Showing 6749 items matching artist
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Federation University Historical Collection
Book - Art Book, Anatomy and Figure Construction for the Fashion and Figure Artist, 1935
A book for artists.neville bunning, anatomy, figure construction, drawing -
Tatura Irrigation & Wartime Camps Museum
Folio, Hirschfeld-Mack, Artist
Material collected and donated.Black flecked two ring folder with printed material in plastic sleeves.Hirschfeld-Mack, Artist.documents, reports -
Flagstaff Hill Maritime Museum and Village
Painting - Vessel - Steamship, Mike McCrea (artist), ca 1985
This is one of a pair of paintings by artist Mike McCrea, created when he was in Warrnambool in 1985. The painting was framed and sold by Patana Galleries, Paton Place, Manly Vale, NSW. It was later purchased by athe company of Master Mariners of Australia and who donated the pair to Flagstaff Hill. The pair of paintings are significant for their association with steamships and the Master Mariners of Australia group. The paintings represent a time in local history when many steamships were sailing the coast and transporting passengers and goods.Painting, framed oil on board; cargo steamship off the coast of Warrnambool by artist Mike McCrea. Framed by Patana Galleries, Manly Vale, N.S.W. Signed by artist.Signed; "MIKE" "J15/62 McCrea" "Red. No. 390 A" Sticker with "62" "PATANA GALLERIES / PATON PLACE, MANLY VALE / PHONE 949-1535"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, painting, mike mccrea, steamship, master mariners of australia, patana galleries -
Federation University Historical Collection
Book, George Tibbits, William Tibbits 1837-1906 Cottage, House and Garden Artist, 1984
Brown soft covered book 96 page book on the artist William Tibbits.william tibbits, george tibbits, architecture, painting -
Whitehorse Historical Society Inc.
Article, Artist has landscape sewn up, 2001
Textile artist Annemieke Mein's work will be exhibited at the Monash Gallery of Art. Annemieke attended Nunawading High School.Textile artist Annemieke Mein's work will be exhibited at the Monash Gallery of Art. Annemieke attended Nunawading High School.Textile artist Annemieke Mein's work will be exhibited at the Monash Gallery of Art. Annemieke attended Nunawading High School.mien, annemieke, textile art -
Federation University Historical Collection
Equipment - DVD, Portrait of an Artist
Geoffrey Mainwaring was a War Artist during World War 2, and taught painting at the Ballarat Technical Art School.Geoffrey Mainwaring is interviewed by John Vernon for 34.34 minutesgeoffrey mainwaring, portrait, painting, artist, oral history interview, war artist, staffmember -
Murrumbeena Cricket Club
Photograph, Photograph of artist sketch of the old pavilion at Murrumbeena Park in 1951, c. 1951
Photograph of artist sketch of the old pavilion at Murrumbeena Park in 1951. It shows the path leading to the Pavillion and the main oval in the backgroundmurrumbeena, murrumbeena cricket club, cricket, cricket clubs, parks and reserves, grandstands -
Latrobe Regional Gallery
Drawing, BELLANY, John b. 1942, Port Seton d. 2013, Jeff Makin - Artist and friend, 1983
Pastel on paperTitled, signed and dated in lower right corner of drawing: Jeff Makin Artist and friend Bellany '83 -
Ballarat Tramway Museum
Document - Photocopy, Phillip Adams, "Portrait of an artist scaling the heights", c1977
Photocopy - two A4 sheets of an article by Phillip Adams about artist Clifton Pugh, titled "Portrait of an artist scaling the heights", from a book "Unspeakable Adams: Forty Controversial and Popular Pieces", 1977. Looks at Pughs portrait work history with a tongue in cheek approach by the author about his portraits. Has a sketch by Spooner.trams, tramways, articles -
Flagstaff Hill Maritime Museum and Village
Painting - Vessel - Steamship, Mike McCrea (artist), ca 1985
This is one of a pair of paintings by artist Mike McCrea, created when he was in Warrnambool in 1985. The painting was framed and sold by Patana Galleries, Paton Place, Manly Vale, NSW. It was later purchased by athe company of Master Mariners of Australia and who donated the pair to Flagstaff Hill. The pair of paintings are significant for their association with steamships and the Master Mariners of Australia group. The paintings represent a time in local history when many steamships were sailing the coast and transporting passengers and goods.Painting; timber framed oil painting with the image of a cargo steamship off the coast of Warrnambool. Artist is Mike McCrea. Framed by Patana Galleries, Manly Vale, NSW. Hand written, "Red. No. 390 A" Sticker "61"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, painting, mic mccrea, patana galleries, master mariners of australia, steamship -
Whitehorse Historical Society Inc.
Article, Painting soldiers isn't child's play, says artist, 1990
Graphic artist, Phillip Walden, of Nunawading, has been making detailed models of historical war figures from different battles and has won several major awards.Graphic artist, Phillip Walden, of Nunawading, has been making detailed models of historical war figures from different battles and has won several major awards.Graphic artist, Phillip Walden, of Nunawading, has been making detailed models of historical war figures from different battles and has won several major awards.crafts, walden, phillip, model soldiers -
Whitehorse Historical Society Inc.
Article, Extracts re artist Ian Armstrong, 29/10/1992
Extract of articles about Ian Armstrong, an artist, printmaker and teacher who worked from Blackburn Studio and exhibited regularly throughout Australia. He lived at 110 Lake Road Extract of articles about Ian Armstrong, an artist, printmaker and teacher who worked from Blackburn Studio and Exhibited regularly throughout Australia. He lived at 110 Lake Road, Blackburn from 1958 - 1990.artists, armstrong, ian (artist), blackburn studio, lake road, blackburn -
Ringwood and District Historical Society
Photograph, Ringwood and Croydon Mail Christmas Greetings - 1965. Reproduced from the original drawings completed on site by Artist-Historian, Jack Montgomery
Printed below the historical information, "Reproduced from the original drawings of the old Ringwood Mail by Artist-Historical Jack Montgomery.... Drawn from sketches completed on the site - 1965". -
Ballarat Clarendon College
Book, Harold Herbert: convivial artist, 1997
Harold Herbert entered Ballarat College 1905; refer http://adb.anu.edu.au/biography/herbert-harold-brocklebank-6647 Blue soft covered book of 56 pagesharold brocklebank herbert, artist -
Flagstaff Hill Maritime Museum and Village
Print - Religious Portrait, Herbert Beecroft, artist, The Lord turned and looked upon Peter … and Peter remembered, 1947
This print of Christ is slightly smaller than the original 1927 oil painting by Herbert Beecroft, which is titled “Christ” and measures, in centimetres, 60 high by 50 wide. The original is displayed at John Wesley’s House & The Museum of Methodism in Islington, England. The title of the print is taken from the Holy Bible, from the New Testament book of Luke, chapter 22 verse 61, which is a famous Christian account of Jesus being betrayed by Peter, which leads to Jesus’ crucifixion; “And the Lord turned, and looked upon Peter. And Peter remembered the word of the Lord, how he had said unto him, Before the cock crow, thou shalt deny me thrice.”. The print was published in 1942 by the National Sunday School Union in England, now known as the National Christian Education Council. The NSSU was established in Britain in 1803 to promote Sunday Schools in Britain and overseas. The organisation produced many publications including training manuals and materials for Sunday School teachers. Herbert Beecroft 1864-1951, also known as Lawrence Herbert Beecroft, was an early 20th-century artist. He and his wife emigrated from England to Sydney, Australia, in 1905. He worked as a painter, illustrator, miniaturist ‘lightning cartoonist’, and lecturer. From 1927 Beecroft painted a series of portraits of Jesus Christ, prints of which made many worldwide sales. He entered a miniature portrait in the 1921 inaugural Archibald Prize competition. It was one of forty-one entries but the title was unknown. It is highly probable that it was JF Archibald, the person who endowed the prize, first awarded in 1921. This print of Christ, originally painted by Herbert Beecroft, represents the social movement in the early 20th century to educate all children in good morals and Christianity.A religious portrait of the artist’s impression of Jesus. The print is in a gilt timber frame behind glass. The frame has eyelets and wire for hanging. The backing paper lifts to reveal a handwritten pencil inscription. The portrait shows a male figure from the waist up facing the viewer but turned slightly to his right. He has long wavy blond hair, a moustache and a beard. He wears a blue-grey robe over a collarless white shirt. The background is red-brown. It is the artist’s impression of Jesus. The whole frame-mat has script text above and below the print, giving its title, and details of the publisher and producer. This print was produced from an original 1927 oil painting by Herbert Beecroft. It was published in 1942 by The National Sunday School Union in London and produced by Frost & Reed Ltd. England. Handwritten script on the mat; “Published in 1942 by the National Sunday School Union, 4 Black Friars Lane, London, EC4. Produced by Frost & Reed Ltd., Bristol & London. Printed in England. Copyright.” and, “The Lord turned and looked upon Peter … and Peter remembered” Signature on bottom left “Herbert Beecroft” In pencil on backboard under back paper “H 89 / 12”. Pen on white tape “155”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, print, religious, vintage, 1942, herbert beecroft, lawrence herbert beecroft, archibald prize winner, early 20th-century, artist, oil painting, luke 22:61 -
Stawell Historical Society Inc
Painting, Early Settlers Home by Artist Val Potter -- Water Colour
Early Settlers Home – Water Colour Painting Artist Val Potterstawell -
Federation University Historical Collection
Book, Harold Herbert: Convivial Artist by John C. Trinca
Harold Herbert was a watercolour artist who taught tat the Ballarat Technical Art School.Blue soft covered book of 56 pages. poster, stamps, harold herbert, harold b. herbert, harold brocklebank herbert, ballarat technical art schook, watercolour -
Flagstaff Hill Maritime Museum and Village
Drawing - Maritime, Cooper N (or Al), Artist, 726 Willpower, 1976
This framed drawing depicts a small vessel wrecked on the shore, resting on rocks, with sea in the background. The artist, Norm Cooper, created the drawing in 1976. He was a well-liked and respected local artist and surfer. The picture was framed in Warrnambool by Stuart Prince in the 1980s. Norm Cooper passed away in 1988. The Southwest Boardriders inaugural Norm Cooper Memorial contest, the 'Normie' , was held in 2015 in his honour, "celebrating the legacy of one of the region's most legendary surfers" (a quote from the Southwest Boardriders). The name of the vessel in the drawing, '726 Willpower', may represent one of several yachts that have the name 'Willpower'. The framer, Stuart Prince Picture Framing, was a local business, Prince was one of the owners of the Henna Street Picture Framers at 74 Henna Street, Warrnambool. He retired in 2019 after 22 years in the business.This line drawing's subject is a wrecked vessel, connected to the local theme of maritime history, the 'Shipwreck Coast'.Drawing, pen and ink line drawing on white paper, in black painted wooden frame with gilt border. Subject is a single masted vessel beached on rocks on shore, with two sailing ships on sea in background. Name on side of vessel is "726 Willpower". Inscription on front and back. Created in 1976, framed in 1980s. Artist was Norm Cooper. Framed in Warrnambool by Stuart Prince Picture Framing.Name on vessel: "726 WILLPOWER", Written on centre lower edge "N. Cooper '76" Stamped in black ink on backing paper: "STUART PRINCE PICTURE FRAMING"flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, line drawing, 726 willpower, cooper, stuart prince, stuart prince picture framer, warrnambool picture framer, shipwreck 726 willpower, norm cooper, norm cooper memorial, the normie, southwest boardriders -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Ballarat and District Aboriginal Cooperative, Koori Art Poles - Western Bed by Koori Artist Tom Clarke
Ballarat and District Aboriginal Cooperative. Koori Art Poles - Western Bed by Koori Artist Tom Clarke.john garner collection, ballarat botanical gardens, aboriginal, koori artist, tom clarke, gardens, ballarat -
Tatura Irrigation & Wartime Camps Museum
Book, St. James 1871-1977, 1977
History of St. James, Lake Rowan, Yundool, Waggarandool, Almonds, Tungamah. G. J. Coles opened his first store in St. James.Cream cover. Sketch of old scenes of buildings on front cover. Continuing on back cover and photographs of author, J. A. Willis and artist B. A. Cooper.victorian history, st james victoria, g j coles -
Greensborough Historical Society
Newspaper Clipping, Diamond Valley Community Hospital, Artist labelled a winner, 09/10/2013
After winning the "Moment in Monty" art competition, artist Roma McLaughlin has her work printed on wine labels to promote the suburb.News article, text and colour graphic.montmorency, roma mclaughlin, moment in monty, were street -
Swan Hill Regional Art Gallery
Painting, GRAHAM, Anne-Marie, The artist painting an artist (Lorna Chick), 1977
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Women's Art Register
Book, Judy Chicago, Through the Flower. My struggle as a women artist
BookBooknon-fictionBookfeminism, feminist art, exhibition, abstraction, art education -
Flagstaff Hill Maritime Museum and Village
Painting - Vessel - Sailing Ship, C Smith, artist, Loch Ard, late 20th century
HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Painting of 1873 sailing ship the "Loch Ard". Oil painting on board behind glass, framed in white painted timber. Artist is C Smith. Inscription on back. "Loch Ard launched 1873, sunk near Pt Campbell, with loss of 52 lives 1878" "C. Smith" "Loch Ard" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, loch ard gorge, maritime oil painting, c. smith, sailing vessel -
Clunes Museum
Artwork, other - ETCHING, PEN &INK, ARTIST; MRS. JANET McDONALD (NEE DRIFE)
MRS. JANET McDONALD WED. IN WESTERN AUSTRALIA, LIVED THERE FOR 50 YEARS, BEFORE RETIRING TO SERVICE STREET CLUNES, NEXT DOOR TO RIDLEYS.WOODEN FRAMED PEN AND INK DRAWING OF A LADY WITH HORSE AND DOG, GIVEN TO MRS. JEAN HOLLAND AS A WEDDING GIFT FROM THE ARTIST, MRS. JANET McDONALD, WHO WAS HER AUNT.local history, illustration, etching, paintings, drawings -
Surrey Hills Historical Society Collection
Photograph, Painting of Thomas Carlyle Lothian by artist Ernest Buckmaster
Ernest Buckmaster (1897-1968) was born in Hawthorn. He was not a strong boy and was taken by his grandparents to help on their mixed farm at Box Hill until he was fourteen. He attended the local state school. In 1913 he was apprenticed to James Beament, a signwriter and amateur artist. After he was rejected for military service, Beament encouraged him to join the Victorian Artists Society and to enrol at the National Gallery Art School. On 24 August 1945 he was appointed an official war artist, commissioned to paint the Japanese surrender in Singapore. He completed twenty-five pictures for the Australian War Memorial. Lothian published his book 'The Art of Ernest Buckmaster' in 1951. REF: ADB entry. Thomas Carlyle Lothian (1880-1974), publisher and publishers' representative, was born on 7 May 1880 at Newcastle-upon-Tyne, England, eldest child of John Inglis Lothian, bookkeeper, and his wife Lillias Charlotte, née Smith. He arrived in Melbourne in July 1888, John having come to represent the publishing firm of Walter Scott. In 1912, on his father's retirement, he formed the company of Thomas C Lothian Pty Ltd. Following the outbreak of war, he formed the Lothian Book Publishing Co. Pty Ltd (from 1924 the Lothian Publishing Co. Pty Ltd). By 1918 he had published more than half of his total of some 230 titles, including, in 1916, his two most ambitious productions, Elves and Fairies, illustrated by Ida Outhwaite, and The Art of Frederick McCubbin.A black and white photograph of a man, wearing glasses and a suit coat, shirt and tie.thomas lothian (mr), ernest buckmaster (mr), windsor crescent, surrey hills, john lothian (mr), house names, york street, greenhaze, mont albert road, barton street, 'st abbs', 'tantalton' -
Federation University Historical Collection
Article - Article - Women, Ballarat School of Mines: Women of Note; Betty Collier, Artist
Betty Collier was a student of the Ballarat Technical Art School in 1959 and later became a long term teacher at the SMB Arts Academy until 2005. Her work covers many areas of art - painting, drawing, sculpture using various materials and techniques. Examples of her large sculptures are exhibited in the Library at SMB Campus. Betty has also exhibited her work overseas.women of note, betty collier, artist, ballarat technical art school, student, teacher, arts academy, painting, drawing, sculpture, overseas -
Flagstaff Hill Maritime Museum and Village
Painting - Religious Portrait, P Butcher, artist, The Infant Samuel, ca. 1943
This painting was part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria. The Church was operated by the Mission to Seamen organisation. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen was an Anglican charity that served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. This painting is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The painting is historically significant for its connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of this painting to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Painting, oil on board, behind glass framed with wood. Portrait of a child dressed in white, kneeling in prayer, within a dark room. The artist, P Butcher, titled the picture "The Infant Samuel". This object is part of the St Nicholas Seamen's Church Collection. Painted at centre bottom edge "THE INFANT SAMUEL.", and right bottom edge "B. BUTCHER"flagstaff hill maritime museum and village, flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, religion, religious service, st nicholas seamen’s church, williamstown, missions to seamen victoria, painting, oil painting, religious painting, infant samuel, p butcher -
Ballaarat Mechanics' Institute (BMI Ballarat)
Amy Tsilemanis (curator), Pauline O'Shannessy-Dowling (artist in residence) and guests in the Reading Room at Talking Shop Community Day 2/2/19
This photograph is held in the Ballaarat Mechanics' Institute Audio Visual Collection. Please contact BMI for all print and image inquiries Talking Shop: Ballarat in Business and City Life was an exhibition and program of events held at Ballaarat Mechanics' Institute Between January and April 2019 the BMI hosted Talking Shop: a world of Peters Icecream cones, milk bars, vintage advertising, historic photographs and ephemera, and contemporary photographs and creative responses exploring Ballarat's shops and businesses. Community events invited the community to contribute their images and memories to the BMI collection, and engage in creative activities. This exhibition was curated by Amy Tsilemanis at the BMI who worked with artists Pauline O'Shannessy-Dowling and Margie Balazic, collector John Kerr and Ballarat businesses, council, and schools to create a 'generative' exhibition where material and collaborations could grow. ballarat, ballaarat mechanics' institute, talking shop, exhibition, event, artist in residence, reading room, 2019 -
Federation University Historical Collection
Article - Article - Women, Gippsland TAFE Morwell: Women of Note; Eileen Harrison, Artist and Aboriginal Elder, (1948 - )
Eileen Harrison was born in 1948 at the Lake Tyers Aboriginal Mission, Gippsland, Victoria. She lived here until she was 13. The family moved to Ararat. Eileen left school returned to Lake Tyers when she fled form her parents’ house in Ararat, and stayed with Uncle Charlie and Aunt Phyl. Eileen found that Lake Tyers had changed for the worse since her childhood, and she only stayed three months because she found this unsettling. It wasn’t until 1993 that Eileen reconnected with the education system. To provide support for her daughter Jacey, Eileen took Higher School Certificate subjects at the Macmillan TAFE College in Warragul. In retrospect, completing the TAFE course was a pivotal moment in Eileen’s life: the “beginning of something”. Eileen later studied fine arts at the Koorie Unit of the Central Gippsland TAFE in Morwell. She received her Diploma in Cultural Studies and Art in 2003, and was the Central Gippsland TAFE student of the year. Aunty Eileen Harrison is a true living treasure of Gippsland. A regular exhibitor at Gippsland Art Gallery, Aunty Eileen has inspired thousands of people through her moving coming-of-age novel 'Black Swan: A Koorie Woman’s Life' (co-written with Carolyn Landon in 2011). Aunty Eileen stresses the importance of listening deeply from the heart. Her powerful connection to her mother and grandmother, as well as the animals and land is at the heart of these works. women of note, eileen harrison, aunty, aboriginal elder, artist, lake tyers mission gippsland, ararat, higher school certificate, macmillan tafe warrigul, koorie unit, gipps, and central tafe, morwell, diploma, cultural studies and art, gippsland art gallery, novel "black swan"