Plaque commemorating D.L. Palmer, Musician to the Blind, 1882-1955. David Palmer was a music teacher and Director of Music at the Royal Victorian Institute for the Blind (R.V.I.B.) for over 40 years and conducted the R.V.I.B. choir and orchestra. The orchestra had about twenty musicians, all of whom were vision impaired, and was popular with the public for dances and events. Mr Palmer and the other music teachers would transcribe over a thousand sheets of music every year for the orchestra into Braille. Created by sculptor Andor Mészáros (1900-1972), this plaque was located in the foyer of Ormond Hall. During an interview with Australian Women's Weekly (28/10/1959, p7), the sculpturor - Andor Meszaros - said that he worked with half-closed eyes to create the memorial. It shows a profile, with wavy lines that sweep across the eye and around the ear to represent how one sense will become more importance when another is lost. His son, Michael Meszaros, was involved in the collaboration.1 bronze plaque with raised lines depicting profileAndor Meszaros 1959awards, sculpture, royal victorian institute for the blind, david palmer, andor meszaros, michael meszaros

Gustave Adolphe arrived in Australia from Germany with his father Otto (see Item 10641.61) in 1856 arriving in Bendigo via Adelaide. He married Annie Anders-Pohl in 1876. He took over his father-in-laws vineyard at Axe Creek. Gustave and Annie had the following children:- Alice MAtilda (1877-1984) m. Fred Jenkinson in 1911; Amelia (1879-1954) m. Alfred Ernest Dunstone in 1912; Gertrude (1881-13/3/1959) m. Henry Dunn in 1908; Carl Otto (1884-3/12/1960) m. Lily Elizabeth Kronk in 1914 and then Lily Elizabeth Lewis in 1925; Adelina Lena (1887-31-7-1887)Copy of photograph of Gustav Pieper family, Annie (nee Anders-Pohl) Carl, Gus, Alice, Amelia & Gertrude.photograph, person, pieper, genealogy-pieper-german

Soil Sterilizer. Built 1946." EMGBlack ands white photograph of the Soil Sterilizer in the Old Nursery in a shed."April 1947. Soil Sterilizer - Bin. Built 1946." E M Gibson 689 1/1soil sterilizer, bin, e. m. gibson collection, old nursery

1/27garden view, paths, pavilion, luffmann ponds, lily ponds

The two men photographer are Angelos Lucas and Rev. Patsogiannis. Angelos arrived in Australia around the turn of century shortly after his brothers, Ioannis and Andreas. They owned the Lucas Cafe under the clocks of Flinders Street Station and the business remained in the family till the 1960s. Ioannis and Andreas were founding members of the IPS and Angelos was the second president of the Society between 1924.-1926. Angelos was also president of the Greek Community of Melbourne and Victoria for three terms, from 1930-32, 1934-40 and 1949-52.The Lekatsas brothers were prominent members of Greek community life in Melbourne from the early 1900s.A black and white portrait photograph of two men. One is a priest ands the other man is wearing a dinner suit.

Black ands white photograph of a fruit tree pruning demonstration on Pruning Day 1948. Large crowd standing in the Orchard."3/7/48." 560/13 20pruning day, e. m. gibson collection, pruning day 1948, fruit tree pruning demonstration, orchard

Issued to Peter Dodd, Refer collection Cat No 2436.2PBeret black felt and black cotton liner with two labels sewn in, badge is silver and gold with crown centre circle wreath around ander scroll under.On badge, "ER Royal Australian Engineers", on label, "217842 Dodd P.J"hats, headwear, berets

The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment. Following WWII service in RAAF and RAN respectively, Lieutenant Ian McKay and Sergeant John Neale served in 8th/13th Victorian Mounted Rifles.Unique collection of photographs showing the first years of an armoured regiment of the post-Second World War era Citizen Military Forces showing equipment, uniforms, training and social activity and some personalities.Black ands white photograph of two soldiers in khaki drill uniforms, boots, web anklets and berets. One of a collection of photographs of 8th/13th Victorian Mounted Rifles Regiment between 1948 and 1951." Lt. McKay. Sgt. Neale :mckay ian, neale john

Back row L-R: John Raftopoulos (Patakia), Anastasia Raftopoulos (nee Karantgis) and Theodora Raftopoulos, Peter Karantgis, Michael Raftopoulos. Front row L-R: Dennis Raftopoulos, John Karantgis and Ekaterini Karantgis.A black ands white studio photograph of a family group of three men, two ladies, an older and little boy and a girl. The older couple and little boy are seated in front of the rest of the family members. A draped curtain is behind the group.family photograph

The men in the photograph are Nicholas ands Alkinos Paizis who migrated to Australia from Kioni. Alkinos Paizis was a past president of the IPS.A sepia photograph mounted on board of two smartly men standing on either side of a small round table in a photographer's studio.

Envelope containing two cards. On envelope is printed 'SWEDEN...DOUBLES PLAYERS...TO BE HANDED TO THE AUSTRALIAN CAPTAIN AT DRAW CEREMONY'. Inside is a card which states ANDERS JARRYD...HANS SIMONSSON'. Probably from 1983 Davis Cup Final played at Kooyong. Materials: Paper, Inktennis

A temporary saw-mill in the central Grampians.Photo shows a clearing containing a saw mill. There is a saw with traction engine to the right ands a bullock wagon containing a large log to the left. There is a man to the right working with the engine, four men among the wood in the centre and two men near the wagon on the left. A large wood stump is prominent in the foreground. timber industries, logging, sawmilling

Medal commemorating the Centenary of Government of Victoria and the Discovery of Gold, commissioned by the Victorian Government. Designed by Andor Mészáros and minted by K.G. Luke, Melbourne, 1951 marked the centenary of Victoria's separation from the colony of New South Wales. As part of the celebrations, the Victorian Government commissioned this medal from Andor Meszaros. Drawing on his classical background, Mészáros developed the imagery for 'Equality and Justice through Freedom'. The man holding the torch represents equality; the blindfolded woman holding a sword is the symbol of justice, and both are mounted on a horse that has broken its shackles.Obverse Description Horse bounding left, broken shackles on foreleg, carrying woman holding sword and man holding torch; around, EQUALITY AND JUSTICE THROUGH FREEDOM Artist's name behind horse's tail Reverse Description Stake supporting plant; above, CENTENARY OF THE GOVERNMENT OF VICTORIA 1851 - 1951; inscribed, CENTENARY OF GOVERNMENT OF VICTORIA 1851 - 1951; Artist's initials to left of stake. Edge Description PlainObverse Description: Equity and Justice Through Freedom Reverse Description: Centenary of the Government of Victoria 1851 - 1951; inscribed, Presented to the / Shire of Strathfieldsaye/ 1951andor mészáros, centenary of government of victoria, shire of strathfieldsaye, city of greater bendigo medals

Medal commemorating the Centenary of Government of Victoria and the Discovery of Gold, commissioned by the Victorian Government. Designed by Andor Mészáros and minted by K.G. Luke, Melbourne, 1951 marked the centenary of Victoria's separation from the colony of New South Wales. As part of the celebrations, the Victorian Government commissioned this medal from Andor Meszaros. Drawing on his classical background, Mészáros developed the imagery for 'Equality and Justice through Freedom'. The man holding the torch represents equality; the blindfolded woman holding a sword is the symbol of justice, and both are mounted on a horse that has broken its shackles.Obverse Description Horse bounding left, broken shackles on foreleg, carrying woman holding sword and man holding torch; around, EQUALITY AND JUSTICE THROUGH FREEDOM Artist's name behind horse's tail Reverse Description Stake supporting plant; above, CENTENARY OF THE GOVERNMENT OF VICTORIA 1851 - 1951; inscribed, CENTENARY OF GOVERNMENT OF VICTORIA 1851 - 1951; Artist's initials to left of stake. Edge Description: Plain. Boxed. Obverse Description: Equity and Justice Through Freedom Reverse Description: Centenary of the Government of Victoria 1851 - 1951; inscribed, Presented to / the City of /Bendigo/ 1951andor mészáros, centenary of government of victoria, city of greater bendigo medals

The medal was designed by Andor Meszaros and made by K. G. Luke(Medal Makers) of Melbourne, Victoria. This medal was presented to the Shire of Ballarat in 1951 and is now house in the Old Ballarat SHire Building at Learmonth, Victoria.This medal represents the 100 years of "Government in Victoria", also the "Discovery of Gold".A large round bronze medal with a horse bounding left, broken shackles on foreleg, carrying woman holding sword (Justice) and man holding torch (Equality).The front features a man holding a torch and a woman on a horse holding a sword. The horse has a shackle on its front left leg, surrounded by the words "EQUALITY AND JUSTICE THROUGH FREEDOM". On the back at the bottom is flowers and leaves with the words "CENTENARY OF THE GOVERNMENT OF VICTORIA 1851 - 1951.shire ballarat government victoria gold discovery 100 years

3 documents pinned together, on top of documents messrs Connelly Tatchell & Dunlop 'Dr. to Cope & King', names mentioned in documents : Anders ( bankrupt ) Smith & Boyd., Colonial Bank versus Joachim, Shannon versus Haylock, dated 23rd. November, 1889. On top of folded documents, on outside, 23 Nov 1889, Cope & King.business, legal, connelly, tatchell & dunlop

Medal commemorating the Centenary of Government of Victoria and the Discovery of Gold, commissioned by the Victorian Government and gifted to the Shire of Glenlyon. Designed by Andor Mészáros and minted by K.G. Luke, Melbourne, 1951. 1951 marked the centenary of Victoria's separation from the colony of New South Wales. As part of the celebrations, the Victorian Government commissioned this medal from Andor Meszaros. Drawing on his classical background, Mészáros developed the imagery for 'Equality and Justice through Freedom'. The man holding the torch represents equality; the blindfolded woman holding a sword is the symbol of justice, and both are mounted on a horse that has broken its shackles. Features on the reverse a design of a banksia and bottlebrush. There was another version of this medal which depicted a pair of gold prospectors on the reverse.This medal was presented to the Shire of Glenlyon in 1951. For over half a century, sculptors Andor (1900-1973) and Michael (1945- ) Meszaros have created medals that reflect the high points of life in Australia. From major awards and portraits of eminent Australians to artwork celebrating popular culture and the natural world, these objects illuminate our culture and history. Grounded in a centuries-old European art tradition, the medals create connections across disciplines and link such diverse subjects as scientific advances, religious themes, sport, the performing arts and motherhood. Through their public and private commissions and their personal artworks, the Meszaros sculptors have defined the modern Australian medal.Bronze medal with images and text insetObverse Description: Horse bounding left, broken shackles on foreleg, carrying woman holding sword and man holding torch; around, EQUALITY AND JUSTICE THROUGH FREEDOM Artist's name behind horse's tail: A MESZAROS Reverse Description: Stake supporting plant; above, CENTENARY OF GOVERNMENT OF VICTORIA 1851 - 1951; inscribed, Presented to / the Shire of / Glenlyon / 1951 Artist's initials to left of stakeglenlyon, hepburn shire, centenary of government, centenary of gold discovery, history of victoria, victorian governement, meszaros, kg luke, commemorative, commemorative plaque, centenary 1951

The Spot Cafe at 281 Elizabeth Street was established in 1912 and was owned by Athanasios Raftopoulos, Michalis Mavrokefalos ands Anastasios Flocas. The waiter standing second from the left is Hector Andrews. It was one of the many cafes owned and operated by Ithacans in the Melbourne CBD during the first half of the twentieth century.A black and white photograph mounted on grey board with a darker grey border.Three men and a lady, who are employees, are standing outside a cafe. Two of the men are waiters, the lady is in a white uniform and the other man is wearing a white apron over his trousers and shirt.restaurants, ithacan businesses

Staff and Council members in the garden of the Bialik Kindergarten, Drummond Street, Carlton, c. 1950s. Includes Andor Herman, Erlich Honig, Sonia Popov, Judy Ginsberg, Yeshayahu Taub, Hana Sheink (Scheiber), Rina Pushett, Ms Goldstone, Hava. Please contact [email protected] to request access to this record.

The bronze medal commemorates the centenary of the government of Victoria from 1851 to 1951, as well as the centenary of the discovery of gold and was presented to the Shire of Wodonga in 1951. It was commissioned by the Victorian Government in 1951 to commemorate 100 years of the separation of Victoria from the colony of New South Wales in 1851. The medal was designed by the sculptor Andor Mészáros (1900-1972) and minted by K.G. Luke in Melbourne. The bronze medal has local, state and national significance, as it commemorates the centenary of 100 years of government in Vctoria. It also has aesthetic and social significance as an example of a limited edition bronze medal designed by the prominent sculptor Andor Mészáros, who is known for his work depicting the history, culture and sporting life of Australia.Bronze medal commemorating the centenary of the government of the State of Victoria from 1851 to 1951, and the centenary of the discovery of gold. Obverse: In the centre of the medal, a man and a woman riding a horse and the inscription "EQUALITY AND JUSTICE / THROUGH FREEDOM" in raised letters around the edge. The man is holding a torch representing equality and the woman is blindfolded holding a sword representing justice. The horse has broken free of its shackles representing freedom. Reverse: A stake surrounded by Australian floral motifs in the lower part of the medal; the inscription "CENTENARY OF THE GOVERNMENT OF VICTORIA 1851-1951" in raised letters around the top edge, and "Preseneted to / The Shire of / Wodonga / 1951" in engraved letters in the centre. The medal is in a small presentation box with dark green velvet lining an insert for the medal in the lower part and a light coloured textile printed with the dates 1851 and 1951 printed in the lid. A piece of paper with a text about the meaning of the inscriptions accompanies the medal and fits inside the lid of the small presentation case.Obverse: "EQUALITY AND JUSTICE / THROUGH FREEDOM" in raised letters around the edge. Reverse: "CENTENARY OF THE GOVERNMENT OF VICTORIA 1851-1951" in raised letters around the top edge, and "Presented to / The Shire of / Wodonga / 1951" in engraved letters in the centre of the medal. medals, australian commemorative medals, centenary of victoria, numismatics, shire of wodonga, wodonga, centenaries, gold, andor mészáros

This specimen was recovered from Broken Hill, NSW. It was given the name Mangan Hedenbergite in 1819 by Jöns Jakob Berzelius in honor of Mr. Anders Ludvig of Hedenberg who was the first to define hedenbergite as a mineral. Hedenbergite, belongs in the pyroxene group having a monoclinic crystal system. The mineral is extremely rarely found as a pure substance. Mangan Hedenbergite is a manganese bearing variety of Hedenbergite. Manganese is the world’s fourth most used mineral after iron, aluminium, and copper primarily because it has no satisfactory substitute in its major applications. Globally, the steel industry is the primary user of manganese metal, utilizing it as an alloy to enhance the strength and workability of steel and in the manufacture of tin cans. Manganese is a key component of certain widely used aluminium alloys and, in oxide form, dry cell batteries used in electric vehicles. These batteries are in high demand. Another potential use for manganese may as an additive to help coat and protect a car’s engine. Manganese is also used for non-metallurgical purposes such as plant fertilizers, animal feed, and colorants for bricks. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A hand-sized mineral specimen in shades of silver and blackmanganese, open cut mine, manganese ore processing, bell bay, tasmania, northern territory, steel industry, zinc-carbon batteries, alkaline batteries, tin cans

The scarred tree is located on a hillside in a local reserve. The bark has been removed in the past to make a boat or other large utensil. Melbourne's skyline can be seen faintly in the distance in the middle of the photograph with local suburban development in the middle distance. The set of 20 photographs were taken of a number of archaeological ands sacred sites in the Bulla district. The photographs were included in a study published by the Shire of Bulla in the early 1990's.A scarred tree aboriginal ring sites, george evans collection

Photograph of a group of both adults and children in from of what appears to be a church. There are five boys seated cross legged along the front all wearing ties, two are wearing salvation army style caps. There are five adults seated behind the boys, a minister of religion seated between two women, the woman on the right hand side has a girl seated on her knee. Standing behind these are thirteen other women and one man. Some of the ladies are wearing hats ands some are bare headed.person, group, church, church group

Ernest Louis Fritz Pieper (1848 -20/10/1939) married Mary Jane Boyd in 1884 Gustav Adolph (1852-9/10/1937) married Annie Pohl Anders in 1876. Otto Emil Christian (10/8/1850 - Sept 1930) married Amelia Maude Boundy in 1878. These three were all born in Gawler, SA and were the sons of Frederick Otto Pieper and his wife Dorothea (nee Salan) who were originally from Prussia.Three gents, two seated and one standing behind, photographed outside weatherboard house. Gents dressed in three piece suits, two with fob chains visible. Bearded. Written on top RH corner of image : $10 On front of card : 29. Reverse, handwritten. The eldest Piepers, Ern, Gus and Otto.unknownperson, family, pieper family

1161 specimens of wood collected from the late 1800s to the 1920s by HT and his son, HV Wardle, Ballarat sawmillers. Various sizes. HV Wardle originally donated the collection to the City of Ballarat but they were returned to his widow in the 1960s, she then donated them to the VSF. ANDS: https://researchdata.ands.org.au/h-t-wardle-wood-specimen-collection/186462. Dadswell, G, Dargavel, J & Evans, PD 2015, 'Wood collections in Australia: a history of expansion and retraction', Australian Forestry, vol. 78, no. 1, pp. 18-28. http://dx.doi.org.ezp.lib.unimelb.edu.au/10.1080/00049158.2015.1011798Wood specimens from across the globe, originally from the private collection of Henry Thomas Wardle and his son, Henry Victor Wardle.Various markings on individual specimens

The well known sculpture of English playwright William Shakespeare takes an elaborate bow before the Civic Hall, a performance and community center for Ballarat. The unique abstract and elongated mannerist style used in this cast bronze sculpture hints at the art deco style of the Hall behind. The sculptor, Andor Mészáros, was from Budapest but created much of his work in Melbourne. He also created works for Canterbury Cathedral in the UK and several carved stone sculptures for Sydney Hospital. The artwork was commissioned in 1959 through a widely publicised competition and installed in 1960. In addition to making sculptures, Mészáros was also renown as a creator of medallions. In 1951 he received 'the highest award' at the International Medallion Exhibition, Madrid and in 1964 he won the 'purchase prize' at the International Medallion Competition, Arezzo, Italy. From 1970 Mészáros worked with his younger son Michael, also a sculptor. In 2002, the City of Ballarat granted permission for Michael Mészáros to make a cast of the Ballarat Shakespeare artwork to create replica installed in Budapest. The Budapest installation commemorates Shakespeare's connection to the City and the achievements of Andor Mészáros. The artwork was unveiled by Mayor Arthur W. Nicholson. The statue was presented by L.F. North, general Manager of the Fidelity Trustee Company Limited, representing the late H.P. Stevens as one of the benefactors whose generosity enabled the Statue to be erected.The artwork is of aesthetic significance to the people of BallaratLarge bronze statue of William Shakespeare mounted on a stone plinthWilliam Shakespeare 1564-1616. Erected by benefactions from Harry Pearson Stevens who settled here 1855 and other Citizens unveiled by Arthur W. Nicholson J.P. Mayor.17.11.1960shakespeare, andor mészáros, civic hall, ballarat