Black & white photograph of a trench dug in preparation for laying gas pipes in Aubrey Street Mitcham. Two cars to the left and a telephone pole in the centre of photograph.aubrey street mitcham, streets, gas company

Black and white copy of original portrait of a young girl dressed in a dark dress with white collar and ribbon. She is supporting a baby sitting on a tall table to her right."Lil (later Mrs Jones) and Aubrey Knight children of Harry Knight of Spring Hill."lil jones (nee knight), aubrey knight

Journal article, bound in a brochure, reprinted from Art and Australia vol. 2 no. 3 Dec 1964Blue ballpoint handwritten inscription: 'To Robin / With great respects / ??? / Aubrey Gibson [signature] / Dec 1964'walsh st library

People - "Lucardie, Aubrey"

Owner and donor details - see Cat No. 5836.3.SOFT COVER BOOK. Cover - cardboard, white colour print on front, red colour background. Illustrated - front, colour photograph of a vehicle on a flat top railway wagon. 134 pages - cut, plain, semi gloss, white paper. Illustrated black and white photographs, maps and papers. Page 1. handwritten signature.Page 1 - handwritten in blue ink - signature "Aubrey Jarrott".books, military history, ww1, ww2, biography

Aubrey Comben is a Filmmaker & Photographer based in Melbourne, Australia. Graduate of Photography at RMIT and Masters of Film & Television, VCA. Passionate in documentary storytelling, through still and moving imagery. Aubrey completed his undergraduate degree in Photography at RMIT University, Melbourne. Primarily focusing on documentary photography, Aubrey has exhibited his work both nationally and Internationally. Wanting to expand on his expertise in the documentary field, Aubrey gained admission to Victorian College of Arts, Masters of Film & Television(Documentary) program. During his time a VCA, Aubrey has crewed on numerous films, predominantly as a DOP. His own films have seen success with his first, A Pier into The World, receiving best first semester documentary and his second, Give a Dog a Bone screening at the Setting Sun Film Festival. Aubrey's most recent film, Restoration Island, screened at the Melbourne Documentary Film Festival, where it received a nomination for Best Short Documentary. Aubrey currently works for Deakin University, where he is helping produce 360 degree films for a new immersive teaching space, which is being developed at the Geelong Waurn Ponds campus. Purchased $250australian photography, local community

Aubrey Comben is a Filmmaker & Photographer based in Melbourne, Australia. Graduate of Photography at RMIT and Masters of Film & Television, VCA. Passionate in documentary storytelling, through still and moving imagery. Aubrey completed his undergraduate degree in Photography at RMIT University, Melbourne. Primarily focusing on documentary photography, Aubrey has exhibited his work both nationally and Internationally. Wanting to expand on his expertise in the documentary field, Aubrey gained admission to Victorian College of Arts, Masters of Film & Television(Documentary) program. During his time a VCA, Aubrey has crewed on numerous films, predominantly as a DOP. His own films have seen success with his first, A Pier into The World, receiving best first semester documentary and his second, Give a Dog a Bone screening at the Setting Sun Film Festival. Aubrey's most recent film, Restoration Island, screened at the Melbourne Documentary Film Festival, where it received a nomination for Best Short Documentary. Aubrey currently works for Deakin University, where he is helping produce 360 degree films for a new immersive teaching space, which is being developed at the Geelong Waurn Ponds campus. australian photography, local community

Aubrey Comben is a Filmmaker & Photographer based in Melbourne, Australia. Graduate of Photography at RMIT and Masters of Film & Television, VCA. Passionate in documentary storytelling, through still and moving imagery. Aubrey completed his undergraduate degree in Photography at RMIT University, Melbourne. Primarily focusing on documentary photography, Aubrey has exhibited his work both nationally and Internationally. Wanting to expand on his expertise in the documentary field, Aubrey gained admission to Victorian College of Arts, Masters of Film & Television(Documentary) program. During his time a VCA, Aubrey has crewed on numerous films, predominantly as a DOP. His own films have seen success with his first, A Pier into The World, receiving best first semester documentary and his second, Give a Dog a Bone screening at the Setting Sun Film Festival. Aubrey's most recent film, Restoration Island, screened at the Melbourne Documentary Film Festival, where it received a nomination for Best Short Documentary. Aubrey currently works for Deakin University, where he is helping produce 360 degree films for a new immersive teaching space, which is being developed at the Geelong Waurn Ponds campus. australian photography, local community

Aubrey Comben is a Filmmaker & Photographer based in Melbourne, Australia. Graduate of Photography at RMIT and Masters of Film & Television, VCA. Passionate in documentary storytelling, through still and moving imagery. Aubrey completed his undergraduate degree in Photography at RMIT University, Melbourne. Primarily focusing on documentary photography, Aubrey has exhibited his work both nationally and Internationally. Wanting to expand on his expertise in the documentary field, Aubrey gained admission to Victorian College of Arts, Masters of Film & Television(Documentary) program. During his time a VCA, Aubrey has crewed on numerous films, predominantly as a DOP. His own films have seen success with his first, A Pier into The World, receiving best first semester documentary and his second, Give a Dog a Bone screening at the Setting Sun Film Festival. Aubrey's most recent film, Restoration Island, screened at the Melbourne Documentary Film Festival, where it received a nomination for Best Short Documentary. Aubrey currently works for Deakin University, where he is helping produce 360 degree films for a new immersive teaching space, which is being developed at the Geelong Waurn Ponds campus. australian photography, local community

Aubrey Comben is a Filmmaker & Photographer based in Melbourne, Australia. Graduate of Photography at RMIT and Masters of Film & Television, VCA. Passionate in documentary storytelling, through still and moving imagery. Aubrey completed his undergraduate degree in Photography at RMIT University, Melbourne. Primarily focusing on documentary photography, Aubrey has exhibited his work both nationally and Internationally. Wanting to expand on his expertise in the documentary field, Aubrey gained admission to Victorian College of Arts, Masters of Film & Television(Documentary) program. During his time a VCA, Aubrey has crewed on numerous films, predominantly as a DOP. His own films have seen success with his first, A Pier into The World, receiving best first semester documentary and his second, Give a Dog a Bone screening at the Setting Sun Film Festival. Aubrey's most recent film, Restoration Island, screened at the Melbourne Documentary Film Festival, where it received a nomination for Best Short Documentary. Aubrey currently works for Deakin University, where he is helping produce 360 degree films for a new immersive teaching space, which is being developed at the Geelong Waurn Ponds campus. australian photography, local community

Aubrey Comben is a Filmmaker & Photographer based in Melbourne, Australia. Graduate of Photography at RMIT and Masters of Film & Television, VCA. Passionate in documentary storytelling, through still and moving imagery. Aubrey completed his undergraduate degree in Photography at RMIT University, Melbourne. Primarily focusing on documentary photography, Aubrey has exhibited his work both nationally and Internationally. Wanting to expand on his expertise in the documentary field, Aubrey gained admission to Victorian College of Arts, Masters of Film & Television(Documentary) program. During his time a VCA, Aubrey has crewed on numerous films, predominantly as a DOP. His own films have seen success with his first, A Pier into The World, receiving best first semester documentary and his second, Give a Dog a Bone screening at the Setting Sun Film Festival. Aubrey's most recent film, Restoration Island, screened at the Melbourne Documentary Film Festival, where it received a nomination for Best Short Documentary. Aubrey currently works for Deakin University, where he is helping produce 360 degree films for a new immersive teaching space, which is being developed at the Geelong Waurn Ponds campus. australian photography, local community

ill, p.52.non-fictionA pictorial history of the railways and tramways of western Tasmania including government and private, 3'6" gauge and smaller gauged tramways.railway operations - tasmania - history, railway construction - tasmania - history

A black and white photograph of an unknown young man that was taken at the Fruit Salad Farm in Marysville. The photograph was taken in 1954 during a stay at Roseleigh in 1954.A black and white photograph of an unknown young man that was taken at the Fruit Salad Farm in Marysville. The photograph was taken in 1954 during a stay at Roseleigh in 1954.FRUIT SALAD FARMmarysville, victoria, australia, roseleigh guest house, grieve family, thomas charles grieve, john arthur grieve, rose grieve, ackerman family, mary moyne, elise ackerman, ken mcleod, george peters, rose emily pullum, beltana, rose lillian smith, ivy may grieve, alexander james ficinus, raymond charles smith, accommodation, photograph, fruit salad farm

A black and white photograph of an unknown woman that was taken at the Fruit Salad Farm in Marysville. The photograph was taken in 1954 during a stay at Roseleigh in 1954.A black and white photograph of an unknown woman that was taken at the Fruit Salad Farm in Marysville. The photograph was taken in 1954 during a stay at Roseleigh in 1954.FRUIT SALAD FARMmarysville, victoria, australia, roseleigh guest house, grieve family, thomas charles grieve, john arthur grieve, rose grieve, ackerman family, mary moyne, elise ackerman, ken mcleod, george peters, rose emily pullum, beltana, rose lillian smith, ivy may grieve, alexander james ficinus, raymond charles smith, accommodation, photograph, fruit salad farm

Coloured photograph of Governor's visit to Schwerkolt Cottage showing William Orange (Box Hill Historical Society) Robert Chong, Mayor, Governor, John Landy and Cr. Chris Aubrey.landy, john., schwerkolt cottage, orange, william, chong, robert, aubrey, chris

Coloured photograph of Governor's visit to Schwerkolt Cottage showing Robert Choeng, Mayor, the Governor John Landy, Judith Fry, President, N.H.S. and Cr. Chris Aubrey approaching the Barn.landy, john, schwerkolt cottage, fry, judith, orange, william, chong, robert, aubrey, chris

This book was part of a large group of books referred to as the Pattison Collection, which belonged to the Warrnambool Public Library, part of the Warrnambool Mechanics’ Institute. About RALPH ERIC PATTISON and the ‘PATTISON COLLECTION’ The ‘Pattison Collection’ is a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art and valuable specimens in almost every branch and many wonderful national curiosities, are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the WMI was led to ask the City Council to take it over in 1911 due to a lack of financial support. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Public Library as it was then called. Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up a home in Warrnambool. In 1935 when Pattison accepted the position as City Librarian for the Warrnambool City Council his huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower areas of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. THE NEW WARRNAMBOOL LIBRARY When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. WARRNAMBOOL PUBLIC LIBRARY The Warrnambool Mechanics’ Institute (WMI) was formed by a voluntary community group in 1863, within six years of Warrnambool’s beginnings, and its Reading Room opened in 1854. The WMI operated until 1963, at which time it was one of the oldest Mechanics’ Institutes in Victoria. Mechanics’ Institutes offered important services to the public including libraries, reading rooms and places to display and store collections of all sorts such as curiosities and local historical relics. In 1886 a Museum and Fine Arts Gallery were added to the WMI and by the beginning of the 20th century, there was also a billiards room and a School of Art. By this time all Mechanics’ Institutes in country Victoria had museums attached. Over the years the Warrnambool Mechanics’ Institute Library was also known as the Warrnambool Public Library the Warrnambool Library and the Free Library. Early funding from the government was for the “Free Library”. The inscription in a book “Science of Man” was for the “Warrnambool Public Library”, donated by Joseph Archibald in 1899. Another inscription in the book “Catalogue of Plants Under Cultivation in the Melbourne Botanic Gardens 1 & 2, 1883” was presented to the “Warrnambool Library” and signed by the author W.R. Guilfoyle. In 1903 the Warrnambool Public Library decided to add a Juvenile Department to library and stock it with hundreds of books suitable for youth. In 1905 the Public Library committee decided to update the collection of books and added 100 new novels plus arrangements for the latest novels to be included as soon as they were available in Victoria. In July 1911 the Warrnambool Council took over the management of the Public Library, Art Gallery, Museum and Mechanics’ Institute and planned to double the size of the then-current building. In 1953, when Mr R. Pattison was Public Librarian, the Warrnambool Public Library’s senior section 10,000 of the 13,000 books were fiction. The children’s section offered an additional 3,400 books. The library had the equivalent of one book per head of population and served around 33 per cent of the reading population. The collection of books was made up of around 60 per cent reference and 40 per cent fiction. The library was lending 400 books per day. In 1963 the Warrnambool City Council allocated the site of the Mechanics’ Institute building, which included the Public Library, Museum and Art Gallery, for the new Municipal Offices and the Collections were dispersed until 1971. The Warrnambool Library took over the Mechanics’ Institute Library’s holdings on behalf of the Warrnambool City Council. Since the closure of the Warrnambool Mechanics’ Institute the exact location and composition of the original WMI books and items have become unclear. Other materials have been added to the collection, including items from Terang MI, Warrnambool Court House and Customs House. Many of the books have been identified as the Pattison Collection, named after the Librarian who catalogued and numbered the books during his time as Warrnambool Public Librarian in the time before the Mechanics’ Institute closed. It seems that when Warrnambool became part of the Corangamite Regional Library some of the books and materials went to its head office in Colac and then back to Warrnambool where they were stored at the Art Gallery for quite some time. Some then went to the Warrnambool Historical Society, some stayed at the Art Gallery and some were moved to Flagstaff Hill Maritime Village. The various stamps and labels on the books held at Flagstaff Hill show the variety of the collection’s distribution and origin. The books in the collection at Flagstaff Hill Maritime Village date from the 1850s to the late 1950s and include rare and valuable volumes. Many of the books are part of the “Pattison Collection” after the Warrnambool’s Public Librarian, Mr R. Pattison. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. The Rosebowl Author: Aubrey H. L. Gibson. Illustrated by R. Malcolm Warner Publisher: FW Cheshire Date: 1952 The label on the spine cover with typed text RH 910.4 GIB Front loose endpaper has a sticker from Warrnambool Public Library. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, the rosebowl, aubrey h. l. gibson., r. malcolm warner

These 11 x black and white photographs were taken at a farewell to the retiring RSM WO1 Aubrey Harvey on the 1st of March 1982 at the Fortuna Villa flag pole Army Survey Regiment, Bendigo. The RSM handover also occurred that day. These proof photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. 310963 WO1 Aubrey William Harvey served from Feb 1952 till Mar 1982, he was RSM Army Survey Regiment from 1976 -82. 54080 LTCOL Peter Eddy served from 1960-1983 and was CO Army Survey Regiment 1981-82. WO1 Robert (Bob) Mason succeeded WO1 Aub Harvey as RSM and served as RSM 1982-1986.These 11 black and white photographs were taken at a farewell to the retiring RSM WO1 Aubrey Harvey and the RSM Handover in 1982 at the Fortuna Villa flag pole, Army Survey Regiment, Bendigo. These proof photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 600 dpi. 400 dpi. .1) - Photo, black & white, 1982. L - R Unknown, LTCOL Peter Eddy (CO Army Survey Regiment) WO1 Aub Harvey, WO1 Bob Mason (incoming RSM) .2) to .7) - Photo, black & white, 1982. L - R LTCOL Peter Eddy (CO Army Survey Regiment) WO1 Aub Harvey .8) to .11)- Photo, black & white, 1982. L - R WO1 Bob Mason WO1 Aub HarveyOn Rear, " WO1 Harvey's farewell" . Date '01/03/1982' provided with photos in Photo Folder 26.royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

The play was adapted by Aubrey Mellor and directed by Bruce Myles.Paper program; coloured coverthree sisters, athenaeum theatre, program, melbourne theatre company, anton chekhov

This house is probably "Findon", Studley Park in Kew, belonging to Mrs Aubrey Bowen, widow of eye surgeon Thomas Aubrey Bowen (1837-1893). She welcomed large groups of seamen (up to 125) for Boxing Day at least on three consecutive years in 1906, 1907, 1908. Small monochrome photograph (faded) depicting outdoor gathering of seamen in front of a building with arches at one of the summer venues.findon, mrs aubrey bowen, thomas aubrey bowen, boxing day, kew, studley park

Clearance certificate - Allan Aubrey Williams, Master Mason, ceased to be a member of United Grand Lodge of Antient, Free and Accepted Masons of Victoria and is clear of all dues. Dated at North Carlton on 21 February, 1928.

Piece of material from khakhi trouser leg with hand written letter . Written by private Aubrey Neil on the Galipoli 23.07.1915. Sent to Miss N. Neil, Mullum Mullm Rd Ringwood, Victoria Australia . Double sided item