Mary Fogarty was a student at the School of Mines in the 1920s. She was a member of the Hockey team that was part of the Ballarat Hockey Association Competition. She studied Arts and Crafts and became a teacher at the SMB Technical Arts School. In 1945 she was in charge of the Girls' Preparatory Classes - Years 7 and 8. In 1950 she was asked to start the Technical School for Girls. !951 saw 30 Form 1 students in the ground floor of the old SMB Secondary School (E J Tippett Library/former Gaol Governor's residence). She had an assistant. 1952 saw another 30 students enrolled and two more staff. As the school grew they were given space in the Art School. Houses along Grant Street were bought with the intention of building a three storey building. The girls had Art with Art School Staff, Science in SMB Science Room and Music women of note, teacher, ballarat school of mines, smb campus, mary fogarty, student, hockey team, arts and crafts, technical arts school, girls' preparatory classes, technical school for girls, ballarat girls' technical school

11 December 1985 newspaper Refer to Artists in the Ringwood Area book (Russ Haines OAM) for further details

Alby Fisher winner of Craft section at Rotary Art and Craft Show Lakes Entrance VictoriaBlack and white photograph of Alby Fisher winner of Craft section at Rotary Art and Craft Show Lakes Entrance Victoriapeople, arts, arts and crafts, exhibition

Photos taken at the 13th Annual Widows' Art and Craft Exhibition held at Legacy House in 1994. The note with the photos says: "The quality and ingenuity of the arts and crafts entered were outstanding and quite a daunting task for the judge, Mrs Janice Bridges". This was an Annual Art and Craft Exhibition that was run by the widows club. The items could be sold at trading tables and at the table outside Legacy House during Badge Week in September to raise funds. There were craft afternoons throughout the year for widows to learn new skills and gather together at Legacy House. These regular meetings, fetes and workshops provided important opportunities for widows to meet, socialise and be active.A record of the type of activities Legacy provided as a social outlet for widows.Colour photo x 9 of exhibits at the 1994 Art and Craft Exhibition.widows, craft, activities

Photos taken at the 13th Annual Widows' Art and Craft Exhibition held at Legacy House. The note with the photos says: "The quality and ingenuity of the arts and crafts entered were outstanding and quite a daunting task for the judge, Mrs Janice Bridges". This was an Annual Art and Craft Exhibition that was run by the widows club. The items could be sold at trading tables and at the table outside Legacy House during Badge Week in September to raise funds. There were craft afternoons throughout the year for widows to learn new skills and gather together at Legacy House. These regular meetings, fetes and workshops provided important opportunities for widows to meet, socialise and be active.A record of the type of activities Legacy provided as a social outlet for widows.Colour photo x 8 of exhibits at the 1994 Art and Craft Exhibition.widows, craft, activities

A group of ladies at art and craft classes at Legacy House. The lady in the top left corner is Valerie Rae. The other ladies are not known. Date is not known but possibly in the 1980s. Was donated with three other photos after Valerie Rae passed away. The note with the photos was dated 2014 and it said she died in 2009.A record of activities that Legacy provided for widows.Black and white photo of a group of widows at Legacy House with flowers.Handwritten on back in blue pen 'Melbourne Art and Craft', also typed in black on a small label 'Widows at Art and Craft Class'.widows, widows clubs, craft

two women with art and craft items at Tobelayne Gallery VictoriaBlack and white photograph showing two women with art and craft items at Tobelayne Gallery Victoriaarts, exhibition

glass blower John Doyle at work during Art and Craft Show Bruthen VictoriaBlack and white photograph of glass blower John Doyle at work during Art and Craft Show Bruthen Victoriaarts, exhibition, arts and crafts

Pearl Arvidsson at her Hand Painted Porcelain stall at Art and Craft Show Bruthen VictoriaBlack and white photograph showing Pearl Arvidsson at her Hand Painted Porcelain stall at Art and Craft Show Bruthen Victoriaarts, exhibition, arts and crafts

Alyson Horne of Sarsfield Victoria spinning sheep wool at Art and Craft weekend held at the Mechanics Hall Bruthen VictoriaBlack and white photograph showing Alyson Horne of Sarsfield Victoria spinning sheep wool at Art and Craft weekend held at the Mechanics Hall Bruthen Victoriaarts and crafts, social history

On Friday the 26th and Saturday the 27th of May, 1978, an art and craft exhibition was held as a fundraising event in support of the Rheumatism and Arthritis Association of Victoria (RAAV). Titled, "Living with Arthritis - Aids to Daily Living", the exhibition was held at St Andrew's Parish Hall in Brighton. A second "Living with Arthritis" exhibition was held two months later in Footscray. Henceforth, the respective events were commonly referred to as "the Brighton exhibition" and "the Footscray exhibition". A fashion parade and panel discussion were also held as part of the two-day event. In this photo, visitors browse the bric-a-brac stalls at the Aid to Daily Living art & craft exhibition.B&W photo of a several people, of all ages, browsing at a bric-a-brac stall. In front of them is a trestle table full of various items, from vases and small dishes to a vacuum drink flask and some knitted or crocheted items.[handwritten in pencil] Aid to Daily Living art & craft [in light blue ink] Page 5 [in pencil] news reviewrheumatism and arthritis association of victoria, raav, living with arthritis, aids to daily living, art and craft, exhibition, market stalls, bric-a-brac, fundraising, news review, 1978

Charles Sicura at Art and Craft Show showing Lucy Stanbury a Kiwi Fruit sparrow he made during demonstration at Bairnsdale Fruit Mart Stall Bruthen VictoriaBlack and white photograph of Charles Sicura at Art and Craft Show showing Lucy Stanbury a Kiwi Fruit sparrow he made during demonstration at Bairnsdale Fruit Mart Stall Bruthen Victoriaarts, exhibition, arts and crafts

Photos the 10th Annual Art and Craft Exhibition that was run by the Widows' Club. The label identifies Marianne Spruyt from Guterman Craft as the judge that year. The items could be sold at trading tables and at the table outside Legacy House during Badge Week in September to raise funds. The label mentions the Widows' Club made a donation each year to Legacy. The photos were taken by Susie Howard the publicity officer. These photos were in a scrapbook of A record of the type of activities Legacy provided as a social outlet for widows. Colour photo x 7 of tables of craft items at Legacy house, some have been awarded 'Best Art exhibition' and 'Best dressed doll' and three paper labels.White paper label with black type 'Legacy holds an annual Arts and Crafts Exhibition at Legacy House. A wide range of items are displayed and many of the wonderful items are for sale. The Legacy Widows' Club raises funds throughout the year and kindly makes a donation to Legacy.' Yellow paper label with black type 'Marianne Spruyt, Area Manager of Guterman Craft, had the difficult task of judging the best of the Arts and Crafts on display.' White paper label with handwriting in blue pen '10th Annual Craft Exhibition 1991 / Susie / L.H. / 1991' 00676.2 has 61% in red pen on back. Printed on Fujicolor paper.widows, craft, activities

On Friday the 26th and Saturday the 27th of May, 1978, an art and craft exhibition was held as a fundraising event in support of the Rheumatism and Arthritis Association of Victoria (RAAV). Titled, "Living with Arthritis - Aids to Daily Living", the exhibition was held at St Andrew's Parish Hall in Brighton. A second "Living with Arthritis" exhibition was held two months later in Footscray. Henceforth, the respective events were commonly referred to as "the Brighton exhibition" and "the Footscray exhibition". A fashion parade and panel discussion were also held as part of the two-day event. In this photo, Mickie Ross attends to her greeting card display at the Aid to Daily Living art & craft exhibition. A cropped version of this photo appears on page 5 of the Vol 9, March 1978 edition of RAAV's quarterly newsletter, News Review. It is captioned: "All those who see the beautiful designs Mickie Ross creates on her cards are amazed and im-pressed with her patience and skill. Although she has made and sold many hundreds of these cards for RAAV, she would still appreciate orders, also help with the pressing of the flowers. Photo - Ben Baxter." The photo accompanies an article titled, "AIDS TO DAILY LIVING", and sub-titled, ART AND CRAFT".B&W photo of a woman leaning over a trestle table as she arranges some cards for display.[handwritten in light blue ink] Page 5 Mickie Ross [in pencil] designed cards for Aid to Daily Living art & craft at St. Andrews Hall Brightonrheumatism and arthritis association of victoria, raav, living with arthritis, aids to daily living, art and craft, cards, pressed flowers, mickie ross, exhibition, market stalls, fundraising, news review, 1978

Coloured photo of Children's Art & Craft Display.to be entered

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. An etching with pig. This work was completed during Graeme Drendel's final year at Melbourne State College where he was studying Secondary Art and Craft Teaching and majoring in Printmaking.graeme drendel, printmaking

Colour photograph of Woodsedge Art and Craft Centre in a bushland setting Baades Road Lakes Entrance Victoriaarts and crafts, businesses

Graeme DRENDEL (02 July 1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who is known for his 'enigmatic works depicting figures of solitude and introspection.' (Gavin Fry) His works are often set in isolated landscapes and situations, and his powerful images most often relate to the human condition. Becoming the first member of his family to undertake tertiary studies Graeme Drendel received a studentship to study Secondary Art and Craft Teaching. Country students could undertake their first two years study at Ballarat or Bendigo Art Schools. Graham studied at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing the course at Melbourne State College in 1974 While studying in Ballarat Graeme lived in the student departmental hostel 'Beaufort House, and had many formational experiences during his first foray outside of the Mallee. At Ballarat Graeme Drendel became aware of the painter Gareth Sanson who lectured at Ballarat Teachers' College. Although not directly taught by Sansom Graeme was drawn to the immediacy of his work. At Melbourne Graeme chose Printmaking as his major working with Printmaking lecturers Stephen Spurrier and Jim Taylor, and drawing with John Neeson. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. As a prolific user of sketchbooks Graeme Drendel records close observations, which often inform his paintings. Graeme Drendel is a regular finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize, and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. This work is one of a substantial body of limited edition prints donated by the artist to Federation University in 2022 covering work from Graeme Drendel's earliest years as a student, through to more recent etchings. An etching of a pool and surrounding objects such as chairs and towels. This work was completed during Graeme Drendel's final year at Melbourne State College where he was studying Secondary Art and Craft Teaching and majoring in Printmaking.graeme drendel, printmaking

Black and white photograph of Val Pilgrim and Barbara Hughes at Berry Farell stall Bruthen Parish Fair Art and Craft weekendevents, social history, religion

Colonial Crafts of Victoria. Early settlement to 1921. Examples of early craftwork to make goods for a specific purpose.art, crafts

Black and white photograph of an art and craft market at the Nunawading Council Chambers - 1994. Man in a raincoat handing a white bag to a female customer. Flowers in pots.art and craft market

Coloured - Members of the Art in Bark Association displaying their craft at Whitehorse Historical Society's Heritage Day 2003 held at Schwerkolt Cottage and Museum Complex on 13 April 2003art in bark association, whitehorse historical society, heritage day 2003

Part of the collected documents of the Ringwood Art group 1968-1978Red covered 2 ring binder with Tudor loose leaf refills containing miscellaneous documents, letters, accounts and the Constitution of the Ringwood Art and Craft Society between 1968-1978

This wall hanging is a cross cultural collaboration combining a design taken from an original acrylic on canvas painting by Iwana Ken. The design was sent to Kashmir where it was hand embroidered in tambour/chain stitch in wool.The wall hanging is in bright colours in a semi abstract design of plants and flowers. The wall hanging is in tambour work. Background in orange. Hand tambouredLabel: Better World Arts, Cross Cultural Projects fine art - fine craft, ethical trade IKE 118B DL 101 12/100embroidery, australia, wall hanging, kashmir

Four page booklet relating to the visit of the Council to the Ballarat School of Mines departments of Physical Education, Metal Fabrication, Fitting and Machining, Music, Auditorium, Art and Craft, Business Studies and Adminstration. ballarat school of mines, ballarat school of mines council