Collection of Stockman's Hall of Fame Publications on local historynon-fictionThis newspaper is the official publication of The Australian Stockman's Hall of Fame and Outback Heritage Centre

Rev. John Flynn, the head of the Presbyterian Inland Mission and the founder of the Royal Flying Doctor Service of Australia, attended the Sunshine and Braybrook State Schools. His father, Thomas Flynn, was the head teacher at the Braybrook and Braybrook Junction State Schools. Thomas and his family lived in Clarke Street, Sunshine.The Royal Flying Doctor Service (RFDS) is one of Australia’s most iconic and important institutions. It provides aeromedical retrieval, emergency care, and primary health services to people living in rural and remote Australia — places where medical help would otherwise be hours or days away.Royal Flying Doctor Service of Australia Video A Mantle of Safety, from small beginnings in 1928, the Royal Flying Doctor Service has grown to become the largest, most comprehensive aeromedical service in the world. The Service has grown from the dream of Rev. Dr. John Flynn who dreamt of bringing medical help to people living in Australia's vast Outback. Today, John Flynn's Mantle of Safety covers more than 80% of Australia, bringing vital health care to people who live, work and travel in remote and rural Australia. As well as emergency services, the RFDS provides a comprehensive health service through medical clinics and trains health care professionals. This video shows the work of the RFDS NSW Section whose work extends John Flynn's Mantle of Safety right across Victoria, NSW, Tasmania and part of Queensland and South Australia, covering an area the size of Western Europe. The lifesaving work of the Royal Flying Doctor Service would not be possible without the support the Service receives from State and Commonwealth Governments, businesses and the wider community.royal flying doctor, john flynn

The Australasian pictorial Magazine issued October 1, 1947. Price 2 shillings. The magazine has 67 pages. On the cover a outback girl in yellow pants, white and red shirt, a red vest and an akubra hat, she is holding a thoroughbred horse. The book is full of photos of Australian people, cities, industries, fields, beaches outback, mountains, indigenous people.book, magazine, the australasian pictorial

Tape documents the design of Australian athletes Olympic Uniform for the Sydney 2000 Olympics. Film features Australian athletes, Australian Olympic Committee staff, The Woolmark Company staff and Mambo staff.Black VHS tape with white stickers and printed text. Tape is housed in clear plastic case. Film includes colour footage and audio. 00:02 - titles 00:06 - Mambo artwork detail 00:11 - outback scenes 00:23 - detail of sewing machines 00:40 - Herb Elliot, Director of Athlete and Corporate Relations, Australian Olympic Committee speaking about design of Australian Olympic uniforms 01:10 - Australian athletes wearing uniforms 01:10 - Maria Italiano, Project Manager, Olympics and Sport Marketing Apparel, The Woolmark Company, speaking about uniform design 02:04 - Lachlan Barnard, Australian Menswear Designer, Mambo 02:36 - Deare Jennings, Creative Director, Mambo 04:24 - Russell Mark, Australian Clay Target Shooter 04:58 - Daniel Marsden, Australian Water Polo Team 05:12 - Paul Goudion, Australian Hockey Team 05:27 - end title 05:33 - endLabel on tape: WOOLMARK / Ceremonial / Uniforms / Duration: 5 min 31 secfilm, sydney 2000 olympic games, uniform, the woolmark company, textile design, mambo, australian olympic committee, athletes

Benjamin Herbert Densley (1876-1947) was a son of William Densley and Margaret Threlfall and was born in Eaglehawk. After moving to WA he married Elsie Butler (1887-1923) in 1910.Bendigo Advertiser '' the way we were'' from 2002. Outback: Ben Densley riding a camel in Western Australia. Date unknown. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Photo of Reso party at Alice Springs camp . / Tour of central Australia and NT Circa May 13- June 13 1947 / photos of Ant hills and termite mounds abound in the Australian outback. (Note -'Reso' appears to be 'Victorian National Resources George Pethard Collection including references to Taraxale Brewing Company Pty Ltd /hard covered 29x19mm photographic album bound with black string / black and white Photographs of Alice Springs , NT and surrounding area .Last Development).photograph, landscape, australiana, george pethard /taraxale brewing company pty ltd /victorian national resources development ')

BHS CollectionBlack and white photograph glued to cardboard. The photo depicts a group of people, three men, a woman and a child. The woman and child are sitting on a camel. the group is in front of a shed or a small house. Taken somewhere in the Western Australia outback.W. Roy Millar, photos - Bayley Street Coolgardie, Hannan Street Kalgoorliewestern australia, outback, rural

Western Aranda artist, Gerhard Inkamala. Born in 1917, Gerhard was the nephew of Albert Namatjira and grew up being inspired by his artwork and the surrounding landscapes. He became a skilled artist and during the 1940s was one of the founders of the famous Hermannsburg School of Art. In the 1950s Gerhard and his brother Adolf were included in a group exhibition in Alice Springs at the home of Rex Battarbee who was the Warrnambool-born art teacher of Albert Namatjira. He died in 1977.A landscape scene showing the Australian outback. Trees and shrubs in the foreground with rocky hills in the background. The foreground is an ochre/orange colour and the hills and rocks in the background are a blue/grey colour. The sky is clear and blue. Signed bottom right. The work is mounted on cream mountboard and framed in a white timber frame under glass.'Gerhard Inkamala' signed bottom right hand side of the painting.

Tape shows a long form advertisement for Sportwool, featuring national and international sports athletes.Black VHS tape with white stickers and hand written and printed text. Tape is housed in a white plastic case. Film includes colour footage and audio. 00:06 - titles 'Sportwool' 00:11 - line of cold looking people and sheep mascot 00:21 - sheep mascot and basketball players on indoor court 00:42 - sheep mascot on unicycle 00:54 - various scenes of Australian athletes 01:37 - Manchester United, various scenes 01:56 - basketball 02:16 - cyclists 02:32 - hockey 02:53 - Pat Farmer, ultramarathon athlete, running through outback landscape 03:03 - skiing 03:14 - netball 03:27 - australian football league 04:42 - end credits 04:45 - endLabel on tape: THE WOOLMARK COMPANY / SPORTS WOOL / Duration: 4 min 38 secfilm, textile industry, sheep, training, fitness, sport, athletes, uniforms, pat farmer, sportwool

Book. ALEC H CHISHOLM COLLECTION. 268 page hardcover book. A story of the Australian outback by William Hatfield. Published in 1932 by Angus & Robertson Ltd. Sydney and printed by Halstead Printing Co. Sydney. Catalogue sticker ''2208 HAT'' on spine. Handwritten in ink on flyleaf ''To A. H. Chisholm of bird fame with my sincerest wishes William Hatfield Xmas 1932''William Hatfieldbooks, collections, australiana, alec h chisholm collection, william hatfield, australian outback

This game was advertised as a "new game" in 1909.Board game called Advance Australia. The board is divided in 144 squares with 136 numbered consecutively. The game was played with a pair of dice. The game has its unique form, with shipwrecks, lost in the outback, hazardous landings and high seas being some features. The leather tumbler and dice are with the game. Also, with the game there are two newspaper articles, one by David Horsfall the other by Leighton Rawlings giving a detailed description of the game. From the map details it is reasonable to guess the game was produced early 1900s. Chad Valley series of gamesgame, boardgame, early federation

Newspaper article titled 'Radio in the New World' by R. K. Gerrand from the Melbourne, The Herald. Piece has been torn from the paper and the only date is Saturday, Dec. Sub-heading is: What developments can we expect in radio after the war? Items covered are: X-rays, Outback radio telephones, travel telephones, Portable trans-ceivers, Automatic weather reporting stations, Frequency modulations, Television, Electronic microscope, radio location, Battle of Britain, Battle of Australia, navigation and Pasteurisation,sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, the herald melbourne, r k gerrand, radio in the new world, f w clarke, electronic industries ltd, radio corporation, x-rays, outback radio telephones, travel telephones, portable trans-ceivers, automatic weather reporting statins, frequency modulations, television, electronic microscope, radio location, battle of britain, battle of australia, navigation, pasteurisation

BOOK - ALEC H CHISHOLM COLLECTION. 227 page hardback book with dust jacket. 'Flynn's Flying Doctors by Harry Hudson is an artist's journey through the outback and the story of the Flying Doctor Service in Australia. Illustrated by the author with 130 sketches. Written in collaboration with P.R. Stephenson and with a forward by George Simpson. Published by William Heinemann, Melbourne in 1956 and printed by Speciality Press, Melbourne. Handwritten in ink on flyleaf 'To Alec H Chisholm mammoth of the editorial chair from P.R. Stephenson Dec. 1956 Happy Landings!' '2198 HUD' catalogue sticker on spine and inside back cover.Harry Hudsonbooks, natural history, australia, alec h chisholm collection, flying doctor service, john flynn, harry hudson, p.r.stephenson, george simpson.

The Australian Stockman's Hall of Fame is a museum located in Longreach, Queensland, Australia, which pays tribute to pioneers of the Australian outback. The centre is also dedicated to Australian stockmen who have shown bravery and courage. Registered in 1974. On July 28th 1985 the foundation stone of the Australian Stockman's Hall of Fame and Outback Heritage Centre was laid. Hoofs and Horns magazine was established by R.M.Williams in 1944 and ceased in 2005. It was aimed at cattlemen and horsemen.'The Roper family's ancestors settled in the beautiful Kiewa Valley, Victoria over a century ago and started breeding Hereford cattle and horses.' This is their interest in Hoofs and Horns but the Hall of Fame is interested in 'John Roper, who came to Australia in 1843 at the age of 23 years and joined Leichhardt's expedition ...'2 papers - Hoofs and Horns, July 1985, Page 88 and page 90 printed with photos and map. The article has the title: 'The Australian Stockman's Hall of Fame' 2 papers - Title The Roper Family compiled by Wilma Davies (nee Roper) and Mr Mike Cummings. Members of the Hall of Fame.. australian stockman's hall of flame, hoofs and horns magazine, cattlemen and horsemen, the roper family

Piers Bateman was a local artist, held in very high esteem by his peers and community. He was born in Perth in 1947, moving to Eltham in 1955 as a young child with his family. In 1966 Bateman moved to London for eighteen months to develop his craft. In 1969 he settled in St Andrews, where he built a studio. The St Andrews locale is said to have been a strong influence on his work. Bateman’s talent was such that he was promoted and mentored by such ilk as Charles Blackman, Clifton Pugh and Arthur Boyd, among others. Bateman’s work is an intimate dialogue with the environment, renowned for his paintings of the outback, wilderness frontiers and the sea. He spent a year in the mid-seventies sailing the Greek Islands and the French canals to Amsterdam. In 1980 Bateman and Marcus Skipper embarked on a trans-Australian venture to the red centre and across northern Australia from Cairns to Broome. In the mid-eighties Bateman returned to the Mediterranean, before returning to the Australian outback in the late-eighties. His international career continued on an upwards trajectory between the Australian outback and European seas, providing a unique contrast throughout the course of his career. Bateman's work questions our relationship with the natural world, and in particular, reconciling our colonial heritage with our indigenous past. This line of questioning and his genuine response to place is the key to Piers Bateman’s work, for which he is lauded and celebrated. On September 4th 2015, Piers Bateman died in a boating accident on the NSW coast line. Piers Bateman was an instinctive painter whose inspiration came from nature. He reworked and scraped off the paint, moving it around until forms and colours of the landscape took shape. Although Bateman lived in Spain and Italy, his time in Europe made him aware of the contrast between the two continents and the bright clear light that defined the Australian landscape. At the time of this work, Bateman was living in St. Andrews, but travelled regularly to New South Wales and South Australia on painting trips. The ‘Grass Tree’ Xanthorrhoea johnsonii (commonly known as ‘blackboy’) is indigenous to these areas. It is a uniquely Australian, slow growing plant with twenty-eight species growing within Australia. Old examples of this tree are survivors of many wild fires, which can cause their blackened trunk, of one to two metres, branch into two or more heads. These heads consist of thick, rough corky bark, surrounded by long, wiry leaves and flowers that produce seed capsules with hard black seeds. The tree’s ability to be one of the first to flower after a wild fire ensures a food source for many insects and birds.Oil on canvas painting. Detail of three grass trees resting on the side of a mountain/hill. Green and gold palette throughout depicting the colours and light of the Australian landscape. Hand written, low right in capitals: 'BATEMAN'bateman, grass trees, xanthorrhoea johnsonii, landscape

A billycan, is a lightweight cooking pot which is used on a campfire or a camping stove, particularly associated with Australian usage, but is also used in the UK and Ireland. It is widely accepted that the term "billycan" is derived from the large cans used for transporting bouilli or bully beef on Australia-bound ships or during exploration of the outback, which after use were modified for boiling water over a fire. However there is a suggestion that the word may be associated with the Aboriginal billa (meaning water; cf. Billabong In Australia. The billy has come to symbolise the spirit of exploration of the outback. To boil the billy most often means to make tea. "Billy Tea" is the name of a popular brand of tea long sold in Australian grocers and supermarkets. Billies feature in many of Henry Lawson's stories and poems. Banjo Paterson's most famous of many references to the billy is surely in the first verse and chorus of Waltzing Matilda: "And he sang as he looked at the old billy boiling", which was later changed by the Billy Tea Company to "And he sang as he watched and waited 'til his billy boiled”. Early settlers , market gardeners and blacksmiths would use this portable iron stake to hold their Billies at meal times when out working their fields, travelling for work or pleasure.c1880 A molded, iron tripod stake that would hold a 'Billy can' of water over a camp or kitchen fireearly settlers, pioneers, market gardeners, moorabbin, bentleigh, brighton, cheltenham, tools, blacksmiths

Everyone seemed to know Frances – it was November 1985 – I met Frances at the Victorian Synod office as she lent me her office to interview staff for St Philip’s which I was taking over in 1986. The interviews completed, she took me to a nearby coffee shop where we had a delightful chat. I came away much the richer, more informed about St Philip’s and feeling I had known Frances forever. And so started our 23 year friendship, with me hearing the first of many stories – for Frances was a wonderfully gifted story teller with a capacity to turn the past into life, and its characters into real people. It seems fitting that a person destined to add to Australia’s history should be born down the beach from Mendonca’s Mahogany ship – Port Fairy on the 28 January 1924. There she went to school – first to primary school then to Camperdown’s Higher Elementary School which went to Year 10. She was the eldest of four children with three brothers, Jock, Norman and Rod. After Year 10, Frances took a job in Camperdown as a dental nurse. She tackled this successfully until deciding to study at Rolland House in Carlton to become a Deaconess. Jock, her brother, recalls asking Frances what made her decide to be a Deaconess. At a Presbyterian Fellowship camp at Warrnambool, Frances and the others were sleeping in the Church Hall on palliases. During the night she awoke and her eye was drawn to a stained glass window, unusually brightly lit. On the window were the words “Follow Me”. Without flinching Frances took the words to heart and decided to serve God as a Deaconess, and during her time with the Australian Inland Mission she became quite a legend. What a patriot Frances was! She loved the stories of pioneers and knew well the history of where she had come from – the Western District. A keen follower of cricket, she would be right up with the last test and the issues of the team. Originally a Melbourne football supporter, she became an avid Geelong supporter and would often score at the annual self destruct St Philip’s vs Flynn Church match. She loved the gladiatorial, albeit often suicidal display. And though an Aussie through and through she loved her Scottish roots. Through her stories, she could easily transport a person in the Centralian landscape onto the heather of the Highlands. In spite of her love for Scotland, the city which was her favourite was New York. Frances – truly a citizen of the world. As a citizen of the world Frances fought for Indigenous and migrant women’s rights and was active in the World Council of Churches, sponsoring local and overseas women to study in Australia and to return to their homes as trained teachers and theologians. Up until recently she was involved in the Spina Bifida and Hydro Cephalis Association of SA. By the time she had taken up with the AIM Frances had a well tuned desire for social justice. To her it was important that the poor and less fortunate were given a go. She felt that the Labor Party provided her best avenue to push her social justice desires. After joining the party in 1956, she quickly became a respected member of the party and worked tirelessly for it, being honoured in the end with life membership. In the party she knew everyone and everyone knew her. She introduced me to Bob Hawke and when I spoke to Gough Whitlam once on a plane, he affirmed to me his friendship with Frances. In her cottage was a picture of her with Kevin Rudd with his arm around her. She is remembered by her party colleagues as someone who had a real compassion for helping people. She believed in the traditional ethic of the Labor Party which is to help those who are less fortunate. Interestingly, she supported St Philip’s moving from solely being a residential college to a school because we had chosen a relatively low fee base to enable maximum access for people and our boarding house continued to, and still does, offer accommodation to any student wishing to attend schools in Alice. Having supported the outback for years from the engine rooms of the mission arm of the church in Victoria, Frances then decided to move to Alice for her retirement. Settling in the little cottage at the far south eastern corner of Old Timers, this became to me, my family and I’m sure to plenty of people, Frances’ Cottage. But moving to Alice was hardly moving into retirement. She quickly became Chaplain at St Philip’s where she clearly showed her love for the children and staff and a real belief in St Philip’s role – to provide access to education for isolated children. She became a stalwart of the Adelaide House Museum, a wonderful member of the congregation, a powerful contributor to the Presbytery and the Annual Synod. Frances was strong, never flinched on a point of principle and discussed things face to face so that you truly knew where you stood with her. She had a great feeling for the pastoralists and knew many of them well. As Chaplain of the College she related well to the children and in addition, knew many of their families. She also felt deeply for the Indigenous people and regularly tackled the issue of how conditions could be improved for them. As we developed the school at St Philip’s, Frances worked with me on so many things. She would visit the College each week for Chapel, run a Sunday school for little kids and the service for all the boarders. When the school was ready to start she wrote the College prayer, said now every week by all students. The prayer says so much about Frances. She pioneered the RE program, teaching RE and in addition to Sunday, visited staff and students every Wednesday. At Presentation Night she presented a homily and provided the blessing – always a strong presence in front of the College community. She was so much part of St Philip’s that when we built the new boarding house in 1990 it seemed so obvious to call it McKechnie House. As a faithful servant of Adelaide House for years and an enthusiastic member of the National Trust, Frances was the first chairperson of the committee, a driving force to redevelop Adelaide House and she worked tirelessly to present John Flynn’s Hospital in the best light. She helped to deliver the stories of Flynn and McKay and the Outback missionaries to so many people and was instrumental in producing meaningful displays. I enjoyed walking around the museum with her intensely, enjoying her detailed stories of the past missionary era and I know many others would have as well. As a loyal and loving member of the Flynn Church, and being such a comrade of Fred McKay’s, Frances understood intricately the symbols which lie within the architecture. Once again, as a story teller, each one had a yarn attached to it. Over her twenty-three years as a member of the Flynn Church she has made a wonderful contribution. As a charismatic personality people were naturally attracted to Frances and were touched and affected by her. Peter Robson, twenty-two years at St Philip’s, remembers her asking him why he had stayed so long at the College. He explained to her that it was her address one day in Chapel in the early times that inspired him to keep going. With great wisdom she had said, “You can’t conquer something, unless you allow it to conquer you.” St Philip’s had conquered him. Wherever she went, whomever she was with, she had a real and lasting impact. Frances brought the reality of the Outback to so many as she addressed congregations around Victoria. She started the Australian Church Women’s Fellowship in the Northern Territory in 1997. She was also involved in setting up the Institute for Aboriginal Development. I believe that Frances should have been recognised nationally for her work with an AM. However, she was the Northern Territory finalist in the Senior Australian of the Year Awards in 2003. In 2004 she was awarded an OBE – not from the Queen but at Old Timers. This is a coveted award which means “Over Bloody Eighty”. Frances was part of it all, in the river, at a bush dance, at a dinner, at a service, at a party, at a meeting, at a footy game, at a cricket game, at Synod, at Presbytery, at Labour meetings, I could go on. Frances McKechnie, what a wonderful Australian. (Eulogy by Chris Tudor) Frances McKechnie died mid-2008. Deaconess Frances McKechnie is seated in front of a map of Australia marked with Australian Inland Mission places identified.At the time the photo was taken, McKechnie was the Victorian Regional Officer for the Australian Inland Mission (Presbyterian). At one stage, she worked for National Mission Frontier Services from 1968 to 1986. See below for the eulogy at her funeral by Chris Tudor. (Frances died May or June 2008.)deaconess frances mckechnie; australian inland mission; presbyterian church

Australian Woolsheds: pp.251, Large volume profusely illustrated with over 200 black and white photographs of woolsheds, with dust jacket depicting shears outside a shearing shed. non-fictionAustralian vernacular architecture which illustrates the hardships and practicalities of Australian outback life.australian woolsheds, farming, shearing, shearing sheds, woolsheds, achitectual features, australian illustration

Tells the story of ANZAC volunteers from Western Australia and makes a connection between the difficulties of Australian outback life and the legend of Anzac.240 pages, illus. Paperback.world war i, western australia, anzac

Tour to outback regions of Australia - Innamincka and Cameron Corner. This is where the Queensland, New South Wales and South Australia borders meet. Photos show the floods, dryness of the land and the regeneration of plant life. Elizabeth Chatham is with family memberschatham-holmes collection, elizabeth chatham, outback, cameron corner, innamincka, queensland, new south wales, south australia, floods, desert plants

This is a woman's kilt (skirt, shawl and pin). Two of the objects were made by the Fletcher Jones clothing company. The Tartan is the Australian tartan which was designed by John Reid, a Melbourne architect, when he entered a competition run by the Scottish Australian Heritage Council. He chose the colours of the Outback as the basis of his tartan. The tartan is design registered in Australia (No. 97439). (Source: District Tartans, P. Smith and G Teall, 1992). This outfit was possibly made around 1990. David Fletcher Jones who served in World War One had a itinerant drapery business in the Western District before opening a tailoring business in Warrnambool in 1924.He began to specialise in men's clothing and in 1946 opened a shop in Melbourne. In 1948 he opened a clothing factory in Warrnambool and formed a new company Fletcher Jones and Staff. The company expanded to all states of Australia and included the manufacture of both men's and women's clothing making it one of the best known clothing companies in Australia. The company dissolved in 2011 This is a fine example of a Fletcher Jones clothing product and comes from a firm which was a dominant industry in Warrnambool and known Australia wide. It has further cultural significance being in The Australian Tartan..1 An orange/tan checked woollen kilt with a pleated skirt and straight panel at the front with a side fringe and a metal buckle It has an adjustable waist with buttons and metal clips. .2 A triangular shaped shawl in the same material as .1 .3 A metal pin or brooch in the shape of a sword and a circular piece with a swan image and a motto ENDURE FORT..1 Fletcher Jones AUSTRALIA'S FINEST CLOTHING PURE NEW WOOL .2 FLETCHER JONES AUTRALIA'S FINEST CLOTHING MADE IN AUSTRALIA .3 ENDURE FORT fletcher jones clothing company, warrnambool industries, australian tartan, tartan, australian tartan kilt, fletcher jones kilt

This extract from an advertisement in the Sydney Morning Herald newspaper of 1/12/1959 places the era in which this water bag was prolific throughout rural Australia. " ABERDEEN CANVAS GOODS for the man on the land here is Australia's most useful, convenient and hygienic water bag. Its special unbreakable plastic nozzle is fitted with a perforated filter strainer. Made from long flax canvas, its universal handle enables it to be hung on bumper bar, wire fence or on hook or nail" The availability of clean cool drinking water in remote rural locations was essential for survival under the blistering Australian summer sun. This was in a pioneer era when transport, roads and convenience stores were ,in a lot of "outback" Australia, in short supply and survival was dependent upon what could be carried by vehicle or pack horse.When the Kiewa Hydro Electricity Scheme became a reality, the use of the water bag was one of the essential personal items of survival given to each person working in the forests and on and in the high plains environment. Even in an outside stationary work place the availability of cool clean water was a prerequisite. The canvas water bag allowed any wind or airflow to cool down the water, even on very hot days, to provide a refreshing and throat quenching supply of water. These bags could be fastened onto the front of vehicles or hanging from shady tree branches thereby permitting air flow around the bag. During the "wearing in" period the residual taste from the canvas was fairly strong, this became considerably less as time and a half moved on. This "Aberdeen" long flax canvas water bag is held together on two sides and the top by strong heavy cotton stitching. The iron fashioned carrying handle has, protruding from its top elevation ,a very strong hook (well in excess of the bags' weight requirement). At the top, of the bag, and on one side only, is a brown coloured bakelite spout (with an inbuilt filter) protruding upwards. This spout has its matching , screw on, lid complete with attachment chain (not fixed at the handle end)On the front of the bad and stenciled in bold lettering, "ABERDEEN" and directly below "Travellers" and below this "FILTER BAG". Below this are two parallel black lines enclosing an ochre coloured band(12mm wide) running around the bottom section of the bag. Below this band is stenciled the number 14 in black (25mm high) figures. The spout lid has stamped on the top surface and within the outline of Australia, "ABERDEEN FILTER WATER BAG". Above this and close to the edge of the lid is pressed "PAT. No 9149/32 and down at the bottom rim is stamped "RD. No. 9870". canvas, water bag, water container, camping equipment, survival pack

This oil sketch by Donald Laycock is for "Terra Australis", a large (20' X 8') outback desert scene commissioned by Robin Boyd for the Australian Pavilion at Expo 1970. Robin Boyd was the Exhibit Architect of the Australian Pavilions at Expo '70 in Osaka and Expo '67 in Montreal. It is not known what happened to "Terra Australis" after Expo '70.Red toned abstract composition."DL 69" in bottom right corner. Sketch for Terra Australis Exhibition '70" written on canvas around the frame on the rear.donald laycock, expo 70, osaka, robin boyd, walsh st artwork, ohm2022, ohm2022_32

Located about 15 kms north-east of Coober Pedy is the longest continual construction in the world, ‘The Dog Fence’, stretching some 5,400 kms. The fence starts east of Surfer’s Paradise in Queensland and winds it way north of Ceduna in the Great Australian Bight and is two and a half times longer than the Great Wall of China snaking across the outback . It was erected to keep out hostile invaders, to stop dingoes, Australia’s wild dogs and top predators, from killing sheep. (https://www.trekearth.com/gallery/Oceania/Australia/West/South_Australia/Breakaways_Reserve/photo35335.htm, accessed 05 June 2018)Two photographs of the Dingo Fence near Coober Pedydog proof fence, rabbit proof fence, coober pedy, pest exclusion

Illustrated book, with brown and green cover. On the front cover is one large and three small photographs Of women (the large photograph is of Vivian Bullwinkel, top right - Joyce Tweedle, centre -Myrtle Rose White, bottom right - Jeannie Gunn). Below these photos title (black, green and white ink) and author's name (white ink) are printed. Three of these photos are also on the spine (Vivian Bullwinkel, Joyce Tweedle & Jessie Gunn) above the phots the book title is printed in black and brown ink, and below the author's name, publisher's name and logo are printed in white ink. On the back cover is a summary of the book and a photograph of a woman (Myrtle Rose White. non-fictionProviding inspiration for contemporary women, this book profiles 21 individuals who faced different tests - harshness of the Australian outback, but when encountering adversity, even death, each proved her mettle, showing what it takes to be a truly heroic Australian. The 21 women are :- Georgiana Molloy, Frances ('Fanny') Bussell, Elizabeth ('Bessie') Bussell, Charlotte Cookworthy Bussell, Emma Mary Withnell, Atlanta Hope Bradshaw, Jeannie Gunn OBE, Evelyn Maunsell, Catherine Langloh Parker, Myrtle Rose White, Olive May Kelso King, Dr Agnes Elizabeth Lloyd Bennett, Dr Lilian Violet Cooper, Sister Alice Elizabeth Kitchen, Joice NanKivell Loch, Sister Sylvia Muir, Sister Vivian Bullwinkel, Sister Joyce Tweddell, Sister Betty Jeffrey, Mavis Parkinson, and Sister Frances May Hayman.women-biography, women-australian-biography

The sisters were born in New Zealand. They travelled not only around Australia and New Zealand but around Europe, the British Isles and Canada in a caravan performing songs, dances and tales they collected. Often there was little scenery. They established a Theatre of Youth (T.O.Y.) near Circular Quay in Sydney and later founded the Australian Children's Theatre. Mavis Thorpe Clark (1909-1999) began her writing career as a schoolgirl. She was educated at Methodist Ladies College in Hawthorn. Her first story for children was published as a serial in The Australasian newspaper when she was 14 years old. Her first book was written when she was 18 and published in 1930. She was a prolific writer. She wrote mainly for children and teenagers, but also authored several biographies, a number of non-fiction titles, and many articles, short stories and scripts for newspaper, magazine and radio. During the 1960s, 1970s and 1980s she travelled extensively in South Australia and Western Australia gathering material for her stories. In 1967 she won the Children's Book Council of the Year award for The Min-Min which was set in outback South Australia.164p illus. This history details the careers of the New Zealand born sisters, Joan and Betty Rayner.(ms) joan rayner, (ms) betty rayner, australian children's theatre, children's play, (ms) mavis thorpe clark, theatre of youth (t.o.y.)

KENNETH JACK WAS AN AUSTRALIAN WATERCOLOUR ARTIST WHO SPECIALISED IN PAINTING THE IMAGES OF AN ALMOST FORGOTTEN AUSRALIAN OUTBACK LIFEKENNETH JACK WAS ACTIVE IN CLUNES IN THE EARLY 1970'S AND ONE OF HIS WORKS IS INCLUDED IN "CLUNES - GHOST TOWNS OF AUSTRALIA NO.2"COLOURED IMAGE OF CLUNES STREETSCAPE, OF FRASER STREET, BUILDINGS STATE SAVINGS BANK, CLUB HOTEL, WALLACE NICHOLL FROM THE CORNER OF FRASER AND TEMPLETON STREETS, CLUNESSIGNED IN BLACK: KENNETH JACK 1970clunes, fraser street clunes, kenneth jack