Old newspaper clippingNewspaper clipping from Ringwood Mail of 25/07/1957 of photograph taken at railway crossing with railway lines leading to Ringwood Railway Station in 1908.

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 25 Beaufort St., Mitcham. This property has be listed as having sold for $309,000 in 2003. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 25 Beaufort St., Mitcham depicting a L shaped brick house, set back from a front garden with feature rocks, and a winding driveway leading to a gate on the right.25 Beaufort St., Mitcham Picken © 2003 Realtorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

14cm x 9cm black and white photograph of the building on 25 Sydney Street. The occupants of the building is 'Stepin Shoes'. It is a light coloured building with decretive trims and written on the window is 'Winter Sale'. There is a station wagon vehicle parked out the front.Written on the back: 25 Sydney St Street Kilmore 25 Syd 011storefronts, shopfronts, retail stores

A property illustration by Margret Picken Commissioned by the real estate agency Woodards Blackburn for the purpose of advertising 25 Hampshire Rd., Forest Hill. This property is listed as having sold for $104,000 in 1996. Since the time of sale in 1996 the house on the property has been demolished and a new house built on the site. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 25 Hampshire Rd., Forest Hill. Depicting in the foreground a horizontal timber plank fence on the left, and a curving driveway on the right leading to a connected carport. In the background is a small house. There are two hole punch holes just right of centre on the upper edge. There is a 0.5x0.5 mark on the top half of the right edge25 Hampshire Rd., Forest Hill Margaret Picken - 95 Woodards B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill

A photo promoting Legacy Week in 1960. The slogan was 'Help Legacy'. The poster of a Legacy Boy was printed in 1960 with the slogan 'The Legacy Boy, worthy son of a worthy father.' The photo was similar to that printed in The Age on 7 September 1960. The caption of that photo said 'Executive Officers of Legacy, Mrs Judith Saxon, Mrs Edith Upton and Mr Ivan Layton, were busy yesterday preparing badges and tins for the street appeal which will be held on Friday as part of Legacy week.'A record of publicity photos taken in 1960 for promoting Legacy during Legacy week and an early example of the type of collection tins used in the 1960s.Black and white photo of three people with collection tins for Legacy week in 1960.Back side of photo: written by hand, 'Age / 1960'. Posters in the photo have the date as 1960.legacy week, fundraising, ivan layton

From a student made magazine detailing student life in 1960 at International House'Football 1960', 'Sticky Wicket', 'The Brothers Awang', 'Keen Supporters'football, sport, international house

SHARP DOWNPOUR. ONE INCH IN 45 MINUTES. SOUTHERN SUBURBS DELUGED. TRAIN STOPPED AT SOUTH YARRA. One of the sudden downpours of rain which occasionally fall in Melbourne occurred yesterday afternoon, when nearly an inch of rain fell in the course of three quarters of an hour, and caused a flood for an hour or two in certain localities. During the early part of the day, the sky had been clouded over, but there was nothing to indicate a storm of such intensity as that which followed. At about half-past 1 o'clock residents of South Yarra, South Melbourne, Prahran, and St. Kilda noticed a few drops of rain. Still, it appeared unlikely that there would be anything exceptional, until with startling suddenness at about 10 minutes to 1 o'clock, one of the heaviest downpours within the memory of residents burst upon those suburbs. A strange feature of the storm was that it was practically confined to an area of about three miles square. The city was but little affected, though at a spot as close as the Observatory 86 points of rain were recorded in three-quarters of an hour. Thunder and lightning accompanied the downpour, which was cyclonic in character, the rain driving heavily from all points of the compass as the cyclone passed. It was in South Yarra and Prahran that the rain fell heaviest. Within a few minutes after it commenced, the low-lying portions of Toorak-road and practically the whole length of Chapel-street were under water. The depression at the intersection of Toorak-road and Darling-street speedily filled to the dimensions of a small lake. Several shops were inundated, while the water from the higher levels rushed down like a mountain torrent, and in several in-stances swept through the rear of houses and shops, carrying furniture in a floating mass against the further walls. In one case a footbridge was carried bodily away and dashed to pieces. Darling-street itself Great Davis-street, and other low-lying and flat thoroughfares in the vicinity became flooded from kerb to kerb, while on the other side of the railway-bridge the valley between Kensington-road and River-street became filled for some minutes to a depth of several feet. Meanwhile the waters from South Yarra hill, seeking a lower level, found it in the railway cutting, and the excavations from South Yarra station to Prahran on the one line, and to the Chapel-street bridge on the other, were converted into a couple of canals. At the platforms at South Yarra the water was two feet deep on the permanent way, and towards Hawksburn, at the sudden depression under Chapel-street bridge, it was at one time deep enough to cover a tall man's head. Into this swirling mass of water the 1:50 p.m. train from Oakleigh plunged on its way to Melbourne. The impact caused a mighty fountain of water to rise to a height of about 20 feet above the level of Chapel-street and send clouds of spray in all directions. Under the belief that a terrible explosion had occurred residents braved the rain and rushed to the spot, only to find that the train had been brought to a stand-still in the middle of what seemed to be a river. The water was so high that it had entered the fire-box from below, extinguishing the fires and cutting off the steam supply. In the meantime the officials at the South Yarra station had been preparing for emergencies. Inspectors were on duty at intervals along the line, and the moment the alarm was given an extra engine was backed carefully down and continued on to connect with the stranded train without losing its own power. There was a delay of about ten minutes in the service for an hour or two, but by 5 o'clock all the trains were running on time again, and the water had run off all but the spot beneath the Chapel-street bridge. Here the water remained about four feet deep until nightfall, and throughout the afternoon several hundreds of people including biograph operators and photographers, were gathered around watching each train pass through. Even with the water two feet lower, this was a work attended with considerable difficulty. Each train had to absolutely force its way through the weight of water, almost enveloped by the spray thrown up, and it was only just able to negotiate the "ford" by using every ounce of steam. ... The Argus, 26 January 1907, p19.The item forms part of the Laurie Bennett collection of thirty-six postcards and photographs of Kew and early Melbourne, donated to the Kew Historical Society in 1980. The postcards in the Bennett collection, like other images in the Society's holdings date from the 1890s to the present and comprehensively indicate points-of-view or scenes considered historically, aesthetically or socially significant in the period in which they were produced.Postcard depicting a flood at South Yarra Station in 1907. The title and photographer's name are identified on the front of the postcard. Donated by L. Bennett, 1980flood - south yarra, trains - melbourne, postcards, r mcgeehan - prahran

City or Ringwood Proclamation Ceremony - 1960. Second from left Fred Dwerryhouse (Town Clerk), A. Lavis (Mayor), Sir Dallas Brooks at microphone.Proclamation of City 1960

Ringwood Fire Brigade - 1960. (Members not named on photograph.)Written on back of photograph, "1960".

Kevin Richard Coombs, OAM (born 30 May 1941) is an Australian wheelchair basketballer and athlete who competed at 5 Paralympics including the first Paralympic Games in 1960. He was the first Australian Aboriginal Paralympic competitor for Australia.Silver medal from 1960 Australian Paraplegic Games - Javelin - Kevin Coombs.Front - Australian Paraplegic Games Melbourne 1960 - Javlin [sic] - Kevin Coombs Reverse - engraving of two hands grasping each other, with laurelaustralian paraplegic games, kevin coombs

A recording of a speech by PM Robert Menzies at Legacy House during the launch of Legacy Week in 1960. The Prime Minister is recognising the importance of the welfare carried out by Legacy for the families of service personnel who have died as a result war or since. The event was covered in the press, with a photo appearing in The Age on 6 September 1960. The article was saved in a scrapbook of press clippings. The content of the speech is not known as the tape hasn't been played. there are two speeches by Sir Robert Menzies in the archive, one undated and one from 1967.A record that prominent Australians were asked to promote Legacy during Legacy Week.An audio tape recording of an address by the Prime Minister Robert Menzies at Legacy House in 1960.Hand written in black ink on the label: Address by:- The Prime Minister of Australia The Right Honourable R.G.Menzies, C.H., Q.C.,M.P. at opening of "Legacy Week 1960 Legacy House Melbourne 5-9-60 at 1 pm". Front of box in white print, Special Sound recording tape for highest frequency response. In red print PYROX. In white print Magictape finest quality recording tape. Side of box in white print Magictape sound recording tape (printed on 3 sides). Bottom of box in black print, PYROX/ Magictape/ The ultrain sound recording tape/Suitable for all Tape recorders/This reel contains. supplies available from PYROX LTD 14-36 Queensberry St, Melbourne and at Sydney Spool, Paper adhered to spool with cello tape. Hand written in blue biro Prime Minister R.G.Menzies "Legacy Week' 1960 speech, legacy week, legacy promotion, robert menzies

Ringwood Fire Brigade - 1960. (Members not named on photograph.)Date written on back of photograph, "1960"

Peter Le Get found three framed photos of Heathmont view in a Heathmont Opportunity Shop. Previous owners unknown.Framed photograph of buildings in Canterbury Road Heathmont, February 1960.Heathmont, February 1960, Canterbury Road

Methodist Church, Station Street, Ringwood, viewed from the clock tower at Warrandyte Road in 1960Written on back of photograph, "Methodist Church from clock tower - 1960".

Red flag on stick with lettering imprinted: 'Ringwood Greets You as a City 1960'. Material is red with gold lettering. The flag has a gold border with a small fringed edge.Ringwood Greets You as a City 1960

History of Kew, marking the City's Centenary in 1960non-fictionHistory of Kewkew (vic.) -- history, kew historical society

In 1960 the format of newsletters to widows was changing. The editor sent a notice to widows asking for their suggestions. The first newsletter in the new format (30/9/60) contains his editorial expressing disappointment that he had received no replies. There is also a letter stored with the newsletters from a widow sending her observation that the editor had sounded rejected and sends her best wishes. There is also a list of meeting dates for 1960 from 29/3/60. There were so many widows that the meetings were spread over three groups - yellow, green and red - each meeting on a different Wednesday of the month at the Melbourne Town Hall. On the free Wednesday there was a card party for anyone to attend (fee 1/-). There is a letter for October and November 1960, each of 4 pages, with details of meetings and activities such as the Christmas party. In November there were calls for nominations for the committee members in 1962. Committee comprised of a President, 2 Vice presidents, Hon. Secretary, Hon. Treasurer, Hon. Assistant Secretary and 14 members of the committee. The first edition in the new format was in 1960, previously there had been a quarterly magazine but the distribution was limited, they changed to a 4 page newsletter format to reach more of the widows. The newsletter was priced at 2c a copy. The price of theatre tickets was $3. Various pages of interest have been added to show different news items. Other editions haven't been scanned.Brings to life the activities provided for the widows and the work of Melbourne Legacy in the 1960s.Black typed newsletter x 3 editions from 1960 and associated notices from 1960. 1960 editions: 30 Sep ; 30 Oct ; 30 Novnewsletter, activities

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 25 Ridgeway Avenue, Kew by Margaret Picken.25 RIDGEWAY AVE., KEW / MARG PICKENartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 25 ridgeway avenue -- kew (vic.)

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 25 Harcourt Street, Hawthorn East by Margaret Picken.25 HARCOURT ST, HAW WOODARDS - HAWTHORNartist - margaret picken 1950-

Neil Young, Heidelberg Golf Club Captain, 1960-1963One of a set of framed portraits of Club Captains. Framed black and white portrait; timber frame with dark green mount under non-reflective glass.Neil Young - Captain - 1960-1963hgc captains, neil young

Photos of East Ringwood Church of England Church in Patterson Street in 1960Written on back of photographs, "Christ Church, Church of England, East Ringwood - 1960", "C of E, Rwd. E." and "C of E, Rwd. E."

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 25 Maitland Avenue, Kew by Margaret Picken.25 MAITLAND AVE., KEW E. / MARGARET PICKEN ~98 / WOODARDS ~ artist -- margaret picken 1950-, property illustrations — buildings — kew (vic.), 25 maitland avenue - kew (vic)

To honour 25 years of service provided, a silver coloured medallion inset to a wooden column was awarded to individuals. On the front is a cameo of a woman (Tilly Aston) wearing a pendant and an old-fashioned ruffled blouse. Around the outside is written 'Vision Australia Foundation Tilly Aston Award' and below this '25 Year Award'.1 maroon wooden stand with silver tone inlaid medallion, with illustrations25 Years Awardvision australia foundation, awards

This architectural drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 25 and 27 Edgecombe Street, Kew by Margaret Picken.25 EDGECOMBE ST., KEW / WOODARDS ~ HAWTHORN ~ M PICKENartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 25 edgecombe street -- kew (vic.)

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.World War I-era pressed metal fundraising badge, featuring an olive wreath encircling in red text: ‘ANZAC Apr. 25. 1915’, on a white background. "ANZAC Apr. 25. 1915 / Copyright"anzac day, first world war (1914-18), patriotic buttons, world war one, numismatics, badges