yellowish coloured material (Bone?) round bangle with metal hinge and clasp (brass?)nonebangle, internee jewellery

Silver coloured metal bangle. Name plate has been engraved with the name Lynne. Item is very tarnished.bendigo, gold mining, qc binks, bangle, qc binks.

Property of Miss O.A. SebireEuropean Castilani style bangle with cameos of different shades.bangles

School exercise book with stiff boardcovers. Centre stitched. Pale and dark green Edwardian graphic design, with hand written inscription on front and inside cover. Ink on front and pencil inside cover - all work in black ink.Front: Lizzie Pilkington, State No. 888 {school}|Inside cover in pencil: Lizzie got her bangle for getting excellent all through the book. 1902.books, school/educational

A bangle discovered by QC Binks whilst he was out detecting for gold. Silver coloured circlet with a heart shaped fastener. Some tarnish spots evident.bendigo, gold mining, qc binks, qc binks

Leather bangle case. Leather covering firm box hinged on two sides. Lined inside with felt. Small metal closure on two hinged parts. Ca. 1920s?personal effects, containers, jewellery, marked previously as u2 668

Embroidered silk covered jewellery (necklace, bangle,watch?) holder with wall hook (ring). This is a slipper shaped holder with (lucite?) clear beading around edges. There is a central small brass hook (for suspending necklace?)personal effects, containers, jewellery

1925 Queen Carnival organised by Shire of Blackburn and Nunawading to raise money for improvements to the Vermont Recreation Reserve. Presided over by Shire President, Councillor Armstrong.|Queens were: Marjory Grant- Queen of Tennis| Ina Rooks - Queen of Football| Dorothy Armstrong - Queen of ProgressPhoto of 1925 Queen Carnival - Dorothy Armstrong, Queen of Progress, Stewart Corr (Page Boy), Lily Steven and Lucy Brockell (Train Bearers). 84 Pounds raised for Vermont Recreation Reserve. Girls given Gold Bangles.armstrong, dorothy jean, corr, stewart, steven, lily, brockell, lucy, grant, marjory, rooks, ina, shire of blackburn and mitcham, queen carnival, 1925, vermont reserve

Lorraine SIMPSON Lorraine SImpson sold most of her pottery to Bangles Gallery in Cobargo NSW which unfortunately burnt in the 2019/2020 bushfire. She was also known for making bonsai pots which were well loved by the bonsai community.Blue hand thrown vase with gumnut and leaf decorative feature.ceramics, australian studio pottery, gumnuts, lorraine simpson

Three pieces of Black Jet Mourning Jewellery - one small and one larger bracelet and one brooch. 1. Small bracelet narrower and overlapping at back, with ornately carved thistle centrefront in same black jet material. 2. Larger bracelet with gap at centre back, same ornate thistle on front as on smaller piece. 3. Carved black jet brooch, oval in shape depicting spray of flowers with metal clasp on back.bangle, brooch, black jet, lignite, mourning jewellery

Black & White photograph D Wood , near Town Hall South Melbourne printed on front of studio portrait. Seaside back drop behind seated young woman. Umbrella, Button up boots, handbag, numerous bangles, peaked hat with tassels, kid gloves, apparel. Lace collar combined with outdoors style period dress.D Wood, near South Melbourne .photograph, person, female

The name of this chair, Lepidoptera, refers to the insect species of moths and butterflies as LeAmon drew upon the anatomy of a butterfly to develop the concept of the chair?s structure, colour and pattern. Another key feature of the design was the use of textile remnants from automotive textile manufacturer Autofab,recalling LeAmon's redeployment of leather offcuts from the manufacture of cricket balls to make her 'Bowling Arm' series of bangles.industrial design, furniture

As well as being an activist, Tilly Aston was also a published author and wrote several books during her lifetime. In this scanned image, from The Weekly Times newspaper, she holds her hand to her face and wears a flounced blouse with a multi-strand pearl choker and a heavy bangle which appears from underneath a decorated cuff. Her hair is swept up in a top knot and a large black bow, turned sideways, rests upon her left side. The photograph was printed as part of an article on the 'Principle Prize Winners of Prahran Competitions'.Black and white scanned newspaper imageMiss Tilly Aston (1st original story)tilly aston, weekly times newspaper

Ken HOVENDEN Working at Bendigo Pottery from April 1972 at the age of 17, Ken Hovenden was also involved in the Lillydale Pottery venture. He worked at Cannie Ridge Pottery for a time, exhibiting work there in 1979. Known as a great thrower, his work featured beautifully fitted lids and quantities of mugs of identical size. In the 1980s, he set up his own pottery at Malmsbury and sold his work through Bangles Gallery at Cobargo. From late 1988 to 1997, he worked under the business name Shiloh Pottery in Castlemaine. His work often features a unique gum leaf design on individually thrown work. Marks used include KH on Bendigo Pottery Epsom Ware, Kevin Hovenden on Badger Creek Pottery, KH on Lillydale Pottery and his own impressed KH initials.Stoneware teapot with beige glaze and handpainted gumleaves, and stamped 'KH' on the footrim.australian studio pottery, ceramics, ken hovenden, teapot

George Rodd and his brother Ernest established G. & E. Rodd as a manufacturer of silver goods in the 1920s. Initially, they produced popular small accessories such as collar pins and bangles before expanding in the mid-1920s to create more complex items such as rings, broaches, and cufflinks. In the 1930s, they began to produce ornate silverware, predominantly flatware which capitalised on the High Tea elegance of the time, and children's silverware. Much of their silverware was EPNS—or electroplated nickel silver—and identified with various embossed markings. They steadily expanded over the next decades, with a slight dip in production during WWII, and merged with Platers Pty Ltd. in 1949, gaining them access to the 'Hecworth' name. This plain serving spoon is larger than most everyday utensils as it was likely used to serve smaller portions of a communal meal. The spoon's bowl is worn away at the top-left edge, indicating that it may have been used as leverage to frequently to open sealed jars or tins. It is also missing several of the markers which would easily identify it as Rodd silverware, such as the APEX mark, or an A1 label.This item is significant as it is an example of a well-loved and regularly-used utensil from an everyday home. Its wear is indicative of the way it was used on a regular basis, and how similar utensils may have been used in other homes around the area.This silver spoon has a deep, slightly misshapen bowl that is tarnished by a great deal of scratches and marks. The bowl's edges are also slightly bent and warped. The handle extends slightly over the bottom of the bowl, narrowing at the neck before widening at the base of the handle. There is a small engraving on its underside.Rear, base of handle: "GROSVENOR PLATE EPNS" Rear, base of handle, sideways: "A"20th century, domestic life

Heritage Policy and Plan for Banyule City Council - draft version 5 September 2010. Contains18 page document with Black and white text with coloured front pagebangle city council, banyule heritage review