The Southern Cross Hotel on the corner of Bourke and Exhibition Streets was opened in 1962. It was built on the footprint of the Eastern Market. The hotel was closed in 1995 and demolished in 2003. Ernest 'Nitz' Dorn was a photographer at the hotel with his own studio in the building. Customised packet of Southern Cross Hotel matches faced with a photograph of a woman on the front.Southern Cross Hotel Melbourne, Australia / Photography by Ernest Dorn / 63 8930matches, ernest dorn, southern cross hotel

Two typed pages - the 'Report of the Australian photography Conference held at Prahran College of Advanced Education, September, 1980'. Report given by J. D. Berry. friends of the bendigo library, photography

Anne Scott Wilson is a video and photography artist interested in memory, motion and the body. Her work often experiments with movement and light exposure over time. The images in Fly Rhythm series record landscapes from the Dandenong Ranges to Altona and were produced for an exhibition at the Wyndham Art Gallery called EXPERIMENT in 2012.australian art, photography, australian photography, female artist, landscape

Frank Hurley (1885-1962) was an Australian photographer and adventurer. He participated in trips to Antartica and was an official photographer with the Australian forces during both world wars. This book was first published in 1955.Photographs include the Hume Reservoir, Mt Buffalo and the Alpine High Country of Mt Kosciusko. (pages 140-144) All are associated with the type of country at each end of the Kiewa River. The Kiewa River flows into the Murray River just below the Hume Dam and Mt Buffalo and Mt Kosciusko are part of the Alpine High country near the Bogong High Plains. Clare Roper lived on a farm in the Kiewa Valley.Blue hard cover, bound book with the title in gold at the top. 208 pages. Mostly Black & white photos but some coloured.Inside back of first page - written 'Clare Roper'frank hurley photographer, australian photography, clare roper

Large Format Hardcover w/ Dust JacketSigned by Andrew Grimwade, Clifton Pugh and Mark Strizic, Volume number 616 0f 1200. "Royal Parking" Car Claim Check ticket inside front cover. Most colour plates have come unglued and are loose between pages.clifton pugh, mark strizic, australian photography, portrait, walsh st library

From its beginnings in 1958, the Society has mounted exhibitions and/or displays, in early days in shop windows and in community spaces located in the Kew City Hall (later Kew Library), and since 2010 at the Kew Court House. Exhibitions typically coincided with the annual Kew Community Festival in March, but after 2013 evolved into three new exhibitions yearly at the Kew Court House. Smaller displays continue to be mounted in the Kew Library.Born digital series of photographs of an exhibition focusing on the World War I work of the Kew photographer, Josiah Earl Barnes, also known as 'the embarkation photographer'. All the images in the exhibition were lent by three of his descendants. The exhibition formed the Kew Historical Society's major contribution to the Gallipoli and Beyond Commemorations. photographers - kew (vic) - josiah earl barnes, j.e. barnes - the embarkation photographer, australian photography - world war 1 - 1914-1918, wwi

Aubrey Comben is a Filmmaker & Photographer based in Melbourne, Australia. Graduate of Photography at RMIT and Masters of Film & Television, VCA. Passionate in documentary storytelling, through still and moving imagery. Aubrey completed his undergraduate degree in Photography at RMIT University, Melbourne. Primarily focusing on documentary photography, Aubrey has exhibited his work both nationally and Internationally. Wanting to expand on his expertise in the documentary field, Aubrey gained admission to Victorian College of Arts, Masters of Film & Television(Documentary) program. During his time a VCA, Aubrey has crewed on numerous films, predominantly as a DOP. His own films have seen success with his first, A Pier into The World, receiving best first semester documentary and his second, Give a Dog a Bone screening at the Setting Sun Film Festival. Aubrey's most recent film, Restoration Island, screened at the Melbourne Documentary Film Festival, where it received a nomination for Best Short Documentary. Aubrey currently works for Deakin University, where he is helping produce 360 degree films for a new immersive teaching space, which is being developed at the Geelong Waurn Ponds campus. Purchased $250australian photography, local community

Anne Scott Wilson is a video and photography artist interested in memory, motion and the body. Her work often experiments with movement and light exposure over time. The images in Fly Rhythm series record landscapes from the Dandenong Ranges to Altona and were produced for an exhibition at the Wyndham Art Gallery called EXPERIMENT in 2012.australian art, australian photography, photography, female artist, landscape

Anne Scott Wilson is a video and photography artist interested in memory, motion and the body. Her work often experiments with movement and light exposure over time. The images in Fly Rhythm series record landscapes from the Dandenong Ranges to Altona and were produced for an exhibition at the Wyndham Art Gallery called EXPERIMENT in 2012.australian art, australian photography, photography, female artist, landscape

Anne Scott Wilson is a video and photography artist interested in memory, motion and the body. Her work often experiments with movement and light exposure over time. The images in Fly Rhythm series record landscapes from the Dandenong Ranges to Altona and were produced for an exhibition at the Wyndham Art Gallery called EXPERIMENT in 2012.australian art, australian photography, female artist, photography, landscape

Anne Scott Wilson is a video and photography artist interested in memory, motion and the body. Her work often experiments with movement and light exposure over time. The images in Fly Rhythm series record landscapes from the Dandenong Ranges to Altona and were produced for an exhibition at the Wyndham Art Gallery called EXPERIMENT in 2012.australian art, australian photography, photography, female artist, landscape

Anne Scott Wilson is a video and photography artist interested in memory, motion and the body. Her work often experiments with movement and light exposure over time. The images in Fly Rhythm series record landscapes from the Dandenong Ranges to Altona and were produced for an exhibition at the Wyndham Art Gallery called EXPERIMENT in 2012.australian art, australian photography, photography, female artist, landscape

Anne Scott Wilson is a video and photography artist interested in memory, motion and the body. Her work often experiments with movement and light exposure over time. The images in Fly Rhythm series record landscapes from the Dandenong Ranges to Altona and were produced for an exhibition at the Wyndham Art Gallery called EXPERIMENT in 2012.australian art, australian photography, photography, female artist

Aubrey Comben is a Filmmaker & Photographer based in Melbourne, Australia. Graduate of Photography at RMIT and Masters of Film & Television, VCA. Passionate in documentary storytelling, through still and moving imagery. Aubrey completed his undergraduate degree in Photography at RMIT University, Melbourne. Primarily focusing on documentary photography, Aubrey has exhibited his work both nationally and Internationally. Wanting to expand on his expertise in the documentary field, Aubrey gained admission to Victorian College of Arts, Masters of Film & Television(Documentary) program. During his time a VCA, Aubrey has crewed on numerous films, predominantly as a DOP. His own films have seen success with his first, A Pier into The World, receiving best first semester documentary and his second, Give a Dog a Bone screening at the Setting Sun Film Festival. Aubrey's most recent film, Restoration Island, screened at the Melbourne Documentary Film Festival, where it received a nomination for Best Short Documentary. Aubrey currently works for Deakin University, where he is helping produce 360 degree films for a new immersive teaching space, which is being developed at the Geelong Waurn Ponds campus. australian photography, local community

Aubrey Comben is a Filmmaker & Photographer based in Melbourne, Australia. Graduate of Photography at RMIT and Masters of Film & Television, VCA. Passionate in documentary storytelling, through still and moving imagery. Aubrey completed his undergraduate degree in Photography at RMIT University, Melbourne. Primarily focusing on documentary photography, Aubrey has exhibited his work both nationally and Internationally. Wanting to expand on his expertise in the documentary field, Aubrey gained admission to Victorian College of Arts, Masters of Film & Television(Documentary) program. During his time a VCA, Aubrey has crewed on numerous films, predominantly as a DOP. His own films have seen success with his first, A Pier into The World, receiving best first semester documentary and his second, Give a Dog a Bone screening at the Setting Sun Film Festival. Aubrey's most recent film, Restoration Island, screened at the Melbourne Documentary Film Festival, where it received a nomination for Best Short Documentary. Aubrey currently works for Deakin University, where he is helping produce 360 degree films for a new immersive teaching space, which is being developed at the Geelong Waurn Ponds campus. australian photography, local community

Aubrey Comben is a Filmmaker & Photographer based in Melbourne, Australia. Graduate of Photography at RMIT and Masters of Film & Television, VCA. Passionate in documentary storytelling, through still and moving imagery. Aubrey completed his undergraduate degree in Photography at RMIT University, Melbourne. Primarily focusing on documentary photography, Aubrey has exhibited his work both nationally and Internationally. Wanting to expand on his expertise in the documentary field, Aubrey gained admission to Victorian College of Arts, Masters of Film & Television(Documentary) program. During his time a VCA, Aubrey has crewed on numerous films, predominantly as a DOP. His own films have seen success with his first, A Pier into The World, receiving best first semester documentary and his second, Give a Dog a Bone screening at the Setting Sun Film Festival. Aubrey's most recent film, Restoration Island, screened at the Melbourne Documentary Film Festival, where it received a nomination for Best Short Documentary. Aubrey currently works for Deakin University, where he is helping produce 360 degree films for a new immersive teaching space, which is being developed at the Geelong Waurn Ponds campus. australian photography, local community

Aubrey Comben is a Filmmaker & Photographer based in Melbourne, Australia. Graduate of Photography at RMIT and Masters of Film & Television, VCA. Passionate in documentary storytelling, through still and moving imagery. Aubrey completed his undergraduate degree in Photography at RMIT University, Melbourne. Primarily focusing on documentary photography, Aubrey has exhibited his work both nationally and Internationally. Wanting to expand on his expertise in the documentary field, Aubrey gained admission to Victorian College of Arts, Masters of Film & Television(Documentary) program. During his time a VCA, Aubrey has crewed on numerous films, predominantly as a DOP. His own films have seen success with his first, A Pier into The World, receiving best first semester documentary and his second, Give a Dog a Bone screening at the Setting Sun Film Festival. Aubrey's most recent film, Restoration Island, screened at the Melbourne Documentary Film Festival, where it received a nomination for Best Short Documentary. Aubrey currently works for Deakin University, where he is helping produce 360 degree films for a new immersive teaching space, which is being developed at the Geelong Waurn Ponds campus. australian photography, local community

Aubrey Comben is a Filmmaker & Photographer based in Melbourne, Australia. Graduate of Photography at RMIT and Masters of Film & Television, VCA. Passionate in documentary storytelling, through still and moving imagery. Aubrey completed his undergraduate degree in Photography at RMIT University, Melbourne. Primarily focusing on documentary photography, Aubrey has exhibited his work both nationally and Internationally. Wanting to expand on his expertise in the documentary field, Aubrey gained admission to Victorian College of Arts, Masters of Film & Television(Documentary) program. During his time a VCA, Aubrey has crewed on numerous films, predominantly as a DOP. His own films have seen success with his first, A Pier into The World, receiving best first semester documentary and his second, Give a Dog a Bone screening at the Setting Sun Film Festival. Aubrey's most recent film, Restoration Island, screened at the Melbourne Documentary Film Festival, where it received a nomination for Best Short Documentary. Aubrey currently works for Deakin University, where he is helping produce 360 degree films for a new immersive teaching space, which is being developed at the Geelong Waurn Ponds campus. australian photography, local community

Jokulsarlon is a glacial lagoon on the south coast of Iceland. It is formed by ice breaking off the Breidamerkurjokull in the Vatnajokull National Park. The ice floats out to sea through a narrow channel and is often washed back onto the black lava sand beach by tides and storms. This area is frequently battered by wind and heavy rain and received a lot of ash and dust from the 2010 eruption. The images in this exhibition were taken over several visits: never in good weather. They are my interpretation of the wild beauty in this ever-changing landscape of rock and ice. australian photography, iceland, landscape

Jokulsarlon is a glacial lagoon on the south coast of Iceland. It is formed by ice breaking off the Breidamerkurjokull in the Vatnajokull National Park. The ice floats out to sea through a narrow channel and is often washed back onto the black lava sand beach by tides and storms. This area is frequently battered by wind and heavy rain and received a lot of ash and dust from the 2010 eruption. The images in this exhibition were taken over several visits: never in good weather. They are my interpretation of the wild beauty in this ever-changing landscape of rock and ice. australian photography, iceland, landscape

Jokulsarlon is a glacial lagoon on the south coast of Iceland. It is formed by ice breaking off the Breidamerkurjokull in the Vatnajokull National Park. The ice floats out to sea through a narrow channel and is often washed back onto the black lava sand beach by tides and storms. This area is frequently battered by wind and heavy rain and received a lot of ash and dust from the 2010 eruption. The images in this exhibition were taken over several visits: never in good weather. They are my interpretation of the wild beauty in this ever-changing landscape of rock and ice. australian photography, iceland, landscape

Jokulsarlon is a glacial lagoon on the south coast of Iceland. It is formed by ice breaking off the Breidamerkurjokull in the Vatnajokull National Park. The ice floats out to sea through a narrow channel and is often washed back onto the black lava sand beach by tides and storms. This area is frequently battered by wind and heavy rain and received a lot of ash and dust from the 2010 eruption. The images in this exhibition were taken over several visits: never in good weather. They are my interpretation of the wild beauty in this ever-changing landscape of rock and ice. australian photography, iceland, landscape

Jokulsarlon is a glacial lagoon on the south coast of Iceland. It is formed by ice breaking off the Breidamerkurjokull in the Vatnajokull National Park. The ice floats out to sea through a narrow channel and is often washed back onto the black lava sand beach by tides and storms. This area is frequently battered by wind and heavy rain and received a lot of ash and dust from the 2010 eruption. The images in this exhibition were taken over several visits: never in good weather. They are my interpretation of the wild beauty in this ever-changing landscape of rock and ice. australian photography, iceland, landscape

Jokulsarlon is a glacial lagoon on the south coast of Iceland. It is formed by ice breaking off the Breidamerkurjokull in the Vatnajokull National Park. The ice floats out to sea through a narrow channel and is often washed back onto the black lava sand beach by tides and storms. This area is frequently battered by wind and heavy rain and received a lot of ash and dust from the 2010 eruption. The images in this exhibition were taken over several visits: never in good weather. They are my interpretation of the wild beauty in this ever-changing landscape of rock and ice. australian photography, iceland, landscape

Jokulsarlon is a glacial lagoon on the south coast of Iceland. It is formed by ice breaking off the Breidamerkurjokull in the Vatnajokull National Park. The ice floats out to sea through a narrow channel and is often washed back onto the black lava sand beach by tides and storms. This area is frequently battered by wind and heavy rain and received a lot of ash and dust from the 2010 eruption. The images in this exhibition were taken over several visits: never in good weather. They are my interpretation of the wild beauty in this ever-changing landscape of rock and ice. australian photography, iceland, landscape

Jokulsarlon is a glacial lagoon on the south coast of Iceland. It is formed by ice breaking off the Breidamerkurjokull in the Vatnajokull National Park. The ice floats out to sea through a narrow channel and is often washed back onto the black lava sand beach by tides and storms. This area is frequently battered by wind and heavy rain and received a lot of ash and dust from the 2010 eruption. The images in this exhibition were taken over several visits: never in good weather. They are my interpretation of the wild beauty in this ever-changing landscape of rock and ice. australian photography, iceland, landscape

Jokulsarlon is a glacial lagoon on the south coast of Iceland. It is formed by ice breaking off the Breidamerkurjokull in the Vatnajokull National Park. The ice floats out to sea through a narrow channel and is often washed back onto the black lava sand beach by tides and storms. This area is frequently battered by wind and heavy rain and received a lot of ash and dust from the 2010 eruption. The images in this exhibition were taken over several visits: never in good weather. They are my interpretation of the wild beauty in this ever-changing landscape of rock and ice. australian photography, iceland, landscape

Jokulsarlon is a glacial lagoon on the south coast of Iceland. It is formed by ice breaking off the Breidamerkurjokull in the Vatnajokull National Park. The ice floats out to sea through a narrow channel and is often washed back onto the black lava sand beach by tides and storms. This area is frequently battered by wind and heavy rain and received a lot of ash and dust from the 2010 eruption. The images in this exhibition were taken over several visits: never in good weather. They are my interpretation of the wild beauty in this ever-changing landscape of rock and ice. australian photography, iceland, landscape

Hayley’s work intricately weaves multifaceted Indigenous feminine narratives, offering poignant reflections on identity, spirituality, and the human psyche, rooted deeply in her personal experiences and cultural identity. Centring on the nuanced psychological landscapes of Indigenous women, Hayley portrays their profound emotional and mental depth while exploring culturally influenced perspectives that honour their indomitable spirit and innate spirituality. Employing her conceptual and abstract artistic vision, Hayley utilises oblique storytelling techniques to challenge conventions and push boundaries in photography, collage, film, and video. Her work resonates with deep emotional intensity, inviting audiences on evocative and non-linear journeys of discovery and interpretation that unfold and evolve over time.In Life, In Death series australian photography, first nations photography, female photographer, identity, spirituality, first nations

Burrundy (Dark) Sky Part 2 (Mali Marrng/Mallee Sky series) 2022 by Gail Harradine and collaborator Belinda Eckermann explores First Nations Peoples kinship to the land, waterways and sky. This work is part of a significant series that gives form to the invisible and unseen personal, familial and community narrative of connection to landscape. Gail Harradine and Belinda Eckermann’s first-time collaboration merges digital photography, entomological research, electron microscopic imaging and First Nations cultural practices, to explore a shared knowledge and connection to the landscape around Lake Albacutya –Ngalukgutya in Victoria Mallee region. The work fits into the Wyndham Art Gallery curatorial collection theme of First Nations Foregrounding and Futurism: Foregrounding Frist Nations knowing and being as a way to work with place, story and connection; and works to engage with new mediums and forms of artmaking engaging with new technologies and innovation in creative making. Gail Harradine Gail Harradine is a Wotjobaluk, Jadawadjali, Djubagalk artist, curator, and educator. Growing up in Dimboola, Victoria, Gail was nurtured by a staunch family in the heart of Wotjobaluk Country. She has completed eight years of study, including a Postgraduate in Art Curatorial Studies (with Thesis) at Melbourne University and a Master of Arts (Arts Management) with Distinction in 2022 at RMIT. Gail's longstanding arts practice is deeply influenced by family history, identity, kinship, and connection. She is passionate about expanding and reflecting on the concepts of truth and integrity in valuing cultural knowledge. In her work, meaning and memory converge through photography, prints, and painting, using symbolic layers intertwined with dynamic figures and ceremonial landscapes. This creates a world that merges Creation Stories with personal tragedy and triumph. Belinda Eckermann Belinda Eckermann lives and works in Victoria’s Wimmera/Mallee Region. Her current practice is intrinsically tied to her local environment. In 2013, she undertook her Masters in Visual Arts. She currently investigating the native Bardi Grub and Rain Moth and modes of incorporating their natural interventions with their environment into her creative practice. Eckermann has exhibited regularly throughout regional Victoria since 2009 and recently won Best Emerging Artist at the Knox Immerse Festival. She is also the Founder and Director of Turbo Gallery, Rainbow, Victoria. australian first nations art, first nations photography, cultural story, identity, australian photography, first nations