Boyd's critical commentary about the choice of a non-Australian architect to build the Australian embassy in Brasilia.Original manuscript of an article published in The Australian on 20.02.1965Typewritten (c copy), quarto, 5 pagesaustralian embassy brasilia, brasilia, oscar niemeyer, henrique j mindl, robin boyd, manuscript

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of WO2 Ray Simpson VC DCM of the Australian Army Training Team (AATTV) receives life membership to the Returned Services League of Australia (RSL), from an Australian Embassy official at the Embassy in the Caravelle Hotel, Saigon, while Maj Gen R. A. Hay looks on.photograph, wo 2 ray simpson, victoria cross, aattv, returned services league (rsl), dcm, saigon, maj gen hay, australian embassy, gibbons collection catalogue, life membership, caravelle hotel, denis gibbons, australian army training team vietnam (aattv)

From a collection of 253 images on slides taken while on deployment in Vietnam, by Corporal Peter Stanley Sims (44304), who served in the Royal Australian Army Medical Corps, 1969 - 1970.Australian embassy staff at the RAP (Regimental Aid Post) for needles, Headquarters Australian Force Vietnam, 1970.peter stanley sims, 44304, slides, royal australian army medical corps, vietnam war, sims, australian forces vietnam, hq australian forces vietnam, free world military assistance organisation, regimental aid post

From a collection of 253 images on slides taken while on deployment in Vietnam, by Corporal Peter Stanley Sims (44304), who served in the Royal Australian Army Medical Corps, 1969 - 1970.Cpl Peter Sims with a female from the Australian Embassy, at Headquarters Australian Force Vietnam, Saigon 1970.peter stanley sims, 44304, slides, royal australian army medical corps, vietnam war, sims, australian forces vietnam, hq australian forces vietnam, cpl peter sims

The sarcastic title of this work pokes fun at the old fashioned idea that race should not be the subject of polite conversation. Deacon uses a white and a Black dolly to represent the unequal power dynamics that exist within Australian society. The dolls stand in for people who, based on the colour of their skin, experience the impact of racial inequality in vastly different ways. The cracked head of the white doll reveals an empty void. Symbolically violent, perhaps this emptiness suggests the dolls will never be able to fully comprehend one another’s experiences.This work was curated in RACE 2016 at Wyndham Art Gallery. Destiny Deacon (1956–2024) was a descendant of the KuKu (Far North Queensland) and Erub/Mer (Torres Strait) people. She exhibited nationally and internationally since the early 1990s in solo and group shows. Deacon held two major retrospectives, in 2004 and 2020, at the Museum of Contemporary Art, Sydney and at the National Gallery of Victoria, Melbourne respectively. Her 2004 survey show, Walk & don’t look blak, toured to the Metropolitan Museum of Photography in Tokyo, the Tjibao Cultural Centre in Noumea, New Caledonia and Wellington City Gallery in New Zealand. In 2022, she was the recipient of the Red Ochre Award for Lifetime Achievement at First Nations Arts Awards. In the same year, Deacon’s work was shown at the Australian Embassy in Paris in an exhibition titled Destiny - The art of Destiny Deacon. In 2023, Deacon was included in the Sharjah Biennial 15, Thinking Historically in the Present, conceived by the late Okwui Enwezor and curated by Hoor Al Qasimi. In 2024, Deacon's work was exhibited in the 24th Biennale of Sydney, Ten Thousand Suns, curated by Cosmin Costinas and Inti Guerrero. Deacon’s work is held in most major public collections in Australia as well as Tate, London, Museum Moderner Kunst (MUMOK), Stifting Ludwig, Vienna, Austria and Museum Sammlung Essl, Austria.first nations photography, australian photography, australian indigenous art, race, racism, colonisation

On 13/4/1954 Prime Minister Menzies told parliament of the detection of Vladimir Petrov and his wife Evdokia to Australia from the Soviet Embassy. Menzies established a Royal Commission on Espionage (RCE) to enquire into and report on Soviet espionage in Australia. This item is a "Press Pass" held by Gavin K Cook and issued by M. Brne (Gov.t Public Relatons Officer).ROYAL COMMISSIUON ON ESPIONAGE / No. 111 / 1954 /The bearer 'Mr G Cook" / of "The Sun-Pictorial, Melbourne, / whose signature appears below, is an ac- / credited press representative. / (Signed: M.W. Byrne / Government Public Relations Officer.royal commission on espionage, 1954, gavin cook, sun-pictorial, melbourne, press pass

The information sheet belongs with a map showing the Burma Thailand Railway and it's route with the various camps and P.O.W centres. The map was produced over a period of 15 months and drawn in four stages. Shows Hellfire Pass formerly ( The Konyu Cutting). The 50 Kilo Camp in Burma. There were 56 stations and 87 camps on the route of the map. The map gives due credibility and was released as a limited edition of 1000 copies only. Copies of the map are displayed all over the world including Staffordshire in England, University of Houston, National Guard Museum of Texas and on display at the Australian and New Zealand Embassies in Bangkok.Framed information sheet of the map produced to show the various camps and sights along the Burma Thailand railway. The map was produced using a number of older railway maps, including the Escritt translated map and a local Thai road touring map.

Initially named the Conservation Corps, the British Trust for Conservation Volunteers (BTCV) was founded in 1959 by the Council for Nature. Today BTCV is the “largest practical conservation charity in the United Kingdom”, and celebrated its fiftieth birthday in February 2009. Its original name had been adapted from that of the Civilian Conservation Corps launched by President Roosevelt in Depression-era USA: - "I propose to create a Civilian Conservation Corps to be used in simple work, not interfering with normal employment, and confining itself to forestry, the prevention of soil erosion, flood control and similar projects. More important, however, than the material gains, will be the moral and spiritual value of such work. Roosevelt’s idea had been revived by Governor Jerry Brown of California in 1976 and exchange of ideas and personnel between the California Conservation Corps (CCC) and other US conservation corps) has flourished since. Mark Dwyer (later to play an important role in Green Corps) was leader of the first California Conservation Corps three-month exchange program to Australia in 1988. The first ATCV exchange group to California in 1987 National Director, Tim Cox and Team Leader, David Clark (group leader, in Australian military hat) Right: Members of the first CCC exchange team to Australia at the US Embassy, Canberra in 1988: from left - Merrold, Vicci and Bobby with Mark Dwyer (centre) and David Clark (ATCV, right). Exchanges have continued annually since 1988 and, in addition to environmental work done, many friendships have been made and maintained over the years. This sleeve patch symbolises strong international links in place since ATCV/CVA was founded.This cloth sleeve patch is an example of those sewn onto the uniforms of staff and volunteers of the California Conservation Corps. It is round with an orange rim with black lettering naming ther organisation and inside the rime there is a light blue circle inset with the State flag of California. This sleeve patch is part of CVA's collection of 34 sleeve patches from many States of the USA.corps, david, conservation, mark, dwyer, california, clark, sleeve, patches

An award presented to the University of Ballarat in 2009 from the United Emirates Embassy - Canberra. The award is appreciation of the high quality of Education provided by the university, An triangular perspex award mounted on gold and wooden base. United Arab Emirates Embassy - Canberra, To University of Ballarat, In appreciation of Education Provided by the university 2009.award, trophy, university of ballarat, education, united arab emirates embassy, canberra, appreciation, 2009, university

USA - Australian Officer Exchange End of Tour Report 1995. Produced by Major Andrew J Cordova, US Army Corps of EngineersA4 Report with light cardboard cover. Cover has RASvy Corps badge and title "Army Survey Regiment" 3 pages - actual report plus cover page, letter from US Embassy and contents pageroyal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

American - Australian Officer Exchange - Mid Tour Report ASR 1981, Major D Bowen US Army Corps of Engineers. A two-year exchange program existed between the Australian Survey Corps and the US Army Corps of Engineers. This is a report by the US Exchange Officer in 1981 half way through the exchange tour.Clear film plastic covers front and back, Light Purple cardboard covers. Contains Cover Letter to American Embassy, Canberra ACT. Page 2 is Information page with references. Table of Contents page. Actual Report is pages numbered 1-19. Booklet "Lansells Fortuna (green cover edition) pages 1-16, only some pages are numbered. Army Survey Regiment Organisation Chart, "Map Production Story"- 8 pages, Bowen to Gram No1- WestPoint to Australia 2 pages, Enclosure 9 - Use Addresses (USA). Armed Forces of Australia - Badges of Rank, Enclosure 5 - Recommended Changes 2 pages, Enclosure 6 - Technical Services R&D Tasks, Married Quarter Floor Plan.royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

Additional text: "DJs Milly, Scott, Dirty Den, Curlee."

The Merle Bush Trefoil Guild was registered in Bendigo on 18/06/1981.The decision to disband the Merle Bush Trefoil Guild was made at a General Meeting on 17/02/2016. The group agreed to continue as the Merle Bush Friendship Group. The Australian Trefoil Guilds connect women who are either actively involved in Girl Guiding or have a history with Girl Guiding. The purpose of a Trefoil Guild is to keep alive the spirit of the Promise and Law, carry this spirit into the community and to give support Guiding.Minute Book dated 12/04/1981 to 06/07/1982. Grey covered Embassy 64 page exercise book ruled 8mm spaces. Small yellow Coles price sticker in top RH corner. Includes hand written Minutes for the Merle Bush Trefoil Guild. One loose sheet with Statement and Income Expenditure for year ended 30/04/82 stapled in to booklet.merle bush, minutes, trefoil guild, girl guides, guiding

Stanley reunion book 1960-1995 with newspaper article 1962. reunion invitation Canterbury gardens 23.03.96 x 3. Thank you cards from condolences sent Myrtle winifred Sinclair & Annie Bernardice Kelly.Exercise book -126 pages, blue ruled, 'Embassy' made Australia.

Laminated Photograph of three flags including the Australian flag flying over the 1(AUST) Field Hospital. The document outlines the history of the flag. The flag was believed to be the last flown in South Vietnam apart from the Embassy in Saigion.australian flag 1 (aust) field hospital

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Former US Embassy building (1960) in Grosvenor St, Mayfair, London, England. (Architect: Eero Saarinen.)Made in Australia / 34 / AUG 64M / 3 (Handwritten)slide, robin boyd

Boyd questions the public's and architect's architectural taste - especially developing a style that would define Australian Architecture. He addresses the lack of commissioning of Modern Architects while Modern Architecture became the main preference in architecture 30 years prior to the written text. Frustrations towards people selecting styles that are 'familiar' rather than trying to be 'avant-garde'. Otherwise, Boyd challenges architects looking towards American Architecture as precedents.This appears to be a unpublished lecture. It is marked up for presentation with slides (indicates LIGHTS) when delivering a speech.Handwritten (pencil), quarto, 15 (page numbers on centre top up to 16, page 10 missing) pagesSpots of coffee stainsaustralian school, architecture, american embassy in new delhi, walter richmond butler, robin boyd, manuscript

Colour slide in a mount. US Embassy (1942), Canberra, AustraliaMade in Australiacanberra, slide, robin boyd

Colour slide in a mount. US Embassy (1942), Canberra, AustraliaMade in Australiacanberra, slide, robin boyd

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Gallery, in former US Embassy building (1960) in Grosvenor St, Mayfair, London, England. (Architect: Eero Saarinen.)Made in Australia / 35 / AUG 64Mslide, robin boyd

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Former US Embassy building (1960) in Grosvenor St, Mayfair, London, England. (Architect: Eero Saarinen.)Made in Australia / 33 / AUG 64Mslide, robin boyd

Note from collector: Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized checked blanket , mint, peach and cream Pure Wool/Embassy/Made Expressly for the Myer Emporium Ltd./"For Value and Friendly Service"/by Invicta Mills/Made in Australiablanket, wool, blanket fever, invicta mills, myer emporium

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. US Embassy, New Delhi, India, 1956. (Architect: Edward Durrel Stone.)Made in Australia / 31 / AUG 64M / Encircled 82F (Handwritten)india, slide

Literature from the 26th National Folk Festival held in Canberra on the 16-20 April 1992. Program containing General Information, the Performers (including the Emu Creek Bush Band), Festival Map, the Programme and Dance Programme Information. Also leaflets: Visitors Guide, Program, Embassies in Canberra, University Halls of Residence Bruce Burton & Garran Halls Information for Visitors, Map of Australian National University, and an article titled 'Real Folk' with information about performers. Pioneer Performers Series Information Sheet April 1992 contains Introduction, Current Available Items, Current Projects, Forthcoming Events and Ramblings of a Modern Day Collector.entertainment, music, national folk festival, peter ellis collection, australian national university, 26th national folk festival canberra 1992, the monaro folk music society, emu creek bush band, wongawilli colonial dance club inc