School of Mines Ballarat is a predecessor of Federation University.1 Letter from A.W. Lynch requesting a Leave of Absence. due to an overseas trip. .2 Reply to A.W. Lynch from F.E. Ferguson advising that he will take it to the next School Council Meeting.ballarat school of mines, a.w. lynch, f.e. ferguson, correspondence, i & r morley pty ltd, leave of absence

B/w photographs, probably a collection of A.W. Jessep. Includes a torn envelope addressed to, "A. Jessep Esq. Principal Burnley Hortic'l Gar... Burnley." Leather? and cardboard quarto size file with ribbon ties.On the reverse of some photographs, "Return to Mr Jessep." Numbers and descriptions as written on reverse of the photographs.On reverse of a-d "Please acknowledge:- "The Australasian," Melb., Photo."a.w. jessep, principal, burnley, plants, trees, pruning of fruit trees, wilson's promontory excursion, orchard, shrubs

Alfred William Eustace was a well-known self-taught Australian artist who spent his spare time painting the local landscapes in the Chiltern area. When not doing his work or painting, Eustace regularly contributed letters and verse to the Chiltern newspaper "The Federal Standard". A collection of A. W Eustace's verse and other writings, written between 1845 and 1899, was presented to The Chiltern Athenaeum Trust by Cam Boadle, a grandson of A.W. Eustace, and his wife Connie. The Chiltern Athenaeum Trust created a booklet of some of his poetry which was published in 1992. Copyright for the booklet is held by Chiltern Athenaeum Museum 1992. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. A.W.Eustace was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted "some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago." How wrong he was. In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederich of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth. Alfred William Eustace made a valuable contribution to the culture of 19th century Chiltern and his booklet of Selected Verse gives us an insight into life during that time.22 page booklet of Selected Verse/ A.W. Eustace of Chiltern/ 1820-1907. Printed on thick cream paper with a copy of an oval photograph of the author.a. w. eustace, selected verse, chiltern

Black and white photograph. Used as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 56.Black and white studio portrait photograph. A.W. Jessepa.w. jessep, green grows our garden, a.p. winzenried, principal

A.W. Hughes was a student of the Ballarat east Sloyd Centre, Eureka State School, in 1905. His instructor was Albert W. Steane. Albert Steane was one of the first trained sloyd teachers in Victoria.Black hard covered drawing book with drawings,done my hand, of sloyd models by A.W. Hughes.The work is drawn in black and red ink, each model is numbered and named, and the scale is given. ballarat junior technical school, steane, albert steane, a.w. steane, hughes, a.w. hughes, sloyd, ballarat east sloyd centre, eureka street school. drawing

Typed letter to A.W. Lynch informing him that, along with M.B. John, he has been appointed to the Ballarat School of Mines Visiting Committee.ballarat school of mines visiting committee, a.w. lynch, m.b. john, f.e. ferguson, i. and r. morley pty ltd

Cr. A.W. McCracken Mayor 1971-1973stawell councillor government

Black and white photographWritten on backing sheet, "A.W. Dickson-March 1959. 136 Maroondah Highway.

Stories about Moyston.Cream card Cover with Brown PrintReminiscences of Moyston by A.W Vanstanstawell

Black and white photograph. View towards Swan Street entrance from the front door of the Plant Research Laboratory/InstituteOn reverse, "Plant Research Laboratory Oct.1941. Taken from front door looking north. (A.W. Jessep).plant research laboratory, 1941, a.w. jessep, plant research institute, swan street entrance, driveway

Black and white photograph. Road winding from the Plant Research Laboratory towards the Swan Street entrance. "Plant Research Laboratory from front door looking towards the Entrance Gates. Dec 1932. A.W. Jessep."plant research laboratory, a.w. jessep, entrance, swan street, plant science laboratory

A paperback book with 96 pages stapled together along the spine .It has a blue cardboard cover with text and illustration in navy blue. The illustration features three children on the ground looking at an open book in the countryside.with a patterned bprder surrounding it. The back cover features a list of other graded publications from Whitcombe & Tombs Publishers.A revised grammar text book for grade 4 students covering exercises in basic English grammar. grammar, whitcombe ant tombs, text books

Black and white photograph. Drive to Plant Research Laboratory in the distance.Handwritten on reverse, "Plant Research Laboratory. Oct. 1941 (South from Entrance) AWJ (A.W. Jessep) 10/9/42."plant research laboratory, a.w. jessep, plant research institute, entrance

Black and white photographs pasted on cardboard for display purposes. (1) "Commencement of the U or W form. (2) "The Cordon." (3) "Horizontal 'Cordon'." (4) The Espalier with first pair of arms forming." (5) "Espalier Pear-Packham's Triumph. Reverse, A.W. Jessep c/o Artists Room No 42."u form, w form, cordon, espalier, a.w. jessep, horizontal cordon

(1) Note by T.H. Kneen 5 February 1992, "Handwriting on reverse of photo is that of A.W. Jessep Principal (1926-41). Student is J.M. (Pixie) Scott 1941. (2) Note by T.H. Kneen 26 February 1992, (J.M.) Pixie Scott (1941) ploughing in orchard with one of the 3 draught horses probably Donald (or Donnie). The others were Freck and Flora."Black and white photograph. Student using a horse drawn scarifier in the Orchard. (1) On reverse, "A student using a scarifier in the Pear block, School of Horticulture, Burnley (1940 June)."scarifier, j.m. scott, pixie scott, ploughing, orchard, draught horses, donald, donnie, students working outside, pear block, freck, flora

Black and white photographs pasted in light cardboard loose-leaf photograph album, "1930" written on inside front cover. Probably prints of A.W. Jessep's Lantern Slides. (1) Orchard. (2) Lawn and glimpse of Principal's Residence. (3) Shrub. (4) Shrub. (5) As (2). (6) Garden view. (7) Garden view. (8) Orchard. (9) Lagoon or Boulevard Paddock see B11.0351.a.w. jessep, orchards, lawns, principal's residence, shrubs, garden views, orchards, lagoon paddock, boulevard paddock, lantern slides

Historically depicts the operations of the Royal Australian Navy duty occasioning navy vessels in addition to the drudgery of patrol work and the search for enemy vessels. Working in isolation because of being a vessel that is under their own control.This volume of the War Histories is concerned with the doings of an infant navy.Official History of Australia in the War of 1914-18 - Volume IX - The Royal Australian Navy Maps and Illustrationsgerman colonies, samoa, nauru, western pacific, africa, dardenelles, north atlantic, european waters, raiders and minefields, ran brigade, hospital ships, transports and dockyards, radio-telegraphy, suvla bay, sinking of the cumberland, german cruiser squadron, cocos, sydney-emden action, north sea

maps, diagrams, b&w photographsa w howitt, mitchell river

Female student directing plough being drawn by draught horse. (1) Note by T.H. Kneen 5 February 1992, "Handwriting on reverse of photo is that of A.W. Jessep Principal (1926-41). Student is J.M. (Pixie) Scott 1941. (2) Note by T.H. Kneen 26 February 1992, (J.M.) Pixie Scott (1941) ploughing in orchard with one of the 3 draught horses probably Donald (or Donnie). The others were Freck and Flora."On reverse, "Student ploughing in the orchard School of Horticulture Burnley June 1940."students working outside, ploughing, draught horse, orchard, pear block, donald (donnie), j m (pixie) scott, donnie, freck, flora

Photographer: A.W. Burman, Artist Photographer, 209 Bourke Street East, Melbourne According to Sands & McDougall Melbourne Directory, Arthur W. Burman was active 209 Bourke St East, Melbourne from 1878 to circa 1885-1890 CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991a.w. burman photographer 209 bourke st east, marg ball collection, shillinglaw family photo album 1, 1878-1885, ann shillinglaw (1861-1940), elizabeth docherty (nee shillinglaw 1861-1942)

Photographer: A.W. Burman, Artist Photographer, 209 Bourke Street East, Melbourne According to Sands & McDougall Melbourne Directory, Arthur W. Burman was active 209 Bourke St East, Melbourne from 1878 to circa 1885-1890 CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991a.w. burman photographer 209 bourke st east, marg ball collection, shillinglaw family photo album 1, 1878-1885, ann shillinglaw (1861-1940), elizabeth docherty (nee shillinglaw 1861-1942)