Belonged to Marjorie McKeownA brassiere made of pink / apricot coloured cotton fabric which has a broderie anglais pattern of embroidery. It has an elasticised back with metal clasps, and thin shoulder straps and two suspenders hanging from the sides. Lady Gay (manufacturer)women-corsetry womens-undergarments female-underwear

Rachel GAY In 1991 Rachel Gay was studying Printmaking at Ballarat University College (now Federation University Australia). This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Linocut and etching bound in an artist's book.art, artwork, rachel gay, printmaking, artist's book

THIS BOOK WAS FOUND UNDER THS HOUSE WHERE MRS. L. HUDSON USED TO LIVE.A THOUGHT FOR EACH DAY IN 1940local history, book, almanacs, hudson, laura

pp viii, 76; 6 appendices & bibliography, footnotes, 1 map, photographs. A history of bushfires in the Dandenong Ranges and the Sassafras-Ferny Creek CFA Brigade.sassafras-ferny creek fire brigade, dandenong ranges, bushfires

The Kookaburra Magazine of the First Kew Troop was mostly written by and for the Scouts themselves, with details of troop and patrol camps and activities, jokes, poems, etc. The magazine was roneoed locally.16-page magazine with a kookaburra on the front cover. The Kookaburra Magazine of the First Kew Troop was mostly written by and for the Scouts themselves, with details of troop and patrol camps and activities, jokes, poems, etc. The magazine was roneoed locally.scouts - kew, 1st kew scouts, scout magazine

The Kookaburra Magazine of the First Kew Troop was mostly written by and for the Scouts themselves, with details of troop and patrol camps and activities, jokes, poems, etc. The magazine was roneoed locally.20-page magazine with a kookaburra on the front cover. scouts - kew, 1st kew scouts, kookaburra magazine

Printed text on newsprint.New South Wales Police; 4th National Homosexual Conference, Sydney; Gay liberation

Printed text on newsprint.Seahorse Club; Transvestites; Transsexuals; Transgender

This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.screw driver, Gay's pattern

The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme issued by the "Q" Theatre Guild for a performance of Gay Rosalinda (Die Fledermaus) at the Kew City Theatre in 1961. theater (kew), "q" theatre guild, performing arts, gay rosalinda

Collection of letters and photographs of Rohan D. Rivett, war correspondent and prisoner of war. Includes letter from John W. Davis of New York law firm Davis Polk Wardwell to Herbert Robinson Brookes regarding Rivett's 1946 book, Behind Bamboo, and his (Davis) views on Russia and post-war Europe. The souvenir programme is dated September 1944, Tamarkan Thailand. Thirty three pages, brown paper cover."Memories of the Gay 90's" by Rae N. Nixonrohan d rivett, herbert robinson brookes, prisoners of war, behind bamboo, rae nixon, signals 8 division

Pte W Shirley served with 13 Battalion during WW1. Whilst an inpatient at Lady Davidson Home ex Pte Shirley commuted to Ku-Ring-Gai Chase to cut the Sphinx out of rock as a Memorial to his comrades. The time taken for the project was approximately 1 year 6 months.This is a project of 5756 Pte W Shirley 13 Battalion AIF. The Memorial is dedicated 'To my Glorious Comrades of the AIF'2 x black and white photographs of the Sphinx War Memorial, Ku-Ring-Gai Chase, NSW. A buff coloured cover for the photographs with a detailed description of the Memorial and who was responsible for the erection and placement of the memorial.On the front of the 'Sphinx' 1st plaque - To my Glorious Comrades of the AIF, by the Late W. Shirley, no 5756, 13th Battalion. Died 27 August, 1929. 2nd plaque 'Lest We Forget'. 3rd plaque - 1914-1918.w shirley, aif, 13 battalion, sphinx memorial, ku-ring-gai chase, nsw

Printed text on newsprint.4th National Homosexual Conference, Sydney, 1978; Council of Civil Liberties; NSW Police;

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Sepia-toned photograph of members of the "Q" Theatre Guild in a performance of Gay Rosalinda, an arrangement of Johann Strauss' Die Fledermaus. The performance took place in the new Kew City Hall, with elaborate scenery created by Robert Jewell and Claud Ward. Costumes were designed and made by Marion Tilley.performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, musical comedy -- melbourne -- victoria, kew city hall -- cotham road -- kew (vic.)

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Sepia-toned photograph of a group of performers in the "Q" Theatre Guild's performances of Gay Rosalinda, an arrangement of Johann Strauss' Die Fledermaus. The performance took place in the new Kew City Hall, with scenery created by Robert Jewell and Claud Ward. Costumes were designed and made by Marion Tilley. Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Jean Hayles, Apthorpe, English, Robert Preston in my crinoline I wore for Centenary Ball. Apricot & black trim. Mum made it. Marion Smith."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, musical comedy -- melbourne -- victoria, kew city hall -- cotham road -- kew (vic.)

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Atmospheric photograph of performers in the "Q" Theatre Guild's performance of Gay Rosalinda, an arrangement of Johann Strauss' Die Fledermaus. The performance took place in the new Kew City Hall, with scenery created by Robert Jewell and Claud Ward. Costumes were designed and made by Marion Tilley. performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, musical comedy -- melbourne -- victoria, kew city hall -- cotham road -- kew (vic.)

Graphic illustration of two women and two childrenin red against a grey background, printed on white paper.Additional text: "Child custody : the rights of the lesbian mother : a public forum, George Hunt Room, Trades Hall, 4 Goulburn Street, City. Followed by film: In the best interest of the children".

New Nunawading Library has opened after opening ceremony on 27 April 1991. PhotoNew Nunawading Library has opened after opening ceremony on 27 April 1991. Photopublic libraries, nunawading library, sussex, gay, atkinson, bruce