Notes for instructors when coaching tank crew commandersOrange covered booklet " Royal Australian Armoured Corps Tactics Wing Aide Memoire for Cupola Jockeys.". Fifteen pages, 'in house' publication, stapled.

Australia received Centurion tanks in 1952 and used British training pamphlets for training purposes while specific materials were prepares for Australian conditions and tactics.Representative of training materials used in early years of Centurion tank training in the Royal Australian Armoured Corps.Grey covered booklet "The Technique of Shooting from AFVs", 1952.centurion tank, training, afv, shooting, military

Telling Stories looks at the place of life stories and of memory in history: who tells life stories: the purpose for which they are told: the role of story and history in the politics of land claims: and the way language impacts on research and writing. Contents: Introduction /? Bain Attwood and Fiona Magowan 1. Indigenous Australian life writing: tactics and transformations /? Penny van Toorn 2. Stories for land: oral narratives in the Maori Land Court /? Ann Parsonson 3. Crying to remember: reproducing personhood and community /? Fiona Magowan 4. The saga of Captain Cook: remembrance and morality /? Deborah Bird Rose 5. Encounters across time: the makings of an unanticipated trilogy /? Judith Binney 6. In the absence of vita as genre: the making of the Roy Kelly story /? Basil Sansom 7. Autobiography and testimonial discourse in Myles Lalor's 'oral history' /? Jeremy Beckett 8. Taha Maori in the DNZB: a Pakeha view /? W. H. Oliver 9. Maori land law and the Treaty claims process /? Andrew Erueti and Alan Ward 10. 'Learning about the truth': the stolen generations narrative /? Bain Attwood.B&w photographsindigenous history, maori history, oral histories

Taken some time between 1914-18, depicted is a large group of unidentified males. Four of them are dressed in Australian military uniforms. The remaining 19 men are dressed in striped uniforms. The male in the centre of the front row is cradling a football, suggesting that the group was part of a football or rugby league team. It is believed that the soldiers in this photograph were part of the Australian Imperial Force. This can be inferred by the chevron rank insignia visible on their uniforms. The placement of this insignia on the sleeve of the right arm suggests that this soldier was either a Warrant Officer or a Non-Commissioned Officer (NCO). Additionally, they are also wearing 'Rising Sun' collar badges on their coats. Australia, unlike most other Commonwealth countries, did not adopt metal regimental badges during the First World War. All units were issued with the Australian Army General Service Badge, better known as the 'Rising Sun’ badge. This insignia is almost always identified with the Australian Imperial Force. Sport has always been entwined with war. Both sport and war demand peak physical fitness, camaraderie, strategy, and allegiance to a team collaboratively working towards a common goal: to win. The connection between sport and war is especially strong in Australia since these two concepts form the basis of our national identity. The Australian War Memorial has a number of World War I recruitment posters linking war and sport in its collection. One of the posters produced in 1915 by the State Parliamentary Recruiting Committee in Victoria attempted to shame young men into enlisting by juxtaposing the image of an Australian soldier standing guard over his deceased mate with a photograph of a Victorian Football League match. Another poster, produced in 1917, features vignettes of different sports including cricket, bowling, boxing, kayaking and golf. Its slogan reads, "Join Together - Train Together - Embark Together - Fight Together: Enlist in the Sportman's 1000".The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day. Additionally, the record presents a unique opportunity to further explore the relationship between the arts, sport and war. This statement of significance has already established that war is integral to Australia's national identity - and sport is of equal importance. Specifically, the record begs to question how the peak physical fitness and camaraderie valued in team sports were creatively translated into military recruitment campaigns during World War I. Evidently, this record and its historic context demonstrates that there is potential here, and if further research is completed on this topic, it may provide insight into Australian military recruitment tactics used in the past and present, and into the future.Sepia rectangular photograph printed on matte photographic paper mounted on card.Reverse: 6529 / hyossest (?) / (?)1/11/1 /military album, army, military, war, wwi, world war i, sport, football, rugby, aif, australian imperial force

1. 2. 3. This is an English book designed for WW2. 4. This is an Australian book designed for WW2. 5. This is a British Commonwealth Book. GB, NZ, Aust.1. Home Guard Handbook - red buckram cover. Blue and black printing, it has 126 pages of text and weapon drawings. Author John Brophy. 2. Home Guard Fieldcraft Manual. Green buckram cover, black print, small book and map of Australia on front. 171 pages of text and drawings and photos. Author Major John Langdon-Davies. 3. Advance Training for the Home Guard. Author John Brophy. This book has a blue buckram cover. Printing is in black ink. It has 142 pages of text and drawings. 4. The essentials of training for the home guard, Weapons and minor Infantry tactics. Author Capt. A.S. Keighley ex AIF . 36 pages and drawings. 5. The Home Guard in the Field. Light blue cardboard cover. 52 pages of text and drawings.1. Marked on the top is “1/9” 2. First page has “3/3” written in pencil. 3. Front cover has a tattered label from “McGills Agency, Elizabeth St, Vic” 4. Marked on front in pencil “5/8” Also has a round sticky label from “Albury Book Bazaar” 5. Rubber stamp on front cover from McGills Agency.ww2, home guard, manuals

This is an Administrative Instruction setting out all aspects of the Army Survey Regiment Regimental Training Exercise "Odd Angry Surveyor" during the period 30 Apr - 12 May 1984. The Exercise conducted in two phases, Phase One- being theory lessons in a number of aspects of Infantry Minor Tactics at Section Level, whilst Phase Two- was putting into practice the lessons from Phase One.Light carboard covered A4 paper report stapled on left hand sideroyal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

This is a set of 31 photographs of Army Survey Regiment personnel undertaking regimental training in the Wellsford Forest, Bendigo, c1988. The aim of the training was to provide personnel a practical knowledge of infantry and minor tactics at the section level, navigation and map reading, RATEL and Survival in the Field. This is a set of 31 photographs of the Army Survey Regiment undertaking regimental training in the Wellsford Forest, Bendigo. c1988. The photographs were printed on photographic paper and negatives are on 35mm film. They are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi and negatives at 96 dpi .1) - Photo, black & white, c1988, unidentified personnel. .2) - Photo, black & white, c1988, CPL Terry ‘TJ’ Wicker 3rd from right. .3) - Photo, black & white, c1988, unidentified personnel. .4) - Photo, black & white, c1988, unidentified personnel. .5) - Photo, black & white, c1988, L to R: CPL Steve Coulson, unidentified. .6) - Photo, black & white, c1988, L to R: SPR Kerron South, unidentified – radio, unidentified personnel, SPR Wally Twidale. .7) - Photo, black & white, c1988, unidentified – radio, .8) - Photo, black & white, c1988, L to R: CPL John Bettridge, SPR Wally Twidale, SPR Shane ‘Soupy’ Campbell. .9) - Photo, black & white, c1988, SPR Kerron South .10) - Photo, black & white, c1988, L to R: unidentified, CPL Terry ‘TJ’ Wicker, unidentified. .11) - Photo, black & white, c1988, unidentified personnel. .12) - Photo, black & white, c1988. .13) - Photo, black & white, c1988. .14) - Photo, black & white, c1988, L to R: unidentified personnel, SPR Kerron South .15) - Photo, black & white, c1988, unidentified, CPL Terry ‘TJ’ Wicker, unidentified. .16) - Photo, black & white, c1988, L to R: unidentified personnel, SPR Jim Ash. .17) - Photo, black & white, c1988, MAJ Rene van den Tol .18) - Photo, black & white, c1988, L to R: WO2 Pat Lumsden, SPR Sue (Foote) Bourne. .20) - Photo, black & white, c1988, vehicles. .21) - Photo, black & white, c1988, tentage. .21) - Photo, black & white, c1988, L to R: MAJ Roger Rix, CAPT Dave Sankey, MAJ Bob Roche, unidentified. .23) - Photo, black & white, c1988, L to R: WO2 Alan Bunn, unidentified. .24) - Photo, black & white, c1988, unidentified personnel. .25) - Photo, black & white, c1988, unidentified personnel. .26) - Photo, black & white, c1988, unidentified personnel. .27) - Photo, black & white, c1988, L to R: unidentified personnel, WO2 Rob Bogumil. .28) - Photo, black & white, c1988, unidentified personnel. .29) - Photo, black & white, c1988, unidentified personnel. .30) - Photo, black & white, c1988, L to R: SPR Sue (Foote) Bourne, SPR Tracy (Parker) Ash. .31) - Photo, black & white, c1988, L to R: SPR Tracy (Parker) Ash, SPR Sue (Foote) Bourne..1P to .31P – No personnel are identifiedroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

This is a set of 24 photographs of Army Survey Regiment’s Lithographic Squadron personnel undertaking regimental training in an unknown location in April 1989. The purpose of the training was probably to provide personnel a practical knowledge of navigation and map reading, RATEL and Survival in the Field, vehicle camouflage, teamwork and leadership. The training did not include infantry and minor tactics due to the absence of weapons. Although these photos are not annotated other than the month and year, most personnel are positively identified.This is a set of 24 photographs of personnel from Lithographic Squadron, Army Survey Regiment, Fortuna, Bendigo, undergoing regimental training in April 1989. The photographs were on 35mm negative film and scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, 1989, background L to R: Frank Lenane, Bill Jones, foreground L to R: Gavin McLean, Colin Yeats, Peter Dillon. .2) - Photo, black & white, 1989, Rhys De Laine. .3) - Photo, black & white, 1989, L to R: Peter Breukel, Colin Yeats. .4) - Photo, black & white, 1989, L to R: Colin Yeats., Peter Dillon. .5) - Photo, black & white, 1989, L to R: Graeme Spong, Gavin McLean, unidentified (x2), Peter Breukel, Steve Burke, Bill Jones, Colin Yeats. .6) - Photo, black & white, 1989, L to R: Graeme Spong, Bill Jones, Colin Yeats, Peter Dillon, Peter Breukel, Steve Burke, Colin Yeats. .7) - Photo, black & white, 1989, L to R: Graeme Spong, Bill Jones, Colin Yeats, Peter Dillon, .8) - Photo, black & white, 1989, Colin Yeats. .9) - Photo, black & white, 1989, L to R: Gavin McLean, Colin Yeats. .10) - Photo, black & white, 1989, L to R: Steve Burke, Peter Breukel, Colin Yeats, unidentified. .11) - Photo, black & white, 1989, L to R: Steve Burke, Peter Breukel. .12) - Photo, black & white, 1989, L to R: Peter Breukel, Steve Burke. .13) - Photo, black & white, 1989, Craig Hersant. .14) - Photo, black & white, 1989, L to R: Rob Bogumil, Darren Maher, Paul Baker, Rob Jones, Shona Hastie, unidentified, Chad Hardwick. .15) - Photo, black & white, 1989, L to R: Chad Hardwick, unidentified, Rob Bogumil, Rob Jones, Darren Maher, unidentified, Paul Baker. .16) - Photo, black & white, 1989, L to R: Rob Bogumil, Darren Maher, Chad Hardwick, Rob Jones, unidentified (x2), Paul Baker. .17) to .22) - Photo, black & white, 1989, unidentified personnel applying camouflage to truck. Shona Hastie in truck, .23) - Photo, black & white, 1989, L to R: LT Dave Weston, LT Craig Hersant, Trevor Osborne, Bill Jones. .24) - Photo, black & white, 1989, L to R: Andrew Arman, unidentified, Peter Dillon, Steve Burke, Colin Yeats, Peter Breukel. No personnel are identified. Annotation dated April 1989.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho

This is a set of eight photographs of Army Survey Regiment personnel undertaking regimental training in the Wellsford Forest, Bendigo, c1986. The aim of the training was to provide personnel a practical knowledge of infantry and minor tactics at the section level, navigation and map reading, RATEL and Survival in the Field. According to administrative instructions accompanying these photos, Air Survey, Cartographic, Lithographic and Headquarters Squadrons trained separately for one week from April to June 1986. Annotations on the back of photos .1P to .8P indicate Headquarters Squadron’s 4 Section in the ‘Axedale’ Forest. *Note - The forest was incorrectly named – It was most likely the training was in the Wellsford Forest. Sections were established for the period of regimental training only. This is a set of eight photographs of the Army Survey Regiment undertaking regimental training in the Wellsford Forest, Bendigo. c1986. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1986, SGT Bruce Wetzig. .2) - Photo, black & white, c1986, PTE Tony Seely. .3) - Photo, black & white, c1986, SGT Bill Claydon. .4) - Photo, black & white, c1986, SGT Bill Claydon. .5) - Photo, black & white, c1986, SGT Gregory Smith. .6) - Photo, black & white, c1986, unidentified personnel. .7) - Photo, black & white, c1986, unidentified personnel. .8) - Photo, black & white, c1986, Mack water tanker..1P to .5P – Personnel are identified .6 to .8P – No personnel are identified Annotated ‘4 Section, Headquarters Squadron Axedale Forest’royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

Records the work of the Australian Lighthorse in the British campaigns in Sinai, Palestine and Syria during the years of 1916-17-18. An account of the strategies and tactics employed for the whole force. Historical narrative of Palestine, Sinai and Syria and Australian Lighthorse.Official History of Australia in the War of 1914-18 - Volume VII - Sinai and Palestine. Maps and Illustrations.light horse, sinai, palestine, syria, horses, turkish advance, gaza, magdhaba, allanby, beersheba, jerusalem, jordan valley, abu tellul, damascus

The piece of oak wood sample inside the case was obtained from Mr. H Cooper during the time he served as a shipwright for the British Royal Navy on Nelson’s flagship, HMS Victory, in 1891. By that time the H.M.S. Victory was around 100 years old having been built in 1765 and was currently in dry dock undergoing restoration. Cooper’s skills as a shipwright would have been well employed during this period. HMS Victory was and still does undergoing continuous restoration to preserve her for display as a museum ship, due to the vessel's significant naval history. It was during that time of early restoration that Cooper obtained the piece of Oak from HMS Victory believed to be from the ships hull. Cooper was in Australia in September 1891 serving on the HMS Wallaroo, a British Auxiliary Squadron commissioned to serve as part of the British Royal Navy contingent, tasked to operate in Australian waters. The photograph included with the donation of the wood sample is a portrait of Mr H Cooper taken in 1895 in Sydney. The inscription on the photograph describes him as a skilled shipwright from the H.M.S. Wallaroo, depicting Cooper as a young man in Royal Navy uniform, with the emblem of a petty officer third class. While Cooper was stationed on the H.M.S. Wallaroo in Sydney he presented the display case, containing the wood sample from H.M.S. Victory, as well as the exhibit labels to Charles Harding, ("Chas") late of the Royal Australian Navy. Harding had been based at the H M Naval Torpedo Depot at Williamstown, Victoria. Although not mentioned, it is believed the two men met whilst serving together in Australia in their respective assignments. It could have been a retirement gift from Cooper to Harding with the photograph of Cooper likely included with the case, and gifted to Harding in 1895, as the date on the photograph indicates. One of the exhibits labels indicates that Harding had the item on display whilst serving at the Naval Torpedo Depot in Williamstown. The label indicates: "This piece of Oak is part of the hull of H.M.S. “Victory” Lord Nelson’s renowned Flag Ship, which took such a prominent part in the Battle of Trafalgar. 21st October 1805. Exhibited by Charles Harding, H.M.V. Naval Torpedo Depot, Williamstown.” After Charles Harding died in 1931 the case containing the sample of oak from H.M.S. Victory was donated by his son Reg Harding to Mr. Murphy in 1962. The display case has since become a treasured item at Flagstaff Hill. A newspaper article dated 1905 included with the donation mentions that the city of Hamilton in Victoria was shortly expecting a mounted piece of the H.M.S. Victory, to be included in the city’s commemoration of the centenary of the "Battle of Trafalgar". Battle of Trafalgar: On October 21, 1805, twenty-seven British ships of the line led by Admiral Lord Nelson aboard HMS Victory defeated thirty-three French and Spanish ships of the line under French Admiral Villeneuve. The battle took place in the Atlantic Ocean off the southwest coast of Spain, just west of Cape Trafalgar, near the town of Los Caños de Meca. The victory confirmed the naval supremacy Britain had established during the course of the eighteenth century and it was achieved in part through Nelson's departure from the prevailing naval tactical orthodoxy of the day. Conventional practice at the time was for opposing fleets to engage each other in single parallel lines, in order to facilitate signalling and disengagement, and to maximise fields of fire and target areas. Nelson instead arranged his ships into two columns to sail perpendicularly into the enemy fleet's line. During the battle, Nelson was shot by a French musketeer and he died shortly before the battle ended. Villeneuve was captured, along with his ship Bucentaure. He later attended Nelson's funeral while a captive on parole in Britain. Admiral Federico Gravina, the senior Spanish flag officer, escaped with the remnant of the fleet. He died five months later from wounds sustained during the battle. It was prior to this battle that Nelson had issued his now-famous final orders to his ships in 12 separate flag-hoists “England expects that every man will do his duty”. This wood sample is historically significant for its association with Admiral Lord Nelson the Battle of Trafalgar. Through Nelson’s leadership and unorthodox battle tactics, he secured not only a victory against the French and Spanish but reaffirmed Britain's naval supremacy opening the way for Britain to continuing the policy of colonisation of many countries including Australia.Wood sample adhered to the base of a hinged wood and glass display case. Wood is a sample of oak taken from the hull of Vice-Admiral Lord Nelson's flagship, the HMS Victory, built in 1765. The case also contain two exhibit labels pinned above the wood sample. Other items donated with the display case, and relating to the wood sample: an 1895 photograph, a 1905 newspaper clipping, a 1962 donor's letter (two pages), and a handwritten exhibit label with a border of red lines. Photograph Front: printed- "Herbst" "28 Oxford Street, Hyde Park, Sydney", handwritten - "Mr Cooper", "see back". Back: handwritten - "Mr H Cooper, skilled shipwright, H.M.S. Wallaroo 1895" Exhibit labels still in the case: Left: handwritten- “PIECE OF OAK FROM THE HULL OF H.M.S. VICTORY”, Right: typewritten- “This piece of Oak was originally obtained by Mr. H. Cooper, skilled shipwright on H.M.S. “Victory” & afterwards on H.M.S. “Wallaroo” on the Australian Station in 1895, when he presented this exhibit to me. Chas. Harding, Late Victorian Navy.”flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, oak, hms victory, vice-admiral lord nelson, horatio nelson, lord nelson, oak piece, piece of oaknelson, battle of trafalgar, maritime technology, ship relics, 18th century warship, british royal navy, h cooper shipwright, hms wallaroo, herbst hyde park sydney, charles harding, hmv naval orpedo depot williamstown, sir home popham’s telegraphic code, admiralty official day signal book

non-fictionThis book brings to life for many Australians, the close connection between Australia and East Timor. In 1941-42, Archie Campbell was a lieutenant in the 'Sparrow Force' the 300 men of the 2/2nd Independent Company in a 14-month campaign of ambushes and hit-and-run tactics which effectively pinned down more than 15,000 Japanese troops in East Timor. This book recounts the bloodless Australian landing in Portuguese East Timor, military actions against the Japanese, and eventual evacuation to Darwin. Central to Campbell's experience is the ambush and execution of a section from his platoon, shortly after the Japanese landing in Dili. In 1973, Archie returned to East Timor to meet Barana, the East Timorese man who, as a 12-year-old boy, helped and protected him during the campaign. Each Timorese boy who helped a commando and guarded him while he slept, was called that commando's Criado. Ken White accompanied Archie in the 1973 journey to East Timor to find Barana. He has used excerpts from Archie's own diary to tell the heart-warming story of their first meeting after 30 years. Historical background on the centuries of Portuguese rule, the Japanese occupation and the more recent Indonworld war ii, independent companies, australian commando, timor

The photograph is of a music ensemble from the Greek island of Ithaca, taken sometime between 1938 - 1941. Mandolin and guitar music and cantades singing was popular with the people of Ithaca and across the Ionian Islands. The preference for this style of music and song was a result of the influence of the Venetian rule of the Ionian islands for almost 300 years. The uniforms of the young men photographed suggest they may have been members of the National Youth Organization established in Greece during the years of the Metaxas dictatorship (1936–1941) with the stated goals of helping the youth in the productive spending of their free time and cultivating their national values and cooperative spirit. Membership was made compulsory, for all young people, despite the views of families. A range of coercive tactics were used for those who were reluctant to join. The youth movement disintegrated after the regime’s ending in April 1941. Many of its members joined the Greek resistance movement. Despite the regime being a right wing dictatorship, Metaxas refusal to submit to imperialist and fascist Italy resulted in Greece entering WWII on the side of allies. Many Ithacans who settled in Australia brought with them their instruments and their love of cantades and the Ionian style of music. At family gatherings and celebrations they would play their mandolins and guitars and sing their beloved cantades.A black and white photograph in postcard format of sixteen young men, members of a mandolin and guitar orchestra. They are all dressed in dark trousers and shirts with light ties. The Ithacan Historical Society has been stamped on the back.

Index, bibliography, notes, ill, p.340.non-fictionIn March 1918, with the fear of a one-million-man American army landing in France, the Germans attacked. In response, Australian soldiers were involved in a number of engagements, culminating in the Second Battle of Villers-Bretonneux and the saving of Amiens, and Paris, from German occupation. Then came General John Monash's first victory as the Commanding Officer of the newly formed Australian Corps at Hamel. This victory, and the tactics it tested, became crucial to the Allied victory after 8 August, the 'black day of the German Army'. On this day the major Allied counteroffensive began, with the AIF in the vanguard of the attack. The Australians, with the Canadians to the south and the British across the Somme to the north, drove the Germans back, first along the line of the Somme and then across the river to Mont St Quentin, Péronne and on to the formidable Hindenburg Line, before the last Australian infantry action at Montbrehain in early October. Fast-paced and tense, the story of The Last 100 Days is animated by the voices of Australian soldiers as they endured the war's closing stages with humour and stoicism; and as they fought a series of battles in which they played a pivotal role in securing Allied victory. Collapse summary world war 1914- 1918 - campaigns - western front, western front - australian participation - 1918

index, ill (b/w). p.226non-fictionThis is the forthright, nuts-and-bolts account of the author's unmatched experience as a warrior, leader and teacher. Always one to lead from the front and to trust the courage and good sense of the ordinary infantryman, his interests have been strategy and battle tactics, leadership and training.soldiers - australia - biography, vietnamese conflict 1961-1975, malayan emergency 1948-1960