These magazines have been printed between January 1918 and April 1919 and are a collection of stories, poems and Aussie humour. The magazines have been printed in the field by the 'AIF Printing Section'.The magazines are the originals that were printed at the time 1918-1919 and they have been bound into a collection.A collection of magazines, paper pages, the colour of the pages is a buff colour. Most of the magazines are oblong in shape, three magazines are smaller than the others.AUSSIE the Australian Soldiers' Magazine has been 'Printed in the Field' The first issue appears to be January 1918 and the last issue is April 1919. On the inside cover of one page is the name Timms.magazines, poems & aussie humour, 1918-1919, printed in the field

An issue of 'Aussie. The Australian Soldiers' Magazine.' printed by the A.I.F. Printing Section for the soldiers and cost 10 centimes. This edition is Issue No. 6 August 1918. Comprised of stories, poems, drawings. Often of humorous nature. The whole of it's contents are written or drawn by members of the A.I.F. in the field. Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving Portsea in 1920.A record of publications made for the troops in World War 1.A copy of 'Aussie' a field newspaper x 16 pages, published for the troops in World War I.In pencil inside cover 'With Love, Basil 30.8.18'world war one, souvenir

An issue of 'Aussie. The Australian Soldiers' Magazine.' printed by the A.I.F. Printing Section for the soldiers and cost 10 centimes. This edition is Issue No. 13 April 1919. Comprised of stories, poems, drawings. Often of humorous nature. The whole of it's contents are written or drawn by members of the A.I.F. in the field. This was the final edition as Phillip Harris was being demobbed and he thanks the readers for their contributions. Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving in Portsea in 1920.A record of publications made for the troops in World War 1.A copy of 'Aussie' a field newspaper published for the troops in World War I.world war one, souvenir

2 x Aussie - The Australian Soldiers Magazine - June 1918 & April 1918 onwardsAUSSIEbook, aussie booklet, the australian soldiers magazine,

This book is a collection of magazines entitled Aussie - The Australian Soldier's Magazine Volumes 1 - 13 Dated January 1918 to April, 1919 Price 10 centimes and are a collection of stories, poems and Aussie humour. The magazines are the originals that were printed at the time 1918-1919 and they have been bound into a collection Book of cream coloured pages with two columns of writing with pictures. Book contains a collection of magazines Volumes 1 - 13Aussie aussie - the australian soldiers magazine, 1918, ww1

Magazine No 11 of 13 Printed in the field by the AIF Printing Section during WW1 Price 10 centimes Magazine of cream colour pages with sketch of soldier Top - No. 11 February 1919 Centre - Aussie aussie - the australian soldiers magazine, ww1, 1919

Magazine No 12 of 13 Printed in the field by the AIF Printing Section during WW1 Price 10 centimes Magazine of cream colour pages with sketch of soldier with rifle Top - No. 12 March 1919 Centre - Aussie aussie - the australian soldiers magazine, ww1, 1919

Magazine distributed to Troops during WW1.No.10 January 1919. "AUSSIE", The Australian Soldier's Magazine.magazine, ww1

Original copies - yarns & experiences of soldiers on active service. Printed in the field by the AIF Printing Section.Copies of Aussie Magazines 1918 - 1919 - 1920 produced by Phillip L Harris of The Australian War Museum 1920Percy E Cox 12th Battalion Tasmania (inside front cover)books - magazines, military history

The inside front cover and rear are interesting to show the type of humour at the time.“Aussie” the Soldiers magazine paper off white colour, rectangular shape, front has a soldier depiction with his head shaped like a map of Australia & 4 cartoons, all print in black 18 pages of cartoons, depictions, short stories, poetry, slinging of at the system and articles“No 2 February 16, 1918”magazines, aussie

Alexander Butters enlisted on 12 November 1914 as a gunner. He was awarded a Meritorious Service medal for his "determination and courage .....setting a splendid example to his men..." on the SOMME. 'Aussie' (1918- circa 1929) was a commercial magazine of opinion, review and entertainment. It was edited by Phillip Harris and published in France 1918 - 1919 on a small printing press that Harris brought with him to France. Initially the print run was only 10,000 copies, but soon it reached 60,000 and later 100,000. The magazine celebrated a distinctive 'Aussie' identity through language, humour and imagery. It distributed news, provided light-hearted ways of seeing the war experience and gave soldiers an outlet to express dissent or dissatisfaction. It also provided a voice for Australian authors such as Banjo Paterson, C.J. Dennis and Bernard O'Dowd. (Ref Museum Victoria)This magazine provides an Australian soldiers' view of the political and world climate during World War I, and also represents the bond between Australian soldiers. The magazine celebrated a distinctive ?Aussie? identity, through language, humour and their assertion of what it meant to be an Australian. It allowed news to be distributed, gave the soldiers an outlet to express any dissent or dissatisfaction, thus preventing any greater form of rebellion and promoted Australian authors like Banjo Paterson, C.J. Dennis and Bernard O'Dowd. (Ref. Museum Victoria)A thin black and white paper magazine called "Aussie". This is Volume 3. The magazine contains stories, illustrations, songs and poetry from the First World War. On the front cover the title is printed across the centre, with a drawing of a soldier in uniform standing sideways, and holding a gun. Four drawings within circles are positioned in each corner, joined by a wreath and ribbons bearing the names of the war fields. His head is in the shape of the map of Australia. On front cover - From Alexandy Butters with best wishesmagazine ww1 aussie military

Diggers & Mining: The Diggers. Slide of ANZAC BULLETIN, London August 7, 1916 (on left of slide). Ride side of slide is the back cover of a Bulletin dated April 4, 1918 with artwork on it, main section has a soldier with the word Aussie across it, the head of the soldier is the map of Australia the wording 'The Australian Soldiers' Magazine' along side the soldier. Markings by hand: This may ease a smile be\fore the bell goes at quarter to one SCR. Dated April 4, 1918. Markings: VISAR COPYRIGHT SET - THE DIGGERS, 13. Used as a teaching aid.Visaireducation, tertiary, war

After the war, Phillip Harris produced a monthly in Sydney and renamed it 'Aussie: the Cheerful Monthly' from 1920. It built a sizeable circulation and for several years it published the major Australian writers and cartoonists of the day. It set out to sustain the digger culture and defend the rights of the veterans, while also embracing the re-adjustment of returned soldiers into civilian life. Magazine of cream colour pages containing stories and sketches No. 14 Aussie, April 15 1920 aussie:the cheerful monthly, magazine, 1920

"Fruits of Your Handiwork" from the 'Woman's Needlework Feature" magazine article 26 July 1937 designed by Dorothy Ellsmore Paul.Dorothy Ellsmore Paul (née Dorothy May Ellsmore; 3 February 1902 – July 1973)[1] was an Australian artist and cartoonist. Paul was born Dorothy May Ellsmore in 1902 in Hertfordshire, England. She trained as an artist at Portsmouth Technical College. She left for Australia at just nineteen years old, arriving in Sydney on 18 March 1921. Once in Sydney she trained under Julian Ashton. She had ambitions of becoming a sculptor though this never eventuated. She was first published in The Sun with the cartoon We Do Believe in Fairies in their Sunbeams section. By 1924 she was drawing cartoons for the soldiers' magazine Aussie alongside fellow female cartoonists Mahdi McCrae, Betty and Esther Paterson, and Lillian Pedersen. The same year she exhibited her work in a black and white show at Anthony Hordern and Sons' Fine Art Gallery with such artists as Norman Lindsay, Percy Leason, and David Low. In 1926 she was illustrating short stories for The Australian Women's Mirror and the Sydney Mail. Her illustrations also featured in The Bulletin. In 1929 she edited a book The Etched Work of Sydney Long which included a sketch of hers of the artist. They were both associated with the Australian Painters-Etchers Society. Paul wrote the introduction for the Society's publication The Charm of the Etching. From 1931 to 1934 Paul wrote a feature section for The Australian Women's Mirror. She started with the technique for linocuts and also wrote on pattern printing, embroidery, crafting cuddle toys, making evening gloves, and even a frog pyjama case for children. These crafts and designs were featured in The Sun and The Mercury. She wrote and illustrated the stories Portrait of a Dark Girl and In Search of a Grandmother. She married fellow artist Oswald "Mick" Paul in 1925, son of artist and social reformer Emily Letitia Paul. His portrait of her was a finalist for the 1929 Archibald Prize. Paul has works in the collections of the National Library of Australia, the National Gallery of Australia, the State Library of New South Wales, and a bookplate of Sydney Long in the National Library of New Zealand. https://en.wikipedia.org/wiki/Dorothy_Ellsmore_Paul Stamped linen design with oranges and baskets. Partly embroidered.Pure Linen stamp.

"Fruits of Your Handiwork" from the 'Woman's Needlework Feature" magazine article 26 July 1937 designed by Dorothy Ellsmore Paul.Dorothy Ellsmore Paul (née Dorothy May Ellsmore; 3 February 1902 – July 1973)[1] was an Australian artist and cartoonist. Paul was born Dorothy May Ellsmore in 1902 in Hertfordshire, England. She trained as an artist at Portsmouth Technical College. She left for Australia at just nineteen years old, arriving in Sydney on 18 March 1921. Once in Sydney she trained under Julian Ashton. She had ambitions of becoming a sculptor though this never eventuated. She was first published in The Sun with the cartoon We Do Believe in Fairies in their Sunbeams section. By 1924 she was drawing cartoons for the soldiers' magazine Aussie alongside fellow female cartoonists Mahdi McCrae, Betty and Esther Paterson, and Lillian Pedersen. The same year she exhibited her work in a black and white show at Anthony Hordern and Sons' Fine Art Gallery with such artists as Norman Lindsay, Percy Leason, and David Low. In 1926 she was illustrating short stories for The Australian Women's Mirror and the Sydney Mail. Her illustrations also featured in The Bulletin. In 1929 she edited a book The Etched Work of Sydney Long which included a sketch of hers of the artist. They were both associated with the Australian Painters-Etchers Society. Paul wrote the introduction for the Society's publication The Charm of the Etching. From 1931 to 1934 Paul wrote a feature section for The Australian Women's Mirror. She started with the technique for linocuts and also wrote on pattern printing, embroidery, crafting cuddle toys, making evening gloves, and even a frog pyjama case for children. These crafts and designs were featured in The Sun and The Mercury. She wrote and illustrated the stories Portrait of a Dark Girl and In Search of a Grandmother. She married fellow artist Oswald "Mick" Paul in 1925, son of artist and social reformer Emily Letitia Paul. His portrait of her was a finalist for the 1929 Archibald Prize. Paul has works in the collections of the National Library of Australia, the National Gallery of Australia, the State Library of New South Wales, and a bookplate of Sydney Long in the National Library of New Zealand. https://en.wikipedia.org/wiki/Dorothy_Ellsmore_Paul "Fruits of Your Handiwork" from the 'Woman's Needlework Feature" magazine article 26 July 1937 designed by Dorothy Ellsmore Paul. Stamped linen design with oranges and baskets included.