On the 2nd of December, 1978, the official opening of the Rheumatism and Arthritis Association of Victoria's Action House was held, in conjunction with the inaugural Christmas fete. Action House was located on the grounds of the Royal Talbot Hospital in Kew. In this photo, a crowd gathers around a car pulling a trailer. Standing on the back of the trailer is a person dressed in a kangaroo costume and boxing gloves. On the back of the trailer, there is a sign promoting a new film Australian called "Matilda". The 1978 film is about a talent agent and his boxing kangaroo. B&W photo of a crowd gathered around a car and trailer, which is promoting the new Australian film, "Matilda". Standing on the back of the trailer is a person wearing a kangaroo costume and boxing gloves, dressed as the subject of the film, Matilda, the boxing kangaroo. There are some market stalls in the background.action house, rheumatism and arthritis association of victoria, raav, christmas family fun day, fete, fundraising, opening, market stalls, news review, royal talbot rehabilitation hospital, australian films, matilda, boxing kangaroo, 1978

Walkabout magazine Australia's way of life magazine. February 1969, price 40 cents. On the cover Australia's film makers, the art of the Boyds. The photo on the cover captures the dedication and concentration of Australia's film makers. Contents: Mail bag - Publisher's column - Two thousand weeks - journey to a lonely mountain - Those brilliant Boyds - Maldon, a museum piece - Our changing language - A paradox of geese - Above Barron waters - On the move - Book reviews.book, magazine, travel

This piece was written just after the Melbourne Film Festival, where no Australian feature film was shown. It mourns the lack of support for the Australian film industry - Canada has been able to do it, why can't we use this as a model?Typewritten (c copy), pencil edits, 2nd copy typewritten (c copy), quarto, 3 pages225c. in pencil on the side. On back of last page, blue biro sketch - a fireplace?film industry, canadian film industry, australian film industry, john grierson, robin boyd, manuscript

Discusses the Australian television program Whiplash and how the use of guns is not as necessary as in the American television industry. Technique, poetry and drama appear to be the basis for the Australian film industry.Handwritten, quarto, 7 pagesWritten on scrap paper at Page 5.whiplash, australian film industry, australian television industry, robin boyd, manuscript

The history of the blues performed by arrangement with Warner Chappell Music, imago Atlantis Pty Ltd, and the Australian Film and Theatre Development, with the assistance and support of the Perth Theatre Fund. Cast: Venetta Fields; Marcie Jones; Jenny Davis; Michael Edward-Stephens.coloured program: good conditionblues in the night, athenaeum theatre, elston hocking & woods, elston hocking and woods

6 round metal tins, some with film inside."The Australian Religious Film Society" on 3 of the tins. "A Tartan Filmstrip" on 1 tin. "Joseph Part 11" on 1 tin. film strips, photographic equipment containers

This disc was a project supported by the Festival of the Dreaming, a festival leading up to the 2000 Sydney Olympic Games.This disc is a significant research tool as it contains contemporary film of the early indigenous people of Australia.A video disc titled, The Dreaming Reels. it is a compilation of scenes from the Hadden expedition to the Torres Strait in 1898, Lake Tyers settlement, Northwest Scientific Exploration in the Kimberleys, the aboriginal camp at Orbost in 1921, the Douglas Wylie Expedition in 1926, Princess Charlotte Bay 1926-1927 and McRobertson's Expedition. It also contains footage from several Australian films depicting Aborigines. aboriginal-history dreaming

The chapters include: Justus Jorgensen &​ Montsalvat; the metamorphosis of the middle-class; the pise-de-terre connection; early building experiences; historic landmarks; the mud-brick revival; the Tarnagulla Dunolly Moliagul triangle; the Socio-Aesthetic Society; the renaissance of the Australian film industry; the Eltham inhabitants &​ their environment; the rediscovery of the Indigenous landscape; the Dunmoochin episode; the Dunmoochin potters; Clifton Pugh's success; the coming of the corporate state.Paperback; xiii, 143 p. : ill. ISBN: 0949909009justus jorgensen, clifton pugh, social customs

Bound compilation of notes about Julius Grant, Park Orchards orchardist, and his involvement with the Warrandyte community, Shire of Doncaster and Templestowe as Councillor, and participant in a Cairn Committee for erection of memorial at Anderson's Creek in Warrandyte marking Louis J. Michel and party rewarded by Government as discoverers of first goldfield in Victoria. Also includes substantial coverage of Grant's theatrical involvement, Australian films, and Adam Lindsay Gordon Memorial Committee. "An Old Stager remembered for much more than just the Louis Michel Gold Memorial Cairn."

MIchael Pate - renowned Australian actor and film makerHard cover - white with black and red lettering Black and red lettering on spine White dust cover with cartoon on "The Islanders" on front and photo of Michael Pate on back. Illustrated - 189 pages plus 3 indexDonated by BGO Y Mens Club on the 1st title pagebooks, military history

Photographs relating to Ballarat's Link with Pioneering in the Australian Film Industry. Near the spot depicted, in 1891, Captain Joseph Perry of the Salvation Army operated a Prison Gate Brigade Home on a rented property on Barley Street Ballarat East (since demolished). In the house he cared for prisoners who had been released from the Ballarat Gaol.. He also set up the Social Reform Wing photographic studio, and was it's sole operator. He used his photographic skills to publicise his work and to raise money. He also produced glass lantern slides. As part of the Salvation Army's Limelight department Joseph Perry produced "Sodiers of the Cross" (1900) and for the Australian Government Fedeation films in 1901, bith considered pioneer films in Australia.salvation army, joseph perry, prison gate brigade home, social reform wing photographic studio, barkly street ballarat east, pioneer films

A rare program from the time when films were shown at the Athenaeum Theatre while Frank Talbot leased the theatre. The program has a managerial announcement from Talbot announcing the new policy: "under which the theatre will be devoted exclusively to English and Australian pictures". The company supplying the British films was called British Dominion Films Ltd. Talbot also stated: "It will be part of the managerial policy to screen such Australian films as may be available". The films were preceded by "The Herald" news reel and "The Daily Dozen at the Zoo". The theatre orchestra, playing before and during interval was conducted by Mr J Kost. The music included "Tales of Vienna Woods by Johann Strauss and selections from Sullivan's "The Pirates of Penzance". The program represents a time when films were shown at the Athenaeum Theatre. Records indicate that graphic entertainments started with magic lantern slides in the 1890s and continued with silent movies. The first full-feature film shown in Australia was "The Story of the Kelly Gang" in 1906 at the Athenaeum Theatre and the first talkie to be shown in Victoria, "The Jazz Singer" shown in 1928. Later when Hoyts took over the lease, Cinemascope films were exhibited completing a history of film shown at this one theatre. paper program; 10 pages; coloured front page.

Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams, and the sketch was completed tin preparation for that portrait. Bruce Smeaton (born 5 March 1938) is an Australian composer who is well known for a variety of Australian film and television scores in all genres, including features, shorts, television, documentaries and advertisements.[1] His scores include Picnic at Hanging Rock, Seven Little Australians, Roxanne, Iceman, and Circle of Iron. He has won the Australian Film Institute 'Best Original Music Score' Award for The Cars That Ate Paris (1974), The Great McCarthy (1975), The Chant of Jimmie Blacksmith (1978) and Street Hero (1984, shared with Garth Porter and others). (Wikipedia).1) Portrait of Bruce Smeaton in oil on an unframed stretcher. .2) Charcoal sketch of the head of Bruce Smeatonwes walters, portrait, artist, artwork, bruce smeaton, musician, sketch, walters, alumni, available

This film is a curated collection of iconic early Australian films. There are three sequences. The first sequence consists of a segment of 1908 boxing match between Jack Johnson and Tommy Burns at Sydney Stadium, 1906 Hawthorn street scenes, and a 1909 VFL Football final. The second sequence consists of 1896 Melbourne Cup, 1906 Sydney street scenes and Baldwin Spencer footage of Australian indigenous ceremonial dance. The third sequence consists of a bush ranger scene from "Robbery Under Arms" (1920), a great escape scene from "The Sentimental Bloke" (1919) and Sydney Harbour boat chase from "Let George Do It" (1938). These sequences are repeated several times. These would have been selected by Robin Boyd for screening at the Australian Pavilion at Expo 70 in Osaka, where Robin Boyd was Exhibitions Architect. 16mm black and white silent film inside a circular metal canister with lid. Duration-39:33 minutes. Head out - Loose archival wind placed in archival film storage container.expo 70, jack johnson, tommy burns, melbourne cup, spencer baldwin, early australian film, robin boyd

B1904 in Surrey UK, Married Dr Margaret Trowell. In 1933 Ordained Presbyterian Church in England, Moved to Ipoh Malay, in 1942 Scots Church Sydney, 1943 Director of Audio Visual Education, Minister at StAidans North Balwyn 1951-1955, Director of Stewardship and Promotion 1956-1962, Managing Director Australian Religious Films Society, 1969-1977 Editor of Out Reach. Passed Away Nov 3 1983 St Andrew's Hospital Melbourne.B&W gloss waist length studio portrait of Rev. Hamilton Aiken. He is wearing his trademark bowtie, jacket and white shirt.rev. hamilton aiken; presbyterian minister; director stewardship and promotion; photography; australian religious film society; outreach journal

Height 25 cm, 160 pages, soft cover A soft cover book of 160 pages with black and white photos, newspaper clippings and other illustrations. It includes lists of principals, presidents of school council, house captains, SRC presidents, parents & friends association presidents, women's auxiliary presidents, male and female staff members, and all students who attended the school between 1941 and 1991. There is an extensive list of sources and acknowledgements.non-fictionA history of Camberwell High School from its beginnings in fighting for a school to be built and finally opening for business in 1941. It includes a list of students from 1941-1991. Also a list of female staff and male staff, as well as House Captains, Women's Auxiliary Presidents, Head Prefects, Student Representative Council - Presidents. It also details the School Uniform Policy. It details the growth in the early years, building on the foundations and the modern times, including some troubled years.education and research, secondary schools, school plays, school committees, robert d ewins, camberwell high school, education, camberwell high ex-students society, kylie monogue, elida brereton, robert manne, dannii monogie, brian naylor

EDHS Newsletter No. 272 October 2023 Our next meeting will be a special evening, if not a little unusual. On pages 3 and 4 in this newsletter edition there are articles about Eltham Films, with particular reference to the film ‘The Prize’, made by Tim Burstall in 1958/59. As Burstall had strong connections with Eltham it would have been an easy decision for him and his associates to use the local area as the setting for his first film. Following this film Burstall went on to make many more. He became a key figure in Australian postwar cinema and was instrumental in helping to rebuild the Australian film industry, at a time when it had been effectively dead for years. At this EDHS meeting we will view this film, or should we say review this film, stopping at times to attempt to identify the main actors and where certain scenes were filmed around Eltham. Some locations may be more obvious than others. The actors are mainly children playing the characters in the film. So this will be an exercise in identifying people and places, whilst enjoying the rare opportunity to view a valued example of early Eltham film history.1:12:11 duration Digital MP3 file; 24.7MBaudio recording, eltham district historical society, meeting, society meeting, eltham, eltham films, guest speaker, the prize (film), tim burstall

These papers held by the National Library of Australia focus on the film “Borrowed Plumes” shot entirely in Eltham over ten days in October 1927. Some of the location shots are of Main Road near the bridge taken a year after the concrete bridge was opened.borrowed plumes (film), donald havelock mather, eltham, eltham south, kooringoorama films, main road, main road bridge, wingrove park

The Australian premiere of the film The Dam Busters was screened at the Windsor Theatre on 2nd of May 1956. It was attended by the Governor of Victoria, General Sir Dallas Brooks and his wife, Lady Brooks. Proceeds from the evening was donated to Melbourne Legacy and The Air Force Association.A record that Legacy used film screenings for a fundraising event. It was attended by the Governor who was patron of Legacy.Printed programme of a film premiere in aid of Legacy, cover has the 617 squadron emblem. Black and white photos and advertising inside. A glossy card cover and paper pages, with a decorative ribbon in the side. Also a ticket wallet with a Lancaster bomber image.fundraising, governor of victoria, gala performance

From the labels and note this is a film of a Fashion Parade held by Legacy for fund-raising purposes. It was recorded by the Australian Broadcasting Commission (ABC) and the film given to Legacy. The full details are not known except it was held on 24 July 1967 as this film has not been watched. Melbourne Legacy has held many events through the years including gala performances of films and gown of the year events in the 1950s.A record that Legacy held many events over the years to promote Legacy, to fundraise or to showcase the organisation (such as in the Annual Demonstrations). Film in a cardboard box with title Fashion Parade 1967.Cardboard box, Fashion Parade 1967 (written with blue ball point pen). Paper inscription, 'With the complements of the Australian Broadcasting Commision'. Film, B.C. TV No NKV1442, date 24-7-67, subject Fashion Parade, ftge dur D 7/8 fundraising, gala performance

Diaries of Tim Burstall November 1953 to December 1954. Tim Burstall lived in Eltham. Tim Burstall, the celebrated director of Stork, Alvin Purple and numerous other definitive 'ocker' comedies, is credited with shaking the moribund Australian film industry out of its torpor. But long before that, in the early 1950s, he began keeping a diary to record the world of the group of 'arties' and 'intellectuals' he was living among in Eltham, then a rural area outside Melbourne, where cheap land was available for mudbrick houses and studios, and where suburban rigidities could be mercilessly flouted. Burstall was in his mid-twenties, with two young sons and an open marriage with his wife, Betty. Eager to become a writer, to go against the grain, he kept a record almost daily-of the parties and the talk in pubs and studios, about art and politics and sex, of Communist Party branch meetings and film societies, of political rallies and the first Herald Outdoor Art Show. Somehow, while holding down a public relations job in the Antarctic Division and juggling his love affairs and obsession with the beautiful, brainy Fay, he wrote 500 words almost every day. Betty, according to the diaries, kept the show on the road, feeding friends after the pub, milking goats and working in her pottery making bowls and mugs, which Tim sometimes decorated at weekends. These Memoirs of a Young Bastard, as Burstall dubbed himself and them, are among the most evocative Australian diaries of modern times. Burstall can write. He has an eye for the telling detail, an unerring ear for cant and pomposity and, most endearingly, an ability to mock himself-always from the perspective of a bloke of his generation. Source: Publisherxxiv, 343 p., [18] p. of plates : ill., maps, ports., facsims. ; 27 cm.ISBN 9780522858143diary, motion picture director, film director, author

Mirrabooka means Southern Cross. The Melbourne Movie Club was established for those interested in Moving Pictures and all its branches. 'A place to go to spend a few leisure hours, a select dance, parties, picnics, amusements, to learn the art of picture acting and make up, to take part in the Company's productions, dramatic art, to have a jolly good time, etc.' The Melbourne Movie Club has a spacious premises at 184 Exhibition Street, Melbourne, with a floor space of 10,000 square feet, where scenes and sets were erected for the use of Club Members. The Club had full moving picture producing equipment such as big light plant, stage effects, scenery, and cameras. The Melbourne Movie Club saw themselves ad the nursery and basis for a National Film Industry. .1) The secretary was Burnard W. Morey (AICA), the director was L. Morton, and the Managing director of Mirrabooka Films was James Weston. .2) The Managing Director was Louis Morton, the director was Ivan Morton, the Manager Robert Spencer and the organiser and Producer was W. Winford.Two booklets relating to the Melbourne Movie Club. .1) Eight page white booklet of the Melbourne Movie Club - The Mirrabooka Films Pty Ltd. The booklet discusses the place of film in Australia. .2) Eight page pink booklet of the Melbourne Movie Club.melbourne movie club, movie, theatre, james weston, mirrabooka, mirrabooka films, burnard morey

This photograph shows actor Colin Friels dressed in a driver's uniform and cap sitting in a small open-air four-wheel 'tram' at the front of the Brunswick Depot car shed. The photo depicts a scene from the Australian made feature film 'Malcolm' with Colin Friels playing the lead character Malcolm. The destination blind shows 'Brunswick' and in the mid-ground at the entrance of the shed is W5 class tram 765 displaying 'East Coburg 1'. The four tram wheels used on the short tram were recycled from a cable tram. Yields information about well known Australian film MalcolmBlack and white photograph stuck on white cardboard, no notestram, brunswick depot, malcolm, movie, colin friels, tram 765