'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 2/346 Auburn Road, Hawthorn by Margaret Picken.2/346 Auburn Rd, Hawthorn, Margaret Picken '99. Woodards - Hawthorn. artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 2/346 Auburn Road, Hawthorn by Margaret Picken.2/346 Auburn Rd, Hawthorn, Margaret Picken '99. Woodards - Hawthornartist - margaret picken 1950-

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for womens garments.Patons KNITTING BOOK NO. 346 / "VIOLA" - See page 2. / P&B / WOOLS / 1'4dknitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

Interior and exterior view of Vision Australia's office at 346 Macaulay Road, Kensington.11 digital photographs of VA Macaulay Road Officevision australia, macaulay road kensington

Index, p.346.non-fictionThe memoirs of an Australian farmer who served, as a private, NCO and officer in the battalion which included Captain Albert Jacka, V.C.world war 1914-1918 - fiction, world war 1914-1918 - personal recollections

346 p. : ill.fictionsilas k. hocking, children's fiction

Collection of stories covering his life, travels, views on many subjects, and yarns about the Australian outback; includes stories on treatment of Aborigines.Hardback with dustcover; 190 p; illustratedISBN: 0582714311alan marshall

Belonged to Edna Andrews (nee Sebire), Wandin Yallock.This book has a green cover and black printing on the front cover with a printed signature of Isaac Pitman enclosed by an ornamental border. The front cover has a circular black and green label pasted featuring Sir Isaac Pitman. Also his signature. Centenary edition.Edna Andrews. 28/5/23.pitman's shorthand

Index, ill, p.346.non-fictionn The Accidental Guerrilla, Kilcullen takes us on the ground to uncover the face of modern warfare, illuminating both the global challenge (the "War on Terrorism") and small wars across the world: Afghanistan, Iraq, Indonesia, Thailand, East Timor, and Pakistan. He explains that today's conflicts are a complex hybrid of contrasting trends: local social networks and worldwide movements; traditional and postmodern culture; local insurgencies seeking autonomy and a broader terrorist campaign. He warns that the United States has tended to conflate these trends, blurring the distinction between local and global struggles and thereby enormously complicating our challenges. The West has continually misidentified insurgents with limited aims and legitimate grievances - "accidental guerrillas" - as members of a unified worldwide terror network. We must learn how to disentangle these strands, develop strategies that deal with global threats, avoid local conflicts where possible, and win them where necessary.guerrilla warfare, insurgencies

Index, notes, ill, maps, p.346.non-fictionThis book covers every ocean and every naval battle during World War Twoworld war 1939 – 1945 –naval operations, war at sea

Index, ill, plates, bib. p.346.non-fictionSince the first fleet of 1788, the Irish have been coming to Australia. They were the beginning of a central, colourful and profoundly influential element in Australia's evolution into a nation different and separate from Britain.irish - australia - history, australia - history

Index, bibliography, notes, ill, maps, p.346.non-fictionAccount of the Second World War as viewed and experienced in northern Australia ; includes references to Aboriginal people as coast watchers and rescuers, in army service, as trackers, in the Special Reconaissance Unit ; W.E.H. Stanner and the North Australia Observer Unit ; Protectors of women ; results of war experiences ; white attitudes towards Aboriginal people. world war 1939-1945 - campaigns - australia, darwin - bombing

Item relates back to Cat No 4316.4Newspaper - Paper, yellow, black print and photograph.GUINEA GOLD Tuesday Oct 30, 1945 Vol 3, No. 346 General reported articles.newspaper, guinea gold, ww2

Household Furnishers. Plate 346? Chuck Photo Series.a. susman & co., bridge street, commerical, public, person

Photograph of soldiers taken circa 11 October 1914 All enlisted on the 17th of August, 1914 at Wangaratta unless stated otherwise, assigned to the 7th Battalion C Company and identified as follows:- Colour Sergeant William Baker 290 - Prior to enlistment at Essendon was serving with the 58th Battalion. He embarked Australia on the 21/10/14. Brothers Charles POWLEY 347 and John Hall POWLEY 348 from Boweya - Embarked 19/10/14 on HMAT Hororata. Charles aged 21 years KIA 25/4/15 at Gallipoli and John returned to Australia on 31/10/15. Charles attended Wangaratta High School. John Crocker 346 was born at Clunes and enlisted at Broadmeadows. He was 36 years old, a butcher by trade and served with the 2nd Scottish Horse in the Boer War. His mother was listed as next of kin residing in Bracknell Tasmania He was wounded at Gallipoli and discharged on 19/1/1917 Nelson Albert Hardy 363 Born in England and a butcher by trade .KIA 23/8/1915 at Gallipoli aged 22 Edward Fahey 364 Ovens Street Wangaratta, Aged 29 years, a Painter by trade. He returned to Australia in December 1915 and appointed a Recruiting Sergeant. He resigned from this position on 8/5/1916, went AWOL and on 21/7/1920 discharged due to desertion. Joseph Cowham 360 enlisted at Broadmeadows on 19/8/1914. Thomas Peter Williams 404 - Aged 24 and a Blacksmith. He received a gunshot wound to the wrist on 26/5/1915 and returned to Australia. Joseph Nathaniel O'Brien 376 or John William O'Brien 365 both of Rowan Street Wangaratta Handwritten on rear “Wangaratta Boys C Company 7th Battalion October 11th 1914 From Private John Crocker 346”Sepia photograph of 11 men six standing and five kneeling dressed in military uniform wearing forage cap with row of pine trees in background. Photograph is mounted on brown cardboard with handwriting across top border.Rear - Wangaratta Boys C Company 7th Battalion October 11th 1914 From Private John Crocker 346 Front - list of names handwritten in ink J Powly, Col Serg Baker? Corp Naldress?, Private Couham?, C Powly, L Williams N Hardy J Crocker, E Lahy?, J?? K Jarrot? wangaratta, c company, joseph cowham 360, nelson hardy 363, john crocker 346, charles powley 347, john powley 348, hororata, gallipoli, edward fahey 364, thomas peter williams 404, william baker 290, joseph nathaniel o'brien 376, john william o'brien 365, ww1, 7th battalion

346 p. : dark green cover, title and author's name spine embossed in gold on spine. Front cover embossed in black. Text on cover: 'The Works of B. Disraeli'.fictionNovel set against the background of real political events of the 1830s. First of a trilogy of novels which also included the titles 'Sybil' and 'Tancred'. Dedicated to Henry Hope.benjamin disraeli, fiction, james dodds, original collection, young england trilogy, english literature

In 1932 the call was put out to the ABC to start a military band. The band’s task was to record music to play on air four times a week, and to perform live concerts for the public. By November 1933 a band was put together with 40 musicians from around Australia. The band was initially conducted by Captain H. E. Adkins, Director of the Royal Military School of Music, Kneller Hall, London. After the tour, Adkins returned to his position at Kneller Hall, and Stephen Yorke, a retired bandmaster of the Gloucestershire Regiment, was brought out to Australia to become the permanent director and conductor of the band, which he did until the band closed in 1951. During the band’s 17 year history they presented a sizable program of music. Their final concert received a standing ovation from its audience of 1500, with a teary-eyed Yorke. 20 Parts Concert Band Instrumentation March or Fox Trot Key Signature: F Major Instrumentation: Solo Cornet Bb (Conductor) Eb Flute & Piccolo Oboes Eb Clarinets Solo Bb Clarinet (1st written in pencil) 2nd & 3rd Bb Clarinets Bassoons Eb Alto Saxophone 1st & 2nd Horns Eb (or Solo & 1st Tenor) 3rd & 4th Horns Eb (or 2nd Tenor) Repiano Cornet Bb Solo Cornet Bb (Conductor) 2nd & 3rd Cornets Bb 1st Tenor Trombone 2nd Tenor Trombone Bass Trombone 1st Baritone Bb Euphonium (Bass clef) Basses (Bass clef) Bb Contra Bass (Treble clef) DrumsOn envelope: QM145, Olga Flynn, Q131, 346 (Scrubbed out) Stamped on the reverse of each card: Australian Broadcasting Commission *Sydney*, Charles Godfreybrass band, australian broadcasting commission, marching band, concert band

Faded red/ brown cloth covered hardboard cover, with gold and black writing on cover and spine 'The boy's illustrated library Heroes, Patriots & Pioneers' 6 unnumbered pages ; 346 pages ; 18 cm; illuHandwritten inscription on first page 'Thomas George Chapman .. birthday present from his affectionate sister ..... Chapman March 10th/80 Goldie'chapman

This bottle was used in a period when "soft" drink ginger beer was "brewed" not only in homes but also in specific breweries. Most rural areas had families which produced their own ginger beer. Medium to large towns and cities had ginger beer "factories". These factories had large "on bottle" advertising who the producer was. This producer advertising was firmly infused into the bottle and not on removable labels (late 1900's on wards). Regional breweries had a strong following, similar to State beer producing breweries. The competition between breweries of ginger beer was regional and not state or international. Return of bottles was not a sign of saving the environment or becoming eco- friendly but a requirement to keep production costs low. This is highlighted by "This bottle Remains the Property", in other words return when empty. Up to the end of the second World War Australian "soft drink" demand was for local produce. The American invasion of other flavours of "soft drink" came in the 1950's. Multi -Corporations producing non alcoholic beverages at lower production costs reduced local manufacturers considerably. This however had little effect on semi isolated rural areas where home brews flourished.This bottle shows the impact that small regional towns had and still have on semi isolated rural communities(Kiewsa Valley). With better communications (radio/television/newspapers) and a better transport connections specialised breweries such as the Wangaratta Brewery had an extensive customer "hinterland" to serve. The "canny" rural population would be able to reuse this bottle for their own specific purpose. Because of the long distances between Kiewa Valley residences and the major towns available to them, the issue of adaptability of any purchases made was always closely linked to their long term usefulness.This bottle is made from thick clear glass and has a capacity of one and a half pints. It has a flat top with a wooden screw stopper (internal thread). On one side "THIS BOTTLE REMAINS THE PROPERTY OF WANGARATTA BREWERY PTY LTD" On the top rim of bottle on both sides "17". On the bottom of the base are "AGM" AND "346"ginger beer bottle, soft drink bottles, cordial bottles, wangaratta drinks

Vera Scantlebury Brown was born in Linton in 1889, a daughter of Dr George Scantlebury and his wife Catherine, née Baynes. Vera undertook medical training at Melbourne University between 1907 and 1913. After serving in the British Army Medical Unit during World War I, she worked in various positions in Melbourne hospitals and then studied in the US and Canada. In 1926 she was appointed Director of Infant Welfare by the recently established Victorian Department of Health, and became responsible for the development of maternal, infant and pre-school services in Victoria. In 2023 a statue of Vera Scantlebury was erected in Linton's Avenue of Honour in Denison Street. This copy of the book appears to have been owned/used by Barbara Safstrom of Linton.Textbook for nursing students and other health professionals. First compiled by Dr Vera Scantlebury Brown and published as a "Guide to Infant Feeding". Book revised (with Kate Campbell) in 1941, 1951 and 1958. Pages 346 p.: index, tables.Inscribed top right of front endpaper: 'Barbara Saftstrom / FF8269'.vera scantlebury, kate campbell, 'a guide to the care of the young child' [textbook]

Produced and acted by members of the Heidelberg Theatre Company and all supporting areas including set design, set building, light and sound design and operation, costumes, front of house, ticket sales, publicity and administration were undertaken by members of the The Heidelberg Theatre Company.All items in good conditionhtc, noises off, director chris mclean, 346, heidelberg theatre company inc, 2005

A prescription from dental surgeons Oakley and Regan prescribed by Anthony Robertson for Mrs. C. E. Foley and dispensed by B.W. Fox. Amcal Chemistnon-fictionA prescription from Dental Surgeons Oakley and Reganoakley gavan, blackburn road blackburn no 23, foley, amcal pharmacy blackburn

By the late 1950s Robin Boyd had developed a network of connections in the United States, and a reputation there as an important architectural critic. In 1960 he was awarded an Honorary Fellowship by the American Institute of Architects. This certificate was put on display in Penleigh's bedroom by the Robin Boyd Foundation. This certificate is dated April 19, 1960, the day earlier than another certificate at Walsh Street (item D491). It is also signed by the President John Noble Richards who served 1958–1960.Framed certificate from The American Institute of Architects, with crest, awarding Robin Boyd an Honorary Fellowship. Dated April 18,1960 and signed by the President, John Noble Richards, but unsigned by the Secretary. It has a simple timber frame by Deans, 346 Little Collins St. No 17121.The American Institute of Architects certificate of Honorary Fellowship Robin Boyd eminent architect, citizen of Australia having been admitted to Honorary Fellowship by the Board of Directors in recognition of his distinguished achievements is declared to be an Honorary fellow The American Institute of Architects entitled to use that title and to enjoy all the privileges of that membership.the american institute of architects, fellowship, aia fellow, robin boyd, ohm2022, ohm2022_38

CEMA Art collectionStreet scene with three buildings and a fenced area. The centre focus of the work is two small buildings. The building on the left is yellow with red roof and green door. Standing in front of the house is a female figure with red shirt and white skirt. The building to the right is pale yellow with green roof, red chimney and green door. There is a Norfolk Pine tree behind the middle house. The image is depicted using straight lines in pen for the outline of the buildings and for some of the details.The work has plain wooden frame with a mount and glass.Front: Old Cottages Richmond St.Portland Ruth Denny 1967(black, handwritten) Back: Sticker:DEAN'S MU 8291 FOR FRAMING 346 LT.COLLINS ST., MELB. NO. 20438 Yellow sticker: 3034female artists, female artist, women, portland street scene, portland, richmond street

CEMA Art collectionThe painting depicts a blue stone building with green door. On either side of the door is a window and there is a chimney at either end of the roof. The side of the house closest to the viewer is overgrown with vegetation which extends up to and covers the chimney. To the right of the building is a green fence with a leaf-less tree behind. To the left of the building is a smaller green fence with several green trees behind. The work has a plain wooden frame with a mount and glass.Front: Gardens Cottage Portland 1857 Ruth Denny 1967 (black, handwritten) Back: Sticker: DEANS MU 8291 FOR FRAMING 346 LT. COLLINS ST., MELB. NO. 20438 Yellow sticker: 3033portland, female artist, female, women, botanic gardens, curator's cottage