Heraldry in white richelieu work. The Arms of Francis I of France and his wife La Reine Claude (Swan and Arrow) 1494-1547 Stitches used are buttonhole, satin stitch, seeding, four sided. Picots and spider webs, some needle weaving.embroidery, heraldry, late 19th century, france, cutwork

The coin was discovered by Julie Wilkins, a Victorian scuba diver who had already experienced more than 500 dives in Australia and overseas. She was holidaying in Peterborough, Victoria, and looking forward to discovering more about the famous Loch Ard ship, wrecked in June 1878 at Mutton Bird Island. The fast Glasgow-built clipper ship was only five years old when the tragedy occurred. There were 54 people on board the vessel and only two survived Julie's holiday photograph of Boat Bay reminds her of her most memorable dive. Submerged in the calm, flat sea, she was carefully scanning around the remains of the old wreck when, to her amazement, a gold coin and a small gold cross suddenly came up towards her. She excitedly cupped them in her hands, then stowed the treasures safely in her wetsuit and continued her dive. She soon discovered a group of brass carriage clock parts and some bottles of champagne. It was a day full of surprises. The items were easily recognisable, without any build-up of encrustations or concretion. Julie secretly enjoyed her treasures for twenty-four years then packed them up for the early morning train trip to Warrnambool. After a short walk to Flagstaff Hill Maritime Museum and Village, her photograph was taken as she handed over her precious find. She told her story to a local newspaper reporter, lunched a café in town then took the late afternoon train home. Her generous donation is now part of a vast collection of Loch Ard shipwreck artefacts, including the gold watch and the Minton Majolica model peacock. The coin is a British 1793 George III Gold Spade Guinea. It was already 83 years old when the Loch Ard had set sail. The loop and ring have been added, perhaps as a pendant, pocket watch accessory or similar purpose. It may have been worn for ‘good luck’ on the long journey to Australia, where ships had to carefully navigate the treacherous Bass’s Strait before arriving at their destination of Melbourne. Sadly, many met their fate on that short stretch of ocean aptly named the Shipwreck Coast. The coin is very recognisable even though it was exposed to the wrecking of the ship, its consequent movement, and the sea's turbulence. Its bent, scratched, buckled, split, dinted and worn condition is part of its story. The red-brown-black discolouration is similar to that found on other gold coins, sometimes called the ‘corrosion phenomena’. Studies suggest the possible cause is contaminants in the minting process reacting to the coins’ environment. The GEORGE III GOLD SPADE GUINEA: - The British Guinea was introduced in 1663 and was circulated until 1814. It was made of 22 carat gold, was 25 to 26 cm in diameter and weighed 8.35 grams. It had a value of 21 British shillings. The guinea coin ceased circulation after 1816 and was replaced by the one-pound note. However, the term ‘guinea’ continued to represent 21 shillings. King George (1738-1820) had six gold guinea designs minted during his reign from 1760 and 1820. Each of the six had different obverse portraits, all facing the right. There were three different reverse sides. The Spade Guinea was the fifth issue of the coin, introduced in 1787 and produced until 1799. The reverse shows a royal crown over a flat-topped shield with the Royal Arms of Great Britain, used in Scotland between 1714 and 1800. The shield images are, from left to right, top to bottom, the Arms of England and Scotland, the Arms of France, the Arms of Ireland, and the Arms of the House of Hanover. The Gold Guinea is also part of Australia’s history. It was the first coin mentioned in the announcement of Governor King of New South Wales his Australian Proclamation of a limited variety and denomination of coins accepted for use in the Australian Colony. The historic and decorative George III Spade Guinea has been reproduced for special collections of coins. However, replicas and imitations have also been made as souvenirs for tourists, as gaming tokens and chips for gamblers, and as ‘fake’ coins for profit. These coins differ in many ways; they may be only half the weight of the genuine coin. Often have a small stamp on the obverse with “COPY” or the manufacturer’s name or initials. Some have scalloped edges, some have dates that are different to the original dates of issue, and some even have text in Latin that translates as something very different to the original coin.The King George III Guinea was only produced from 1663 to 1814 and was the first English coin to be mechanically minted. The coin is the fifth edition of the King George III Guinea, the Spade Guinea, was only produced between 1787 and 1799. It is the only edition with this portrait of King George and the only one with the Royal Coat of Arms of Great Britain in Scotland on the reverse side. This edition was also the last guinea in circulation, because the sixth edition was reserved as the Military guinea. This edition of the Guinea is unique; This coin is the only guinea in our collection. It was minted in 1793, so it is now over 230 years old. The Gold Guinea is part of Australia’s history; it was the first coin in the list of coins for use in the Australian Colonies, mentioned by Governor King of New South Wales in his Australian Proclamation speech of 1800. The George III Spade Guinea was included in the Limited Edition Sherwood 12 Coin Collection of Notable Coinage of Australia. This coin is the only known guinea coin recovered from the wreck of the Loch Ard. It was already 85 years old when the ship was wrecked.Gold coin; British. 1793, King George III of the United Kingdom of Great Britain and Ireland (1760-1820), Spade Guinea. Yellow gold coin with gold metal loop mount and a gold ring through the loop. The design is the fifth issue of the George III Gold Guinea. The obverse relief is a portrait of George III facing right. Reverse relief is a crown above the Coats of Arms (1801-1816) of flat top spade-shaped shield divided into four quadrants that depict crowned lions, fleur de lies, a harp. These images are identified as, from left to right, top to bottom, England and Scotland, France, Ireland and Hanover. Inscriptions are minted around the rims of each side. The coin is dated 1793. Its surface has dark areas on both sides and the reed edge and surfaces are well worn. The loop mount is bent and the ring is buckled. The coin was recovered from the wreck of the ship Loch Ard.Obverse text; 'GEORGIVS III DEI GRATIA' (translates to George the Third, by the Grace of God) Obverse relief; (King George III bust, facing right, laurel wreath on head) Reverse text; 'M.B.E.ET.H.REX.F. D.B.ET.L.D. S.R.I.A.T.ET.E' '1793' (translates to: King of Great Britain, France and Ireland, Defender of the Faith, Duke of Brunswick and Lüneburg, Arch-Treasurer and Elector of the Holy Roman Empire) Reverse relief; a spade-shaped image i.e. (Crown with fleer de lies, above Shield with crowned lions in different postures, a harp, and other details)flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, royal mint, british coin, currency, guinea, military guinea, australian currency, british guinea, gold coin, spade guinea, king george iii, george iii, fifth portrait, arms of england and scotland, arms of france, arms of ireland, arms of the house of hanover, coins, gold coins, gold medallion, georgian era, 1793, numismatics, contamination phenomena, gold corrosion, good luck, lucky charm, pendant, lucky coin, trade, loch ard, wreck of the loch ard, 1878, mutton bird island, peterborough, scuba diver, 1980s, guinea coin, gold guinea, shipwreck artefact, relic, julie wilkins

Items souveniered or collected by James Worland Mills No 3441 59th Batt AIF. Refer 169P. Metal souvenirs from France and Letter opener. .1) Silver shield with cross, wheat, on either side, crown on top. Town coat-of arms for Ypres, with clasp. .2) Tarnished metal, lion on shield, crown on top,3 leaf clover on either side, town coat-of-arms for Arras, with clasp. .3) Letter opener. Trench art - metal rifle cartridge with pressed brass handle and knife/blade. .1) "YPRES" coat of arms. .2) "ARRAS" coat of arms. .3) "SOUVENIR OF FRANCE" (under helmet)souvenirs, coats of arms, letter openers, trench art

Description A writing pad showing, on the cover, the helmet of a suit of armour crowned with a laurel wreath and a shield containing the words 'Our Allies' Arms.' In a banner below are the words 'IN FREEDOM'S CAUSE'. Inside the cover is an attached sheet of blotting paper. Each sheet of notepaper in the pad has faintly ruled lines. Across the top and down the left margin, beneath a blue banner containing the words 'IN FREEDOM'S CAUSE', appear coloured representations of the coats of arms of Great Britain, France, Russia, Belgium, Italy, Japan, Servia, Roumania, Portugal and U.S. America. In pencil on cover - Alan Richardson Orbost

Brass shell case. Engraved as trench artBody has 1 mm dot punched close pattern leaving 2 x 13 cm high heart shaped spaces on opposite sides. One space is engraved with AMF Rising Sun badge under which is Australian Coat of Arms. Other space: "SOUVENIR DE LA GURRE (Sic) 1914 1919" On base: St, G, 62, APRIL 1917, "HL" over "25" world war one, france, trench art, western front, shell case, ww, world war one, france, trench art, western front, shell case, ww

Gift to troops in France 1914-15. Decorative brass tin sent by Princess Mary to members of the British, Colonial and Indian Armed Forces for Christmas 1914. Over 426,000 of these tins were distributed to those serving on Christmas Day 1914. The tins were filled with various items including tobacco, confectionary, spices, pencils, a Christmas card and a picture of the princess. http://museumvictoria.com.au/collections/items/1329146/tin-princess-mary-s-christmas-gift-19142Gift to the troops tobacco tins Christmas 1914 Brass hinged lidded tin New Year 1915 Brass hinged lidded tin containing tobacco in "plugs"Christmas 1914 Imperium Brittanicum France Russia (embossed) Australian coat of arms To the Australian Expeditionary Forces From the Australian Contingent Association Happy New Year 1915 christmas gift, tobacco, princess mary

Copy of pages 3 and 4 titled French's Corner and Village Parliaments. Some passengers travelling on the tram would ask to be put down at French's corner. The conductor had no idea where it was. The passenger would be returning to where he used to live or work. The old who met at the pub corner were mostly teetotallers, but they met at the pub where the publican provided the two forms of seats for them and if business was slack he would join in the discussion. Another group met at Uncle Tom Foss' shop further down the road. This group was made up of old men over 80 and they met inside the shoemaker's shop. One old man used to go to his granddaughter's house and sit beside the kitchen fire and then he would tell her he had a pain beneath his ribs and she would give him a little wine to drink. Then he lost the last of his cronies and he went slowly up the hill and told his granddaughter he had nobody left but his old stick. The pain of being left without contemporaries made him forget about the pain in his side. There was another group that met at Philpot's smithy. The men would talk and argue while the smith was shoeing the horses. This smith has a long finger- nail on his left hand which he would use to pick up horse shoe nails as he was shoeing the horse. The bottom of the page has a photo of the main street of Long Gully taken from the Blacksmiths Shop.bendigo, history, long gully history group, the long gully history group - french's corner and village parliaments, manchester arms, french's hotel, mr french, uncle tom foss' shop, philpot's smithy, a crossley

Titled French's Corner and Village Parliaments. French's Corner was once the meeting place of the old Cornish miners where they used to discuss local and international affairs. Headings of the paragraphs are - Teetotallers - Most of Them, Pre-Federation Days, A Shoemaker's Group, Last of his Group, Smith with Curving Nail and Shoeing Force. At the end of the article is a photo - Looking south from the Blacksmiths Shop up the main street of Long Gully.bendigo, history, long gully history group, the long gully history group - french's corner and village parliaments, manchester arms hotel, french's hotel, mr french, uncle tom foss' shop, phillpot's smithy, a crossley

The mine was named after Lochnagar Street, the British trench from which the gallery was driven. It was one of 19 mines that were placed beneath the German lines on the British section of the Somme front to assist the infantry advance at the start of the battle. The Lochnagar mine was sprung at 7:28 a.m. on 1 July 1916 and left a crater 98 ft (30 m) deep and 330 ft (100 m) wide, which was captured and held by British troops. The attack on either flank was defeated by German small-arms and artillery fire, except on the extreme right flank and just south of La Boisselle, north of the Lochnagar Crater. The crater has been preserved as a memorial and a religious service is held each 1 July. (Wikipedia)A number of photographs of a crater which was created at the Somme, on the Western Front during World War One. lochnagar crater, tunnellers, the somme, world war one, western front, france

ill (plates) (b/w)non-fictionAn anthology of true life stories from many wars, told by Australians who served in New Zealand, the Sudan, South Arica, China, Mesopotamia, Gallipoli, Palestine, France, North Africa, Crete, Malaya and New Guinea.australia - military history, australia - military - personal narratives

Ill, p.265.non-fictionAn anthology of true life stories from many wars, told by Australians who served in New Zealand, the Sudan, South Africa, China, Mesopotamia, Gallipoli, Palestine, France, North Africa, Crete, Malaya and New Guinea. australian military forces - history, australia - military history

Index, bib, ill, p.288.non-fictionhe invasion of Italy by France in 1494 sowed the dragon's teeth of all successive European wars, and accelerated the pressures to devise ever more effective armaments and methods of warfare." "This account of the story of arms over the period covers in detail the development of the handgun and the pike, the use and style of staff-weapons, mace and axe and war-hammer, dagger and dirk and bayonet. Armour is shown attaining its full Renaissance splendour then suffering its later decline; the history of the sword, Ewart Oakeshott's special interest, is followed to the late eighteenth century when it ceased to be part of everyday wear: cause or effect, the far-reaching effects of the Industrial Revolution on military armaments had begun.military technology - history, armour - europe - history

Honi soit qui mal y pense is a maxim in the Anglo-Norman language, a dialect of Old Norman French spoken by the medieval ruling class in England, meaning "shamed be whoever thinks ill of it", usually translated as "shame on anyone who thinks evil of it". Wikipedia. Dieu et mon droit, which means 'God and my right', is the motto of the monarch of the United Kingdom. It appears on a scroll beneath the shield of the version of the coat of arms of the United Kingdom. WikipediaCoffee Mug with portrait of Queen Elizabeth II in center framed in blue with Honi- Soit- Qui -Mal -Y -Pense in border and crown on top. Thistle, clover and red flower either side. Dieu - Et - Mon -Droit in garland along bottom. On Back E II R with Crown in Centre- The Coronation of Queen Elizabeth II - June 2nd 1953. Gold gilding on rim of mug Empire England 1 53 coronation queen elizabeth ii, june 2nd 1953, queen elizabeth ii

A 5 page document detailing the history behind Long Gully's Manchester Arms Hotel founder Mr. William Henry French and the United Pyrite Company located on Marong Roadmanchester arms hotel, william henry french, long gully, united pyrite company

Small plastic doll with jointed arms, painted face, removeable yellow plastic under garments, moulded hair in French bun.Made in Hong Kongtoys, dolls, plastic

Item 21. Maps of Germany (Periods of Change) held in two buff coloured commerce folders. Name written on the front in purple. Three loose copies of the Thirty Years War Map 21a, 21c and 21d. Maps of the Thirty Years War,Europe at the End of the 15th Century, The Reformation in Europe (16th Century), /Europe in the Time of Charles II & James II, The Domination of France 1660 - 85, Europe in the Time of Henry VIII, Germany in 1807 after reconstruction by Napoleon, German Federation 1815, The German Federation 1815, The German Empire of 1871, The Growth of the German Zollverein, Boundaries Before 1918 showing Kingdoms, Duchies, Provinces, etc., of the Former German Empire, the German Empire (1871 - 1918), and Boundaries before 1918 showing Kingdoms, Duchies, Provinces, etc., of the Former German Empire. The last page has a small map of Europe, a small map showing East and West Berlin, German Coats of Arms, Comparative International Figures of Population and a short article titled 'Do You Know Germany'.document, certificate, maps of germany, german heritage society collection - maps of germany (periods of change)

a/ Cover reads: Seasonal Greetings, The 4th Australian Light Horse Regiment (A.I.F.) Association 1964. Cover also has 2 rectangles one red and one blue (Corp/regiment colours) Inside reads: The same old Season's Greetings hasn't changed a bit, But neither have the friendly thoughts That always go with it. A Merry Christmas to you all and a Happy New Year News of members at all times appreciated President: C. Edwards 108 Malpas St., Preston Phone 47 7414. Written in black pen is 'John Grylls 113 Panton St Golden Square.' And underlined. b/ Receipt of membership to the RSL . Victorian Branch Consecutive C No. 75938 'Returned Sailors, Soldiers & Airmen's Imperial League of Australia (Victoria) Kangaroo Flat Sub Branch. Received from J Grylls. Address 113 Panton St, Golden Square. Regt. No. 418 Unit 4th Light Horse. Front or Sea on which served France. The sum of One Pound, being subscription for the year ending 31st December, 1965 For the above branch Signed . . . 9/1/65arms, materiel, 4th australian light horse regiment, a/ seasonal greetings, the 4th australian light horse regiment (a.i.f.) association 1964. cover also has 2 rectangles one red and one blue (corp/regiment colours) a merry christmas to you all and a happy new year president: c. edwards malpas st., preston phone 47 7414. b/ receipt of membership to the rsl . victorian branch consecutive c no. 75938 'returned sailors, soldiers & airmen's imperial league of australia (victoria) kangaroo flat sub branch. received from j grylls. address 113 panton st, golden square. regt. no. 418 unit 4th light horse. served france. subscription 1965 branch

The donor was given this doll about 50 years ago by her grandfather (in the late 1960s). He used to be a handyman at a high rise building in St Kilda, Melbourne. He had been doing some work for one of the old ladies and she gave him the doll to give to his granddaughter, who collected dolls. The doll has spent a few years at the Nagambie museum until it closed down and returned to the donor The origins or age of the doll are unknown. Originally it was thought to be a Fashion Doll dating from around the 1880s but the painted face together with the bisque legs and gold painted shoes are similar to those found on Boudoir Dolls (also known as Bed Dolls, Sofa Dolls, Flapper Dolls and French Dolls) of the early 20th century. Fashion dolls were sent from fashion houses to advertise the latest styles, fabrics, trims, hairstyles and accessories. Dressmakers would show these dolls to their customers. Ladies would then place their order and the dressmakers would make the dress to their size. The dressmakers would learn the construction techniques from examining the dolls. Boudoir Dolls dolls usually had no maker's marks and were primarily used as bedroom decorations for ladies rather than as children's toys. This doll appears to date at about the early part of the 20th century, but the petticoats are much older - possibly from a child's christening gown. At the time that the donor received the doll, it had a coloured lace over-gown that was badly torn so her mother removed it to replace with more lace but this never eventuated. The pink silk dress also appears to have been remodelled into a 19th century style with gathered sleeves and a gathered skirt. This fashion or boudoir doll is significant for being a rare example of a doll made in the late 19th or early 20th centuries. The doll is wearing clothing representing the fashion for young girls in that era. The doll is also significant as an item possibly used by fashion houses and dressmakers to advertise the latest fashions in clothing, trims, accessories and hairstyles. A doll such as this may have been found in a Victorian dressmaker's premises for use as a pattern and technique template and for a display to customers. It may also have been used as a decorative item in a lady's bedroom.Female boudoir doll with silk face and body, and porcelain lower arms and legs. She has plaited blonde silk hair. Her painted face has brown eyes and her shoes are painted gold. The doll is dressed in a long pink puffed-sleeve dress with a gathered waist and a ruffle at the hem. A pink ribbon around her waist is tied at the back. There are small silver balls hand-stitched around the neckline. She has a white, hand-embroidered lace petticoat and bloomers.warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, doll, boudoir doll, female doll, dressmaker's doll, display doll, late 1800s doll, fashion doll, antique doll, 19th century doll, children's fashion, girl's fashion, late 1800s children's fashion, early 20th century doll, composite doll, french doll

A visiting card, also known as a calling card, is a small paper card with one's name printed on it, and often bearing an artistic design. Visiting cards became an indispensable tool of etiquette, with sophisticated rules governing their use. The essential convention was that one person would not expect to see another person in his own home (unless invited or introduced) without first leaving his visiting card for the person at his home. Upon leaving the card, he would not expect to be admitted at first, but might receive a card at his own home in response. This would serve as a signal that a personal visit and meeting at home would be welcome. On the other hand, if no card were forthcoming, or if a card were sent in an envelope, a personal visit was thereby discouraged. As an adoption from French and English etiquette, visiting cards became common amongst the aristocracy of Europe, and also in the United States. The whole procedure depended upon there being servants to open the door and receive the cards and it was, therefore, confined to the social classes which employed servants. Some visiting cards included refined engraved ornaments, embossed lettering, and fantastic coats of arms. However, the standard form visiting card in the 19th century in the United Kingdom was a plain card with nothing more than the bearer's name on it. Sometimes the name of a gentlemen's club might be added, but addresses were not otherwise included. If a card was left with a turned corner it indicated that the card had been left in person rather than by a servant. Visiting cards were kept in highly decorated card cases.A timber calling card case, heavily carved with flowers, leaves and huts.craftwork, woodwork, visiting cards, early settlers, moorabbin, bentleigh, cheltenham, market gardeners

This certificate acknowledges 21 years of service given by James Patten, one of the original 1859 Lifeboat Warrnambool as a boatman and bowman. At the time, all retiring Volunteer lifeboatmen were honoured with this award. It was made as a lithograph that was created by F. W. Strahle at the request of the Department of Lands & Survey, Melbourne, Victoria. During his time of service, James Patten was awarded a medal and certificate by the Royal Humane Society of Australasia for his bravery. Patten and his friend Joseph Lowe, who couldn't swim, were with their friend James Ferrier in a boat on the Hopkins River, Warrnambool, when their boat capsized. Ferrier made it to shore, and Patten tried unsuccessfully to hold onto Lowe and bring him to shore. The event occurred on 18th April 1890. The images on the Certificate show a collage of rescue events performed by the lifesavers; a shipwreck rescue in progress, lifeboat conveying five boatmen using two oars each, and a bowman standing at the bow, a linesman wearing a life jacket and holding a rescue line, a lifesaver ring with images of three sailing ships inside it, a shipwreck near shore, a woman and girl in shallow water, a rescue using a breeches buoy on the lifeline, two rescuers walking towards the survivor, rescue crew wearing waterproof clothing, a rocket machine with a pulley to bring the survivor in a breaches buoy to shore, and a rescue crew member holding a flare. Volunteers at the time received a small payment, or 'retainer'', for their practices and a payment of gratitude for the rescues they attended. Across the years between 1856 to 1979 the combined service in Victoria saved 260 lives. Amazingly, some of the volunteers could not even swim.This certificate shows the State and Local Government's appreciation for the years of service spent by in the endeavour to save lives in peril in and on the local waters in the early 20th Century. The lithographed design depicts the many skills and services performed by the lifesavers of the era.Certificate of Service, unframed, awarded to James Patten on 23rd August 1907, recognising his 21 years of service with the original Warrnambool Life Boat Service as a Boatman and Bowman. Certificate is on rectangular, cream paper, lithographed design, printed and handwritten. Letterhead with the Royal Coat of Arms of the United Kingdom and a French motto. Images depict lifesaving crew, lifeboat, rescue equipment and a rescue in progress. The border is waves inside of frame of looped rope. Signatures of Commissioner of Public Works, Secretary of Public Works, and Engineer in charge of Ports and Harbours, Melbourne. Printed from a lithograph produced by F.W. Strahle on 23rd June 1907.MOTTO: "Dieu Droit Et Mon, Ni Soit Qui Mal y" TREXT: "Certificate granted to James Patten as a mark of appreciation of his esteemed services of 21 years as Boatman and Bowman connected with the Departmental Life-Boat service at Warrnambool - dated the 23rd day of August 1907." SIGNATURES: [Commissioner of Public Works], [Secretary of Public Works], [Engineer in charge of Ports and Harbours Melbourne] "Lithographed at the Dept of Lands & Survey - Melb/ by F.W. Strahle, 23.6.07"flagstaff hill, warrnambool, flagstaff-hill, maritime museum, maritime village, shipwreck-coast, flagstaff hill maritime museum & village, james patten, life-saving, lifesaving, rescue, bravery, drowning, joseph lowe, james ferrier, hopkins river, boat accident, certificate of service, 1890, 1907, bowman, boatman, departmental life-boat service, life-boat service, lifeboat service, august 1907, commissioner of public works, public works, ports and harbours melbourne, lands & survey melbourne, f w strahle, lithograph, 1856-1979, 260 lives saved, victorian volunteers, lifeboatmen, retired lifeboatmen

Provenance unknown, found in a box with five other pelvimeters, marked "PELVIMETERS ( not accessioned)" in the hand of the previous curator, Melissa Campbell pre 2006.A French model of pelvimeter,external and internal,with two flexible arms, nickel plated steel, graduated 20-45 centimetres. Refer to Down Bros. catalogue 937/6/, page 9387. Manufacturer's stamp or initials of owner "M.S."pelvimetry

Provenance unknown, found in a box with five other pelvimeters, marked "PELVIMETERS ( not accessioned)" in the hand of the previous curator, Melissa Campbell pre 2006.A French model of pelvimeter,external and internal,with two flexible arms, nickel plated steel, graduated 20-45 centimetres. Refer to Down Bros. catalogue 937/6/, page 9387. Manufacturer unknown.pelvimetry

Provenance unknown, found in a box with five other pelvimeters, marked "PELVIMETERS ( not accessioned)" in the hand of the previous curator, Melissa Campbell pre 2006.A French model of pelvimeter,external and internal,with two flexible arms, nickel plated steel, graduated 20-50 centimetres. Refer to Down Bros. catalogue 937/6/, page 9387. Manufacturer unknown.pelvimetry

André Levret (8 January 1703 in Paris – 22 January 1780) was a French obstetrician who practised medicine in Paris. He was a contemporary of famed English obstetrician William Smellie (1697–1763), and along with Jean-Louis Baudelocque (1745–1810), helped advance the science of obstetrics in 18th century France. Levret is considered by many to be the most influential figure in 18th century French obstetrics. He is known for his work involving breech maneuvers and Caesarean sections. He wrote a number of influential books in the field of obstetrics and attracted students from all over Europe, among them German obstetrician Johann Lukas Boër (1751–1835). He is credited with improving the birth forceps by adding a "pelvic curve" to the instrument. (Wikipedia) Surgical instrument. Instrument consists of two arms, loosely resembling a pair of scissors in shape. The arms are joined by a pin at centre, and each arm has a circular finger grip at top. The end of each arm curves upward and broadens into an elongated teardrop shape, with the end of each arm hollowed out so that only the edges remain. The inner edges of the end of each arm are corrugated for grip. Engraved text on one arm reads 'MAYER&MELTZER.LONDON'.'MAYER&MELTZER.LONDON'

Published: 26 Dec 1933 The Age p9 Published title: "ON CHRISTMAS MORNING--BATHING AT ST. KILDA." Published caption: "Yesterday morning everyone who was near the bay seized the opportunity for a cooling dip. St. Kilda foreshore was particularly well patronised, as this picture shows." Trove article identifier: http://nla.gov.au/nla.news-article203364944 Description: Large group of swimmers at St Kilda Beach on Christmas morning. Research by project volunteer, Louise McKenzie: Approximately 150 men, women and children grouped in front of the photographer in the shallows of St Kilda Beach on Christmas morning 1933. All are wearing one piece bathing suits, some have bathing caps, some hold beach balls, and one boy has a model boat. They are happy and exuberant. Their swimming attire is traditional and conservative for the time. However at this time the bathing attire was undergoing a substantial change, as Wikipedia’s History of Swimwear attests. The English practice of men swimming in the nude was banned in the United Kingdom in 1860. In the first half of the 19th century the top became knee-length while an ankle-length drawer was added as a bottom. By the second half of the 19th century, in France, the sleeves started to vanish, the bottom became shorter to reach only the knees and the top became hip-length and both became more form fitting. In the West, in the 19th century women wore a bathing gown in the water. These were loose ankle-length full-sleeve chemise-type gown made of wool or flannel, so that modesty or decency was not threatened. They were long dresses of fabrics that would not become transparent when wet, with weights sewn into the hems so that they would not rise up in the water. The men's swim suit, a rather form-fitting wool garment with long sleeves and legs similar to long underwear, was developed and would change little for a century. By the second half of the 19th century, in France, the sleeves started to vanish, the bottom became shorter to reach only the knees and the top became hip-length and both became more form fitting. In the 1900s women wore wool dresses on the beach that were In the Victorian era, Western cultures deplored nudity of any degree, and people took great pains to cover themselves, even bare chested male swimmers at ocean beaches. In the 1910s despite opposition from some groups, the form-fitting style proved popular. It was not long before swimwear started to shrink further. At first arms were exposed and then legs up to mid-thigh. Necklines receded from around the neck down to around the top of the bosom. The development of new fabrics allowed for new varieties of more comfortable and practical swimwear. The name "swim suit" was coined in 1915 by Jantzen Knitting Mills, a sweater manufacturer who launched a swimwear brand named the "Red Diving Girl”. During the 1920s and 1930s, people began to shift from "taking in the water" to "taking in the sun", at bathhouses and spas, and swimsuit designs shifted from functional considerations to incorporate more decorative features. By the 1930s men began to go without shirts for swimming and barechestedness in male swimwear became the norm by the end of the 1940s, including in competitive swimming events. Following a fire in 1925, the nearby St Kilda Baths were reopened in 1931 – with separate “enclosures” for men and women. But here in the Bay just a few years later, everyone is happily enjoying the refreshing seaside event. References: History of Swimwear, Wikipedia, https://en.wikipedia.org/wiki/History_of_swimwear Jantzen Red Diving Girl, Oregon History Project, https://www.oregonhistoryproject.org/articles/historical-records/jantzen-red-diving-girl/ European History 1900-1950, St Kilda Historical Society, https://stkildahistory.org.au/about/timeline-1900-1950Photographer notations on slide: "Christmas morning St Kilda Age B9".

Photocopied information about rifles, carbines and pistols including Russian and French. The origonal letter from Lionel Rogers addressed to Gary Parker of the NVVMPhotocopied information about rifles, carbines and pistols including Russian and French. The origonal letter from Lionel Rogers addressed to Gary Parker of the NVVMweapons, carbine, pistols, russian, french, lionel rogers, gary parker