Angora goats are believed to have originated in the Himalaya Mountains of Asia. Angora goats were first imported into Australia in 1832 and 1833. They came from M Polonceau’s stud in France to the property of the Riley family of Raby N.S.W. Pure bred Angoras were imported from Turkey in subsequent years up to 1873, to properties in New South Wales, Victoria, and later South Australia. Farming Angora goats became popular in the 1970s.Sepia photo of three Angora Goat Bucks with four men wearing white shirts and and brim hats in a landscape format.On rear top edge - Duaes(?) Anorgra Bucks 19-560wool, angora goat, goat

Mohair sample from pure bred English Angora Rabbit, from the Aztec Angora Rabbit Stud.Mohair sample from pure bred English Angora Rabbit, from the Aztec Angora Rabbit Stud.wool - superfine, clutterbuck, mrs deb - aztec angora rabbit stud gibbs

One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This book was produced by Patons and Baldwins and contains patterns for women's garments knitted in Patons 'Fuzzy Wuzzy Angora' knitting wool (a wool-angora mix).No. 426 / Patons / KNITTING / BOOK / No. 426 / PATONS / FUZZY WUZZY / ANGORA / P&B / WOOLS / 1'6handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting

This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book was produced by Patons and Baldwins and contains patterns for women's clothes made in angora wool.Patons / KNITTING BOOK NO. R7 / Specially Requested Designs in / PATONS FUZZY WUZZY and / BERYL ANGORAS / P&B / WOOLS / 1'4d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

Three fold brochure advertising the Mohair Farm. Complete Mohair production at one location, from the rearing of purebred Angora goats through all processes to the finished products.bendigo, business, the mohair farm

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for womens garments.No. 480 / Patons / KNITTING / BOOK / No. 480 / PATONS / FUZZY WUZZY / ANGORA / LUCELLE FINE PLY / P&B / WOOLS / 1'6knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

Twenty four page colour knitting pattern book. The cover features a woman wearing a pink knitted jumper.front: [printed] ANGORA - ALPACA - SILK / Knitting Book No. 3 / THOROBRED / scheepjeswol / Printed in New Zealand - Imprime en Nouvelle Zelande.thorobred scheepjeswol, fashion, design, knitwear, home made, wool, pattern book

This book was produced by Patons and Baldwins and contains knitting patterns for young girls garments.No. 483 / Patons / KNITTING / BOOK / No. 483 / PATONS / FUZZY WUZZY / ANGORA / For Girls / from / 4 to 12 years / P&B / WOOLS / 1'6knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for womens garments made from angora wool.No. / 407 / Patons / KNITTING BOOK / No. 407 / P&B / WOOLS / 1'3d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

Twenty page knitting pattern book featuring black and white text and images. The cover shows a woman with her reflection, wearing a dress, pearl necklace and a cardigan.front: [printed] No. R.9 / Patons / KNITTING BOOK / No. R.9 / P&B / WOOLS / "LORRAINE" - See page 12 / Specially Requested Designs in / PATONS FUZZY WUZZY ANGORA / 1'6dfashion, design, knitwear, home made, wool, pattern book, patons

Fred Moylan OAM born in Melbourne 1923, founded Moylan Woolen in 1950, at the beginning of an extended period of prosperity for the Australian wool industry. Moylan Woollens initial main focus was in the wholesale wool trade. In 1958-1959 the business diversified into angora farming and distribution. In 1967 the company merged with Debenhams Australia to form Debenham and Moylan Woollen Co Pty Ltd, later in 1980 the company was sold to Richard Allen. Moylan was a key business figure in the formation of the Australian Wool Bureau and Woolmark. He was awared the Member of the Order of Australia in 1997 for his contribution to the Australian and international wool industry. Source: Publication Moylan Woollens produced by the RMIT University Textile Resource Centre. Seven page single sided printed report with black typed text on cream paper.THE WOOL SITUATION 1970 / By F. H. MOYLAN B. Com. / Managing Director, / The Debenham & Moylan Woollen Co. / Pty. Ltd. / 153 Flinders Lane, / MELBOURNE. / 3000.frederick moylan, the debenham & moylan woollen co. pty. ltd, report, wool, industry

The Album was compiled by Nancy McHaffie late 1990's, with the assistance of Edith Jeffery's, with her book "Garden of Memories" and extensive knowledge of Phillip Island. The Cemetery lies back from the road and is surrounded by Manna Gums, rare Peppermint Gums, Blackwoods and other native trees. In all 25 acres of land were set aside as Crown Land in the land settlement of 1868. There are 6.2 acres of wetlands near the cemetery entrance.466-29: John Blake Cleeland lived in the house his father built, "Woolamai House" in Newhaven. His property ran cattle, horses and angora goats. He had a great love of the sea although he never went to sea. He logged all shipping movements around the Eastern passage of Westernport. He was Captain-in-charge of the Rocket Apparatus Station at Newhaven, which was a rescue service for shipping. 466-30: Eleanor Blake (nee Lucas) came out from Ireland in 1860 together with her husband Edward Hudson Blake and children. For most of her life in Australia, she resided at Hastings. Her youngest daughter Isabella married John Cleeland, both of whom are buried in the cemetery. Eleanor moved from Hastings to "Woolamai House" in later years. 466-31: Margaret Jane Cleeland (nee Kennon) married John Blake Cleeland on May 21st 1903 at South Yarra. She was the daughter of Stanley Stowell Kennon, a farmer and her mother was Isabella (nee Turner). Margaret died in 1909 at the age of 30 years. At the time of her death she was survived by three children: Eileen Henrietta, Ivy Florence & Reita Vermont.phillip island cemetery, nancy mchaffie, edith jeffery, cleeland

Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Letter from Myer (Melbourne) Limited to William Blake. The letter confirms and details of a meeting held to discuss business arrangements between Kathryn Knitwear and Myer. Due to the lack of signatory, it is likely there was originally additional pages that have been lost. It is typewritten in blue ink on white paper, with smudges and pen marks evident.MYER (MELBOURNE) LIMITED. 314-336 Bourke Street, Melbourne C.1. 66 111 July 10, 1967 Mr. William Blake Kathryn Knitwear. P.O. Box 49. BROADMEADOWS Vic. Dear Mr. Blake. This is to confirm and itemize details of the discussion held in my office on Monday, July 10, at which time the following points were discussed: - 1. Action to be taken on:- (a) Regular Kathryn range. (b) Special lines to be developed under the Kathryn label confined to Myers stores. These to fit into the regular Kathryn price fields. (c) Special price lines to be developed exclusively for Myers stores, also that for these price lines the regular Kathryn quality to be maintained. With regard to Items A and B of the above, it was decided that purchases were to be taken out by departments on regular Kathryn merchandise for the financial year August 1, 1966 to July 31, 1967, and targets were to be set for each department for the same period for 1967-1968. 2. Specific items were to be nominated that are to be made under Item 1(b), eg: angoras, knits, dresses, etc. these items to be quickly collated by Mr C. Rivers.business, business history, manufacturing, knitting machine, fashion textile production, business archives, manufacturing documents, myer, myer emporium, myer (melbourne)