Showing 33 items matching abbot
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Orbost & District Historical Society
Filter - water cooler, late 19th century
Domestic water filters would have been used in Orbost before water was reticulated to all town houses and on rural properties using tank water.This is an example of a domestic ceramic container used to hold and filter water in the early 20th century."The Abbot Filter" used to cool water. Tall, stoneware, cylindrical, cream coloured with handles and tap. Tap is stainless steel."The Abbot Filter" - Australianwater-supply abbot-filter container water-cooler -
Flagstaff Hill Maritime Museum and Village
Book, Waverley Novels Vol 20 The Abbot
Pattison Collection This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower areas of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. WARRNAMBOOL PUBLIC LIBRARY The Warrnambool Mechanics’ Institute (WMI) was formed by a voluntary community group in 1863, within six years of Warrnambool’s beginnings, and it's Reading Room opened in 1854. The WMI operated until 1963, at which time it was one of the oldest Mechanics’ Institutes in Victoria. Mechanics’ Institutes offered important services to the public including libraries, reading rooms and places to display and store collections of all sorts such as curiosities and local historical relics. In 1886 a Museum and Fine Arts Gallery were added to the WMI and by the beginning of the 20th century, there was also a billiards room and a School of Art. By this time all Mechanics’ Institutes in country Victoria had museums attached. Over the years the Warrnambool Mechanics’ Institute Library was also known as the Warrnambool Public Library the Warrnambool Library and the Free Library. Early funding from the government was for the “Free Library”. The inscription in a book “Science of Man” was for the “Warrnambool Public Library”, donated by Joseph Archibald in 1899. Another inscription in the book “Catalogue of Plants Under Cultivation in the Melbourne Botanic Gardens 1 & 2, 1883” was presented to the “Warrnambool Library” and signed by the author W.R. Guilfoyle. In 1903 the Warrnambool Public Library decided to add a Juvenile Department to library and stock it with hundreds of books suitable for youth. In 1905 the Public Library committee decided to update the collection of books and added 100 new novels plus arrangements for the latest novels to be included as soon as they were available in Victoria. In July 1911 the Warrnambool Council took over the management of the Public Library, Art Gallery, Museum and Mechanics’ Institute and planned to double the size of the then-current building. In 1953, when Mr R. Pattison was Public Librarian, the Warrnambool Public Library’s senior section 10,000 of the 13,000 books were fiction. The children’s section offered an additional 3,400 books. The library had the equivalent of one book per head of population and served around 33 per cent of the reading population. The collection of books was made up of around 60 per cent reference and 40 per cent fiction. The library was lending 400 books per day. In 1963 the Warrnambool City Council allocated the site of the Mechanics’ Institute building, which included the Public Library, Museum and Art Gallery, for the new Municipal Offices and the Collections were dispersed until 1971. The Warrnambool Library took over the Mechanics’ Institute Library’s holdings on behalf of the Warrnambool City Council. Since the closure of the Warrnambool Mechanics’ Institute the exact location and composition of the original WMI books and items have become unclear. Other materials have been added to the collection, including items from Terang MI, Warrnambool Court House and Customs House. Many of the books have been identified as the Pattison Collection, named after the Librarian who catalogued and numbered the books during his time as Warrnambool Public Librarian in the time before the Mechanics’ Institute closed. It seems that when Warrnambool became part of the Corangamite Regional Library some of the books and materials went to its head office in Colac and then back to Warrnambool where they were stored at the Art Gallery for quite some time. Some then went to the Warrnambool Historical Society, some stayed at the Art Gallery and some were moved to Flagstaff Hill Maritime Village. The various stamps and labels on the books held at Flagstaff Hill show the variety of the collection’s distribution and origin. The books in the collection at Flagstaff Hill Maritime Village date from the 1850s to the late 1950s and include rare and valuable volumes. Many of the books are part of the “Pattison Collection” after the Warrnambool’s Public Librarian, Mr R. Pattison. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. The Warrnambool Mechanics' Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, and to reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. As with many Mechanics' Institutes in Australia, the one which operated in Warrnambool was established and overseen for many years by key individuals associated with the development of the city itself. The WMI publication collection is historically significant because of its association with local people, places and the key historical themes in the development of Warrnambool of rural development, industry, farming, education, and community. The collection documents and illustrates the changing interests, focus and tastes of Victorians, especially those in regional cities. Generally the individual items in the collection are not particularly rare, as examples of all probably exist in other public collections in Victoria. It is primarily because there are so very few surviving Mechanics' Institute collections in Victoria, which lends this overall collection its significance. Many items in the WMI Collection have the potential to support further research, both as individual objects and through the collection in its entirety. This material is significant for its ability to assist in the interpretation of the history of the area and adds to the general understanding of the development of the township. Many components of the WMI publication collection complement and reinforce the Flagstaff Hill Maritime Museum Collection, the Warrnambool Art Gallery Collection, and that in the Warrnambool Historical Society, and also contribute to a clearer understanding of the original Warrnambool Mechanics' Institute collections. This will greatly enhance the appreciation of the few surviving Mechanics' Institute collections across Victoria, and also in New South Wales. The similarities and differences between the small number of collections that have survived can provide further insights into how the people of Victoria in general, and Warrnambool in particular, constructed a civic culture of adult learning to foster an informed citizenry. The Warrnambool Mechanics' Institute publication collection is of both local and state significance. Waverley Novels Vol 20 The Abbot Author: Sir Walter Scott Publisher: Fisher & Son Date: 1837 The label on spine with typed text PAT FIC SCO Pastedown front endpaper has a sticker from Warrnambool Public Library Front loose endpaper has a sticker from Corangamite Regional Library Service warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, waverley novels vol 20 the abbot, sir walter scott, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library -
Flagstaff Hill Maritime Museum and Village
Book, Waverley Novels Vol 21 The Abbot
Pattison Collection This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower areas of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1942 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. WARRNAMBOOL PUBLIC LIBRARY The Warrnambool Mechanics’ Institute (WMI) was formed by a voluntary community group in 1863, within six years of Warrnambool’s beginnings, and it's Reading Room opened in 1854. The WMI operated until 1963, at which time it was one of the oldest Mechanics’ Institutes in Victoria. Mechanics’ Institutes offered important services to the public including libraries, reading rooms and places to display and store collections of all sorts such as curiosities and local historical relics. In 1886 a Museum and Fine Arts Gallery were added to the WMI and by the beginning of the 20th century, there was also a billiards room and a School of Art. By this time all Mechanics’ Institutes in country Victoria had museums attached. Over the years the Warrnambool Mechanics’ Institute Library was also known as the Warrnambool Public Library the Warrnambool Library and the Free Library. Early funding from the government was for the “Free Library”. The inscription in a book “Science of Man” was for the “Warrnambool Public Library”, donated by Joseph Archibald in 1899. Another inscription in the book “Catalogue of Plants Under Cultivation in the Melbourne Botanic Gardens 1 & 2, 1883” was presented to the “Warrnambool Library” and signed by the author W.R. Guilfoyle. In 1903 the Warrnambool Public Library decided to add a Juvenile Department to library and stock it with hundreds of books suitable for youth. In 1905 the Public Library committee decided to update the collection of books and added 100 new novels plus arrangements for the latest novels to be included as soon as they were available in Victoria. In July 1911 the Warrnambool Council took over the management of the Public Library, Art Gallery, Museum and Mechanics’ Institute and planned to double the size of the then-current building. In 1953, when Mr R. Pattison was Public Librarian, the Warrnambool Public Library’s senior section 10,000 of the 13,000 books were fiction. The children’s section offered an additional 3,400 books. The library had the equivalent of one book per head of population and served around 33 per cent of the reading population. The collection of books was made up of around 60 per cent reference and 40 per cent fiction. The library was lending 400 books per day. In 1963 the Warrnambool City Council allocated the site of the Mechanics’ Institute building, which included the Public Library, Museum and Art Gallery, for the new Municipal Offices and the Collections were dispersed until 1971. The Warrnambool Library took over the Mechanics’ Institute Library’s holdings on behalf of the Warrnambool City Council. Since the closure of the Warrnambool Mechanics’ Institute the exact location and composition of the original WMI books and items have become unclear. Other materials have been added to the collection, including items from Terang MI, Warrnambool Court House and Customs House. Many of the books have been identified as the Pattison Collection, named after the Librarian who catalogued and numbered the books during his time as Warrnambool Public Librarian in the time before the Mechanics’ Institute closed. It seems that when Warrnambool became part of the Corangamite Regional Library some of the books and materials went to its head office in Colac and then back to Warrnambool where they were stored at the Art Gallery for quite some time. Some then went to the Warrnambool Historical Society, some stayed at the Art Gallery and some were moved to Flagstaff Hill Maritime Village. The various stamps and labels on the books held at Flagstaff Hill show the variety of the collection’s distribution and origin. The books in the collection at Flagstaff Hill Maritime Village date from the 1850s to the late 1950s and include rare and valuable volumes. Many of the books are part of the “Pattison Collection” after the Warrnambool’s Public Librarian, Mr R. Pattison. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. The Warrnambool Mechanics' Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, and to reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. As with many Mechanics' Institutes in Australia, the one which operated in Warrnambool was established and overseen for many years by key individuals associated with the development of the city itself. The WMI publication collection is historically significant because of its association with local people, places and the key historical themes in the development of Warrnambool of rural development, industry, farming, education, and community. The collection documents and illustrates the changing interests, focus and tastes of Victorians, especially those in regional cities. Generally the individual items in the collection are not particularly rare, as examples of all probably exist in other public collections in Victoria. It is primarily because there are so very few surviving Mechanics' Institute collections in Victoria, which lends this overall collection its significance. Many items in the WMI Collection have the potential to support further research, both as individual objects and through the collection in its entirety. This material is significant for its ability to assist in the interpretation of the history of the area and adds to the general understanding of the development of the township. Many components of the WMI publication collection complement and reinforce the Flagstaff Hill Maritime Museum Collection, the Warrnambool Art Gallery Collection, and that in the Warrnambool Historical Society, and also contribute to a clearer understanding of the original Warrnambool Mechanics' Institute collections. This will greatly enhance the appreciation of the few surviving Mechanics' Institute collections across Victoria, and also in New South Wales. The similarities and differences between the small number of collections that have survived can provide further insights into how the people of Victoria in general, and Warrnambool in particular, constructed a civic culture of adult learning to foster an informed citizenry. The Warrnambool Mechanics' Institute publication collection is of both local and state significance. Waverley Novels Vol 21 The Abbot 2 Author: Sir Walter Scott Publisher: Fisher & Son Date: 1837 The label on the spine with typed text PAT FIC SCO Front loose endpaper has a sticker from Corangamite Regional Library Service Pastedown front endpaper has a sticker from Warrnambool Public Librarybook, waverley novels vol 21 the abbot 2, sir walter scott, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, warrnambool, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road -
Phillip Island and District Historical Society Inc.
Book, SCOTT, Sir Walter, Abbot
Book from the Cleeland Bequest - a comprehensive collection of books relating to the History of England, Civil & Military, Religious, Intellectual & Social. cleeland bequest -
Phillip Island and District Historical Society Inc.
Book, WEBLING, A.F, last abbot, 1944
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Moorabbin Air Museum
Letter (item) - Personal Letters Mr R. L. ABBOT , GENERAL MANAGER ,CAC, Personal Letters Mr R. L. ABBOT from 29.10.1969 to 29.4.1971
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Greensborough Historical Society
Bottle opener, Crown seal bottle openers, 1940c
Widely used to open early beer or soft drink bottles. The Abbots Lager opener may have been a promotional product for this brand of beer.Cast iron bottle openers, rusted exterior. One plain, unnamed; one labelled Abbots Lager.opener, crown seal beer bottle, cast iron, abbots lager -
Mont De Lancey
Bottle opener, Carlton & United Breweries, Limited, c1940
Widely used to open early beer or soft drink bottles. The Abbots Lager opener may have been a promotional product for this brand of beer.Two cast iron bottle openers, rusted exterior. One labelled Fosters Lager; one labelled Abbots Lager.Carlton & Victoria Bitter.bottle openers, bottle accessories -
Melbourne Legacy
Photograph, A Mural West of Tobruk, 1941
A photo of a mural in Libya painted by a South Australian Sapper of a bottle of Abbots Lager. The photo, and two others, were sent to Melbourne Legacy in 1979 by Legatee Syd Wilson of Yamba NSW. He thought Melbourne Legacy might be able to use them to generate money by selling them for advertising or publicity. He said they were enlargements of snapshots he had found in his old army trunk. The text says 'Keep Going. Fill up in town, but a good drink is bloody hard to get'. Legatee Wilson's letter says the murals were: 'painted on three walls of a white concrete Italian block house (Police Check post I think), some 18/20 miles west of Tobruk, between Tobruk and Derna, and near a captured Italian airfield, somewhere about February 1941. Obviously they were painted by a Victorian Sapper. They were very well done, by a competent Sign-writer/artist, in correct and excellent colours (captured Itie paint no doubt - there was plenty in their Naval Stores at Tobruk).' (NB Itie was slang for Italian) From the AWM website the signs were painted by South Australian painter, SZ538 Sapper Leslie John “Doc” Dawes, 2/3rd Field Company, Royal Australian Engineers. There are several photos on the AWM site including the building the three murals were on.Photos taken by a Legatee when on active service in Libya in World War 2. They were donated to Legacy when it was thought they could be used for fundraising, which shows that Legatees were conscious of that Legacy needs to generate funds to continue its work.Black and white enlargement of a photo taken in Libya of Abbots Lager mural.tobruk, soldiers, lager, beer, abbots lager, murals -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Beechworth Carriage Museum III, c1972-1976
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: ABBOT BAGGY / B'WORTH / CARRIAGE MUSEUM Reverse: B7 / Beechworth Nostalgia / BW - 07 B (crossed out) / 008ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
Ringwood and District Historical Society
Programme, Norwood High School, Ringwood, Victoria, 1987 presentation of the musical The Pajama Game
Twelve-page booklet including photographs and performance dates throughout August (1987), with full list of performers and production personnel.Presentation by arrangement with Chappell & Co. (Aust.) P/L, music & lyrics by Richard Adler & Jerry Ross, book by George Abbot & Richard Bissell. -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Bob Lilburn, 21/08/1971 12:00:00 AM
Yields information about tram operations on the 2nd last day of the Victoria St line.Photograph of Ballarat trams (from the rear), 42, 11, and 12 at the Victoria St terminus, 21-8-1971. Has Meagher's hotel in the background with an Abbots Lager sign. No. 12 has the destination of Gardens via Sturt St. Photo by Bob Lilburn. Last weekend of Victoria St line. appears to be Roderick Smith on the left hand side of the print. Has in red ink on rear - "42, 11, 12 Victoria St 21-8-71" and in blue ink "R. Lilburn"trams, tramways, victoria st, closure, tram 42, tram 11, tram 12 -
Tarnagulla History Archive
Photograph: Members of Tarnagulla Fire Brigade, circa 1870-1900
Donald Clark Collection. A monochrome photograph of members of Tarnagulla Fire Brigade in their uniforms, posed with hose reel outside Burstall Hall, Tarnagulla (demolished in 1980s). Back row: W. Radnell, J. Patterson, F. Cousins, H. Reilly, G.Nelson Centre row: A. Smith, Thomas Page Front row: J. Cousins, W.Smith, J. May, __________, J. Whimpey, ___________ , Joe Radnell, L. Radnell, Bob Abbot. Lady in background: Mrs Spencer. Copy photograph. fire brigade -
Ballarat Tramway Museum
Pamphlet, City of Ballarat and Friends of the Botanical Gardens, "The Prime Ministers Avenue at the Ballarat Botanical Gardens", 2014
Fold out pamphlet, 6 panels, titled btm6125i1.jpg, full colour with black and white images of each of the busts. Gives a short paragraph on the historical context of the era in which each Prime Minister was in office, short biography of each Prime Minister, history of the Avenue, the founder (Richard Armstrong Crouch) and Sculptors. Produced by the Friends of the Botanical Gardens and the City of Ballarat 2014. Prepared by to unveiling of the busts of Julia Gillard and Tony Abbot. trams, tramways, prime ministers avenue, ballarat botanical gardens, city of ballarat -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Newspaper articles, as described
Four newspaper articles about the First World War. 1. Australian Financial Review 2-3 Nov 2013 "Abbots new Western Front to usurp the Gallipoli legend" by Phillip Coorey 2. "Army" 13 Nov 2008 "Last to fall in Great War" by Peter Burness 3. The Australian 26-27 Sep 1998 "Digging In" by Ross McMullin about the mutinies in the 59th Battalion in 1918 4, The Age 10 Nov 1998 "Lest We Forget" by Geoffrey Blainey- A special feature to mark the 80th anniversary of the end gof World War 1newspaper articles, world war 1 -
Eltham District Historical Society Inc
Photograph, Montmorency State School Girls Marching Squad, ca 1955
Montomorency State School Girls Marching team were the marching champions of the Victorian State Schools for four years in a row 1955-1959. This photo is 1955 or 1956. There was also a separate boys marching team. Top row from left: Pat Turnbull, Nina Sislov, Una Robb, Kineare Buckton, Christine Anthony, Jill Stone, Helen Hedly, Verna Wright. Middle row from left: Ina Eiklemboom, Maureen Smith, Bonny Pimlott, Christine Brasnor, Jacqueline White, Beverly Fry, Pam Hudosn, Dianne Hickenbotham, Jeana Woods. Front Row from eft: Anne Wigley, Valerie Williams, Unknown, Wendy Dales, Claudetee Childs (Captain), Heather Murphy, LOrraine Abbot, Margot Storey and Marie WalshCopy of original black and white photographmontmorency state school, girls marching team, trophy -
Parks Victoria - Gabo Island Lightstation
Bottle
This dark brown bottle with lip, collar, neck and gently sloping shoulder, was made by the Bottle Co. of Victoria P/L for Melbourne Bitter. The Parks Victoria inventory indicates that the bottle dates to 1925. Still brewed today, Melbourne Bitter has been made since 1904, when the Melbourne Cooperative Brewery in Abbotsford was formed by well known pub owners that included Henry Young of Young & Jacksons, and future Lord Mayor Sir Stephen Morrell. They made four beers – Abbotsford Stout (which became Abbotsford Invalid Stout in 1909), Abbots Lager, Melbourne Bitter and Abbotsford Sparkling Ale. Of those, Melbourne Bitter and the Invalid Stout remain largely unchanged and both are now brewed by the South African owned CUB. The bottle was found in the sea or on the island.Whatever their provenance, they have an association with an event or activity on Gabo Island and for this reason have second level contributory significance for their potential to yield information relating to the cultural history of the lightstation.Dark brown glass bottle, tall with gradual tapering to a narrow opening. Slightly misshapen. White coating on one side.Within a club motif, "M.B.C.V" "The property of the manufacturers. / Bottle co of Victoria Pty Ltd" "6 1925" -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Alan King, Plaque by the Hurst family cemetery, 1 February 2008
Plaque placed at a cairn erected in 1975 at the Hurst family cemetery at Hurstbridge in memory of people who were buried locally in unmarked graves. Transcription of plaque: This cairn was ereced in 1975 in memory of the following people who have been buried here in unmarked graves since 1866. Robert Thomas Hurst (father) Frances Facey Gurst (mother) Robert Hurst Ellen Hurst (Mrs Spencer) Fanny Hurst (Mrs Hawkins) Mr. Abbot-Christian name unknown Who was present when Henry was shot by the bushranger. An unnamed babe belonging to Catherine and Fred Hurst Ashes scatterd: Catherine Hurst (Fred's wife) Frances Ellen Hurst (Mrs Gray) William George Gray Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p15This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, hurst family cemetery, hurstbridge, memorial -
Warrnambool and District Historical Society Inc.
Book, Registered Office E Morse, Early 20th century
This plate comes from the Registered Office of F. Morse Pty Ltd. The name ‘Morse’ has been associated with the local Warrnambool transport industry for more than 100 years from the horse-drawn era to the advent of motorized transport. Frederick Morse was the son of Henry Morse, a teacher at The Grange, Hamilton and at Grasmere in the early 1870s. In 1883 Frederick Morse started business in Fairy Street as a coach builder in a partnership known as Robinson and Morse and in 1891 he set up a business on his own, the Victoria Carriage Works in Lava Street with branches in Port Fairy and Koroit. By the 1890s he was employing 27 people and winning State awards for his Abbot buggies. By the 1920s the Morse business had moved to motorized transport, expanding over the years to car dealerships, caravans, panel works and reconditioning and truck building with the subsidiary businesses of Morsmilk and Morsbearings (both later sold).This plate is of strong significance as a memento of a business in Warrnambool that has been prominent in the local transport industry for 120 years. It is also a memento of the Morse family, notable 19th century settlers in the town and important in local community affairs since that time. This is a wooden frame with a glass front. The frame is painted a grey colour and has holes at the top and bottom for affixing the frame to a wall or door. Behind the glass the words ‘Registered Office F. Morse Pty Ltd’ are painted or incised on to a wooden slab. The words are in yellow and red paint. The frame is a little chipped and the inside of the glass is somewhat blotchy and stained. ‘Registered Office’ ‘F. Morse Pty Ltd’ frederick morse, robinson and morse, morse & co., history of warrnambool, coach building in warrnambool, automotive industry in warrnambool -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper - ink and watercolour, Annette Meikle, Sandringham Club, 1977
In 1977, artist Annette Meikle undertook a commission to illustrate a book recording stories of places and people in the Bayside area. It was published in 1978 as Sandringham Sketchbook, with text by Elizabeth Waters. The sketches were intended to record remaining examples of Bayside’s early architecture and environment, as well as reflect newer architectural changes. Meikle went on to donate 22 of these sketches to Bayside City Council in 2003. In the mid 1870s wealthy solicitor David Abbot bought a large block on the corner of Bamfield Street and Beach Road and built an imposing family home with a stately tower. It featured rare Hawthorn Blacks – hand-made bricks of brown-red with streaks of charcoal black. For many years the home was the most prominent in the district. In 1922 ‘Coggeshall’ was subdivided, and the house was sold to the Sandringham Club, a gentleman’s club that had formed in 1913 and required more space for its growing membership. Members enjoyed lawn tennis courts, a bowling green and a cricket green, as well as a large billiard room. The Sandringham Club still owns ‘Coggeshall’.Annette Meikle, Sandringham Club 1977, ink and watercolour, 25.7 x 35.7 cm. Bayside City Council Art and Heritage Collection. Donated by the artist, 2003annette meikle, sandringham sketchbook, elizabeth waters, sandringham, sandringham club, gentleman’s club, coggeshall, david abbot, historic house -
Ballarat and District Irish Association
Image, Round Tower at Monasterboice, c1864
The historic ruins of Monasterboice are of an early Christian settlement north of Drogheda in County Louth, Ireland. It was founded in the late 5th century by Saint Buithe who died around 521, and was an important centre of religion and learning until the founding of nearby Mellifont Abbey in 1142. The site houses two churches built in the 14th century or later and an earlier round tower, but it is most famous for its 10th century high crosses. The round tower is about 35-metres tall, and is in very good condition, although it is not possible to go inside. The passage of time has laid down layers of earth so now the doorway is almost at ground level. The monastery was burned in 1097. The 5.5-metre Muiredach's High Cross is regarded as the finest high cross in the whole of Ireland. It is named after an abbot, Muiredach mac Domhnaill, who died in 923 and features biblical carvings of both the Old and New Testaments of the Bible. The North and West crosses are also fine examples of this kind of structure, but these have suffered much more from the effects of the weather. (http://en.wikipedia.org/wiki/Monasterboice)Image of a round tower in a graveyard. It is the Round Tower at Monasterboiceballarat irish, monsasterboice -
Ballarat Tramway Museum
Photograph - Black and White photograph/s - mounted set of 2', John Phillips, late 1960's or early 1970's
Yields information about the vicinity of the Victoria St terminus and the bridge over the Buninyong Railway line.Black and White photograph mounted on heavy cardboard backing. Photo of Ballarat No. 31, just after leaving Victoria St. terminus, late 1960's or early 1970s crossing over the Eureka siding railway bridge. Taken by John Phillips. Tram has destination of Gardens via Sturt St. West, Twin Lakes advertisement on the front. In the background is Meagher's Hotel with Abbots Lager and Victoria Bitter sign. On the bridge is graffiti "Smash US Imperialism". On the Ballarat side of the bridge is a sign directing travellers to the "Eureka Caravan Park". Has 6 Velcro dots on rear and marks where mounting devices have been removed on the rear. Note image scanned in two runs through a scanner, resulting in the shading in the image file. .1 - Second copy with 4 black Velcro squares and 4 dots on rear - wider view on the right hand side with an additional pole - not scanned.trams, tramways, victoria st, eureka, twin lakes, tram 31 -
Melbourne Tram Museum
Document - Event Materials, Victorian Tramways Social Cricket Association, "Souvenir Programme - Itinerary", 1958 to 1968
Set of three Souvenir Programmes for the Victorian Tramways Social Cricket Association v the South Australian Tramways Club for the 1958, 1964 and 1968 visits. Lists the Members / Committee of the MMTB, ATMOEA, officials of the VTSCA, the itinerary, results of previous matches played and teams. Centre stapled. Inside covers have space for autographs. .1 - 8 pages inside a blue card cover, Feb. 3-10 - 1958 - has adverts for Carlton United beers (Victoria, Melbourne, Fosters and Abbots) and Coles & Garrard eye care. .2 - 8 pages inside a dark blue stippled cover, 24/2 to 2/3 1964 - with ads for Coles and Garrard eye care and the Three Crowns North Melbourne hotel. .3 - 8 pages inside a semi gloss off white card cover, 5/2 to 12/2/ 1968, with ads for Coles and Garrard eye care.trams, tramways, cricket, sports, social club -
Parliament of Victoria
Flyer for the steamer Viva, Abbott & Co., Printers, c.1860
The "Viva" was a steamboat operated by George Dent that ran on the Yarra River between Princes Bridge and Hawthorn Bridge from 1860-1861. Printer flyer pasted onto cardboard advertising ferry services between Melbourne and Hawthorne [sic]. Corrections to ferry departure times are in black handwritten ink. Flyer has losses around edges and stains from 'blue-tack' verso. Black ink, printed recto: "PIC-NIC PARTIES/ AND OTHERS./ A Steamer to Hawthorne Twice a day./ On and after Monday Next, 26th march, the/ STEAMER/ "VIVA"/ Will Run daily, (Sundays Excepted) between Melbourne and/ HAWTHORNE,/ Landing Passengers at Survey Paddock, Gardner's Creek, and/ any other place along the Yarra Banks./ Leavers Hawthorne Bridge 10 a.m./ 2 p.m./ 5.30 p.m./ Leaves Princes' Bridge, melbourne 12 p.m./ 4 p.m./ Fare One Shilling/ EACH WAY./ N.B.-Parties wishing to send packages or parcels by the Steamer th(?).../ will be received and a receipt given at the waiting room, Melbourne, or on board.../ by George Dent, who will execute any orders in Town./ Small Packages, - 6d. Large Packages, - 1s/ Abbot & Co., Printers, Melbourne.viva steamboat, dent, george, hawthorne, yarra river, princes bridge, melbourne, survey paddock, gardner's creek -
City of Greater Bendigo - Civic Collection
Letter - Correspondence from School of Mines and Industries, Bendigo to R.H. S Abbott, Bendigo School of Mines and Industries, 17th September, 1901
The Bendigo School of Mines was opened in 1873 following the first report of the Technological Commission in 1869 which recommended the establishment of schools of design and science to meet the scientific and technical needs of the mining industry on the local gold fields. Initially mining, chemistry, geology, metallurgy and art were taught while a separate school of design was established in c. 1870 but incorporated into the School of Mines around 1883 when it was renamed as the School of Mines and Industry. In 1904 The Mechanics Institute was liquidated and its assets and buildings acquired by the School of Mines. Around 1907 a Junior Technical School commenced to operate at the School of Mines and Industry but ceased operating in 1961 with that function being transferred to the White Hills and Kangaroo Flat Technical Schools. The Bendigo School of Mines and Industry became known as the Bendigo Technical College from the 1st July 1959. It operated under that name until February 1967 when it became the Bendigo Institute of Technology (B.I.T.). Construction work commenced in c.1965 which saw the Institute progressively re-locate to new buildings at Flora Hill. (Fn: https://prov.vic.gov.au/archive/VA3091) Richard Hartley Smith Abbott was the step son of Joseph Henry Abbott and continued on in the family tradition of entering into business. He was elected a representative in the Mandurang riding in the Shire of Strathfieldsaye in 1887, served as Mayor of the City of Bendigo from 1917 - 1918 and was Secretary of the Bendigo Art Gallery for over 20 years. His father Joseph Abbot had been a member of the School of Mines Administrative Council and RH Abbott served as President of the School of Mines for two years and was a highly regarded business man within the local community. The School of Mines and Industries would have written to him asking him to intervene to ensure that their reputation remained intact.Handwritten letter by the registrar from the School of Mines to R H S Abbott on lightly lined writing paper.city of greater bendigo education, city of greater bendigo mining, mayor rhs abbott, shire of strathfieldsaye, bendigo art gallery -
Glen Eira Historical Society
Caulfield Institute of Technology
Caulfield Institute of Technology Annual Report 1973. Including attached page of Council members and staff. Includes introduction giving history of the Educational establishment., Caulfield Institute of Technology Annual Report 1974. Includes photocopied sheet of staff and board names., Caulfield Institute of Technology Annual Report 1977. Includes two photocopied lists of staff and board members.ward, t., boykett, kenneth, whitlam, gough p.m., abbot, pam, horne, donald, k.h. boykett building, railway avenue, dandenong road, queens road, princes avenue, phillip law building carnegie, caulfield east, school boards, library, school of industrial studies, counselling services, computer centre, financial statement, degrees, diploma and graduate diplomas, certificates, school of engineering, school of general studies, administration services, colleges, moderne, student union, building construction, building sites, budget task force, partridge committee (post secondary education), williams committee (education and training), saxe committee (nurse education), school of business, education, tertiary education -
Federation University Historical Collection
Booklet, Gippsland Institute of Advanced Education Student Information Guide, 1983
John Maynard was the Academic Registrar in 1983.Soft covered booklet of 89 pages, including information on institution awards, staff lists, calendar, the library, computer services, banking facilities, cafeteria, student accomodation, Student Union, and academic information. gippsland institute of tafe, churchill, john maynard, kevin hince, ian roberts, reginald boyd, allan purnell, nick watson, john benson, john etheredge, venturino venturini, michael crowley, william battersby, ian gibson, rhonda jacobs, bryan coleborne, patrick morgan, neil courtney, michael griffiths, neil hanley, peter farago, peter kerr, gavin hoare, asim kumar, christopher fraser, anthony love, abu kamal abdur rahman, ian hamilton, daryl nation, parimal kumar roy, anthony peterson, marianne robinson, peter harwood, gordon dawber, trevor caldwell, alan mclaine, karen bensley, hedley potts, jacek grzelecki, euan heng, adrian mauriks, geoff dupree, kaye green, kiyoshi ino, colin sugget, graham dettrick, kathleen frost, leslie gordon, allan box, phillip edwards, terry evans, patricial patten, john pearson, harbhajan singh, hua min yee, vivienne clarke, barbara overbury, neil terrill, kevin cale, keith enders, graham harrison, patrick loftus, jean-christopho ochsenbein, ian spark, david walker, leonard bradshaw, richard hart, rodney macleod, alexander maitland, john o'sullivan, leon soste, geoffrey vains, peter walker, barry dunstan, keith hamilton, john harris, ray hodges, martin hooper, gupta baikunth nath, phillip rayment, stephen abbot, david fox, phillip higgins, leonard makin, paul nash, alan rahilly, lesley smales, robert teasdale, peter charles, jenny hill, clive vernon, student accomodation, visual arts, engineering, education, sociology, gippsland campus -
Eltham District Historical Society Inc
Journal, Peter Doughtery, ArtStreams: News in arts and cultural heritage; Vol. 3, No. 3, Jun-Jul 1998, 1998
Vol. 3, No. 3, Jun-Jul 1998 CONTENTS BANNERS MAKE A MARK Whittlesea lifts its arts profile 2 THE DROVER'S BOY A new play by Ray Mooney 3 HOME AWAY FROM HOME Nillumbik finally discovers a new tourist potential 5 OUT OF DESIGN, INTO ART A tour of Tony Clark's public and private paintings at Heide 7 BOOK REVIEW The Blue Gate, by Alison Groggon 11 THE ACCIDENTAL ARCHIVE The work of Jenni Mitchell 12 GOING IT ALONE David Moore make a critical decision 14 ENTERTAINMENT Pictorial round-up of local artists 16 A WAY WITH BOOKS Kay Sagar sets the scene in schools 18 SHORT STORY BY JON WEAVING 19 THEATRE WITH CAROLYN PICKETT 22 BOOK REVIEW - NICE TRY 25 CD REVIEW 26 PLEASURE IN ART Interview with Marian Sussex, aged 82 27 FRESH APPROACH TO SHAKESPEARE 29 ARTS SERVICES & TEACHING 30 WINING, DINING & ENTERTAINING 31 New looks in local parks 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, were street cafe, sam alessi, plenty ranges arts and convention centre, ray mooney, dymocks booksellers, adams of north riding, bed and breakfasts, b&b, eltham garden retreat, tony clark, eltham library community gallery, alison croggan, ian mcbryde, ward sagar, jenni mitchell, emma lew, ken taylor, pietro ristorante grossi, david moore, dynamic vegies, yarra valley country club, tim mclean, petery haydon, mirth, volumes, cate bailey, songlines, jane mcgeogh-brittan, azure, margaret roadknight, mezze restaurant warrandyte, andre mcauley, robbie grieg, melanie shanahan, ricky ozimo, george dreyfus, sebastian jorgensen, angie mcmillan, kay sagar, jon weaving, heidelberg thearte company, carolyn pickett, llobex image wizards, shane moloney, michelle lonsdale, birrarung, anglea abbot, don james, john wakefield, la piazza restaurant bar & cafe, eltham high school, kavisha mazzello, robbie grieg, recherche speciality picture framing, marian sussex, maree wesols, anne maree graham, art in public places, albert tucker, museum of modern art at heide, montsalvat -
Moorabbin Air Museum
Document (collection) - CAC R.L. Abbott Collections, Mr. R.L. Abbot's File for Miscellaneous Papers
Letters , reports and articles on numerous aviation related topics -
Tarnagulla History Archive
Football players in Tarnagulla, 1913
Murray Comrie Collection. This photo was probably taken at either Victoria Park or the Recreation Reserve in Tarnagulla, Victoria.Group of men and boys, some in football attire posed as a group in an outdoor area with gum trees behind them. Three boys are standing in/on trees at rear. Main in suit at far right. Handwritten on reverse are names of some subjects, the name 'L.Williams', the name and address 'J. Sheldon, 1 Francis Grove Thornbury' and the phrase 'Tarnagulla near Bendigo'. '1913 Wednesday' handwritten on front.tarnagulla, sport, football, radnell family, smith family, burstall family, bert family, whimpey family, shelton family, robinson family, chapman family, birchall family, ousley family, harwood family, ison family, kilgower family, bock family, norwood family, rivvett family, abbot family