s. Queen Victoria ruled from 1837 to 1901. This card has social significance showing the deep ties that Warrnambool people in the 19th century felt they had with Queen Victoria and the British Empire.A sheet of cream coloured paper in the shape of a book mark with scrolled edges, gold coloured writing and a coloured image of Queen Victoria on one side and the words of God Save the Queen and some musical notation on the other side . DIAMOND JUBILEE SOUVENIR 1837- 1897 With Messrs. Cramond & Dickson's Compliments cramond and dickson's store warrnambool

This Bank Manager’s Diary is one of a set of five Bank of Australasia, Warrnambool branch, diaries that span the years 1895 to 1899. A Butt was Manager from 1895-1904 and J R McCleary was Accountant and Acting Manager for 12 months, until 1900. Either or both of these men could have filled in the bank’s Diary. Each of the diaries in the set was manufactured by the famous Melbourne stationers, Sands & Mc Dougall Limited. The business was established as a printing partnership in 1851 by John Sands and his brother-in-law Thomas Kenny, and in 1860 Dugald McDougal joined them. The firm was re-named Sands & McDougall a year later after Kenny retired. The company was renowned as stationers, booksellers, printers and account book manufacturers and by the 1870s was one of the largest businesses in Australia. The Bank of Australasia was incorporated by Royal Charter of England in March 1834. It had its Australian beginning on 14th December 1835, opening in Sydney. The Acting Superintendent of the bank at that time was David Charters McArthur. He was Superintendent from 1867 to 1876. The Melbourne branch opened on 28th August 1838 in a two-roomed brick cottage on the north side of Little Collins Street. By 1879 the bank had been upgraded to a magnificent two-storey building on the corners of Collins and Queens Streets, with the entry on Collins Street In 1951 the Bank of Australasia amalgamated with the Union Bank to form the Australia and New Zealand Bank, now known as the ANZ. Then in 1970, the ANZ merged with both the ES&A and the London Bank of Australia to form the ANZ Banking Group Limited. The ANZ Banking Group Ltd kindly donated a variety of historic items from the Bank of Australasia. BANK of AUSTRALASIA, WARRNAMBOOL – In 1854 Warrnambool had two banks, the Union Bank and the Bank of Australasia. Later, completely different bank businesses opened; in 1867 the National Bank of Australasia, then in 1875 the Colonial Bank of Australasia. The original Warrnambool branch of the Bank of Australasia was established in July 1854, and operated from a leased cottage on Merri Street, close to Liebig Street. The bank next bought a stone building previously erected by drapers Cramond & Dickson on the corner of Timor and Gibson Streets. Samuel Hannaford was a teller and then Manager at the Warrnambool branch from 1855 to 1856 and the Warrnambool Council chose that bank for its dealings during 1856-57. In 1859 Roberts & Co. was awarded the contract to build the new Bank of Australasia branch for the sum of £3,000; the firm built the Warrnambool Post Office in 1856 and purchased land in Timor Street in 1858. The land was on a sand hill on the northeast corner of Timor and Kepler Streets and had been bought in 1855 by investor James Cust. The new building opened on May 21, 1860. The bank continued to operate there until 1951 when it merged with the Union Bank to form the ANZ Bank, which continued operating from its Liebig Street building. Warrnambool City Council purchased the former Bank of Australasia building in 1971 and renovated it, then on 3rd December 1973 it was officially opened as the Art Gallery by Cr. Harold Stephenson and Gallery Director John Welsh. The Gallery transferred to the purpose-built building in Liebig Street in 1986 and the old bank building is now the Gallery club. Staff at the Bank of Australasia in Warrnambool included the following men but others were also involved: Samuel Hannaford, Teller then Manager from 1855-1856; Hawkins, Manager in 1856, W H Palmer, Manager from January 1857 until November 1869 when the Teller Basil Spence was promoted to Manager; H B Chomley, Manager from April 1873 and still there in 1886; A Butt, Manager in 1895-1904; J R McCleary Accountant and Acting Manager for 12 months, until 1900; A Kirk, Manager 1904; J Moore, staff until his transfer to Bendigo in December 1908; J S Bath was Manager until 1915; C C Cox, Manager until April 1923; Richard C Stanley, Manager 1923 to April 1928. The set of diaries has significance through its association with the Bank of Australasia. The early Australian bank was established in 1834 by Royal Charter and opened in Sydney, Australia, in Sydney in 1835. The bank had many Australian offices in November 1877, particularly on the east and south coasts. Victoria had 45 per cent of all Offices. The set of diaries is locally significant for its association with the Warrnambool Bank of Australasia, which was established in 1854. It was Warrnambool Council’s first bank. The bank continued to operate until the organisation's merger in 1951 when it became the ANZ Bank Group today. The Bank was an integral part of the growth of local commerce and the community.Bank Manager's Diary, 1897. One of a set of five diaries of the Bank of Australasia, Warrnambool, from 1885 to 1899. Printed label attached on front endpaper. Manufactured by Sands McDougall Limited, Melbourne.Printed on spine "DIARY / 1897" Printed on label in blue ink "NO. __ Date __ 18 __ / Sands & McDougall Limited / Manufacturing Stationers / 365 Collins Street / Melbourne" "IN RE-ORDERING THIS BOOK IT IS NECESSARY THE NO. & DATE ONLY"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, bank of australasia, boa, union bank, australia & new zealand bank, anz bank, commerce, david charters mcarthur, d c mcarthur, bank of australasia warrnambool, sands & mcdougall, diary, set of 5 diaries 1895-1899, 1897, samuel hannaford, w h palmer, basil spence, h b chomley, a butt, j r mccleary, a kirk, j moore, j s bath, c c cox, richard c stanley

Stawell Baptist Church Choir 1897. Twenty one members of the choir are grouped outside the doors of the Baptist Church. Black & white photo of group of people formally dressed outside the Baptist Church. Eight people are seated with thirteen standing behind. U.M. Harris Stawell Baptist Choir 1897.stawell

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. Alfred W. Day, Mayor of Kew 1897-8. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Alfred W. Day, Mayor [of Kew] 1897-8mayors of kew (vic), cr. alfred w. day, australian photographers - josiah earl barnes, kew (vic.) — municipal collection

On the 18th August, 1896, the question of selecting localities for the permanent survey of a narrow-gauge line to Beech Forest from Colac was mooted. Two potential lines were examined. In a memorandum to the Minister for Railways, dated 23rd March, 1897, the Engineer-in-Chief recommended that the eastern and longer route via Lardner's Track be adopted. The second route, while identical from Colac to Gellibrand River, differed. By a more direct route the Beech Forest terminus is reached 5 miles sooner and cost approximately L24,500 less. The direct line would also serve a larger lot of settlers and would obtain a larger lot of traffic than the alternate proposal. The Parlimentary Standing Committee on Railways examined the proposal in situ and recommended that the direct route from Gellibrand to Beech Forest should be adopted and the Lardner's Track route should be abandoned at once.Photograph, Railway Survey Camp, 4 April 1897. Inspection of alternative routes by Parliamentary Committee on Railways.People named in the photograph.beech forest; railway; survey; victorian parliament; calcutt; fraser; e.h. cameron; d. mciville; a. harris; n. mcinnes; j.s. white; j. wood; t. baker; j. gardner; t.g. watson; standing committee;

Queen Victoria diamond jubilee celebratory medals were presented to district school children and to the Shire of Buninyong president 18th June 1897Bronze medal with Victoria's coat of arms on the front and portraits of Queen Victoria on the rear.Front- Shire of Buninyong, F.E. Sides, J.P., President, Victoria 1897 Rear- Queen Victoria's 60th Year of Reign 1837 to 1897shire of buninyong, queen victoria, medal

Murtoa Concordia College 1897 I half year report certificate for student Bernhard Schultz. Results necessary to enter University of Melbourne. Murtoa Concordia was an elite school along with Scotch College (1851) Geelong Grammar (1857) Melbourne Grammar (1858) Geelong College (1851) Wesley College (18650 Xavier College 91875) Methodist Ladies College (1882) Presbyterian Ladies College (1875) Melbourne Girls Grammar (1893)possibly the only report card from Murtoa Concordia College still in existence. Shows scope of subjects taught in 1897 curriculumphotocopy of white paper bordered in black with floral and fauna in cornersmurtoa concordia college certificate for bernhard schultz I half year 1897 commercial & matriculation classcollege, murtoa, matriculation, murtoa concordia college, report card, 1897

The road to 'The Chalet' 1918. Olinda The descriptive text on the reverse of this photograph was hand written by John Lundy-Clarke.The Chalet Road 1918. Linking Coonara Road and McCarthy’s Road.the chalet, chalet road, coonara road, mccarthy's road, olinda

Four color pages card Advance from Villers-Bretonneux 8/8/1918 & Capture of Hamel 4/7/1918 & Captured German Tank .Page 1: Australian Advancing from Villlers - Bretonneux 8/8/1918 drawing of soldiers in action. Page 2 : Villlers - Bretonneux Start of the German attack 8/8/1918 Picture of captured German tank by Australians. Page 3 : Capture of Hamel Village 4/4/1918 by Australian. From color Paiinting Australian Comfort Fund by A. Pearse War Artist. Pages 4 : Australian capture A 14 C.M. German Naval Gun intact with its Train and Equipment. Greeting from.................cardboard card, world war 1, greeting card

Handwritten reference for John Graham. Reference was written by Constable in Charge D. Barry and dated 22nd September, 1897Text: " Linton Police Station / 22nd September 1897 / This is to certify that the bearer John Graham / (junior) who is known to me during the last twelve / years is a sober, steady, honest, industrious, / well conducted, and respectable young man. "john graham, d. barry, linton police station

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A group portrait of the Choir of Holy Trinity Church in 1918. During this period Frederick Mewton was the Organist and Choir Master."Holy Trinity Church Choir, 1918. Frederick Mewton, organist and choir master"holy trinity church (kew), dorothy rogers

Issue no 233 - 229 of The School Paper Jan - Nov 1918, 11 Editions. This binder with copies of The School Paper was owned by Roy and Wilfred Marriott, children of one of the pioneer families of City of Moorabbin.Issued by the Education Department of Victoria, printed Albert J Mullett, Government Printer, Melbourne 1918 Issue No 223-229 of The School Paper January – November 1918 This School Paper was owned by one of the pioneer families of City of Moorabbin, EDUCATION DEPARTMENT VICTORIA / SCHOOL PAPER / For Grades V and VI (1918); Issue no 233-229 Ed. Dept of Victoria / Poetry Number Signed W Marriott education, victoria, australian history, victorian education department, marriott, moorabbin, bentleigh

1918 Peace Procession at Queenscliffeblack and white photographs of people & fishing boats involved in the 1918 Peace Procession at QueenscliffeRefer Notes section for detailslifeboats, 1918 peace procession

Print in wooden frame under glass Signals in Action 1914 -1918Signals in action 1914 -1918 By Ivor HELE CBE

A greeting card published by the Australian Comforts Fund for Christmas and New Year 1918-19. It shows important battles involving Australians in 1918. A painting of Villers Brettonneux battle on 8 August 1918 by Captain Will Longstaff who was an A.I.F. War Artist with an explanation of the offensive. Also a painting of the capture of Hamel Village on 4th July 1918 where Australians were assisted by a detachment of Americans. The war artist was A. Pearse. Was with other World War 1 memorabilia that has come from J.B. McLean. Some of the text: 'On the night of 24th August 1918, the Australians made a daring and clever counter attack in the darkness, recaptured Villers-Brettonneux, stopped the German advance and saved Amiens. This, and the Battle of Hamel, were only a prelude to the smashing advance which commenced on 8th August. Extract from Australian Corps Order, issued on 7th August:- "For the first time in the history of this Corps all five Australian Divisions will tomorrow engage in the largest and most important battle operation ever undertaken by the Corps." 85,000 Australians were engaged (with Canadians on their right and British Divisions on their left), supported by powerful artillery, tanks and aeroplanes. In this battle 7,000 prisoners, 150 guns with an immense number of machine guns and war material were captured. On August 31st and September 1st and 2nd Mont St. Quentin and Peronne fell to the Australians in three days, defeating the flower of the Prussian Guard.'A example of publications made for the troops in World War 1.A greeting card published for the Australian Comforts Fund in 1918.Greetings from Billworld war one, souvenir

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. H.W. Tompkins, Mayor of Kew 1918-20. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.H.W. Tompkins / Mayor 1918-20mayors of kew (vic), australian photographers - josiah earl barnes, cr. h.w. tompkins, kew (vic.) — municipal collection

London : Proprietors of the Illustrated London News, [1897] 54 p. : ill., maps, ports. ; 41 cm. non-fictionPart of rare book collection.victoria queen of great britain 1819-1901, great britain -- history -- victoria 1837-1901.

Taken on Cup Day on 9 Nov 1897Early Bayswater photographGroup Photo Sepia Fixed to mounting board. Photograph of 5 young ladies with a young girl sitting on logs in a bush setting. A note on the reverse side indicates that the photo was taken on Cup Day at Bayswater on 9 Nov 1897. Photo Size: 140mm X 97mm. Mounting Board Size: 165mm X 105mm.Cup Day 9/11/97 Bayswaterbayswater cup day 09/11/1897

Christmas Card, 1918 “Fondest Love Bert” handwritten on front Inside - Greetings from 1st Australian Divisional Headquarters Staff - In the Field Sketch of Red Chateau, Villers BretonneuxBeige cardboard folded in half with rising sun and decorative emblem on front and sketch of trees on rear.Christmas 1918 Fondest Love,Bert1918, 1st australian divisional headquarters, red chateau, villers bretonneux, christmas card