Art Magazinewalsh st library

Ill, text.non-fictionA journal discussing Australian art.art - australia, journals - art

Regarding P Sexton. There is a Patrick Sexton listed in the 59th Batt roll No 3243a. The trench art was in the collection of James Worland Mills No 3441 59th Batt AIF. Refer 169P, 166.3, 167.6. Map of Australia made from spent munitions brass; engraved with picture of soldier holding a banner.'59th Btn.' - written on Union Jack in corner of banner. 'Australia for Ever' written on 2nd banner. 'CD' written between soldier's feet. Other inscriptions: 'France 12.7.18', and 'P. Sexton Ville-Sur Ancre Somme.arms-ammunition, trench art

Brass map of Australia on top of a brass boomerang, which is attached to a brass 6 pdr. shell case on the outside circular base of the casing."AUSTRALIA" on side of casing. On shell base: 6 Pr 10 cwt 11, LOT 197, RL kn 1941 CFornaments, military history, trench art

Journal article, bound in a brochure, reprinted from Art and Australia vol. 2 no. 3 Dec 1964Blue ballpoint handwritten inscription: 'To Robin / With great respects / ??? / Aubrey Gibson [signature] / Dec 1964'walsh st library

Text, Woodblock illustration on title page, 18 plates by Melbourne photographers including J. Kauffman, J.W. Eaton, A.E.Stevens, W. Howieson, and the Melbourne Herald. Produced by Art in Australia Ltd, Sydney. [4] p. [16] p. of plates : ill. ; 25 cm.non-fictionDescription of Melbourne by J. S. McDonald and photos of Melbourne by a number of photographers.melbourne -- tourist brochures, melbourne -- photography, christian-washfold collection

Publication accompanying the project, The f Word: Contemporary feminist art in Australia. Curated by Caroline Phillips, this project included multiple components: A Dinner Party: Setting the table; the Regional Feminist Art Forum, the Technopia Tours Feminist Art Bus, and two exhibitions.feminism, feminist art, melbourne, the dinner party, australia, judy chicago, west space, latrobe visual art institute, bendigo, gippsland art gallery, sale, victoria, ararat regional art gallery, ararat, technopia tours, kim donaldson, catherine bell, penny byrne, filomena coppola, kate just, jill orr, clare rae, elvis richardson, kate beynon, karen buczynski-lee, destiny deacon, laurene dietrich, eliza-jane gilchrist, janice gobey, georgia macguire, robyn massey, caroline phillips, louise saxton, inez de vega, lyndal walker, justine makdessi, the great petition, natalie thomas, laura castagnini, lyndal jones, vicki kinai, dot ket, virginia fraser, juliette peers, louise burchill, carolyn barnes, melbourne social equity institute, ebony gulliver, kalinda vary, kate robertson, stephanie alexander, kate macneill, victoria duckett, hana assafiri, victoria bennett, anne marsh, catherine deveny, danni zuvela, jon dale, marcia jane, catherine evans

Hardcover w/ Dust JacketInserted in front cover: folded page of Australian Financial Review 1 February 1973, written at top: "Trish"; cross next to article titled "Rare coins for sale"; article titled "The fortunes of war reflected closely in the art market" featuring Arthur Boyd paintingwalsh st library

Includes 2 articles by Walter Bunning - "Aesthetics and War" p.71, "Rachel Forster Hospital" p.85. Walter Bunning was a prominent Australian architect and urban planner - a contemporary of Robin Boyd.walter bunning, rachel forster hospital, world war 2, walsh st library

Article titled "Flats on the Yarra at Toorak", about Roy Ground's Glover Court flats p. 72- 75.roy grounds, albert hanson, australian art, walsh st library

This volume features Glenunga Flats (1940) Armadale designed by architect Frederick Romberg, p 85.australian art, walsh st library

Softcoverwalsh st library

Softcovervan gogh, modern art, impressionism, walsh st library

Chainsaw art demonstration at the 2016 Eltham Festival featuring sculptors Leigh Conkie, Hikaru Kodama and John Bradyfay bridge collection, 2016-11-07, artist in residence, chainsaw art australia, chainsaw sculptor, chainsaw sculpture, eltham festival, hikaru kodama, john brady, leigh conkie

black and white PHOTOGRAPH OF lady wearing Victorian style clothing taken at Batchelder's , 41 Collins St East Melbourne. Rear of photo has the name of the photographer, Batchelder's, 41 Cvollins Street melbourne Victoria 3000.photograph, person, black and white photograph of lady wearing victorian style clothing taken at batchelder's , 41 collins st east melbourne batchelder & co. :: biography at design and art australia online www.daao.org.au/bio/batchelder-co/ batchelder & co. were photographers who exhibited in the melbourne centennial international exhibition 1888-89. biographical data b. biography batchelder …

non-fictionA history of the authors life as an artist, teacher, and political activist in Australia.trade unions, social realism, communist party of australia, peace art, australia council, community arts, art and working life, international co-operation art award, cpa, political cartoons, cabramatta and districts art society, noel counihan, contemporary art society of victoria

Hardcover w/ Dust Jacketart, australia, australian art, walsh st library

Hardcover w/ Dust Jacketart, australia, australian art, donald friend, walsh st library

SoftcoverInserted in front cover: introduction to the exhibition, written by Peter Lawson-Johnston, President of The Solomon R. Guggenheim Foundationart, australia, walsh st library

Ill, p.176.non-fictionPoetry and short stories of Australian art and literatureart - australia, literature - australia

‘By Wagga Design’ is the winner of the Art Quilt Australia 2019 Expressions: Wool Quilt Prize. Barbara Mellor, of St Helens in Tasmania, made this quilt after researching the history of waggas and was fascinated by this early form of recycling. ‘By Wagga Design’ is her contemporary take on the traditional wagga that was born out of hard times and limited resources. Barbara wrote the poem below while thinking of the workers who used waggas while travelling: Black night campfire night sheep in the shadows dreams on the track a comforting wagga stitched with love for a homesick heart. The wagga was made in 2017 and was first submitted into the Bay of Fires Art Prize. In 2018 the wagga was submitted into the Break O’Day Stitchers Quilting and Embroidery Exhibition, where it won the Hanger’s Prize. Barbara sourced the fabrics used from a variety of places. Some are from her personal collection while others were given to her. She purchased a woollen three-piece suit from a local op shop and decided to incorporate it into the design, making some unique and distinctive shapes. Another distinctive feature of the quilt is the patch labelled ‘Parkside’. Barbara noted that it was cut from a blanket she purchased from a garage sale from a property that had once been a caravan park titled ‘Parkside’ in the 1960s. The filling of the wagga contains the rest of the Parkside blanket.Quilt made from various woollen garments and bedding in cool tone colours. Patches mostly cut into square and rectangle shapes. Three patches made from a second-hand woollen suit, showcasing the arm with cuff buttons, pocket flap on a hip pocket containing a pocket square and front of vest with buttons. wagga, art quilt australia, expressions: wool quilt prize

The painted canvas by Izett Watson and Thaddeus Welch, which was exhibited as a painted cyclorama in the 'Battle of Waterloo' Cyclorama building, Fitzroy, ca. 1891.The work was printed for the Historical Art Association of Australiaeureka stockade, izett watson, thaddeus welch

Balang [John MAWURNDJUL] (1952 - ) Born Mumeka, Northern Territory Country: Milmilngkan, West Arnham Land, Northern Territory Clan: Na-Kurulk Language Group: Kunwinjku Location: Milmilngkan John Mawurndjul is an Australian indigenous artist. He is a member of the Kuninjku people of West Arnhem Land, Northern Territory. Growing up John had only occasional contact with non-indigenous people and culture. He was tutored in rarrk, a traditional painting technique using fine cross hatching and infill, working on small barks. During the 1980s he started producing larger and more complex works. The artist has painted 'Wayarra', a generic term which can include both malevolent spirit beings which continually inhabit certain sites or objects but can also mean the Spirit of a recently deceased person. These spirits are one of two spirits of the dead, the other being the 'Kun-malng' soul. The 'Wayarra' is the shadow or 'shade' of the dead and may take on the form of the deceased and haunt areas where the deceased recently inhabited. In order to prevent Wayarra spirits from harassing relative of the recently deceased, a smoking ceremont is performed where Ironwood leaves are burnt around the camp of the recently deceased and ochre is rubbed on all objects belonging to the deceased. Ochre may also be rubbed on vehicles, houses and trees. Some Wayarra are a particular Dreaming totem for people of certain clans. This is why many artists depict Wayarra in their bark paintings and sculptures. They are depicting clan totems particular to their lineage and which are celebrated in major regional patrimoiety ceremonies. In 1989 the work of John Mawurndjul was included in the landmark exhibition "Magiciens de la Terra' at the Centre Pompidou and Grande Halle de la Vilette in Paris, France. His works have also been exhibited in numerous solo and group exhibitions in Australia, New York, Paris and Japan. Mawurndjul is one of eight artists whose work in part of the largest inernational commission of contemporary Indigenous art from Australia at the Musee du Quai Branly, Paris. The work was exhibited in the Australian survey "John Mawurndjul: I Am The Old And The New", at the Museum of Contemporary Art, one of the 160-odd works all chosen by Mawurndjul for inclusion in the exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.This artwork was chosen by John Murwurndjul as on of around 160 works for exhibition in the 2018 Australian Survey of his work at the Museum of Contemporary Art. The artist is known for his rarrk work, which is evident in 'Female Wayarra Spirit'.Aboriginal bark painting featurung rarrk. The artwork is associated with Dilebang, a duwa moiety place that belongs to the Kurulk clan. This work is currently on loan for exhibition in 'John Mawurndjul: I am the old and the new'. The exhibition will be shown at the Museum of Contemporary Art Australia (Sydney) from 6 July – 23 September 2018, and the Art Gallery of South Australia, Adelaide from 26 October 2018 – 28 January 2019.art, artwork, john mawurndjul, aboriginal, bark painting, rarrk, wayarra, kuninjku, maningrida, loan

The rug hung in the boardroom at the Brintons Carpet premises/factory at Fellmongers Road, Breakwater. Acquired on closure of factory.W7199 Page 1 of a history of Brintons Carpets. Page 2 of a history of Brintons Carpets. A list of catalogues/items in the Brintons Collection donated after closure of Fellmongers Road factory in July 2008.Labore Vinces Brintons Carpets/Special Enquiry Prepared for/Ref. No 15/2878 for Aurora/Quality colours in trial/standard/non standard/Design and colour sample does not represent qualitytextile art, brintons australia pty ltd brintons pty ltd (geelong) brintons ltd (uk), carpet

Nineteenth century household object employing an Aboriginal shape with art nouveau figurative designDiecast metal plate. Impressed with the figure of a naked figure with a wand in his or her hand touching the nose of a head (the moon?), causing it to sneeze. Lady lying on a bed of flowers. Three stoppers on the reverse to hold the plate above the surface.metal dish, art nouveau - australia

Index, appendix, ill (b/w) (maps)non-fictionWar is a noisy, confusing and frightening experience and it is the job of the soldier, usually against better judgement to walk through this storm and secure victory. war - psychological aspects, military art and science - australia