The Maritime Art Award is an annual event This catalogue is published annually documenting the Maritime Art Award held at the Mission to Seafarers Victoria. Features major sponsor logo ANL and MtSV logo. art, exhibitions, maritime award, maritime art prize, anl, 2015, catalogue, artists, anl maritime art prize

anl maritime art prize, anl, maritime art prize, 2008

A4, hardcover, 349pp, 300 illustrations, index, flags, funnels, hull colours, bibliography, full ships lists. Howard Dick, Iain Steverson, Mike Carolin, Barry Pemberton, Lindsay Rex, Rex Cox, Russell Priestnon-fictionAustralian National Line (ANL) began operations on 1 January 1957. It operated the largest fleet in coastal trade, ran passenger ships such as Princess of Tasmania and Empress of Australia that became household names, and from 1969 carried the Australian flag into international trades. ANL was at the forefront of innovation in bulkships, RoRo vessels and containerization, also in the redesign of ports and terminals. Many of its 110 ships were built in Australia. This impressive record of achievement eventually became overshadowed by financial woes, poor industrial relations and a difficult relationship with government that culminated in the sale of 1998-99. This fleet history, written and informed by the knowledge, experience and insight of those who sailed on and worked with the ships, weaves the stories of a complex forty-year transition from conventional shipping to modern bulk handling and containers, along with the nation-building role of the ANL, whose flag still flies proudly across the region as a subsidiary of the French CMA CGM. The book is lavishly illustrated with over 300 images, mostly in colour, and will become an essential source on Australia's 20th century maritime history.naa, anl, australian national line, interest group, shipping companies

Official promotion poster for art exhibition at MTSV, 2007 A record of the ongoing involvement of the MTSV in maritime art, and working with the art community by providing a suitable venue and display space.Large paper poster, coloured inks. art, maritime, exhibition, art, 2007

anl maritime art prize, 2006, maritime art prize, neilma gantner, neilma bailieu gantner (7 november 1922 – 15 june 2015), neilma sidney

Dates of the exhibition, logos and names of sponsors.anl maritime art prize, 2005, exhibition, mission to seafarers, flinders street, sponsors, poster

The two Bass Strait ferries mentioned on the tag are M.V Empress of Australia and M.V. Princess of Tasmania. While the Princess of Tasmania was used exclusively on the Melbourne to Devonport, Tasmania run the Empress of Australia usually sailed between Sydney & Bell Bay in Northern Tasmania. Both were roll on - roll off vessels capable of carrying both passengers & vehicles.Australian National Line (ANL) oval tag with string for attaching it to passengers' luggage. The the tag is black, white, red with the name & logo for 'Searoad'. There is space for the name and berth number of the passenger and on the reverse side 'Do you need this case in your cabin? If not please deposit in BAGGAGE VAN at terminal'.maritime, transport - shipping, australian national line, anl, m.v. empress of australia, m.v. princess of tasmania, searoad

Colour three parts foldable leaflet explaining the history of the Mission, the Flinders Street building and the ANL Art Prize. Leaflet available in the club room for visitors.mission to seafarers, marketing

Finalist Robert Klein-Boonschate in the ANL Maritime Art Prize 2003 Biography: (https://www.artpartners.com.au/robert-kleinboonschate/) Born in The Netherlands, Robert migrated to Tallangatta, Australia with his family in 1971. Robert completed a degree in Graphic Art at Swinburne College and settled into Melbourne for the next seven years as a professional artist and art facilitator. Robert moved to Mparntwe (Alice Springs) in the 1980’s where he worked closely with Arrernte Peoples for the next 12 years. Robert’s beautiful landscapes reflect the influence of Arrernte artist Albert Namatjira and his love of the Australian landscape reflects his experiences with the Arrernte Peoples and their connection to ‘Country’. Robert opened the art studio located at his home in Alice Springs to Arrernte, Luritja, Warlpiri & Pintupi artists and worked alongside such artists as Johnny Warrangkula Tjupurrula. Robert helped to facilitate Johnny’s later body of work by constructing special brushes which could be used by Johnny after breaking his wrist. Robert has returned to NSW and now lives in Walla Walla surrounded by the rugged natural landscapes of Australia.Large scale Oil on Belgian Linen depicting dockside and ships.docks, waterside, maritime art, robert klein-boonschate, artwork-paintings, maritime art prize, anl

1998 -01/10: chartered to the UK "Maritime & Coastguard Agency" as 'Emergency Towing Vessel' (EVT), based at Stornoway Inclinometer from the ship The Brisbane Trader, the sister ship to the Sydney Trader. Called a "roll on- roll off" vessel, the radical design for the time carried vehicles and containers on deck. The shallow draught allowed the ship access to smaller Australian coastal ports. The officers and crew enjoyed improved accommodation. Built and completed December 1969 by Evans Deakin and co. pty ltd. of Brisbane, they were also the owner. Twin Screw. Diesel Engine. Speed 17.5 knots. 6,236 gross tons, 2,961 net. 4,422 dwt. lbd: 448'5"x70'"7x2-'"3 Broken up at Kaohsiung November 1984. The Engineering business of Evans Deakin and Co. was established in 1910 by Daniel Evans and Arthur Deakin. A shipyard was built at Kangaroo Point where 81 ships were constructed between 1940 and 1971. THe Business was taken over by Downer Holdings Pty Ltd in 2001. From the MV Sydney TraderA period brass inclinometer From the M V Sydney Trader, "MV SYDNEY TRADER 1969 ANL/ 25 20 15 10 5 0 5 10 15 20 25"

The Australian White Ensign was first used on 1 March 1967 whe the ANL cargo ship Boonaroo was commissioned into the RAN for war service.Prior to this RAN the Australian colonial navies had flown uniquely Australian ensigns. This was a Blue ensign defaced by the badge of the individual colony.Australian White Ensign, predominately white, with Union Jack in left hand corner, with six blue stars positioned as in the Australian Flagaustralia, navy, ensign, flag

Hans Schiebold, lives in Seaford and is a former ship’s captain who migrated to Australia more than three decades ago, Schiebold is fully immersed in his life as an artist. In 2012, he was a finalist of the ANL Maritime Art Prize. This artwork was an entry for the Maritime Art Prize 2014.RealistPainting on Unframed stretched canvas depicting courtyard and Bell tower of MTSV chapelInscribed on stretcher: HANS SCHIEBOLD HOME FROM HOME mission to seafarers victoria, spanish-courtyard, bell tower, artwork, hans schiebold, mission to seafarers, seamen's mission, flinders street, courtyard, bell, tables, arches, artwork-paintings, 2014, maritime art prize

Several items were given by a seafarer, Mr Nicholas Garlick (1926-2009) into the care of Father Brady who retired from St Pauls Cathedral, Melbourne in 2018. Father Brady later donated the collection of objects, documents and an extensive collection of cruise ship menus (1937-end of 20thC) to the Mission via the intermediary William Hastie, volunteer at the Mission for Seafarers. Buff-coloured menu card. Front; 'The Australian National Line' printed in blue above the ANL insignia with 18 names and telephone numbers (17 pencilled, 1 in red ink) written in place of a menu. Back; this appears to be a typed internal directory with 4 names and telephone numbers added (3 in pencil, 1 in blue-green ink). Garlick is one of names in the typed directory.See media the australian national line, nicholas garlick, father brady, seafrers, seamen, sailors, ships, william hastie, nick garlick

The Wikipedia page indicates that the SS Binurra was sold to Malaya three years after the date of this menuCream coloured paper menu for tea /typed on company template. SS63 is printed top LH corner above the blue arc "The Australian National Line". The angled company flag,in red and blue, is centred below. The blue menu design is printed with the typed name of the ship "Binburra" below. The menu of the day 31 October 1966 is also typed.A small pencil edit appears on the lower RH side of the typed menuss binurra, anl shipping company, menu, australian national line, anl

The boat in the painting belonged to a seafarer, my Uncle Bill who used it to fish from when on shore leave.This weathered boat is a familiar image to many who walk the shorelines and ponder the question, "I wonder who the owner is?" Maritime art, Marine artpainting of the prow of a wooden boat fully mounted and with black mitred frame and glazed with perspex. Cord hanger sealed backing with labelsArtist signature at lower right corner facing in white paint uc : "BERNIE AYRE"artwork, 2013, berni ayreart, artwork-paintings, maritime art prize, anl, boat

Velvet-lined box (1/8 ) set of silver plate (2/8) and six cups (3-8/8). Plate inscr: 'EHRENPREIS/DES REGIERUNGSPRASIDENTEN IN KOLN/ANL. DER INT. HALLEN-TENNIS MEISTERSCHAFT/VON DEUTSCHLAND/1963/HERREN-DOPPEL'. Base of plate stamped: 'WILKENS' and with graphical stamps and '835' and '7837'. Cups are stamped same except third number is '7836'. Adhesive brand label on base of each cup is 'ANLAUFGESCHUTZT'. Adhesive label on base of box states: 'A.WORTMANN/JUWELIER'. Materials: Silver/Metal, Woodtennis

On the 21st of July 2018, Clare McCracken boarded the ANL Wahroonga container ship to travel to China mirroring her great-great-grandmother's journey from Australia to Asia in 1874. Artist statement from the back of the flyer: "In 1874, my great-great-grandmother, Elizabeth Amy Cathcart Payne, sailed unaccompanied from Australia to Asia, writing a detailed journal of her experiences. This exhibition weaves together sections of her diary with my own voyage from Australia to the world's busiest port, Shanghai. In doing so, The Place Between, is a meditation upon the social and political nature of international trade, the mobility and the place between Australia and the rest of the world in the 19th and 21st century." The Mission has always been open to the community and has a tradition of hosting cultural events: shows, concerts, exhibitions, festivals.Postcard size flyer advertising for an exhibitionthe place between, clare mccracken, cultural events, sea voyage, andrew ferris, arun munoz, video installation

This painting, which includes the beautifully crafted wind vane above the historic Mission to Seafarers’ building in Flinders Street, Melbourne, symbolises the safe port for the crew of ships, over the years, that have entered Port Phillip Bay, since the Victorian Mission was established in 1857. The stormy ocean weather for the sailors is contrasted with the calm seas near the Mission.This painting was an entry for the 2017 Maritime Art Prize. Jack's marine art covers a wide spectrum of maritime subjects, but with a focus on paintings of classic yachts that ventured over long distances to remote parts of the world. Maritime art, Marine artDonated by Jack WoodsOil painting on linen covered wooden frame, incorporating several features: from left to right a tanker vessel, a windjammer and the galleon wind vane restored to the roof of the Mission in 2020.safe, jack woods, painting, port, artwork, windjammer, windvane, cargo ship, galleon, weather vane, anl, maritime art prize, artwork-paintings

Ian Parry (born 1947) is a Melbourne-born artist living in Tasmania, active since 1974 and collected by National and State Collections. He was winner of the 1990 ACTA Maritime art Prize. He also took part in 2006, to the ANL Art Prize organised each year at the Mission since 2003. In his biography on his website: Ian Parry was born into a family of seafaring descent. His extensive career as a respected practising artist and teacher, has uniquely included a fishing fleet apprenticeship and years as a single handed fisherman in Bass Strait. "In the early 70's when I first showed at the renowned Powell St gallery in Melbourne, the paintings were large, abstract, with allusion to the experience of the world of water, sky and land. My visual world has always been permeated with the wet parts of this place and continues to be so to this day. Maritime and geological charts and the daily necessity of plotting a course, appear in paintings where necessary, as a means of getting a schematic representation of the subject into play, trying to free the work from the tyranny of the horizon line but frequently returning. Now-a-days I am returning to abstraction, making paintings that allow me free rein with colour and composition, aiming for a sense of permanence and independence in each work." Maritime ArtLarge moulded gilt wood frame, non glazed painting of shipping, oil on canvasSignature and date bottom right corner: "Parry 89"p & o nedloyd, shipping, melbourne ports, docklands, wharfside, wharves, ian parry, maritime art, acta maritime art prize, artwork-paintings

164 pages, softcover with colour illustrations.non-fictionThe first comprehensive study of the life and work of Ray Honisett [1931-2019], one of the most significant illustrators of his generation and the doyen of Australian aviation art.ray honisett, gavin fry

250 pages, Appendices, Bibliography and Indices, extensively illustratednon-fictionThis high-quality book is the extraordinary story of an ordinary little ship that had a long and eventful life. Perhaps few Australian coasters have had a more interesting and varied history. Built in Scotland in 1912 for the North Coast Steam Navigation Company, Tambar worked as a lifeline to isolated river and island communities, first in New South Wales, then for the Tasmanian Government and Holymans in Bass Strait (King Island) and as the last steamer serving the Gippsland Lakes. In between she even spent a few years in Papua New Guinea. When World War II broke out, Tambar was commissioned into the RAN as an auxiliary minesweeper, but after the terrible Darwin air raid in 1942 became the first vessel of the newly formed Salvage Board, later assisting in the search for survivors of the Battle of the Coral Sea. Returning to Bass Strait in 1944 for a few more years, she then spent the 1950s on standby as a salvage vessel in Melbourne, working on Merilyn, Terawhiti, E.J. Fairnie, and River Burnett. Craig Mair grew up in Grangemouth, Scotland where Tambar was built, and became interested after inheriting a builder's model from his father. He has consulted thousands of records, including the ship's logs, tracked down witnesses, and assembled over 100 photographs and maps to give a unique insight into Tambar's story, and coastal Australia in the middle decades of the twentieth century, before roads took over the transport task. Besides many colourful stories of shipwrecks and strandings, strange cargoes, salty characters, exotic places, wartime air raids, and salvage jobs, the book includes a definitive account of the worst Second World War 'friendly fire' incident in Australian waters in Moreton Bay in 1942.naa, australian national line, interest group, moreton bay, tambar, coaster, ships

Our connection to the sea is indescribable and anonymous to most. Describing it in words alone, does not it justice, hence I paint.Marine artSketch on paper in graphite depicting an ship officer in uniform, his body in the sea nearly to the shoulders. A black rectangle hidding his eyes.maritime art prize, anl maritime art prize, warren fox, 2019, officers, seafarers, artwork-paintings

Ramon (Ray) Francis Honisett (11.04.1931 - 30.08.2019), Fellow RMIT and medallist specialised in philatelic design, marine and military aircraft painting art and was active in the 1960s - 1990s. Ray Honisett used to live in Rye, in the Mornington Peninsula. According to Gavin Fry's book: The painting likely depicts the Lysaght Endeavour loading at Hastings. "The Lysaght Endeavour and its sister ship Lysaght Entreprise were built in Newcastle in 1973 specifically to serve the regional steel industry on the route Port Kembla - Westernport - Adelaide. Even after being lengthened by 17 metres, the two ships had remarkably short working lines, with both being broken up by 1988."Maritime artLarge framed unglazed landscape format painting predominantly green depicting in foreground a merchant vessel, a roll-on roll-off cargo ship moored at a single quayside on a river or river mouth. The middle ground shows a moderate solid jetty leading to large storage sheds at right. The background appears primarily rural with fields and hills in the distance. The location is probably Hastings Western Port in Victoria - notice the forklifts loading rolls of steel produced at the nearby steel rolling mill - the buildings in the distance. You can see the rolls of steel lined up on the hard stand to the right of the ship. The funnel colours suggest the Australian National Line. The frame incorporates a beige fabric slip with gilt edge the actual dark wood frame also with inset banded gilt edge. The back of the painting is covered with brown paper in places damaged. Hangs on a cotton cord threaded between two screw in eyelet hooks.at lower right corner single uc word in black paint : "HONISETT"tankers, marine painting, maritime art, ramon honisett, ray honisett, anl maritime art prize, acta maritime art prize, hastings, western port, victoria, steel, roll on roll off, forklift, mornington peninsula, artwork-paintings

Booklet provided to all student nurses at the commencement of their training at the Alfred Hospital Melbourne Of significance to the ANL as all student received a copy of this booklet from at least the 1970'sUnbound booklet, white pages with green cover and black print. Title on front cover'1977' [red ink] and previous catalogue number [blue ink] hand written at top right of front cover. marks on all pages from where staples have been removedalfred hospital, alfred hospital school of nursing

Booklet provided to all student nurses at the commencement of their training at the Alfred Hospital Melbourne Of significance to the ANL as all student received a copy of this from at least the 1970'sUnbound booklet, white pages with green cover and black print. Title on front cover'1982' [red ink], previous catalogue number [black ink] and 'PAT' [blue ink] hand written at top right of front cover. marks on all pages from where staples have been removed. Also numerous underlinings and deletionsalfred hospital, alfred hospital school of nursing

Booklet provided to all student nurses at the commencement of their training at the Alfred Hospital Melbourne Of significance to the ANL as all student received a copy of this from at least the 1970'sUnbound booklet, white pages with green cover and black print. Title on front cover'1986' [red ink], previous catalogue number [black ink] hand written at top right of front cover. Marks on all pages from where staples have been removed. Also numerous underlinings,deletions. handwritten notes and typed notes fixed with sticky tapealfred hospital, alfred hospital school of nursing

Booklet provided to all student nurses at the commencement of their training at the Alfred Hospital Melbourne Of significance to the ANL as all student received a copy of this booklet from at least the 1970'sUnbound booklet, white pages with green cover and black print. Title on front cover'1984' and previous & catalogue number [black ink] and 'OLD COPY'[ blue ink]hand written at top right of front cover. marks on all pages from where staples have been removedalfred hospital, alfred hospital school of nursing