Little is known about the artist John B Perry. Barnadown is a small locality about 20km north of Bendigo, Victoria.Watercolour and pencil naive artwork. Along the River Bank by John.B.Perry showing open style hay shed, log rail fence & native Australian trees. Markings: Along the River Bank. Campaspe river. Barnadown water colour by John. B.Perry.John.B.Perryplace, land, riverbank site

Photograph of a wooden bridge spanning a river, the surrounding country is heavily timbered. There are cattle strung out along the bridge and two bullock wagons? There are also six or seven people on the bridge as well as a woman in a light coloured crinoline on the right hand side. Written on the back in biro is ' This is possibly the Barnadown bridge over the Campaspe and would be about the 1860 to 1870.bridge, barnadown, barnadown bridge, campaspe river, wooden bridges, droving cattle

Photocopy: Punt on Campaspe River at Barnadown on August 28th, 1860. Used to ferry Bourke & Wills across the river. Picture is a photocopy of a sketch. The punt was possibly called KENNEY'S PUNT.topic, art, punt, camaspe river

Colour photograph of bluestone fireplace erected at Barnadown to commemorate the camp site of the Burke and Wills expedition.The stone fireplace is a memorial to the Burke and Wills Expedition which camped near here. It was erected by the Waranga Shire Council to commemorate the centenary of the Victorian Exploring Expedition`s passage through the Barnadown district in 1860. A plaque on the structure reads: 'Burke and Wills Centenary. The party camped near this spot on 28th August 1860 on its outward journey. Erected by the Shire of Waranga 1960'.exploration, terrestrial, burke and wills

Colour photograph of Kennedy's old stables, Barnadown, situated near the Burke and Wills Memorial site. Shed has timber uprights and iron roof, no cladding on the walls. Large trees behind. Property is situated near the Campaspe River.agriculture, farm, kennedy's woolshed

2 page document, photocopied. Document details Geo Mackay's development of Annals of Bendigo, referring to Bendigo as part of Ravenswood Run. Mentions, Captain Charles Hutton who occupied Wild Duck and the McIvor Creeks and the Campaspe as far as Barnadown. Charles Sherrard ( Mt. Alexander North) Coliban system, Hallas' band later Northcote band and gold seeking and production. First Easter Fair in 1871 is discussed. Unknown author and no date. On top of first page late 1940's in pencil.bendigo, bendigo easter fair, easter fair society

The original Barnedown Run consisted of 51,280 acres and was first taken up in 1839 by Henry Grey Bennett and was held under "Pre-emptive right" until it was subdivided in 1856 into Muskerry and Mt. Pleasant. In 1853 John Harney arrived in Australia and took up storekeeping at White Hills. In 1855 he took up land which was originally part of Barnadown Run and erected part of the present homestead. In 1860 Harney entertained Burke and Wills exploration party at Adelaide Vale on the Campaspe River. Mr Harney owned a Hotel which was burnt down in 1861. Henry Grey Bennett a generous man died in1871 and the citizens of Bendigo erected a 20ft monument over his grave.John Harneyjohn harney, john harney, henry grey bennett, pre-emptive rights, white hills, adelaide vale, bourke and wills, edward o'keefe, cecil hyatt, mr frank k. hill., basrnadown run

Documents re first attempt to establish an archive centre/museum in Bendigo, from 25/04/1988 to 12/12/1988Michele Matthews collection - documents re first attempt to establish an archive centre/museum in Bendigo, from 25/04/1988 to 12/12/1988 25/04/1988 - handwritten and typed letter from Michele Matthews iniating an opinion to have a Bendigo Archives 21/04/1988 - letter for meeting of the Bendigo Archives / Museum Core Group on Wednesday June 1st at her home, 18 Kirby Street, Golden Square 16/05/1988 - letter signed by 20 members of the Australian Institute of Genealogical Studies "in full support of the proposed archives" 23/05/1988 - Minister of Property Services acknowledging the letter concerning the possibility of housing various public records in a proposed museum in Bendigo 24/05/1988 - five page letter from Wayne Gregson, Providence Cottage, RMD Barnadown Road, Goornong supporting the proposed museum 1/06/1988 - minutes of the archives and museum working party's inaugural meeting held on June 1st at 18 Kirby Street, Golden Square 2/06/1988 - two page flyer form Bruse Reid, Liberal Spokesman - Lister House could be Bendigo's Museum 17/06/1988 - letter from Diane Collier, acting archivist, advising of consulting archivist services 20/06/1988 - advising Bendigo City Council discussed the proposed Bendigo Regional Archives Museum on several occasions and "supports, in principle, the aims and objectives of the submission" 8/07/1988 - letter to Mr David Kennedy, Member for west Bendigo from the Minister for Property & Services, Peter Spyker M.P. 12/07/1988 - 14 page letter from David Kennedy M. L. A., referring the letter from Mr Spyker 14/11/1988 - minutes of a public meeting held at "Lister House", 37 Rowan Street, Bendigo to "establish interest in forming a steering committee....to promote the formation of a Bendigo & Regional Archive and Social History Museum at "Lister House" 1/11/1988 - three-page submission / proposal for thew establishment of a Bendigo Regional Archive and Social History Museum 24/11/1988 - from David Kennedy M.L.A. forwarding a reply from the Minister for Property & Services

Ken Arnold is a Bendigo author and publisher.A series of one hundred and thirty-five articles written by Ken Arnold and published in the Bendigo Weekly between 2000 and 2003. Each article has a topic or theme and includes historical information and details. Each article includes a photograph. The articles are stored in a red vinyl covered two ring A5 folder. Index below. Number Article Name Date 1. Centenary of Victoria 19.5.00 2. Storm Water Drain 26.5.00 3. Granite Rollers 2.6.00 4. Poverty Mine 9.6.00 5. Golden Monument. St Arnaud 16.6.00 6. Turner Statue 7.7.00 7. Gold Monument. High St Golden Square 30.6.00 8. Gold Monument. Howard Square Bendigo 14.7.00 9. Lansell Statue 21.7.00 10. Shelbourne West School 18.8.00 11. Mologa’s State Schools 25.8.00 12. Salinity Stone. Pyramid Hill 1.9.00 13. Cairn. Carisbrook 8.9.00 14. Commemorative Markers. Taradale 15.9.00 15. Burke Monument. Castlemaine 22.9.00 16. Cairn. Harcourt area 29.9.00 17. Cairn Marks Gold Route 6.10.00 18. Volcanic Rock Cairn. Woodstock 13.10.00 19. Garfield Water Wheel 20.10.00 20. Anticline. Castlemaine 27.10.00 21. Lawson Bridge 10.11.00 22. Plaque. Sutton Grange area 17.11.00 23. Memorial Cairn. Maryborough 1.12.00 24. Lonely Grave 8.12.00 25. Moonlight Flat Church 5.1.01 26. Historic Church. Near Tullaroop reservoir 12.1.01 27. Granite Statue. Castlemaine 19.1.01 28. Marker. Near Tullaroop reservoir 25.1.01 29. Church Site. Mologa 2.2.01 30. Church Site. Mologa 9.2.01 31. Plaque. Mologa 16.2.01 32. Mincha School 23.2.01 33. Historic Marker. Mincha 2.3.01 34. Expedition Marker. Pyramid Hill 9.3.01 35. Irrigation Marker. Tragowel 16.3.01 36. Mologa School Sites 23.3.01 37. Cairn. Pyramid Hill 30.3.01 38. Plaque. Pyramid Hill 6.4.01 39. Bristol Hill Lookout Tower. Maryborough 12.4.01 40. Eppalock Reservoir 20.4.01 41. Colbinabbin Cairn 27.4.01 42. Mount Macedon Cross 4.5.01 43. Memorial Gateway. Macedon 11.5.01 44. Cairn. Daylesford 18.5.01 45. Grave. Carlsruhe 25.5.01 46. Water Tower. Elmore 1.6.01 47. State School Site. Glenalbyn 8.6.01 48. Cairn. Kanya 15.6.01 49. Lonely Grave. Wedderburn 22.6.01 50. Church Cairn. Glenalbyn 29.6.01 51. Kamarooka School 6.7.01 52. Granite Marker. Moyston 13.7.01 53. Memorial Park. Kerang 20.7.01 54. Water Plaque. Bears Lagoon 27.7.01 55. Cemetery. Bears Lagoon 3.8.01 56. Race Monument 10.8.01 57. Cairn. Pyalong 17.8.01 58. Cairn. In memory of Edward Parker 24.8.01 59. Mt Macedon 31.8.01 60. Mt Macedon Cairn 7.9.01 61. Expedition Pass. Chewton 14.9.01 62. Granite Archway. St Arnaud 21.9.01 63. Stuart Mill School Site 28.9.01 64. School Site. Beazley’s Bridge 5.10.01 65. Fosterville 12.10.01 66. Barnadown 19.10.01 67. Salisbury School Site 26.10.01 68. Cricket History at Wattle Flat 2.11.01 69. School Site. Waterloo Plains 9.11.01 70. Carapooee School Site 11.01 71. Turkish Gun. Maldon 11.01 72. Kooreh 30.11.01 73. Marnoo East School 7.12.01 74. Bulgana Site 14.12.01 75. Emu School 21.12.01 76. Kooroocheang 4.1.02 77. Church Site. Gre Gre North 11.1.02 78. Carmens Tunnel. Maldon 18.1.02 79. Monument. Maldon 25.1.02 80. Woodfull Plaques. Maldon 1.2.02 81. Carapooee. St Peters Anglican Church 8.2.02 82. Cairn. Kingower 15.2.02 83. Cob & Co Stopover. Rheola 22.2.02 84. Flynn Monument 1.3.02 85. The Welcome Stranger. Moliagul 8.3.02 86. Campbell’s Creek Reserve 15.3.02 87. Mine. Fryerstown 22.3.02 88. Escott Grave. Near Chewton 28.3.02 89. School No 808. Kurting area 5.4.02 90. Graves. Bendigo Creek 10.5.02 91. School. Fish Point, Benjeroop North 17.5.02 92. Old Township. Diggora 24.5.02 93. Diggora West (1) 31.5.02 94. Diggora West (2) 7.6.02 95. School No 2735. Gower East 14.6.02 96. Pannoomilloo 21.6.02 97. Kamarooka Settlement 28.6.02 98. Mincha West State School No 1931 5.7.02 99. Bridges. Arnold 12.7.02 100. Woodvale 19.7.02 101. A Famous Son of Raywood. Jack Donaldson 26.7.02 102. Tandarra Area Schools 2.8.02 103. Dingee 9.8.02 104. Avonmore 30.8.02 105. Myola East School 6.9.02 106. Colbinabbin West 13.9.02 107. Colbinabbin West School 20.9.02 108. Runnymede area 27.9.02 109. Wanalta 4.10.02 110. School Sites. Between Wanalta and Carop 11.10.02 111. Burramboot 18.10.02 112. Kangaroo Chair. 25.10.02 113. Mincha South 1.11.02 114. Woodlands Church 8.11.02 115. School site. Sylvaterre 15.11.02 116. Terrick Terrick 22.11.02 117. Leitchville 29.11.02 118. Pennyweight Cemetery. Castlemaine 6.12.02 119. Mincha Area 13.12.02 120. Musk School 20.12.02 121. Dowie Park. Carisbrook 3.1.03 122. Neereman School Site 10.1.03 123. Bald Rock 17.1.03 124. Sylvaterre School Site 24.1.02 125. Carlsruhe 31.1.02 126. Athenaeum. Maldon 7.2.03 127. School. Mincha West 14.2.03 128. Yarraberb 21.2.03 129. Settlement Marker. Ravenswood Estate 28.2.03 130. Comini Reserve. Ravenswood 7.3.03 131. Ironbark and Gold Track. Whroo 14.3.03 132. Burke and Wills Obelisk. Castlemaine 21.3.03 133. James Cook Statue. Myers St Bendigo 28.3.03 134. St Marys Church. Axedale 4 .4.03 135. Butter Factory Site. Warragamba 11.4.03 events, monuments, historical sites, landmarks

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.