Murray Comrie Collection. This photo was probably taken at either Victoria Park or the Recreation Reserve in Tarnagulla, Victoria.Group of men and boys, some in football attire posed as a group in an outdoor area with gum trees behind them. Three boys are standing in/on trees at rear. Main in suit at far right. Handwritten on reverse are names of some subjects, the name 'L.Williams', the name and address 'J. Sheldon, 1 Francis Grove Thornbury' and the phrase 'Tarnagulla near Bendigo'. '1913 Wednesday' handwritten on front.tarnagulla, sport, football, radnell family, smith family, burstall family, bert family, whimpey family, shelton family, robinson family, chapman family, birchall family, ousley family, harwood family, ison family, kilgower family, bock family, norwood family, rivvett family, abbot family

Plaque placed at a cairn erected in 1975 at the Hurst family cemetery at Hurstbridge in memory of people who were buried locally in unmarked graves. Transcription of plaque: This cairn was ereced in 1975 in memory of the following people who have been buried here in unmarked graves since 1866. Robert Thomas Hurst (father) Frances Facey Gurst (mother) Robert Hurst Ellen Hurst (Mrs Spencer) Fanny Hurst (Mrs Hawkins) Mr. Abbot-Christian name unknown Who was present when Henry was shot by the bushranger. An unnamed babe belonging to Catherine and Fred Hurst Ashes scatterd: Catherine Hurst (Fred's wife) Frances Ellen Hurst (Mrs Gray) William George Gray Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p15This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, hurst family cemetery, hurstbridge, memorial

This plate comes from the Registered Office of F. Morse Pty Ltd. The name ‘Morse’ has been associated with the local Warrnambool transport industry for more than 100 years from the horse-drawn era to the advent of motorized transport. Frederick Morse was the son of Henry Morse, a teacher at The Grange, Hamilton and at Grasmere in the early 1870s. In 1883 Frederick Morse started business in Fairy Street as a coach builder in a partnership known as Robinson and Morse and in 1891 he set up a business on his own, the Victoria Carriage Works in Lava Street with branches in Port Fairy and Koroit. By the 1890s he was employing 27 people and winning State awards for his Abbot buggies. By the 1920s the Morse business had moved to motorized transport, expanding over the years to car dealerships, caravans, panel works and reconditioning and truck building with the subsidiary businesses of Morsmilk and Morsbearings (both later sold).This plate is of strong significance as a memento of a business in Warrnambool that has been prominent in the local transport industry for 120 years. It is also a memento of the Morse family, notable 19th century settlers in the town and important in local community affairs since that time. This is a wooden frame with a glass front. The frame is painted a grey colour and has holes at the top and bottom for affixing the frame to a wall or door. Behind the glass the words ‘Registered Office F. Morse Pty Ltd’ are painted or incised on to a wooden slab. The words are in yellow and red paint. The frame is a little chipped and the inside of the glass is somewhat blotchy and stained. ‘Registered Office’ ‘F. Morse Pty Ltd’ frederick morse, robinson and morse, morse & co., history of warrnambool, coach building in warrnambool, automotive industry in warrnambool

From the Smallpage family collection, donated by Ann SMALLPAGE.Photograph of Graham Street State School, Grade 6 1928education - primary schools, doug smallpage, stan littlepage, claude butcher, rita holmes, ada abbot, edna thomas mcfarlane, polly harris, ron hosking, john turnbull, ron smallpage, tom davis, prest, neisha peterson, peggy howard nee antonio, iris evans, miss morgamty, eric dettman, graham street state school, port melbourne primary school

In 1977, artist Annette Meikle undertook a commission to illustrate a book recording stories of places and people in the Bayside area. It was published in 1978 as Sandringham Sketchbook, with text by Elizabeth Waters. The sketches were intended to record remaining examples of Bayside’s early architecture and environment, as well as reflect newer architectural changes. Meikle went on to donate 22 of these sketches to Bayside City Council in 2003. In the mid 1870s wealthy solicitor David Abbot bought a large block on the corner of Bamfield Street and Beach Road and built an imposing family home with a stately tower. It featured rare Hawthorn Blacks – hand-made bricks of brown-red with streaks of charcoal black. For many years the home was the most prominent in the district. In 1922 ‘Coggeshall’ was subdivided, and the house was sold to the Sandringham Club, a gentleman’s club that had formed in 1913 and required more space for its growing membership. Members enjoyed lawn tennis courts, a bowling green and a cricket green, as well as a large billiard room. The Sandringham Club still owns ‘Coggeshall’.Annette Meikle, Sandringham Club 1977, ink and watercolour, 25.7 x 35.7 cm. Bayside City Council Art and Heritage Collection. Donated by the artist, 2003annette meikle, sandringham sketchbook, elizabeth waters, sandringham, sandringham club, gentleman’s club, coggeshall, david abbot, historic house

The Bendigo School of Mines was opened in 1873 following the first report of the Technological Commission in 1869 which recommended the establishment of schools of design and science to meet the scientific and technical needs of the mining industry on the local gold fields. Initially mining, chemistry, geology, metallurgy and art were taught while a separate school of design was established in c. 1870 but incorporated into the School of Mines around 1883 when it was renamed as the School of Mines and Industry. In 1904 The Mechanics Institute was liquidated and its assets and buildings acquired by the School of Mines. Around 1907 a Junior Technical School commenced to operate at the School of Mines and Industry but ceased operating in 1961 with that function being transferred to the White Hills and Kangaroo Flat Technical Schools. The Bendigo School of Mines and Industry became known as the Bendigo Technical College from the 1st July 1959. It operated under that name until February 1967 when it became the Bendigo Institute of Technology (B.I.T.). Construction work commenced in c.1965 which saw the Institute progressively re-locate to new buildings at Flora Hill. (Fn: https://prov.vic.gov.au/archive/VA3091) Richard Hartley Smith Abbott was the step son of Joseph Henry Abbott and continued on in the family tradition of entering into business. He was elected a representative in the Mandurang riding in the Shire of Strathfieldsaye in 1887, served as Mayor of the City of Bendigo from 1917 - 1918 and was Secretary of the Bendigo Art Gallery for over 20 years. His father Joseph Abbot had been a member of the School of Mines Administrative Council and RH Abbott served as President of the School of Mines for two years and was a highly regarded business man within the local community. The School of Mines and Industries would have written to him asking him to intervene to ensure that their reputation remained intact.Handwritten letter by the registrar from the School of Mines to R H S Abbott on lightly lined writing paper.city of greater bendigo education, city of greater bendigo mining, mayor rhs abbott, shire of strathfieldsaye, bendigo art gallery

The Jade Buddha for Universal Peace, the largest Buddha carved from gemstone-quality jade in the world, is the centrepiece of the Great Stupa of Universal Compassion in Bendigo, Australia. Standing 2.5 metres tall and weighing 4 tonnes, this priceless Buddhist statue toured over 120 cities across 20 countries from 2009 to 2018, inspiring peace in families, schools, and communities worldwide. After attracting an estimated 12 million visitors, it returned to the Great Stupa in May 2018, where it continues to be a potent symbol of peace.This framed photograph from the opening ceremony of Phat Tich Monastery in Bac Ninh, Vietnam, serves as a meaningful tribute to the Jade Buddha for Universal Peace and its message of unity. Featuring Mai Thi Thu Dung, Australian Ambassador Allaster Cox, Judy Green, Ian Green, and the Abbot of Phat Tich Monastery, it represents the collective efforts of individuals dedicated to spreading peace and compassion. The image captures a moment of collaboration and shared purpose, reinforcing the importance of fostering connections across cultures. jade buddha, memorabilia

The Jade Buddha for Universal Peace, the largest Buddha carved from gemstone-quality jade in the world, is the centerpiece of the Great Stupa of Universal Compassion in Bendigo, Australia. Standing 2.5 meters tall and weighing 4 tonnes, this priceless Buddhist statue toured over 120 cities across 20 countries from 2009 to 2018, inspiring peace in families, schools, and communities worldwide. After attracting an estimated 12 million visitors, it returned to the Great Stupa in May 2018, where it continues to be a potent symbol of peace.This mounted artwork, presented by Thich Minh Hieu, Abbot of Minh Quang Temple in Sydney, embodies the profound principles of wisdom, compassion, and enlightenment. Featuring the serene presence of the Buddha in deep contemplation, the piece radiates tranquility and spiritual devotion, capturing the essence of Buddhist teachings. Intricately detailed with rich tones and texture, the artwork serves as a powerful visual representation of mindfulness and inner harmony. Minh Quang Temple’s role in sharing these values reinforces its significance in fostering peace and reflection. jade buddha, memorabilia