Andrew SIBLEY ( 9 July 1933-3 September 2015) Born London Since the 1960s Andrew Sibley consistently exhibited throughout Australia and Internationally. He was senior lecturer of painting at RMIT from 1967-1987 and senior lecturer of painting at Monash University from 1990-1999. Four hand coloured linocuts by Andrew Sibley framed in two frames. .1) ‘Memories of My Garden’ Hand Coloured Linocut Plate 21.6 x 13.7cm Paper 38.5 x 28.5cm 1993 (2013) Edition: 100 .2)‘Roses with Love’ * Hand Coloured Linocut Plate 21.3 x 13.4cm Paper 38.5 x 28.5cm 1993 (2013) Edition: 100 .3) ‘Flowers Embraced’ Hand Coloured Linocut Plate 20.5 x 12.8cm Paper 38.5 x 28.5cm 1993 (2013) Edition: 100 .4) ‘Red Roses’ * Hand Coloured Linocut Paper 21.3 x 13.4cm Paper 38.5 x 28.5cm 1993 (2013) Edition: 100 The four linocuts are the subject of the Private Press book: ‘Four Linocuts by Andrew Sibley’ written by Robert C. Littlewood, The Lytlewode Press, Chateau Bosgouet, Normandie, France, 2014. Donated through the Australian Government Cultural Gifts Programme by Katherine N. Littlewood, 2014artwork, artist, sibley, andrew sibley, churchill, printmaking, gippsland campus

andrew smith, staff, student, farewell, james hitchmough, 30th celebration, burnley backchat, friends of burnley gardens

Alexander McCubbin published Fanny Withers ‘The Life & Art of Walter Withers’ in 1920. But, although Withers had written a 100 page manuscript, the book was edited into a 28 page format. This is that entire manuscript, its preparatory notes and three other manuscripts (1902, 1911, 1918).1. Signed by Andrew Mackenzie on Title page 2. Collector's edition No 58 signed by Andrew Mackenzie and Kathleen Mangan on Title pageartists, eltham, fanny withers (nee flinn), walter withers

Paperback; 93 pp; 21 cm[written on contents page] June 6, 2017 Best wishes, Andrew Brasiermontmorency, montmorency football club

Andrew SIBLEY ( 9 July 1933-2015) Born London Since the 1960s Andrew Sibley consistently exhibited throughout Australia and Internationally. He was senior lecturer of painting at RMIT from 1967-1987 and senior lecturer of painting at Monash University from 1990-1999. Six framed limited edition prints by Andrew Sibley using the Sugar-lift etching technique and hand colouring. Printed at the Australian Print Workshop, Melbourne and published by The Lytlewode Press, Melbourne in an edition of 125 in 2010. .1) 'Catch a Falling Star' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition: 17/125 Signed, inscribed and numbered by the artist. Catch a Falling Star written by Paul Vance (born 1929) and Lee Pockriss (1924-2011) 1957 .2) 'It’s only a Paper Moon' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition: 1/125 Signed, inscribed and numbered by the artist. It's Only a Paper Moon by Harold Arlen (1905-1986) lyrics by E. Y. Harburg (1896-1981) and Billy Rose (1899-1966) 1933 .3) 'Come Fly With Me' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition: 9/125 Signed, inscribed and numbered by the artist. Come Fly with Me by Jimmy Van Heusen (1913-1990) lyrics by Sammy Cahn (1913-1993) 1957 .4) 'You are the Sunshine of my Life' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition: 1/125 Signed, inscribed and numbered by the artist. .5) 'Some Enchanted Evening' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition:1/125 Signed, inscribed and numbered by the artist. Some Enchanted Evening Richard Rodgers (1902–1979) and Oscar Hammerstein II (1895–1960) South Pacific 1949 .6) 'Vilya, Oh Vilya' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition: 1/125 Signed, inscribed and numbered by the artist. Vilya, Oh Vilya Die lustige Witwe (The Merry Widow), operetta Vilya, oh vilya Composed by Franz Lehar (1870-1948) 1905 Donated through the Australian Government Cultural Gifts Programme by Katherine N. Littlewood, 2014artwork, artist, sibley, andrew sibley, printmaking, etching, churchill, gippsland campus

Paperback; 111 p. : ill. ; 28 cm.ISBN 0909674345 [written on flyleaf] To the members of the Shire of Eltham Historical Society, with my very best wishes, Andrew Mackenzie 8 July 1987.victor cobb, artists

Andrew Ross Museum is an old school house building and dates from 1879 and retains many of its original features. It now houses a history of Kangaroo Ground and the writings of Andrew Ross, a pioneer of the area.Flyer with coloured photos and blue printandrew ross museum, kangaroo ground, andrew ross

Andrew BECKERS (1981- ) Andrew Beckers studied Visual Art of the University of Ballarat. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed pastel drawing. If you can assist with information on this artist or artwork please use the comment box below.art, artwork, andrew beckers, alumni

Andrew BECKERS (1981- ) Andrew Beckers studied Visual Art of the University of Ballarat. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed work.art, artwork, andrew beckers, human movement collection

A letter from Andrew Fabinyi at Pergamon Press, regarding the title and format of 'Living in Australia', and other arrangements.Foolscap, 1 page

Reminiscences of Andrew Ross derived from a series of 42 articles which appeared at intervals in the Evelyn Observer newspaper between 21 October 1887 to 29 December 1893 under the heading "Reminiscences, County of Evelyn. The Evelyn Observer was circulated throughout much of the Yarra Valley.

A letter from Andrew Fabinyi at Pergamon Press, agreeing that 'Living in Australia' is an excellent title and regarding sending of first dummies.Quarto, 1 page

A letter from Andrew Fabinyi at Pergamon Press, regarding the title of 'Living in Australia', and how and when they might meet in person.Foolscap, 1 page

A letter from Andrew Fabinyi at Pergamon Press to Robin Boyd, regarding the invitation letter sent to Lord Casey (item D327.2).Quarto, 1 page

A tribute to John Cain (1931-2019) by Andrew Leigh, extract from a speech in February 2020; published in Recorder, the official newsletter of the Melbourne Labour History SocietyMagazine clipping, black text and colour imagejohn cain, politicians, premier of victoria

A letter from Andrew Fabinyi at Pergamon Press requesting Lord Casey to launch Robin Boyd's 'Living in Australia' towards the end of November 1970, at John Batman Travelodge (designed by Robin Boyd).Foolscap, 1 page

A letter from Andrew Fabinyi at Pergamon Press, regarding the title and subtitle of 'Living in Australia', and other arrangements. Fabinyi also mentions a further major book that Boyd and he have discussed over many years, namely 'Australian Social Mores and Living Conditions'.Quarto, 1 page

This work pays homage to Solomon J. Solomon’s Ajax and Cassandra. Andrew Potter’s painting tells of the subsequent event. Cassandra is undoubtedly a Trojan War casualty, symbolizing the personal pain of widows and rape victims. The flow of the fabric is the allegory of bloodshed, while the empty jar suggests displacement of refugees. Cassandra’s body, as mother earth, is a metaphor for the peaceful landscape that is desecrated by acts of war. The artist uses these iconic figures to exemplify and demonstrate why peace is always better than war. This work was awarded second prize in the 2009 Lucato Peace Prize. During that year Andrew Potter was undertaking the first year of a Bachelor of Visual Arts (Fine Arts) at the University of Ballarat’s Arts Academy. This item was runner up in the Lucato Peace Prize, and is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Painted canvas depicting a naked woman lying on the round beside a glass jar.art, artwork, andrew potter, potter, lucato peace prize, mythology, available

Studio portrait taken in 1917 of Andrew Park, son of George Park of Olinda in WW1 uniform. The descriptive text on the reverse of this photograph was hand written by John Lundy-Clarke.Andrew Park 1917. Son of George. Olindaandrew park, george park, olinda, ww1

James Andrew Kangaroo Ground, 1870 "James Andrew, Whittlesea, born in East Palford, Devonshire, England, in 1827, arrived in Adelaide in February 1850 per ship Lady McCaughton and almost immediately sailed in a coasting vessel to Melbourne, where the first work he undertook was clearing earth from a stone quarry in Collingwood. He next carried stones for masons engaged in building the Bishop’s Palace, and then was employed in Cambellfield mowing hay. He was at Saltwater River on Black Thursday, and afterwards took a little farm at Darebin Creek, remaining there for four years. He went up to Kangaroo Ground in 1859 and lived there until he bought his present property at Whittlesea, a farm of between 300 and 400 acres. He has been twice married, and had a family of six children." "Andrew, W. B. Eltham, is a native of England, born in 1822. Coming out to Australia in 1842, he lived in Brighton, Victoria for fifteen years, when he re-visited England for a year. Returning to Victoria fourteen or fifteen years ago, he commenced storekeeping at Eltham, where he has carried on that business ever since. Mr Andrew has always taken a lively interest in the public affairs of town and district” from "Victoria and its Metropolis: Past and Present" written in 1888 by Alexander Sutherland. Chapter 19, "The Upper Yarra District" pages [402] - 415. Includes descriptions of some townships and short biographies of local residents. Page 405 Folder of information on James Andrew, Trustee Kangaroo Ground Cemetery, Kangaroo Ground 1870 William Bravery Andrew, Eltham, 1870s-1880s Ernest James Andrew, Eltham, Eltham Shire Councillor, 1920s-1950 and Ellen Matilda Brown Andrewjames andrew, pioneer, kangaroo ground, ernest james andrew, william bravery andrew, ellen andrew, eltham cemetery, biography, ellen harper andrew (nee clarke), ellen matilda andrew (nee brown), eltham war memorial gate, eltham war memorial trust

Andrew Crawford. 1846-1917Coloured photograph of brown framed picture of Andrew Crawford. 1846-1917andrew crawford

Andrew McKay migrated to Victoria from Scotland in 1853 and was living at Linton from the late 1850s. He had mining interests and also worked as a stonemason. Andrew McKay was an Elder of the Linton Presbyterian Church, and a member of the Carngham Board of Management of the Church from 1861. Andrew McKay and his wife Margaret (nee Robertson) had a large family, with seven of their children born at Linton. Their daughter Williamina was Postmistress at Linton between 1888-1890. Andrew and Margaret McKay left Linton around 1882-83.Black and white copy of original portrait showing a man with longer hair, deeply parted on the left and a short beard around under his jawline. He is wearing a light suit jacket with a dark collar and a cravat."2016 Andrew McKay an early elder in presb church"andrew mckay

Comprehensive collection of articles on the history of Melbourne from various contributors. Updated by historical website.819 p. Hardback, black & white illus. melbourne history