Calendar made for the "McCallum House Appeal. Three artists were involved by producing black and white sketches of areas in Ballarat. Peter Bryan was born in Castlemaine and studied architecture. Exhibited his work and his paintings are included in private collections. William Mansel Bolitho was a full time teacher at Ballarat North Technical School. He was admitted as a member of the Australian Guild of Realist Artists, c1980. Graham Hawley was born in Bendigo and studied at the Bendigo School of Mines and RMIT. He lectured in graphic design at the Ballarat College of Advanced Education.1983 calendar with drawings of Ballarat scenes by Graham Hawley, Peter Bryan and Bill Bolitho.calendar, mccallum house appeal, artists, pictorial ballarat, peter bryan, mansel bolitho, graham hawley, australian guild of realist artists

Robert Thomas Miller Born in Melbourne in 1916 Studied commercial art at RMIT and for many years worked as graphic designer and design director at ACI Ltd. Member of the Victorian Artists's Society (Council member since 1965), Australian Guild of Realist Artists, Old Water Colour Society Club (past president), Australian Watercolour Institute, Hughesdale Arts Group (past president), Burnie (Tas.) Coastal Art Group. His watercolours have won over 40 major awards, including Victorian Artists' Society, 1973 Artist of the Year Award, and the Rotary Club of Camberwell Watercolour Prize (twice). Represented in many Australian collections both public and private.Maritime artRobert T. Miller, Mission to Seafarers Victoria CollectionA framed and glazed mat mounted watercolour painting by award winning artist Robert T Miller in ''landscape" format showing moored, masted ships; The modern frame is of moulded or carved wood with appearance of brushed gilt type gilding; image is mounted with pale grey window mount; Backing sealed with paper wire strand hanging system;Artist signed front lower right corner of painting in black ink; no date; sepia label adhered on top centre Verso with artist bio and brief CV ; Other exhibition labels adhered ; inscription describing acquisition and title of work; ( details TBA) M3 in black markerharbour, dockside, artwork, marine art, robert thomas miller, robert t. miller, watercolour, artwork-paintings

Robert Thomas Miller Born in Melbourne in 1916 Studied commercial art at RMIT and for many years worked as graphic designer and design director at ACI Ltd. Member of the Victorian Artists's Society (Council member since 1965), Australian Guild of Realist Artists, Old Water Colour Society Club (past president), Australian Watercolour Institute, Hughesdale Arts Group (past president), Burnie (Tas.) Coastal Art Group. His watercolours have won over 40 major awards, including Victorian Artists' Society, 1973 Artist of the Year Award, and the Rotary Club of Camberwell Watercolour Prize (twice). Represented in many Australian collections both public and private.Maritime ArtRobert T. Miller, Mission to Seafarers Victoria CollectionContemporary framed in limed wood, mounted and glazed watercolour painting by R.T. MILLER in portrait format. Mat mount is white. Image features freighter with black hull at mooring in dockland setting; wire hanging systemInterpretation label adhered to back, includes photographic portrait of the artist Value on label Signature M4 in black markermarine painting, port melbourne, artwork, docklands, tug boat, robert thomas miller, robert t. miller, r.t. miller, artwork-paintings, tugboat

Noel COUNIHAN (04 Oct 1913 - 05 Jul 1986) This lino cut is the second largest version of Counihan's Laughing Christ series of linocuts from the 1970s. Janet McKenzie in her book 'Noel Counihan' (1986, p. 25) uses Counihan's quote in his description of the Laughing Christ series of art works: "Once again the armies of the Western world were moving against people behind the image of Christ: they were Christian armies. The American and Australian armies in Vietnam had their chaplains with them and were slaughtering Buddhists, as well ironically enough, as Vietnamese Catholics". Counihan's fury at the blood shed and massacre of war behind the image of Jesus is evident in his ironic portrayal of a Laughing Christ. Was this what Jesus was about? Not likely! This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. Description by Dr Susan Paterson Framed linocut, the second large version of the Laughing Christ series. The linocut was commissioned by the Print Council of Australia for members' annual subscription and printed on Japanese paper by William Caulfield & Sons, Melbourne.art, artwork, noel counihan, counihan, printmaking, available, christ, linocut printmaking, print council of australia, workers art guild, social realist, social realism, expressionist artist