Eric Boardman CollectionMounted b/w photograph of a man on a horse holding a whip and a pipe, with a dog nearby. Believed to be Mr Ayers of / or taken at Red Rock.Printed on face: Matson and Frazer / 264 LITTLE COLLINS STREET, Handwritten on face: Mr Ayers / Red Rock Handwritten on back: Eric Boardmanayers, - (mr), red rock, eric boardman collection, george evans collection

Thick impasto painting depicting an indigenous man with two spears and seven kangaroos in a red landscape with large rock. Signed (L.r) 'Eric Stewart 76'. eric stewart, painting, landscape, indigenous male, kangaroo, ayers rock

ayers rock

The front cover has a drawing depicting Brer Rabbit riding on the back of a fox that is wearing a saddle. Behind them is a line of different animals chasing Brer Rabbit and the Fox.fictionWalt Disney's Brer Rabbit Rides the Fox as told by Marion Palmer. The story was adapted from the original Uncle Remus story by Joel Chandler Harris.walt disney, brer rabbit, fox, fiction, uncle remus, joel chandler harris, marion palmer

The Significance if Ayers Rock for Aboriginies A5 Booklet, black and white, gloss paper 20 pages Extensive information on the local Aboriginal history in Ayers Rock Various images of Ayers Rock and maps

Bookplate featuring a guitar in front of Ayers Rockguitar, ayers rock, bookplate, gary shearston

Aulsebrook Collection: Script for film A4, paper 7 pages Extensive script for a film relating to Ayers rock

A framed coloured photograph of three Navy trackers in formation near Ayers Rock (now called Uluru). The numbers on the Trackers are 852, 848, and 849photograph, navy trackers

Photograph taken on top of Ayers Rock. This feature is now known by the Aboriginal name, Uluru.Panorama photograph - colouruluru, ayers rock, rosalie broad, ballarat teachers college, 1967

Also second copySepia coloured photograph showing fishing vessel Diamantina in Cunninghame Arm. Lakes Entrance Victoria.On reverse, Built Bulls Shipyard Metung 1956 48ft x 15ft x 6ft Shark Vessel Ayers and Farquar Lakes Entranceboats and boating, tourism, jetties

Black and white photograph Postcard of a street scene with many people, horse drawn vehicles, cable trams and buildings c1900 in Swanston St, near Flinders St. Has Kodak Australia postcard back, divided back type. Titled "Swanston St Melbourne". In the background is Ayers Henry & Co and Young and Jackson's.trams, tramways, swanston st, postcards, cable trams, horse drawn vehicle

Bendigo Advertiser "The way we were" from Tuesday, February 22, 2005. Graduation day: this photo was taken at a St Kilda police barracks graduation. Several names are known: D. Ross, K. Ellis, W. George, H Ayers, J. Willoughby, J. Dealey and L. Harrington are in the back row. F. McInnes and someone called Osborne are in the front row.newspaper, bendigo advertiser, the way we were

Newspaper Clipping from "The Post", Tuesday May 19 1998. P 31 A group of students from Norwood Secondary College, during a visit to the Northern Territory organised a sponsored climb of Ayers Rock. They managed to raise $620 and donated it to their peers at Katherine High School, which was damaged during recent floods

Photograph of Swanston St looking north from Flinders St. There is one cable tram set in the view along with many horse-drawn vehicles, bicycles, and many pedestrians. In the background is part of Young and Jackson's Princes Bridge Hotel, a sign for "New American system without pain Dentistry", Ayers Henry & Co. clothing, Stainer & Co., Keystone Elgin watches. Visible is an open wire telephone lines on poles. Photo c1900. Understood that the photo appears in the James Flood book of Melbourne photos.Yields information about Swanston St, c1900.Black and white photograph on paper.trams, tramways, swanston st, cable trams

Black and white photograph - Swanston St, looking north from Flinders St c1900. Shows two cable car sets running, one bound for Prahran, a number of horse drawn vehicles, telephone / telegraph lines, bicycles and building advertising "Ayers Henry & Co.", various importers American Manufacturers and "The American System" - pain dentistry. Produced by the TMSV as a photo from their Archives - No. 1 - see rear image.trams, tramways, swanston st, cable trams, flinders st, tmsv

Hardcover book, 190 pages. Book has a red cover. Colour image of a man holding a hat in his left hand on front cover. Dustjacket has been removed, title and author's name written in black ink on spine.fictionRomance novel.romance, fiction, ruby m. ayres

Undivided back postcard, coloured, view of Swanston St looking North from Flinders St, with cable trams, St Paul's Cathedral, Young and Jackson's in the view. Has the Stainer & co and Ayers Henry & Co. in the view. c1900. No printer details on rear, has a Victorian 1d stamp, hand addressed to "Miss J. V. Hall, Saw Mills Blackwood" See Reg Item 3389 for another version of this image. .1 - linen finish black and white photograph, collected by Keith Kingstrams, tramways, swanston st, melbourne, cable trams

This article was written by an English visitor named Elsa Christian who was touring Australia and New Zealand with her husband Frank in their own small van. The article was published in the Australian Women’s Weekly, magazine, March 1966. Elsa writes she wanted to visit four Australian locations before she died: Ayers Rock (actually Uluru), the Snowy River project, dolphins at Coolangatta and the Penguin Parade at Phillip Island. These destinations were all very popular in the 1960s for both Australian residents and overseas visitors. Because the roads were becoming better too many locations, self guided tours in small vans for cars towing bond would caravans were becoming more popular means of seeing AustraliaThe article is significant in many ways. 1. Indicates the places English visitors commonly wish to see in Australia. 2. Describes the growing trend to self- drive van/camping holidays. 3. Gives the route taken from Melbourne to Phillip Island during the 1960s. 4. Describes the appearance of the roadsides and locations visited. 5. It is written in a descriptive and lyrical style designed to appeal to Women’s Weekly magazine readers, who were probably wondering how they could visit Phillip Island with their husbands or families themselves, and what there was to see there. 6. Gives the visitors’ view of how the Penguin Parade operated at the time. 7. Includes a description of potter and artist Eric Juckert’s renowned garden at Grossard Point, Ventnor. 8. Indicates how introduced plants such as Hawthorn pushes and Kate weed were common in the area. 9. Describes Phillip Island as “a place to fall in love” because of its natural beauty, fauna and coastal seascapes. 10. As a visitor Elsa describes the housing estates as a blot on the landscape, but also sees the value as a way of their owners escaping from the hustle and bustle of Melbourne. 11. Gives the visitors’ interpretation of the behaviour of wildlife the RC in the wild, as well as Elsa’s knowledge about some of the species she encounters.Photocopy of full page article with 5 columns of text, a map and 2 photographs. Black ink on white paper. Photographs blackened in photocopying processphillip island, cape woolamai, penguin parade, seal rocks, nobbies, township of rhyll phillip island, princes highway, dandenong, pakenham, kooweerup, carinya creek, officer, san remo, gippsland highway, holiday homes, fort dumaresq, kitty miller's beach, wreck of the speke, hereford cattle, fleetwood manor, koalas, ventnor, eric juckert, little penguin behaviour

Robert Ulmann was born in Zurich, Switzerland, where he studied sculpture and painting, exhibiting annually with the National Art Society of Switzerland and in Paris, Munich and Stockholm. He migrated to Canada in 1956 and became a Canadian citizen. After working on the restoration of sculpture on the west wing of the Parliament Buildings Ottawa, he took up a Government appointment as one of six artist advisers to the Eskimos, initiating handicraft and sculpture programs in isolated settlements across the Central Arctic. He arrived in Australia with his Australian wife, Helen, in 1969, after two adventurous years backpacking and sketching through the United States, Central and South America and the South Pacific. From 1970 to 1972 he was employed by the Northern Territory Administration as a manual arts instructor to the aboriginal people of Docker River, a remote settlement west of Ayers Rock. A series of drawings from this period was exhibited by the Department of the Interior in Canberra, Sydney and Adelaide. Robert Ulmann’s paintings and prints of wildlife from Australia and overseas fill a beautiful studio overlooking the famous Logans Beach whale nursery at Warrnambool in the Western District of Victoria. His previous studio and home, together with 13 years of field sketches and his best work collected together for two books were destroyed by the Ash Wednesday fires at Naringal in 1983. Rob exhibited in Sydney, Melbourne, Adelaide and Perth as well as in the Regional Galleries of Warrnambool, Ballarat, Portland and Horsham, and, among numerous prizes, he won the award for watercolour at six of the annual exhibitions of the Wildlife Art Society of Australasia, between 1978 and 1983. Although his principal interest was in drawing and painting, he retained a fascination with sculpture. His works range from two stone fountains with figures commissioned by the City of Zurich, while he was still a student, to a 4 ½ ton sculpture in bluestone commissioned in 1977 as a memorial to Sir Fletcher Jones., a five metre representation of whale tails in steel, and a life-size bronze of St. John of God commissioned for a private hospital.Image of a goat beginning to rise from a seated position, possible struggling out of mud. Painted in yellow and brown tones, with blue shadows. Earth colours form a rough ground area surrounding the goat. A brown wash provides a cursory background behind the goat's head. Dark cream matt surrounds image. Gold painted wooden frame, with glass.Front: Robert Ulmann (lower centre, paint) Back: (no inscriptions)

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. black framed photograph with title and names of students underneath.Framers details verso lls: "Artafact"viosh, viosh australia, occupatonal health and safety, victorian institute of occupational safety and health, occupational hazard management, brett allen, brett anderson-steele, gerard ayers, michael bailey, jillian ball, paul bassett, robert bird, manujendra bishwa, denise campbell-burns, tony caruso, greg chrisfield, jennifer clarke, mateo daurewa, jeffrey davis, iain day, steven dine, lesley eccles, roland fielding, ken fuhrmeister, ronald groenland, janet halls, kathy haseloff, john holding, brett hyne, karen kalamistrakis, thomas lamont, david lawry, david lloyd, denise mcknight, john mcgill, kay malinowski, ian martin, andrew muriti, sandra nicholson, valerie odewahn, jamila peric, sally scott, alan sheather, peter sheehan, robert simms, surrendra singh, allison smith, kenneth stewart-grey, danielle sudano, deborah sutton, robyn walton, troy wells, kerry wright, zari zarifopoulos, university of ballarat

Sheet with the four side labels of a packet of tea. Printed in white and dark green. The first and third are printed in dark green on a white background and the second and fourth are printed in white on a dark green background. All four have Ayres' Tea printed on them. The first has G. Ayres, Cash Grocer, 483 High Street, Northcote. Phone J. W. 2928. The second and fourth refer to the tea. The third has the weight and how to make a cup of tea.business, printers, cambridge press, cambridge press collection, ayres' tea