Showing 6 items
matching bacchus marsh main street 19th century
-
Bacchus Marsh & District Historical Society
Photograph, Main Street Bacchus Marsh 1883 looking east
... Bacchus Marsh Main Street 19th Century... Marsh Main Street 19th Century On the front: Stevenson ...View of Main Street Bacchus Marsh 1883, showing early notable buildings on the southern side of the street, including the Courthouse, National Bank of Australasia, Border Inn, Hall of Commerce building. Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. Several horse-drawn vehicles can be seen travelling along an unmade road. Piles of excavated dirt can be seen along the side of the road. Four substantial two-storeyed buildings can be seen along the southern side of the street.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, bacchus marsh roads and streets, bacchus marsh main street 19th century -
Blacksmith's Cottage and Forge
Mug, Shaving
A shaving scuttle and shaving mug were developed around the 19th century with the first patent for a shaving mug dating to 1867.[8] As hot water was not common in many households, one way to provide hot lather was to use a scuttle or mug. A traditional scuttle resembles a teapot with a wide spout where hot water is poured in, and this is where it differs from a shaving mug, which has no spout. Both shaving scuttles and mugs usually have a handle, but some have none. Shaving mugs often look like a standard mug, however, some also have a built in brush rest, so the brush does not sit in lather. Modern versions of the scuttle are in limited production, usually by independent potters working in small volumes.[9] At the top of the scuttle or mug is a soap holder. Traditionally, it was used with a hard block of shaving soap (rather than soft soap or cream) and therefore had drain holes at the bottom. Later scuttles and mugs do not include the holes, and thus can be used with creams and soft soaps. Some scuttles and mugs have concentric circles on the bottom, which retain some water thus helping to build lather.[9] In use, the shaving brush is dunked into the wide spout, allowing it to soak into the water and heat up. The soap is placed in the soap holder. When needed, one can take the brush and brush it against the soap, bringing up a layer of lather; excess water is drained back. This allows conservation of water and soap, whilst retaining enough heat to ensure a long shave. Source: www.wikipedia.org Local social historyOrnate white china mug with handle. Cup side to hold brush and saucer shaped top with 3 drainage holes. Gold painted decoration and flower garland of pink and yellow roses. Mother of pearl effect over sides.Made in Germanyshaving, item, china, mug, bathroom, men, personal, toiletry -
Blacksmith's Cottage and Forge
Bowl, mixing
Mixing bowls of this design were a common item in Austrailan kitchens in the late 19th and early 20th centuries. Women worked largely in the kitchen producing three meals daily for their families and, on farms, for the workers or casual labourers.Local significance for the history of women's work, especially the domestic duties of baking and cooking. Round, cream-coloured, ceramic mixing bowl with pouring lip, fluted design.baking, cakes, mixing bowl, kitchenware, women s work, domestic utensils, home cooked meals -
Blacksmith's Cottage and Forge
Bobbin lace, Early 20th Century
Aunt Fanny gave 6 yds of her "Bucks pattern" lace to Gillian Davis for her 21st birthday. This lace is very difficult to make, as there is a thick thread to keep exactly the same tautness as the fine thread. Aunt Fanny was about 77 when she made this.A fine example of womens hand craft from the late 19th and early 20th Century1 bundle of cream bobbin "Bucks pattern" lace which has a thick thread through it at exactly the same tautness as the fine thread. 2nd bundle of cream lace made by another method, possibly crochet.hand craft, lace bobbin -
Blacksmith's Cottage and Forge
Wash Board, Unknown
A washboard is a tool designed for hand washing clothing. The traditional washboard is usually constructed with a rectangular wooden frame in which are mounted a series of ridges or corrugations for the clothing to be rubbed upon. For 19th century washboards, the ridges were often of wood; by the 20th century, ridges of metal were more common. A "fluted" metal washboard was patented in the US in 1833. Zinc washboards were manufactured in the US from the middle of the 19th century. In the late 20th century and early 21st century, ridges of galvanized steel are most common, but some modern boards are made of glass. Source: wikipedia.comWooden framed wash board - slatted. The glass insert is corrugated and nailed to the wooden frame.Nonewood, glass, laundry, wash board, soap, housewife, domestic item -
Bacchus Marsh & District Historical Society
Map, Important Subdivisional Sale at Bacchus Marsh, Wednesday 28 February, 1912, 1912
In the later 19th century and early 20th centuries Thomas Cain was a major farmer in the Bacchus Marsh district and a significant participant in community life and affairs. The sale of some of his most significant properties towards the end of his life generated wide interest in Bacchus Marsh and beyond.Paper. 33cm x 21cmnon-fictionIn the later 19th century and early 20th centuries Thomas Cain was a major farmer in the Bacchus Marsh district and a significant participant in community life and affairs. The sale of some of his most significant properties towards the end of his life generated wide interest in Bacchus Marsh and beyond.land sales, thomas cain, landholders