KooringoramaLaser-printed copy of black and white photographmarket-gardens, markets, produce, kooringorama

KooringoramaLaser-printed copy of black and white photograph

12 man Iron Quoits team includes George & Charlie Harwood.ballarat trades hall, quoits, sport, people, george harwood, charlie harwood

Reproduction slide of a photograph of a cable tram, trailer number 201, with the destination or Carlton with the grip man and conductor standing in front of the tram. Both are young men. The conductor is adorned with his safety pins and trip slips, that he would punch a hole in when he sold or collected a fare. The bell punch would sound a bell to indicate the fare had been collected. There is a church yard in the background.Demonstrate cable tram uniforms and cable tram trip slips that were used to account for fare collection.Kodachrome cardboard duplicate slide - Black and white - reproduction - Carlton cable tram and crews - 1910s? "CB7" in penciltrams, tramways, cable cars, cable trams, carlton, bell punch, unifoms, crews, grip men, conductors

A view of Main Street Greensborough taken in the 1910s.Digital copy of black and white photograph.main street greensborough

Australian wharf in the 1910s. On the rooftop we can read: -TED / HUDDART PARKER & CO. Inside the dock we can see barrels and bags. siddeley street institute, australian-wharf, huddart parker, walter richmond butler (1864–1949), goldsmith album

Plenty Bridge Hotel Lower Plenty, 1910s. This photograph shows a group of travellers with a Victorian Railways bus outside the Plenty Bridge Hotel circa 1910. A day trip to the countryside was a popular pastime for city dwellers.Digital copy of black and white photographlower plenty, plenty bridge hotel, lower plenty hotel, victorian railways

Sash thought to have been worn by Clarendon Ladies College old collegian in 1910s. The sash was donated by Berenice McDade on behalf od Gladys Forsyth (CLC 1919) and Dorothy (Johns) Lawrence (CLC 1918). The sash is accopanied by two rolls of school ribbon featuring navy centre band with fine gold edge and white border. Wide silk sash featuring narrow black border, centre band of various widths of black and silver and wide side bands of navy blue. berenice-mcdade, gladys-forsyth, dorothy-johns-lawrence, uniform, sash, ribbon, 1910s, clarendon-ladies-college

Used on MMTB caps until the early 1980s, with their operations or their assigned personal employee number or crew number below. Used from the late 1910s.Demonstrates a MMTB cap badge.Badge or cap badge, nickel-plated brass? for MMTB caps - letters TB combined together. Has two metal lugs soldered onto the rear to enable it to be fixed into a cap. In the middle on the rear the manufacturer's name "STOKES" is stamped into the badge. Set of 2. tramways, trams, mmtb, operations, badges, crews, drivers, conductors, personnel, employees

From its beginnings in 1958, the Society has mounted exhibitions and/or displays, in early days in shop window and in community spaces located in the Kew City Hall (later Kew Library), and since 2010 at the Kew Court House. Exhibitions typically coincided with the annual Kew Community Festival in March, but after 2013 evolved into three new exhibitions yearly at the Kew Court House. Smaller displays continue to be mounted in the Kew Library. Display of seven costumes from the Weir collection dating from the 1910s, 1920s and 1930s used as a display at the 11 April 2018 monthly meeting at which the speakers were Jillian Rigby, Robert Baker and Suzanne McWha. The topic was the Weirs of Princess Street (Kew). The dresses form part of the Kew Historical Society Australian fashion collection and are catalogued individually.weir collection, women's clothing, kew historical society - meetings, australian fashion - 19100s - 1910s - 1920s - 1930s

Cream coloured raw silk dress. Lower part of skirt hand-embroidered with floral design. Black and white striped silk collar and placket at front opening with 17 black decorative buttons. Two rows of thick cording insetred into casings around waist area which control the gathering in the skirt.silk, embroidery, 1910s

This ladies suit belonged to an elderly neighbour of the donor, Margot Miller, who lived in Black Street, Brighton in the 1970s. The neighbour had offered Margot a selection of her old clothing, dating from the early 20th century, as she wanted somebody to hold onto and care for the items after she died. Before Margot could take the items the neighbour was moved into a nursing home and, while cleaning out the house, the woman's son took the clothing to the tip with a load of rubbish. Margot happened to see him leave and was able to follow him and retrieve the clothes. They remained in the Miller family for many years; some were worn by Margot's daughters and some were ultimately passed on to others. Based on our research, we believe that the suit's original owner may have been Julia Richards (nee O'Keefe, c. 1882-1976), who lived at 59 Black Street during this time. Born in Ireland, Julia emigrated to Queensland in 1900. She married William Alfred Richards in 1911 and lived with him in Ayr, near Townsville, where they ran a hotel. It is unclear what became of William, but by the mid-1920s Julia and her two children were living in Brighton, where she remained until her death in 1976, aged 94.Cream wool ladies suit consisting of a jacket and skirt. Jacket is partially lined with silk, quilted around shoulders. Fastens with four self-covered buttons, one attached to a belt. Two box pleats at front and back, each featuring four decorative self-covered buttons at the waist. Upturned cuffs, each with two buttons. The skirt features a fabric belt and triangular pockets in each side with decorative self-covered buttons. Hook fastenings at side.1910s, women's suit, julia richards

Letter stating Resolution by Citizens of Sale passed at a meeting regarding high prices of food and sent to various Councils.Small printed letter from Town Clerk of Borough of Sale"Borough of Sale/Dear Sir/ I have the honour..."1910s, shire of bulla, george evans collection

Chad Valley produced fine hand-cut wooden puzzles in the 1920s and 1930s. A UK-base dcompany they commenced as a printing business in 1820. They diversified into toys including teddy bears and games from the late 1910s. It is interesting to note that the A.A. Milne Winnie-The-Pooh' books were first published in 1916, 1927 and 1928. 120-piece Chad Valley wooden jigsaw puzzle. Made at Harborne, UK, circa late 1920s. In original book-shaped box with Winnie-the-Pooh on one side and an owl on the reverse. Complete. This puzzle was a gift of Enid Barker of Derby Street, Kew.Jig-Saw Puzzle / 120 wooden pieces / Chad Valleychad valley, winnie-the pooh, games and puzzles, jigsaw puzzles

A boudoir cap was popularly worn in the nineteenth and early twentieth centuries In its original form, the boudoir cap was worn over undressed hair, It was designed to be worn in the privacy of the boudoir with negligees or nightwear.[andwas often made from lightweightfabrics such as muslin or net and trimmed with silk ribbon and lace. In the 1910s and 1920s, it was used to protect short hairstyles whilst sleeping.This item is an example of a piece of clothing no longer in fashion.Hand crocheted boudoir cap. Light blue thread crochet on top. Fine piece of fabric around centre. Blue and pink border. wire inserted into cap at sides.cap costume-female boudoir-cap handcrafts crochet sleepwear

This is a works diary used in 1916 for jobs to be carried out by the Shire of Bulla.Green cloth bound book with gold lettering."Works Diary/1916"1910s, shire of bulla, jobs, george evans collection

Australian Commonwealth Military Forces Second World War recruitment poster. Released in 1941 before Japan had entered the war, at a time when many Australians were reluctant to enlist to fight on the other side of the world. James Northfield (1887 - 1973) was an Australian graphic artist active from the 1910s through to the 1960s .Northfield created a series of patriotic posters during World War IIDepicts a man donning a uniform, rifle in one hand, his civilian clothes lie in heap on the ground behind him.Full text; Join the AIF: This is serious! Enlist Nowrecruitment poster, ww2, james northfield

This clear, green tinged, Half Whirley (or Whirly) salad oil bottle has been handmade by a glassblower from 1870s-1910s. A bottle with such elaborate decoration would have been sought after as there was no need to decant the sauce into another jug or bottle to make it acceptable for table service. It is possible that this bottle was recovered from the Loch Ard, wrecked in 1878. A diver found the bottle on a shipwreck in the coastal waters of Victoria about 100 years from when it was made. The diver who found this bottle has recovered objects from several different shipwrecks between the late 1950s and early 1970s. A sizeable proportion of those objects was from the wreck of the famous clipper ship Loch Ard. This salad oil bottle may very well have been amongst that ship’s cargo. It is part of the John Chance Collection. A paper titled ‘Glass Bottles from the Loch Ard Shipwreck (1878): A Preliminary Study’ by Iain Stuart, (published in Australian Historical Archaeology, 9, 1991) included a study of twelve salad oil bottles from the wreck of the Loch Ard. The bottles were of this same Half Whirley design (half meaning that it was Whirley on the upper half but not on the lower half of the body), as well as the same colour and size. A diagram of one of these twelve bottles matches the bottle in our collection. The paper mentions that eleven of the twelve bottles have a number on their base, just as this one has. It is estimated that foreign and salad oil bottles totalled four percent of all of the bottles carried as cargo on the ship. The Half Whirley bottle has side seams from below the lip to the base, indicating that the bottle was made in a two-piece mould that included the heel, body, shoulder and neck. The fancy ‘whirly’ twist pattern and panelled sides would have been cut into the mould’s inner surface. The uneven thickness of the ridge around the base comes from adding a separately moulded and embossed base after the bottle was removed from the mould. The applied finish (mouth and lip) was also added to the bottle. The elongated bubbles in the glass are evidence of the glass being mouth blown into the mould, thus forming the shape and pattern from the inside shape of the mould. The bottle probably had a glass stopper with a round top and wedge-shaped shank with a ground surface, allowing the bottle to be re-sealed. The ring between upper and lower lip allows the closure to be sealed and anchored. The embossed numbers are either “133” or “833” and may represent a particular bottle pattern, manufacturer or filler. Although the bottle is not currently linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 19th century. This whirley salad oil bottle is matches the whirley salad oil bottles recovered from the Loch Ard in the 1990s, adding depth of interpretation to the array of salvaged Loch Ard artefacts in Flagstaff Hill’s collection. The salad oil bottle is an example of the type of food condiment containers that were used in Victoria’s early days. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks, including the Loch Ard, have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle; glass Half Whirley salad oil bottle, green-tinged, with some opalescence. Handmade, elaborately decorated bottle with round neck and base, and five-sided body. Applied double lip; straight upper, flared lower. Lower neck and shoulder have twisted spiral whirley pattern in glass. Body tapers slightly inwards towards base. It has five plain panels, one wider than the others. Side seams run from below lip to the heel. Hell of bottle is uneven in width, height and density where it joins the body of the bottle. Base is not level. Embossed characters on base. Glass has elongated bubbles towards the base and orange-brown sediment inside, on one side. Embossed "133" or “833” (the first character may be an “8”) flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, mouth blown, blown bottle, 19th century bottle, collectable, bottle, green glass, tinged green, two piece mould, food bottle, oil bottle, salad oil bottle, whirley, whirly, half whirley, condiment bottle

219 NQR - Open medium trucks with seats & canopy (28) VR Service History Puffing Billy Service History or Notes In the 1910s some NQRs were provided with removable wood and steel framework with canvas canopies and side curtains, and seating to supplement the rest of the passenger stock during busy holiday periods. Puffing Billy recreated one of these and has built five more similarly equipped NQRs, numbered 219-223, between 1990 and 1992.Historic - Puffing Billy railway - Narrow Gauge Rolling Stock - NQR Open Medium Truck with seats & canopy219 NQR - Open medium trucks with seats & canopy made of Steel and metal219 NQR puffing billy, pbr, rolling stock , 219 nqr

220 NQR - Open medium truck with seats & canopy VR Service History Puffing Billy Service History or Notes In the 1910s some NQRs were provided with removable wood and steel framework with canvas canopies and side curtains, and seating to supplement the rest of the passenger stock during busy holiday periods. Puffing Billy recreated one of these and has built five more similarly equipped NQRs, numbered 219-223, between 1990 and 1992. Historic - Puffing Billy railway - Narrow Gauge Rolling Stock - NQR Open Medium Truck with seats & canopyOpen medium truck converted to passenger carrying by the addition of seats & canopy 220 NQRpuffing billy railway, pbr, rolling stock , 220 nqr, nqr open medium truck with seats & canopy

222 NQR - Open medium truck with seats & canopy VR Service History Puffing Billy Service History or Notes In the 1910s some NQRs were provided with removable wood and steel framework with canvas canopies and side curtains, and seating to supplement the rest of the passenger stock during busy holiday periods. Puffing Billy recreated one of these and has built five more similarly equipped NQRs, numbered 219-223, between 1990 and 1992.Historic - Puffing Billy railway - Narrow Gauge Rolling Stock - NQR Open Medium Truck with seats & canopy222 NQR - Open medium truck with seats & canopy made of steel and metal222 NQR puffing billy railway, pbr, rolling stock , 222 nqr, open medium truck with seats & canopy

223 NQR - Open medium truck with seats & canopy Puffing Billy Service History or Notes In the 1910s some NQRs were provided with removable wood and steel framework with canvas canopies and side curtains, and seating to supplement the rest of the passenger stock during busy holiday periods. Puffing Billy recreated one of these and has built five more similarly equipped NQRs, numbered 219-223, between 1990 and 1992. Nov 2016 - Upholstery fitted Historic - Puffing Billy railway - Narrow Gauge Rolling Stock - NQR Open Medium Truck with seats & canopy223 NQR - Open medium truck with seats & canopy made of steel and metal223 NQRpuffing billy railway, pbr, rolling stock , 223 nqr, nqr open medium truck with seats & canopy

Words and music of popular song written in 1915 regarding the First World War. Proceeds of sale of this song given to Australian Red Cross.Black and white copy of music and words. Australian and British flags on front. Two names written on front indistinguishable. Four pages."One Hundred Thousand/More!/Patriotic Song..."1910s, red cross, music, world war 1, george evans collection

These two ledgers, used between 1913 and 1926, come from the Haberfield family. James Haberfield came to the Warrnambool area from England in the mid 19th century and with his wife established a property, 'The Briars' at Dennington, near Warrnambool. Two sons, James Bertram and William, were cartage contractors and cash produce buyers in the first half of the 20th century with the business based in Fairy Street and Farnham ('The Briars'). These two ledgers contain the business dealings of the Haberfield Bros. business in the 1910s and 1920s. These ledgers are of considerable interest as they record the business details of an important early cartage and produce business in Warrnambool. Also the Haberfield family was a prominent one in Warrnambool in the 20th century. The building that contained the produce store run by William Haberfield at the corner of Fairy and Lava Streets still survives..1 This is a ledger with a black cover with a beige leather spine and edges and a red and gold label. The pages are ruled with red and blue lines and contain handwriting in black ink. The spine is a little scuffed. .2 as above but with an alphabetical listing at the front section and with no scuffingCash Book Ledger Haberfield, J.B. Ledger From Folio 270warrnambool produce stores

A hat pin is a decorative pin for holding a hat to the head. During the 1880s, bonnets gave way to hats, and the popularity of hatpins soared. They remained a standard women's accessory through the 1910s and were produced in a vast range of materials and types. They were typically around 20 cm in length, with the pinhead being the most decorated part. In some countries they were viewed as a potentially dangerous weapon which could be used by women in self-defence, so regulations were introduced to limit the length allowed. These hat pins were used c1900.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper. A pair of simple hat pins with faux silver ball shaped head.jewellery, hat pins, fashion accessory

This book was donated by Principal R E Thwaites to the Ballarat College Library, possibly during his years of tenure (1933-45). Fascinatingly the book contains the signiature of a previous principal Ernest Neville Marryat (tenure 1910-1912). Until 2014 when this book was catalogued to the Victorian Collections database the first names of Principal Marryat had never been known by the school. The discovery of his presumed personal signature has added significantly to the school's written history. Tan coloured cloth bound small book with gold lettering and borders on front cover and spine.Book plate on flyleaf: Crest / Ballarat College / Library / PRESENTED BY / Mr R E Thwaites Handwritten on second page: Ernest Neville Marryat / Christmas / 1897e-n-marryat, ernest-neville-marryat, ballarat-college, principal, 1910s, r-e-thwaites

These ribbons were worn on the Clarendon Ladies College (CLC) uniform summer and winter hat. The CLC accessories were worn in the 1900 - 1910 era. After 1920 the school changed its name to Clarendon Presbyterian Ladies College and the crest reflected ths change. Prior to the early 1900s students wore dark skirts and white blouses and ribbon ties. Formal photographs taken at Speech Night saw the girls in frilled and lace white dresses. Fragment of navy blue ribbon with white border and fine gold line between white and navy; Clarendon ladies College crest embroidered; the fragment is accompanied by a roll of the same ribbonCLC crestclarendon-ladies-college, hat-band, 1900s, 1910s, uniform, hat

Taken in c. 1912-13, depicted are fifteen young men dressed in suits and hats. They are posing around a park bench located in the Town Hall Gardens, Beechworth.Sepia rectangular photograph printed on card.Reverse: Beechworth boys / 97.2333 / POST CARD / KODAK CORRESPONDENCE / ADDRESS ONLY / AUSTRAL / AUSTRAL / BR / - / - / - / 4 George Alexander / KODAK / 1912 - 13? /entertainment album, entertainment, beechworth, town hall gardens, postcard, 1910s