Printed booklet for the Australia Day Luncheon at the Melbourne Town Hall, Friday January 25th 1980. Includes program of events, menu and a list of Australians of the year from 1960.Booklet for the Australia Day Luncheon held on Friday January 25th, 1980 at the Melbourne Town Hall.australia day, australia day luncheon, australia day council, herbert j. elliott, ita buttrose, lindsay thompson

Item in the collection relating to C.J.C. McQuie MM, refer Cat No 9680P for his service details. The March as per cover was held on 25th April 1919 in London. The program gives full details of the days events which include 5,000 troops from the 5 Australian Diviisions, Light Horse Division, Artilley, 18 PDR Battery all led by the General Officers of the Divisions on Horse back. The route taken over 12 streets, at Mansion House the Lord Mayor will take the Salute, the Prince of Wales to take a Salute at Australia House, secretary for War Winston Churchill and members of the Army Council, Australian Airmen will fly over in 14 Aircraft. After a luncheon in the Egyptian Hall for 350 of the men plus distinguished guests, evening will be a reception at Australia House for 1,500 guests held by the Riight Honorable Andrew and Mrs Fisher.Program, paper folded, front cover in all blue print, inside is all black print, rear page is clear.program, anzac, 1919, mcquie

Photograph. Two coloured photographs of 1987, Australia Day event held by Bendigo Branch of the RHSV held in the garden of Dudley House - barbecue and Buffet Luncheon, Tree planting. Photos mounted on brown foolscap card. Two photos missing.photograph, person, australia day event 1987

Document. Invitation from Bendigo Historical Society to the Amy Huxtable Memorial Luncheon and Australia Day Celebration 26.1.1992. at Dudley House.document, memo, invitation.

Birth Certificate Thomas Hoole 23 July 1927|2 Photograph copies no details|Envelope 22 April 1961|Letter to Thomas Hoole from Industrial Service Engineers 20 April 1961|Certificate City and Guilds of London Institute passed Final Examination in Patternmaking 5 February 1959|Award entitlements for New Employees Massey Ferguson Australia Limited commenced 18 April 1961 Awards Hours of work Pay Day Parcels Safety First Injuries Sick Leave Tax Deductions Tools Smoking Cut Luncheon Service Parking Facilities Change of Address|Indenture of Apprenticeship 28 August 1945 between Industrial Service Engineers Pty Ltd 212 Whitehall Street Footscray|Envelope 39 Rosamond Road North Footscray|Drivers Licence 20 January 1957|Preston Motors Registration GRZ165|Letter from Industrial Engineering Ltd 23 January 1959 Thomas Hoole passed examinatons|Certificate Junior Technical December 1943|Merit Certificate 12 November 1943|Reference from Dr FJ Menadue 9 October 1943|Extract of Entry Birth Certificate 5 October 1943|Date List|Certificate for Training within Industry Job Safety Course for Supervisors and Foremen 24 November 1967|Invitation by the Managing Director of Massey Ferguson Mr HP Weber inviting Mr T Hoole attend the opening of The new Foundry at Sunshine 16 November 1967 and a letter detailing the opening|Menu from Hotel Federal Melbourne signed|Massey Feguson Records questionnaire 15 March 1976|Yarraville Tennis Club Life Membership 18 July 1971|Certificate of Registration of Trailer 6 March 1969 $3.50 per annum|Certificate of Massey Ferguson Training within Industry Program 1967 Job Relations Job Instruction Job Methods Job Safety|Mrs Joan Hoole Proposal for life Membership Sunshine Golf Club 1971|Pamphlet Matthew Robert Hoole 13 March 1998|Funeral Pamphlet Joan Hoole 12 December 1933 to 22 May 2015|Newspaper article 12 May 2005 Elderly man killed wife hurt in single car crash|Notes provided by daughterthomas "tom" hoole

This photo appeared in The Answer Dec 1997, the article said: "We were honoured to have his Excellency The Honourable Sir James Gobbo AC, was "guest speaker at Legacy House on Ladies Day at the Legatees Tuesday Luncheon on 2nd September 1997 during Legacy week. He spoke on "Volunteering in Modern Australia". His Excellency and Lady Gobbo also paid a visit to the 2nd floor widows' clubrooms and spoke with some of our widows who were taking part in the activities there." The photo shows ladies around tables with cups of tea, being introduced to the Lady Gobbo. Names unknown. It was with a bunch of other photos with the label, "Misc guests of the club . . Governor - 95".A record of a social function for widows and the close relationship with the Governor of Victoria.Colour photo of Lady Gobbo visiting the 2nd floor widows' clubrooms.Printing on the back "widows, governor of victoria

1951 was a year of celebration in Victoria. 9th May 1951 marked the 50th anniversary of the opening of the Australian Federal Parliament in 1901, which at that time met in Melbourne, Victoria. 13th November marked the Centenary of the opening of the first Victorian Parliament. Cities and towns held activities and celebrations to recognise the occasion. A "Back to Wodonga" was held from Friday 9th to Saturday 7th November 1951. Friday: Children’s Sport and Children’s Concert. Saturday: Welcome to Visitors, Official Luncheon, Gymkhana, Official Opening and Barbecue. Sunday: Church services, various denominations. Monday: Ladies’ Day (Bowls, Tennis, Croquet etc.) Afternoon Garden Parties, Boxing Tournament. Tuesday: Procession, Basket Lunch, Apex Sports Carnival, 50-50 Dance. Wednesday: Tour of district and visit to factories. Re-unions of various organisations. Thursday: All-day Street Fair and Carnival. Friday: Back to School (Higher Elementary School), Wodonga Hospital Ball. Saturday: Bonegilla Race Club meeting, Competition Sports, (Cricket, Bowls, Tennis, etc.) Farewell Parties by various organisations.This Badge is significant because it is a memento of an important community celebration in Wodonga.A small enamel badge featuring both the blue and red Australian ensigns in the centre on a white background surrounded by blue text.Around the edge; BACK TO WODONGA CELEBRATIONS 1951back to wodonga 1951, opening victorian parliament, australian federal parliament opening

The Answer is a newsletter in magazine format that is sent to the widows that are helped by Melbourne Legacy. For the widows who are sight impaired a copy of the newsletter is audio described onto CD by Vision Australia and posted to them. It contains information about meetings and activities. This edition contains an article on the preparations for the 100th anniversary with Ken Tsirigotis going to Europe. Also the Brisbane Ranges youth camp, the Disability Rec Day, and the Widows' Remembrance Day high tea and the Torch Society Luncheon. Also photos of our programs such as the walking group, the stamp ladies, and widows club gatherings.A record that Melbourne Legacy helps coordinate and organise events and activities for the widows, and provides items of interest for their enjoyment.Compact disc x 2 in a case that contains the audio recording of The Answer from Dec 2022/ Jan 2023.activities, answer, widows

The Australian Secondary Schools Snowsports Team Championship (ASSSTC) began in 1967 and has run every year since. The Championship originated from an idea instigated by Tom Mitchell, an Australian Winter Olympian, Member of the Victorian Parliament and pioneer of Australian skiing. The competition gives participants a unique opportunity to perform in a team environment where skills in the various disciplines of alpine, cross country and snowboard are required. This championship is unique as there are no individual winners, but each participant contributes points to the team result. The maximum size of any team is 16, made up of alpine skiers, cross country skiers and snowboarders. To score the most points, the majority of team members need to compete in at least two disciplines, with only a handful being able to specialise in any one discipline. The disciplines include Grand Slalom, Ski-X, Snowboard-X and Cross-Country Classic technique and the Freestyle Relay events. Students needing to compete in their non-preferred discipline means that the pressure is off competitors to enter only if they are highly talented. The event is usually a four day carnival that welcomes Professional Race Training with Falls Creek Ski School Trainers on the Tuesday, Skier Cross and Boarder Cross events on Wednesday, Giant Slalom Events for Skiers and Snowboarders on the Thursday and Cross Country events held on the Friday. The carnival concludes on the Friday, with a luncheon and presentations.This vest is significant because it represents an important School Skiing Competition which fosters and supports the development of skiing and snowboarding in Australia.A sleeveless navy blue vest with silk textile lining. The vest has two zip pockets and a front zip closure. Cloth badges representing A.S.S.S.S.T.C championships have been hand-stitched on to the front of the vest in a vertical row. A badge representing the maker is at the lower left hem.A.S.S.S.S.T.C badges for 1979, 1980 and 1981.australian secondary schools snowsports team championship, school skiing competitions

Published: The Age, Sat 14 October 1933 Published title: A Royal Portrait Published caption: "Seen at his studio, Alphington, Mr. W. B. Mclnnes's portrait of the Duke of York, which he painted recently on commission from the trustees of the Castlemaine Gallery, at St. John’s Wood, London, impresses as a vital record of one whose natural habitat is a palace, and whose place in life is one of near relationship to the throne of England. The Duke is painted in the uniform of the admiral of the fleet, a highly ornate vesture entailing much elaboration of gold and numerous medals, in dealing with which the artist has not failed to centre his attention on the head, and has succeeded in producing what is undoubtedly a soundly painted portrait and a good likeness. During the five fittings Mr. Mclnnes, apart from the ordinary social amenities, found his Royal sitter little inclined to talk, though he spoke feelingly of his trip to Australia and the pleasure it had given him: but with the Duchess the tendency to be sociable was much more clearly pronounced. She took, and expressed, a keen interest in the social and political matters of the day with a special concern for the supremacy of England and Australia in all questions relating to sport, such as cricket, tennis and golf. She spoke well of her portrait painted by Quinn, and regretted that she would not see the two hung side by side at the Castlemaine Gallery." Description: An unframed painting of a standing, middle-aged man dressed in the uniform of a Royal Navy admiral of the Fleet with medals, sash, ornate belt, cuffs and epaulettes. His left hand rests on the handle of a sword in its scabbard and his bicorn hat and white gloves are on a table beside him. To his right is a globe of the world showing Australia. Research by project volunteer, Fiona Collyer: In 1933, Castlemaine Art Gallery trustees commissioned artist W.B. McInnes (1889-1939) to paint a portrait of Prince Albert, Duke of York as a companion piece to the portrait of his wife, the Duchess of York, that the gallery had commissioned Australian official war artist James Quinn (1869-1951) to paint in 1930. During the First World War, the Duchess’s childhood home, Glamis Castle in Scotland was used as a makeshift military hospital and convalescence home for wounded soldiers. Many servicemen from the Castlemaine area recuperated there and had fond memories of the kindness of the teenage Lady Elizabeth Bowes-Lyon (1900-2002, later Duchess of York) who spent the war years running errands and aiding in the welfare and morale of the patients. In 1927, the Duke and Duchess of York (later King George VI and Queen Elizabeth) came to Australia to formally open the newly built Parliament House in Canberra and to tour the country. While visiting Victoria in April, they embarked on a whistle-stop train journey to Bendigo, stopping at Kyneton for ten minutes and Castlemaine for 15 minutes. At Kyneton, an excited crowd of 10,000 people welcomed the couple with “three cheers and three cheers for Baby Betty” before the Duchess was presented with a bouquet of locally grown roses and the Duke a bound album of photographs of noted beauty spots of the district. Next the Royal Couple stopped at Castlemaine to the cheers of 15,000 people. There the couple were presented with a basket of prime quality Harcourt apples and a pair of cot blankets, manufactured at Castlemaine Woollen Mills, a birthday gift for baby Princess Betty. The Duchess recognised Colonel W.E. James, of the Seventh Battalion, who had convalesced at Glamis Castle in 1917, and they chatted before the train departed, while the Duke shook hands with returned soldiers. Last stop was the town of Bendigo which was colourfully decorated with bunting and flags, arches and flowers. 3000 pigeons were released on their arrival and the liberated birds circled overhead for several minutes as if to welcome the Royal Couple. A crowd of 50,000 cheering people lined the streets in bright sunshine as the couple drove by. From an arch over Hargreaves Street, pretty girls showered the pair with rose petals. The Duke was presented with a gold nugget and an album, handsomely bound in morocco, of a history of the Bendigo mining industry, while the Duchess received a bouquet of prize winning white chrysanthemums. After 75 minutes in Bendigo they journeyed back to Melbourne for a State reception. While the couple were in Melbourne, the Duke often played lawn tennis at the Government House courts with three times Grand Slam champion Norman Brookes, who declared that while he considered the Duke a second class player whose serve lacked sting, he had a fine backhand and with time and practice he could become a first class player. The federal Parliament had previously been situated in Melbourne, but Canberra was chosen as the location for Australia’s capital as a compromise between fierce rival states, Victoria and NSW. It is written in the Constitution that the federal capital would be in “the State of NSW... distant not less than one hundred miles from Sydney.” The word Canberra is thought to derive from the local Ngunnawal word “Kanbarra” meaning “meeting place”. The Provisional Parliament House was a large, white, three storey building facetiously dubbed “The Wedding Cake”, plonked down in a bare, former sheep paddock. It was decorated for the event with Union Jacks and Australian red ensign flags. On 9 May, the day of the opening, the expectant crowd assembled in front of the building. Only two of the spectators were Aboriginal. One was Jimmy Clements (1847-1927, aka Nangar or Yangar, but popularly known as “King Billy”), accompanied by his three dogs. (The title “King” or “Queen” was often given by white settlers to Aborigines who were seen as allies and could maintain good relations between First Nations groups and the colonists. Some were given inscribed brass breastplates or gorgets to wear.) Jimmy was an excellent horse breaker and expert tracker for the police. He was also the nephew of “Queen” Nellie Hamilton (1842-1897) of the Canberra-Queanbeyan region, home of the Ngambri and Ngunnawal people. Nellie was the oldest surviving full-blooded Aboriginal woman in the district. The other was George John Noble (1840s-1928, aka Ooloogan, also “Marvellous” due to his regular use of the word). Both were initiated Wiradjuri walamira elders: “clever men” believed to have the ability to heal physical and spiritual ailments. They were also travelling showmen, skilled at boomerang and spear throwing and often performed at country agricultural shows and football matches. They had walked barefoot for three days from the Brungle Mission, near Gundagai. 11 May 1927, The Argus reported that “King Billy... claims sovereign rights to the Federal Territory” which the National Archives of Australia describes as “possibly the first recorded instance of Aboriginal protest at Parliament House in Canberra.” 10 May 1927, The Argus reported on Jimmy Clements: “During the wait great interest was taken in the appearance near the east stand of an aborigine, a member of the Gundagai tribe, and a well known character in the district. He was very old and grey and ruggedly picturesque. He was determined to go his own way in spite of the arguments of two inspectors and one sergeant of police. Immediately and instinctively the crowd in the stands rallied to his side. There were choruses of advice and encouragement for him to do as he pleased. A well-known clergyman stood up and called out that the aborigine had a better right than any man present to a place on the steps of the House of Parliament and in the Senate during the ceremony. The old man’s persistence and the sympathy of the crowd won him an excellent position and also a shower of small change that must have amounted to 30/ or 40/ [shillings].” At 10.30 am, Australia’s eighth Prime Minister, Mr Stanley Bruce (1923-1929) welcomed the Royal couple onto the crimson carpeted portico. Unfortunately, Dame Nellie Melba’s rendition of “God Save the King” and the greater part of the Duke’s reply was drowned out by the roar of squadrons of aeroplanes circling overhead. A brief religious service followed, conducted by leaders of the Methodist, Presbyterian and Anglican churches. Interestingly, there was no Roman Catholic representation at the ceremony even though around one quarter of Australians were Catholic at the time. The Duke unlocked the front doors with a golden key, then unveiled a statue of his father King George V by sculptor Sir Bertram Mackennal in the King’s Hall. Then the official party, Senators, members of the House of Representatives and invited guests entered the Senate chamber where the Duke read a message from the King, establishing Canberra as the seat of the Federal Government, watched on by Australia’s elite. The conclusion of the ceremony was announced by a gay fanfare of trumpets from the entrance of Parliament House and a 21 gun salute and answered by cheers from the crowd. The dignitaries then feasted on a luncheon of turtle soup, poached schnapper, fillets of beef, roast chicken and ham, straw potatoes, green peas, Canberra Pudding (a pudding made with dripping, dried fruit and jam), fruit, ices, coffee and cheese. They toasted the King with non-alcoholic fruit punch as the Federal Capital Territory (later ACT) was a “dry” area and no speeches were made. The diary entry that day of Ethel Baird, Lady Stonehaven, the wife of the Governor-General, is brief and to the point: “To P.H. & waited for Yorks. Ceremony went off without a hitch. Ghastly Banquet Lunch.” Later that day, the Duke mounted a coal black mare, police horse Number 303 which had been hastily re-named “Black Bess” for the occasion, to receive the final salute from the assembled troops and returned soldiers dressed in mufti. The RAAF squadron were flying overhead in “V” formations when suddenly, one of the planes, piloted by Flying Officer Francis Charles Ewen, left the formation, nose-diving 900 metres from Parliament House and landing behind the Y.W.C.A. refreshment marquee. Francis, aged only 28, tragically died of his wounds later that day. The Federal Capital Commission contracted Sargent’s Pies of Sydney to supply 5000 meals for the event. They supplied pies, sausage rolls, scones and sandwiches with the agreed price of 3 shillings a head. Only 1200 meals were served and the uneaten remainder dumped, with the Commission bearing the cost of the unsold food. An estimated crowd of 20,000 attended the opening, far fewer than the expected 100,000. Many visitors travelled long distances, bringing their own hampers of food and camping in tents as there was very limited accommodation available. Thousands of people around Australia listened to the ceremony broadcast on the wireless, with receiving sets installed in schools, public halls and workplaces and it was also filmed for posterity. The next morning, the Royal couple, along with Prime Minister Bruce and Mrs Bruce held an informal public reception on the steps of Parliament House where early settlers, residents and visitors to Canberra filed past them. The Press widely reported Jimmy Clements’ encounter with the Duke and Duchess. The Sun-Pictorial reported 11 May 1927: "MET THE DUKE. ABORIGINE KING HE APPROVED Sugarbag: Sports Suit. John Clements, otherwise King Billy, a full blooded aborigine king, aged 86, was among the 2000 who filed past the Duke and the Duchess at the public reception at Canberra to day. “How you likem Duke and Duchess Billy?” he was asked afterwards. “I think they are both very nice.” he replied in good English. King Billy was a very bedraggled figure, with tangled locks and a beard which almost hid his wrinkled and black face. He wore an old sports suit and carried a sugarbag. Passing the Duke and Duchess he turned full towards them. The crowd cheered, and the Duke and Duchess smiled. The Duke was particularly amused.” The Canberra Times reported 13 May 1927: "A REAL AUSTRALIAN. A quaint but pathetic figure stood in broad relief in the queue of ranks at the reception. Where his dusky forbears have gathered in native ceremonial for centuries past, a lone representative of a fast vanishing race saluted visiting Royalty. Despite the grotesque garb and untamed mane the aborigine comported himself not without dignity. With his three faithful dogs, he made an immediate target for a battery of cameras.” "The Argus reported 11 May 1927: "...an ancient aborigine who calls himself King Billy and who claims sovereign rights to the federal Territory walked slowly forward alone and saluted the Duke and Duchess. They cheerily acknowledged his greeting. The old aborigine, with his long, matted beard and nondescript clothing, is a popular identity of Canberra, and must be one of the most extraordinary figures who has received a Royal salute.” The Sun (Sydney) reported 10 May 1927: “Suddenly, in the midst of the forest of green and white colored hats of women, appeared a head with a shaggy leonine mane and a patriarchal beard. Jacky, the aboriginal, an identity of the district, who is also known as the King of Canberra, had arrived to testify to his loyalty. He saluted the Duke with an excellent dash, and shambled past with his faithful sheep dog aide-de-camp at his heels. The Duke and Duchess were highly amused at this quaint figure moving along with a sort of bodyguard of shrieking young boys and girls.” The Sydney Morning Herald 11 May 1927 mistook Jimmy for his friend “Marvellous”: “...the appearance of an aged aboriginal widely known in the district as “Marvellous, the uncrowned king of Queanbeyan." His beaming black countenance was almost hidden beneath a shock of hair and beard. Bare-footed and carrying a sugar bag in one hand and a tiny Australian flag in the other, he at first mistook a policeman at the foot of the steps for the Duke. To his great embarrassment and to the vast amusement of the onlookers, the policeman became the object of a hearty salutation. However, "Marvellous" was quickly shepherded back to a position in the procession and as he passed along brought his hand up to an approved military salute for the benefit of their Royal Highnesses. The Duke returned it with a special wave.” The Labor Daily 11 May 1927 irreverently reported on the scene: "People March Past. Some 400 people, old identities of Canberra marched past. They were mostly aged ladies with memories faithfully preserving the traditions of other days and curtsied reverently. The younger generations, who speedily joined the procession, behaved differently however. Surely it was the most motley collection that ever passed before Royalty. Men without collars jostled others well dressed. Fat women, young women, children of all heights and ages were there. The oldest inhabitants, in the persons of the abo, "Marbly", and his companion were present. The poor old fellows evidently were keen to get closer to the Duke than the procession dared go, but they were overawed by the stern glances of military men.” The Canberra Times reported 13 May 1927: "...and towards the end of the procession, a full-blooded aboriginal, bareheaded and barefooted, and carrying an old swag on his back, made a picturesque figure as he several times saluted the Royal couple, his old eyes beaming inexpressible delight.” The Register reported 11 May 1927: "PUBLIC MARCH PAST. Old “Jacky”, an aboriginal identity of the district, who has been following the proceedings of the various ceremonies with apparently great interest, appeared in the march past. He halted in front of the steps and raised his hand to his shaggy grey locks in an attempt at a salute. Smiling, the Duke returned the salute, and the Duchess bestowed a charming smile on the figure of mingled pathos and comedy.” Tweed Daily reported 12 May 1927: “King Billy” WAS THERE. Appropriately enough, the inevitable “King Billy” with his refreshing impression of possum and gum-leaves, was present at the dedication of the Federal capital at Canberra. Bare-footed, in a dingy old suit and battered felt hat, he wandered on to the empty stand after the illustrious assemblage had passed into Parliament House. A desolate figure in all that he stood for, he proved, an amiable representative of the dispossessed race. He cheerfully waved a Union Jack for the camera man, and grinned into the very eye of a movie man’s camera without flinching.” Footage of Jimmy filmed that day features in the film “The Birth Of White Australia” produced in 1928 and shows him enthusiastically waving a small Union Jack flag in front of Parliament House with his three dogs at his feet. The caption reads " "King Billy" calls for cheers for the son of the great white King across the seas. “Mine tinkit that pfellers father budgeree King liket me” supposedly says Jimmy." Jimmy told the Daily Telegraph, 13 May 1927 “I have opened your Parliament House on my own ground, now you can go and look at it." Jimmy died on 28 August 1927, aged 80. The Herald newspaper on 30 August 1927, published an illustration depicting Jimmy’s dog standing on his grave, his customary chimney pot hat leaning on his headstone. The caption reads: “The Dead King — His Only Mourner. Drawn by Will Dyson (King Billy, last of the Canberra aborigines, lived just long enough to see the Duke of York open Australia’s capital on the site where his tribe once roamed. He died in the Queanbeyan Hospital yesterday morning.)” A letter published in the Sydney Morning Herald, 19 September 1927 reported: "Old King Billy... Sir, ...I would like to mention... the passing away of one, if not the last remaining aboriginal chieftains. He may be called “Old King Billy,” and his death occurred here in Queanbeyan a few weeks ago. The removal of this well-known black has left another big gap in all that remains distinctively Australian in character. He was one of the last remaining tribe of the Monaro district, and one of the most predominant personalities throughout the Commonwealth. ...he had lived through 80 years all told. He was on many occasions sought by artists for his splendid physique and personality as a model, and many a journey he has had to make to Sydney on that account. A more striking and pronounced type could not be found. ...A very fine cast in lifelike form is to be seen in the Australian Museum, Sydney ...his last important appearance in public was at the Commonwealth celebrations at Canberra, to which territory he partly belonged. ...we have no aborigine statue chiselled to the memory of their race, a more fitting and lasting memorial could not be undertaken than to have one modelled from this fine figure and erected to the memory of his race at Canberra... It would be a fitting adornment if planted with the Australian gumtrees for any avenue or garden. [King Billy] ...a very intelligent fellow, responding readily to kindness and common sense. Hoping yet to see a befitting testimonial and a lasting memorial to a race that is rapidly and I may say, unfortunately, disappearing, I am etc., SYDNEY R.OAKLEY, Queanbeyan." The “lifelike form” referred to by the correspondent was a sculpture that Jimmy Clements had posed for: “The Wunderlich Aboriginal Group” for The Australian Museum in Sydney. In 1925, Mr Ernest Wunderlich, director of Wunderlich Limited, manufacturer of building materials and President of the Board of Trustees at The Australian Museum, commissioned renowned sculptor George Rayner Hoff (sculptor of the Anzac Memorial in Hyde Park, Sydney, National War Memorial in Adelaide, and “Lion” the original Holden Motor Company car emblem) to sculpt a life sized Aboriginal family group diorama as a gift to the Museum. There was much concern at this time that the Aboriginal population and especially the “full blooded” were fading into oblivion so fast that they may soon become extinct. Three “full blooded” Aborigines were chosen for models. An article in The Australian Museum magazine, July/September 1926 about The Wunderlich Aboriginal Group explained “...it will not be many years before the aborigine, in New South Wales and Victoria at least, will be an entity of the past. Every year sees a shrinkage in their number, and the coastal tribes that once roamed the Sydney district are, unfortunately, no longer with us. ...the man, who is hurling a boomerang, is Yangar, or “Jimmy Clements,” son of Gayan-Bleuet-Galoom, the late “King of Orange,” western New South Wales. “Jimmy” is an old man, but well preserved. He has a very retentive memory and recollects the various tribal customs and initiation ceremonies, but regarding these he is extremely reticent and will not communicate his “honoured secrets.” The female figure is “Nellie Walker,” a daughter of Geri-Bungel, and a native of Bombala, Monaro district, southern New South Wales. The boy is Harold Marsh, aged nine years, who was born at Kinchela, Macleay River, northern New South Wales. He is now living at the Brewarrina settlement... In the selection of aborigines great care had to be taken to ensure that the individuals were pure bloods, and to the Aborigines’ Protection Board and the Police Department of this State thanks are due for the valuable assistance rendered by them.” Ngarigo woman, Nellie Bungil Walker (1867-1932) had five children, two died as babies and her remaining children were taken from her. She worked as a domestic and was living at La Perouse Aboriginal Community, Sydney at the time of her sculpture’s creation. In the years after the sculpture was made, Nellie and Rayner remained friends. Yaegl boy Harold “Harry” Marsh was from the Kinchela Aboriginal Training Home for boys near Kempsey, (1924-1970), an agricultural training institution under the jurisdiction of the Aboriginal Protection Board to house Aboriginal boys forcibly removed from their families “in the interest of the moral or physical welfare” of the boys. The boys at Kinchela were aged 5-15 years old and referred to as numbers, not names and any connection to Aboriginal culture or language was forbidden. Brutal and cruel physical punishment and sexual assaults were rampant. Survivors recall being flogged and chained naked to a huge Morton Bay fig tree overnight or “sent down the line” where every boy was ordered to punch the “wrong doer” as hard as possible for fear that they would be next. The Kinchela children are acknowledged as part of the Stolen Generation. In 1925, Rayner Hoff created a terracotta bust “Harry Marsh” which is in the collection of the Art Gallery of New South Wales. The figures of the trio were modelled in clay before being cast in plaster and hand-coloured by Museum artist Miss Ethel A. King. The finished figures were completed with wigs and fur pelts and with Jimmy hurling a boomerang and Nellie holding a dilly-bag. They were placed in a glass cabinet in the Australian Ethnology Gallery. The subjects were not named. The Sydney Morning Herald 1 July 1926 critiqued the sculptures. "A GROUP OF STATUARY. MUSEUM’S ACQUISITION. Artistically the group is very fine, for the sculptor has caught his subjects in attitudes that reveal all the stalwart athletic lines of their bodies... The man, who is depicted as about 60 years of age, is bearded, immense, and savagely primitive-is throwing a boomerang, and beside him a boy, aged about 11 years is following beneath a shading hand, the flight of birds at which the hunter aims. Behind them, patient, obedient, stand(s) the woman waiting with her dilly bag to gather the spoils.” In 1996, Nellie’s daughter, Victoria Kempsey née Walker, happened to visit The Australian Museum and saw the sculpture of her mother, displayed semi-naked in a glass cabinet, alongside glass cabinets of taxidermied animals. She had last seen her mother 62 years previously when Nellie was dying from tuberculosis. Greatly distressed, Victoria wrote to the Museum requesting that they remove the sculpture, which they did. In 2023, a documentary was produced called “Her Name Is Nanny Nellie” which follows the journey of Nellie Walker’s great-granddaughter Auntie Irene Ridgeway discovering Nellie’s story, honouring her life and restoring her sculpture. Irene told Refinery29 Australia that “It was about reclaiming her life, reclaiming her history and who she really was as a real person. She was not a naked and unnamed lady standing in a museum. It's giving them back their families, they weren't just there to be looked at as flora and fauna or as 'natives'." The documentary was written and directed by Irene’s son Daniel King and premiered at the 2023 Adelaide Film Festival and broadcast on NITV. The restored sculpture of Nellie, dressed in 1920s style clothing was displayed at The Australian Museum, Sydney in The Bayala Nura Gallery in 2023. Irene wanted Nellie to be depicted in the way she actually was when she posed for the sculpture in 1925. The other two sculptures were not displayed due to ongoing conversations with family members and the fragility of the sculptures. It is anticipated that they may be displayed in the future. Melbourne born William Beckwith (Bill) McInnes (1889-1939) studied drawing at National Gallery School in Melbourne from the age of 14 under the tuition of artist Frederick McCubbin before succeeding his former teacher as Master of Drawing at the School from 1916-1934. He was acting Director of the NGV and Head of the National Gallery School from 1934. In 1927, Bill and official war artist H. Septimus Power were commissioned to paint the opening of the new federal Parliament House in Canberra. Septimus painted the general scene of the arrival of the Royal entourage in front of Parliament House, while Bill depicted the ceremony inside the Senate chamber. Bill was widely acclaimed for his landscapes and lauded as the heir to great Australian landscape artist Arthur Streeton. He won the Archibald Prize seven times (including the inaugural, a portrait of architect Desbrowe Annear) which made him a highly sought after portrait painter and he earned kudos for his commission to paint the Duke of York. During the breaks in painting the portrait, the pair chatted and Bill was surprised by the Duke’s wide knowledge of Australian affairs. The Duke was particularly interested to hear how the rabbit crisis was being handled. Bill’s work is held in major Australian galleries including the NGV, which has 12 of his paintings in their collection. Bill was married to fellow artist Violet McInnes and they lived at “The Poplars” in Alphington with their six children. Violet painted still life of flowers and portraits. In 1941, she entered her portrait of fellow artist Sybil Craig into the Archibald Prize and in 1945 Violet was appointed an official war artist. Defending his traditional style Bill said “...we in Australia have not been bitten by Cubism or Futurism or other of the “isms”...and I am glad of it”. References: THE DUCHESS OF YORK. (1931, December 7). The Argus (Melbourne, Vic. : 1848 - 1957), p. 8. Retrieved April 3, 2025, from http://nla.gov.au/nla.news-article4427568 WAR NURSE (1930, March 11). The Sun (Sydney, NSW : 1910 - 1954), p. 1. Retrieved April 3, 2025, from http://nla.gov.au/nla.news-article223714728 The Royal Visit. (1927, April 29). The Age (Melbourne, Vic. : 1854 - 1954), p. 9. Retrieved April 4, 2025, from http://nla.gov.au/nla.news-article205813465 Canberra. (1927, April 30). Advocate (Burnie, Tas. : 1890 - 1954), p. 5. Retrieved January 10, 2025, from http://nla.gov.au/nla.news-article68233606 Australian Dictionary of Biography, Nangar, https://adb.anu.edu.au/biography/nangar-33736 Australian Dictionary of Biography, Jimmy Clements, https://en.wikipedia.org/wiki/Jimmy_Clements Wikipedia, George John Noble, https://en.wikipedia.org/wiki/George_John_Noble PARLIAMENT AT CANBERRA. (1927, May 14). The Australasian (Melbourne, Vic. : 1864 - 1946), p. 37 (METROPOLITAN EDITION). Retrieved December 25, 2024, from http://nla.gov.au/nla.news-article140733921 CANBERRA CEREMONY (1927, May 10). The Argus (Melbourne, Vic. : 1848 - 1957), p. 19. Retrieved November 3, 2024, from http://nla.gov.au/nla.news-article3853643 CANBERRA. (1927, May 11). The Argus (Melbourne, Vic. : 1848 - 1957), p. 20. Retrieved November 24, 2024, from http://nla.gov.au/nla.news-article3853897 THE FINAL SCENES (1927, May 11). The Labor Daily (Sydney, NSW : 1924 - 1938), p. 5. Retrieved January 10, 2025, from http://nla.gov.au/nla.news-article236614453 TWIN SONS (1927, May 10). The Sun (Sydney, NSW : 1910 - 1954), p. 11. Retrieved April 4, 2025, from http://nla.gov.au/nla.news-article223616143 National Archives of Australia, Aboriginal [Jimmy Clements, a Wiradjuri elder] on steps of Parliament House (King Billy), https://recordsearch.naa.gov.au/SearchNRetrieve/Interface/ViewImage.aspx?B=3050026 Sydney Morning Herald, The chant of Jimmy Clements: I’ll do the honours on my ground, thanks, https://www.smh.com.au/national/the-chant-of-jimmy-clements-i-ll-do-the-honours-on-my-ground-thanks-20241023-p5kkt5.html MET THE DUKE (1927, May 11). The Sun News-Pictorial (Melbourne, Vic. : 1922 - 1954; 1956), p. 14. Retrieved November 3, 2024, from http://nla.gov.au/nla.news-article275177101 PUBLIC MARCH PAST. (1927, May 11). The Register (Adelaide, SA : 1901 - 1929), p. 11. Retrieved April 2, 2025, from http://nla.gov.au/nla.news-article54271512 A REAL AUSTRALIAN (1927, May 13). The Canberra Times (ACT : 1926 - 1995), p. 12. Retrieved December 18, 2024, from http://nla.gov.au/nla.news-article1213124 THE PEOPLE'S DAY (1927, May 13). The Canberra Times (ACT : 1926 - 1995), p. 3. Retrieved April 3, 2025, from http://nla.gov.au/nla.news-article1213105 KING BILLY" WAS THERE. (1927, May 12). Tweed Daily (Murwillumbah, NSW : 1914 - 1949), p. 2. Retrieved November 27, 2024, from http://nla.gov.au/nla.news-article190193273 A BUSY DAY. (1927, May 11). The Sydney Morning Herald (NSW : 1842 - 1954), p. 15. Retrieved November 3, 2024, from http://nla.gov.au/nla.news-article16374845 Nothing Wrong With Canberra Opening, Says "King Billy" (1927, May 13). The Daily Telegraph (Sydney, NSW : 1883 - 1930), p. 2. Retrieved November 3, 2024, from http://nla.gov.au/nla.news-article245750627 THIS IS MARVELLOUS! (1927, May 11). The Sun News-Pictorial (Melbourne, Vic. : 1922 - 1954; 1956), p. 16. Retrieved December 9, 2024, from http://nla.gov.au/nla.news-article275177155 Mildenhall's Canberra, Royal Visit, May 1927. Canberra citizens passing the Royal Party on the front steps of Parliament House at the Civic Reception 1927 [photograph], https://mildenhall.moadoph.gov.au/rephoto/62 Australian Dictionary of Biography, 1927 - Jimmy Clements, John Noble, and the Opening of Parliament House, https://adb.anu.edu.au/the-quest-for-indigenous-recognition/jimmy-clements YouTube, The Birth of White Australia (1928), amateurish racism on the big screen [Jimmy Clements at 11.12 minutes in], https://www.youtube.com/watch?v=OByX4iPsTgo YouTube, We Were Just Little Boys, https://m.youtube.com/watch?v=u4Hw9d91k2E WASTE AT CANBERRA. (1927, May 20). The South Eastern Times (Millicent, SA : 1906 - 1954), p. 1. Retrieved April 4, 2025, from http://nla.gov.au/nla.news-article200058308 YouTube, Museum of Australian Democracy at Old Parliament House, Whispers in the Corridors-An Aboriginal Presence, https://www.youtube.com/watch?v=fwifXP61M5Y History Snoop, Air Fatality in Canberra Scars an Historic Day in Australia, https://www.historysnoop.com/air-fatality-in-canberra/ YouTube, NFSA Films, The Opening Of Canberra, Australia's Capital City, https://www.youtube.com/watch?v=pOA8llA0iE0 Pauline Conolly, Pudding & Pies at Parliament House, https://paulineconolly.com/2022/pudding-and-pies-at-parliament-house/ THE MENU (1927, May 5). The Sun (Sydney, NSW : 1910 - 1954), p. 13 (FINAL EXTRA). Retrieved April 2, 2025, from http://nla.gov.au/nla.news-article223623278 PROMISING (1927, May 7). The Sun (Sydney, NSW : 1910 - 1954), p. 2. Retrieved December 15, 2024, from http://nla.gov.au/nla.news-article223616208 The Dead King -- His Only Mourner (1927, August 30). The Herald (Melbourne, Vic. : 1861 - 1954), p. 6. Retrieved November 3, 2024, from http://nla.gov.au/nla.news-article244196114 The VOICE of the CITY (1927, August 31). The Daily Telegraph (Sydney, NSW : 1883 - 1930), p. 4. Retrieved December 26, 2024, from http://nla.gov.au/nla.news-article246406061 THE LAST OF HIS TRIBE. (1927, September 2). Bairnsdale Advertiser and Tambo and Omeo Chronicle (Vic. : 1882 - 1946), p. 6. Retrieved December 24, 2024, from http://nla.gov.au/nla.news-article269318935 GONE WEST. (1927, September 17). The Irwin Index (Mingenew, WA : 1926 - 1956), p. 1. Retrieved December 23, 2024, from http://nla.gov.au/nla.news-article251554113 King Billy Dead. (1927, September 10). The Port Macquarie News and Hastings River Advocate (NSW : 1882 - 1950), p. 5. Retrieved December 1, 2024, from http://nla.gov.au/nla.news-article112534982 DEATH OF KING BILLY OF CANBERRA. (1927, September 16). Huon Times (Franklin, Tas. : 1910 - 1933), p. 5. Retrieved December 23, 2024, from http://nla.gov.au/nla.news-article136428435 OLD KING BILLY. (1927, September 19). The Sydney Morning Herald (NSW : 1842 - 1954), p. 5. Retrieved November 19, 2024, from http://nla.gov.au/nla.news-article16404722 "Marvellous" is Dead. (1928, March 30). The Gundagai Times and Tumut, Adelong and Murrumbidgee District Advertiser (NSW : 1868 - 1931), p. 2. Retrieved December 8, 2024, from http://nla.gov.au/nla.news-article122748136 LAST OF LACHLAN RIVER TRIBE (1926, May 3). Evening News (Sydney, NSW : 1869 - 1931), p. 7. Retrieved December 18, 2024, from http://nla.gov.au/nla.news-article117289515 Coal Strike Effects (1926, June 11). The Daily Telegraph (Sydney, NSW : 1883 - 1930), p. 14. Retrieved November 30, 2024, from http://nla.gov.au/nla.news-article245759732 SBS On Demand, Her name is Nanny Nellie, https://www.sbs.com.au/ondemand/movie/her-name-is-nanny-nellie/2300137539512 The Australian Museum Magazine, Vol. 2, No. 11, July-Sept 1926, The Wunderlich Aboriginal Group, https://shorturl.at/uViTe ABC News, King Billy and Marvellous were not invited to the 1927 opening of Parliament House — but that didn't stop their fight for sovereignty, https://shorturl.at/HGpjC Museum of Australian Democracy at Old Parliament House, The thieving diva: behind the scenes of the opening ceremony at Parliament House, https://www.moadoph.gov.au/explore/stories/heritage/the-thieving-diva-behind-the-scenes-of-the-opening-ceremony-at-parliament Refinery29, Beyond a museum glass case: one First Nations woman's quest to reclaim her ancestors' story, https://www.refinery29.com/en-au/my-name-is-nelly-documentary-irene-ridgeway-interview Sydney Morning Herald, Why it took 100 years to restore the dignity of Nanny Nellie, https://www.smh.com.au/national/why-it-took-100-years-to-restore-the-dignity-of-nanny-nellie-20230719-p5dpjo.html Australian Museum, Meeting Nanny Nellie, https://australian.museum/publications/explore_summer2024/nanny-nellie/ ABORIGINES. (1926, July 1). The Sydney Morning Herald (NSW : 1842 - 1954), p. 14. Retrieved November 29, 2024, from http://nla.gov.au/nla.news-article16302447 Wikipedia, Kinchela Aboriginal Boys Training Home, https://en.wikipedia.org/wiki/Kinchela_Aboriginal_Boys%27_Training_Home Art Gallery NSW, Harry Marsh by Rayner Hoff, https://www.artgallery.nsw.gov.au/collection/works/59.2000/ Art Gallery of South Australia, Lion (produced for the Holden Motor Company) by Rayner Hoff, https://www.agsa.sa.gov.au/collection-publications/collection/works/lion-produced-for-the-holden-motor-company/27253/ Wikipedia, William Beckwith McInnes, https://en.wikipedia.org/wiki/William_Beckwith_McInnes DUKE OF YORK PORTRAIT UNIVEILED IN CASTLEMAINE GALLERY (1933, December 4). The Sun News-Pictorial (Melbourne, Vic. : 1922 - 1954; 1956), p. 18. Retrieved April 4, 2025, from http://nla.gov.au/nla.news-article276125581 Castlemaine Art Museum, Portrait of His Royal Majesty the Duke of York, https://collection.castlemaineartmuseum.org.au/objects/181/portrait-of-his-royal-majesty-the-duke-of-yorkPhotographer notations on slide: "Portrait of Duke of York by W.B. McInnes 1933 B4".1930-1939, aboriginal culture, royal visits, openings (events), sculpture, land rights, museums, museum displays

Scrapbook owned by Beryl Randall Trigellis-Smith (neé Sampson) who served as a nurse in WWI and was an active member of many nursing related organisations include the Returned Nurses Club (Victoria). Contains newspaper & magazine clippings, postcards, poetry, quotes/reflections, pamphlets (Order of services), photocopied correspondence, single page Order of Services/Service announcements, speeches & toasts, booklets, personal stories, contact details, photocopied excerpts, menus, invitations, order of ceremonies, certificates. Titles and (formats) in order: 1. 'A Maori's stirring dawn address : What Anzac has come to mean' (newspaper clipping) - article providing the full address given by Lt. Colonel C M Bennett DSO at the Dawn Parade ceremony in Wellington (NZ) 1957 [publication unknown]. 2. Coat hangers (newspaper clipping) - article about items on display [at a market? date unknown, under handwritten 'Troop Train' heading] 3. 'What's in a name? -just ask the matron' (newspaper clipping) - article providing basic information about Margaret Lang and the Society for the Care of Aged or Incapacitated Nurses by John Hamilton [publication unknown, handwritten note 'August 1973'] 4. 'World War I nurse remembers : Continued from page 41' (magazine clipping) - part of the recollections of WWI nurse Sarah Margaret White (neé Furnifull) [1973, Australian Women's Weekly] 5. Sister Rosina Dawson (newspaper clipping) - brief article and photo on Rosina Dawson becoming Victoria's first construction site nurse at site of Collins Place Twin Towers [unknown publication & date] 6. 'A World War 1 nurse remembers...' (magazine clipping) - beginning of clipping #4 [1973, Australian Women's Weekly] 7. The White Tower, Salonika (newspaper clipping) - photo and map of area around Aegean Sea [unknown date and publication] 8. 'A stern hearted chaperone', 'At the top of Mt. Kotos, Salonica, 1918' and 'Life and mirage' (typed poems) - All by Trigellis-Smith circa 1918. 9. 'Boat drill' (typed poem) - By Trigellis-Smith 10. 'Aged 83, she wears her MBE lightly' (newspaper clipping on separate sheet) - Brief biographical article by Barbara Hooks on Beryl Trigellis-Smith receiving her MBE [1976, publication unknown] 11. Leslie Hill (newspaper clipping on back of separate sheet) - Large black & white photograph with caption of Leslie Hill, the gardener who created the flowerbed celebrating the 80th anniversary of the Royal Australian [Army] Nursing Corps and Beryl Trigellis-Smith. [Handwritten notes publication as Herald, December 28 1982] 12. 6/12/17 (newspaper clipping) - Appears to be printed excerpts from a diary of someone [a nurse] serving in WWI [publication and date unknown] 13. 7/3/18 (newspaper clipping) - Appears to be printed excerpts from a diary of someone [a nurse] serving in WWI [publication and date unknown] 14. 'Description of Anzac Day, April 25th, 1916.' & 'A Description of Anzac Day, from Second World War Sister E. F. Jones' (typed excerpts) - first excerpt by E C Dobson, (probably a sister at Mundros), second author in title. 15. [Postcard?] - black and white photograph on glossy card showing an Australian military band posing for photograph on steps in front of multiple storey walls of sandbags [based on Google image search, on the steps in front of Amiens Cathedral circa August 1918]. 16. 'A most inglorious war' (newspaper clipping) - Review of 'The forgotten war' by L M Field including information on how the Boer war began and how Australians got involved by Patsy Adam-Smith [unknown publication, circa 1979]. 17. 'Order of Divine Service to mark The Commemoration of ANZAC' (pamphlet separate to scrapbook) - took place at Cathedral Church of Saint Paul Melbourne, 22 April, 1979. 18. 'Annual wreath laying service Edith Cavell Memorial' (photocopied typed document) - from 22 April 1979, order of proceedings including an address to be given by Beryl Trigellis-Smith. 19. 'Saturday review' (newspaper clipping) - a captioned black and white illustration of Florence Nightingale in the hospital at Scutari. Reproduced from the 'Illustrated London News' of February 24, 1855. [unknown UK publication and date] 20. 'spirit and pride' (newspaper clipping) - these words clipped from a headline [unknown publication and date]. 21. 'Miss Nightingale' (newspaper headline attached to back of newspaper clipping) - by Richard Gordon. Excerpt from book by same 'The private life of Florence Nightingale' [circa 1978, unknown UK publication]. 22. (photocopied letter with handwritten 'Beryl' in gap in salutation) - photocopy poor and unable to read who author/sender is [maybe Ms P Adam-Smith?] dated 14 December 1978. 23. 'Shrine of Remembrance (Melbourne, Victoria)' (postcard with handwritten caption) - 'Shaft of sunlight at 11am Remembrance Day 11th November', published by Rose Stereograph Co. [unknown year]. 24. 'Annual service of dedication for nurses' (booklet) - Order of service booklett for Wednesday 9th May, 1979, 5:45pm at St Patrick's Cathedral. 25. [No title] (newspaper clipping) - article by Patsy Adam-Smith 'who was at the Anzac Day parade for 'The Age''. [circa 1979] 26. 'Ecumenical service of dedication for nurses' (photocopied service announcement) - St Patrick's Cathedral, Wednesday 9 May 1979, anniversary of the birth of Florence Nightingale. 27. 'Parade of a nation'[sic] (newspaper clipping) - Headline, large black and white photograph by John Lamb with caption of Glen Hickman marching wearing medals [unknown publication, unknown year, circa late 70's]. 28. 'Wreath laying ceremony - Edith Cavell Statue / Sunday Aprill 22nd. 1979 / Address by Mrs. Beryl Trigellis-Smith MBE. Ex A.A.N.S.' (typed pages of speech) - Speech includes general important pioneering dates in Australian nursing from 'South African War 1900' to combining of Royal Trained Nurses Association and Royal College of Nursing in 1933 and a call to current nurses to "regard the heritage of the past - dedication, skill, adaption, understanding of authority, some self-sacrifice, with a dedication to the care of life and death." 29. 'No. 72' (colour photograph postcard) - Underneath handwritten heading in blue ink 'Salonica. 1917'. Image on front of postcard shows two young women in the foreground in traditional clothing, water to their left and two other women walking away from them in the background, buildings on the left of the postcard and in the background on the right the White Tower Thessaloniki. [Postcard more likely from 1950's onwards due to it being a colour photograph and the fashion of the women in the background] 30. (colour postcard) - Torn along one edge, depicts a photograph of what appears to be a print artwork (signature at bottom on right of artwork 3eibe?, on left at bottom Gem 64'. 'Part of a diary found in / Returned Nurse Club in / 1979. Name unknown. / She had experience / in Hospital Ships and / in Salonica. / ?eds up & file.' [written in blue ink on reverse]. 31. 'Rancourt - Bouchavesnes' (colour photograph postcard) - Aerial colour photograph of a church and graveyard surrounded by fields and a forest in the background. Information on reverse of postcard indicates image is of the Chapel of French Remembrance for the Somme offensive in 1916 during WWI. Underneath heading '1978. R.S.L. Pilgrimage to. France.' [handwritten in blue ink]. There is information on the reverse handwritten describing part of a tour by same writer as for 32. 32. 'Le Memorial Australien à Villers-Bretonneux' (colour photograph postcard [potential photochrom]) with printed caption on front indicating Le Souvenir Français welcoming Australian pilgrims to Villers-Bretonneux 11 November 1978 with a quote from Marshal Foch made 12 November 1918 - reverse of postcard had handwritten letter addressed to Beryl Randall Trigellis-Smith (neé Sampson), from Howard V[?] talking about events of the tour on 11 & 12 November. Underneath heading '1978. R.S.L. Pilgrimage to. France.' [handwritten in blue ink]. 33. 'ANZAC Memorial Day 25th April 1919' (colour & black and white souvenir booklet) - published by the Victorian branch of the Returned Sailors' and Soldiers' Imperial League of Australia to mark the fourth national observance. Front cover is in colour, condition is poor with lots of folds, tears and parts missing, also has many dirt/insect marks and foxing. Internally there is black and white photographs depicting various WWI and post scenes with captions and other pages have text, opposite inside back cover is medical photos including tent hospitals, nurses and hospital wards. Back cover is glued to scrapbook. 34. Photocopy of toast proposal given at Royal Australian Army Nursing Corps 75th Anniversary of Australian Army Nursing - toast speech gives some brief chronological information on nursing in Australian Army that the author [assumed to be Beryl Randall Trigellis-Smith (neé Sampson)]. 35. 'Poem for our Returned Nurses Club' (handwritten poem with annotations) - 'J M[?] Bilee' & 'CPL R.L. Harrowfield' [Handwritten names? either side of title, author/s of poem assumed], paper has tear marks on reverse where it has been removed from another piece in the past and some writing obscured by area of attachment into current scrapbook. Poem is '(Dedicated to A.I.F Nurses of World War I 1914-18 War) Bendigo / 1976'. 36. 'Living up to an ideal' (black and white newspaper clipping) - by Kayleen Mort out the 'The Sun' Monday, July 10 1972, p.34. Article includes four black and white photographs. Article is about the Royal Australian Army Nursing Corps having provided nurses in wars for 70 years, even though nurses served prior in the Boer War. Article features a photograph of Irene [Mildred] Woodward (neé Clay) then secretary of the Victorian Returned Nurses' Club. 37-39. 'The A.I.F. were healthy, stealthy and chatty' (photocopied typed short story with handwritten annotations) - 'Section one - True experiences / 1976 Repatriation story writing project' headed, first person story [assumed to be written by Beryl Randall Trigellis-Smith (neé Sampson), however point of view appears to be of a soldier, not a nurse] over three pages, glued in separately. Story is autobiographical and mentions 8th Battalion Pastors Hayden and Paddy O'Shea helping morale there and Padre J J Booth helping the unit the protagonist was attached to. Protagonist speaks of shocking sights and the poetry or history that these brought to the surface as well as different aspects of their experience. 40-45. 'St. Vincent - our Atlantic calling port.' & 'They need our help to-day' (typed poems[?]) - Pieces glued, out of order[?], [author assumed to be Beryl Randall Trigellis-Smith (neé Sampson)]. 46. 'Burial at sea.' (typed poem and information) - [author assumed to be Beryl Randall Trigellis-Smith (neé Sampson)] four stanzas of a poem followed by partial information about the authors experience of a burial at sea, the return to Australia experience and what the author did after. Information is incomplete, cut off mid sentence and not continued on next part. 47-50. 'The order of the Iris', 'The 42nd Unit transferred to Hill 60.' & 'The sunset call at sea.' (typed poetry and brief information) - A poem missing a beginning, followed by first title listed, then second title begun and continued on to second part, completed over page on third part and final poem on last part. [Author assumed to be Beryl Randall Trigellis-Smith (neé Sampson)] 51. 'Life in Salonica, 1918.' & 'Transport in Salonica - 1918' (typed poems) - [Author assumed to be Beryl Randall Trigellis-Smith (neé Sampson)] 52. 'Whatever happened to Macka?' (newspaper clipping) - Advertisement for the Returned Services League [unknown publication & date]. 53. 'Few passengers for free rides' (newspaper clipping) - Article by Bob Millington interviewing Colin Keon-Cohen (then president of Victorian branch of RSL) about the dwindling numbers of WWI veterans, loss of all Boer War vetrans, dinners held for veterans and how popularity in RSL clubs was growing. [unknown publication and date] 54. 'Nurses at war : Reflected in the pages of Nursing Mirror 1888-1978' (newspaper clipping) - Article by Barbara Rogers just prior to the 90th birthday of publication 'Nursing Mirror', describing the "adventurous response made by nurses in wartime". Published in Nursing Mirror, 6 April 1978. 55. 'Names & Addresses cond' (photocopied contact details) - Address and former unit details of people [on a tour?] along with Tour Escort, [tour assumed to be the RSL Pilgrimage to France in 1978]. 56. As for 3, except for handwriting on reverse as entire reverse glued to page. 57. 'The crimes of Germany' ([thermal?] photocopy of excerpts [from a newspaper supplement published after 1915]) - Published in London by The Field & Queen (Horace Cox) Ltd., excerpts include the front cover, pages 99-101 headed 'XVI - Poisoned wells.' & 'XVII - The execution of Miss Edith Cavell.' 58. 'War nurses hold jubilee dinner' (newspaper clipping) - Article on dinner held honouring the conferral of Royal to the Royal Australian Army Nursing Corps that included over 560 guests nursing veterans from 1902 (who formed the Australian Army Nursing Service) through to Korean war nursing veterans, the Governor of Victoria (Sir Dallas Brooks), his wife, a Boer war nurse and others. Nurses mentioned by name: Ida O'Dwyer (Royal Red Cross), H[ilda Therese Redderwold] Samsing, E[mma] A[rgyle] Cuthbert, J[essie] McHardy White [neé Williamson], Jane Bell, Mrs P Sutherland [unable to find full and maiden name], Clara [Louisa] Ross, P[riscilla Isabel] Kirby [neé Wardle], Mrs E Lloyd, E[thel] J[essie] Bowe, E[dith] L[ydia] Shaw, J G [Effie Mary] Fussell [neé Garden], E[lizabeth] F[rancis] Johns, J[eanie] Gray Robertson, A[nnie] M[oran] Sage, Grace [Margaret] Wilson, C[harlotte Joan] G[sic] McRae, [Annie] I[na] Laidlaw, M[argaret Irene] Lang and Kathleen [Annie Louise] Best. Also mentioned Sybil Irving (Voluntary Aid Detachment), Major General [Frank] Kingsley Norris (Army Medical Officer). 59. 'Nursing a secret' (newspaper clipping) - Brief article with some biographical details on the wedding reception of Vivian Bullwinkel to Frank Statham and her soon move to Perth to be with Frank. [Publication unknown, circa 1977] 60. 'An Ecumenical Service of dedication for nurses' (pamphlet) - took place at Cathedral Church of Saint Paul Melbourne on Wednesday 10 May, 1978. 61. 'R.S.L. Victorian Branch : 60th Anniversary Remembrance Day Dinner' (menu pamphlet) - took place Friday 10 November 1978. 62. 'Circular : M/31/78' (invitation) - Distributed through RSL Victorian branch. From Premier of Victoria to "all ex-servicemen and women and their families in Victoria to attend the Remembrance Day Ceremony" 11/11/1978. 63. 'Remembrance Day Ceremony' (order of ceremony booklet) - Arranged by 'The Government of Victoria', took place at the Shrine of Remembrance, Melbourne 11/11/1978. 64. (Original certificate) - From the Australian Comforts Fund, Victorian Division to Miss M Ambler [?] "In grateful recognition of valuable services rendered in a voluntary capacity to the Australian Comforts Fund during World War 1939=1945". 65. (Invitation) - To B[eryl Randall] Trigellis-Smith [(neé Sampson)] from Victorian Government "to attend a Luncheon celebrating the Anzac Landing Diamond Jubilee. Location National Gallery of Victoria, 22 April 1975. 66. (Menu) - from event in 65. Includes eight autographs including E M Fussell [?], Margaret Lang, Linda Douglas [?], Chris E Bonwick [?], G J McWilliams [?], Beryl [Randall] Trigellis-Smith [(neé Sampson)], Carl Klu [?], [?]. 67. (Invitation) - From Florence Nightingale Victorian War Nurses' Trust "Chairman, Air Vice-Marshal E.A. Daley, C.B.E., K.St.J. and trustees invite a representative of Edith Cavell Trust Fund to attend the War Nurses' Memorial Service to be held at the Edith Cavell Statue, Birdwood Avenue, on Sunday, 20th of April, 1975".Green album/scrapbook, covers and spine show wear, water marks and fading. Internally pages have been removed and many items have been put in or attached to the pages. The items inside have degraded but are mostly intact. There is no exact chronology to the scrapbook and some items appear to be out of order either with similar items or date wise. Most of the clippings are not annotated with dates or publications. Contains newspaper & magazine clippings, postcards, poetry, quotes/reflections, pamphlets (Order of services), photocopied correspondence, single page Order of Services/Service announcements, speeches & toasts, booklets, personal stories, contact details, photocopied excerpts, menus, invitations, order of ceremonies, certificates. [Multiple throughout scrapbook often indicating newspaper cutting was from and date]beryl randall trigellis-smith (neé sampson), nursing in warfare, royal australian army nursing corps, australian army nursing service, returned services league (rsl), returned nurses club

Photograph album displaying coloured photos from events occurring after 1994 involving the Returned Nurses Club of Victoria. It includes: - The Canberra Nurses Memorial site dedication 15th Feb 1997 - Queensland Biennial Conference 29th May 1997 - Nurses Memorial (St Kilda Rd Melbourne) 20th April 1997 - 50th anniversary luncheon 9th September 1997 - ANZAC Day Melbourne 1994 and 1995 It also includes a printed staple-bound program for the 'Australian Service Nurses National Memorial site dedication on Saturday 15 February 1997'.Burgundy photograph album with clear plastic cover. Spine displays multiple sets of three horizontal lines, the word 'photos' and four decorative symbols all printed in gold. Front cover has an ornate gold border, inside which is handwritten contents note. There is a white sticker label in the top left corner, partially covering a yellow star sticker that reads 'acid free pages'.'RSLNC - event / 1997 onwards' [handwritten in black ink on a white sticker on the front cover] '1997 / R & S.N. CLUB / of VICTORIA / CANBERRA - NURSES / 15-2-97 MEMORIAL / QUEENSLAND - BIENNIAL / 29-5-97 CONFERENCE / NURSES MEMORIAL / ST KILDA RD MELBOURNE / 20-4-97' [Handwritten in gold ink on the front cover]war memorials, helen mccallum, returned and services nurses club, raanc, biennial conference queensland, elizabeth simpson, jean brown, cate hewins, elizabeth birchall, eve graham, betty lawson, jean handham, lorna johnston (whyte), jan mccarthy, clarice callaghan, carlene scanlon, dorothy ancell, nurses memorial

Thelma Kinleside Crawford is remembered for her wild flower designs for embroidery. After finishing 3 years studying art at Swinburne Technical College (her aim was to become a writer and illustrator of children's books) she was employed as a designer by Miss Hilda King of International Needlework. In 1939 Miss Crawford established a small shop on the 3rd floor of Block Arcade - well frequented through to 1960's by the women of Melbourne. In 1950 she ran a week long exhibition of her work at the Hotel South Australia in Adelaide. in 1954 a pale pink linen cloth embroidered by Miss Crawford was presented to the Queen by the YWCA now known as the 'Queen's Cloth". In October 1954 Woman's Day ran a feature of Miss Crawford's designs. In 1959 and 1960 displays were mounted at the Tasmanian Tourist Bureau. In 1960 she closed her Block Arcade shop and moved to the "Little Shop" in Croydon near her home. In 1968 she retired to the Brotherhood of St. Laurence homes in Lara. She died in 1985 and bequeathed all her designs to the Geelong Branch of the EGV. She was a foundation member of the EGV.Natural coloured linen luncheon mat worked with self coloured linen threads. Simple decoration of waratah flower head embroidered in each corner using surface stitchery and eyelet holes. The edge is buttonholed.embroidery, 1940-60, australia, surface stitchery, mats