This Japanese ceramic vase was recovered from the wreck of the S.S. Casino (1882 – 1932) between the late 1960s to early 1970s. It is one of the shipwreck artefacts in the John Chance Collection. The design is an example of vintage basket weave pottery. The base of the vase is stamped ‘MADE IN JAPAN’ , which dates its probable manufacture to circa 1921-1932. The vase has side seams indicating that it was made by joining two moulded sides of the vase together, then adding the round base. The coastal trader SS Casino (1882–1932) had a run of almost 50 years along the coast of Western Victoria. She traded goods and food as well as carrying passengers from port to port on her many voyages. This vase may have been included in her cargo or could have been amongst the personal luggage of the people on board. The ceramic vase is an example of ceramic pottery in Victoria the 1930s. The vase is also significant as it was recovered by John Chance, a diver from the wreck of the Loch Ard in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The vase is also significant as it is associated with the S.S. Casino, which played an historical role in Western Victoria, providing transport, communication and trade along the coast between Melbourne and Portland in the late 19th and the early 20th century, visiting the ports at Apollo Bay, Warrnambool and Belfast (Port Fairy). The S.S. Casino was the only regular trader with normal passenger accommodation along the West Coast and the only Western District steamship that was in service between 1854 and 1939, and to be represented in the Victorian Heritage Shipwreck register, and to have been wrecked in the Western District, and to have the wreck located, and to be accessible to divers. The wreck of the S.S. Casino, and its associated relics, is considered an important part of Victorian and Australian cultural heritage and is now protected as a Historic Shipwreck under State and Commonwealth Law in the Commonwealth Historic Shipwrecks Act (1976). Vase, round, cream coloured, unglazed ceramic, basket weave design. Wide mouth, short neck that tapers out to wide shoulders and straight down to round base. Seams on each side, mouth to base. Small handle on each side of vase between mouth and shoulder. Front and back of vase have a plain oval space bordered by a floral design. Inscription stamped onto base. Made in Japan. Stamped onto base in black ink "MADE IN / JAPAN"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, vase, japanese vase, s.s. casino, john chance, vintage pottery, newcastle and hunter river steam navigation company, belfast and koroit steam navigation company, west coast trader, apollo bay, captain middleton, basket weave, ceramic

To give shape to a basket, this frame was used by the weaver to keep the wicker in shape. Basket weaving was an integral part of many blind workshops, and this frame comes from the RVIB workshop in St Kilda Road.1 metal frame for weaving basketsroyal victorian institute for the blind, employment

Small blue and cream vase with basket weave pattern and small opening in top.Made in Japanornaments, ceramic, vase

Blue china basket weave biscuit barrel with rose handle on lid and a wicker handle.Superior Quality made in Japandomestic equipment, containers, biscuit barrel

Round wooden box with basket weave pattern. Round wood turn pattern on lidpersonal effects, containers

Purchased in Calcutta, India. A dupatta is a traditional long scarf or shawl worn by women in the Indian Subcontinent, essential to outfits like lehengas, ghagras, and churidar suits. Often adorned with embroidery, sequins, or laces, it is used for fashion and modesty, commonly draped over one shoulder or over the head.Dupatta (stole), yellow silk, printed block pattern of repetitive rows of female figures and basket weave.weaving, garments, sari, mid 20th century, india

Basket cane waste paper basket. Weaving stops some 6cm from top, leaving square loopsflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, cane basket, waste paper basket, home office equipment

The Girls' Club was led By Sister Lillian Mott 1956-1959 Colour photo of a group of girls and leaders doing basket weaving at the Errol St. Girls' Club North Melbourne.

Chinese made container for sewing needles when needles were expensive.Decorative chinese carved needleholder in era when needles were expensive and items such as these were made in China for sale to European markets Carved in basket weave pattern ivory needle holder in shape of a Chinese umbrella with plain top and bottom band.needleholder, ivory

Flo Phillips stands as Neil Colliver and Nell Dagliesh weave baskets at the Baringa day centre in 1987.1 colour photographs of two people weaving a basket with another observingassociation for the blind, nell dagliesh, neil colliver, flo phillips, baringa (shepparton)

Blue china vase, 3 cornered basket weave pattern, 3 white china figurines holding vase and forming legs.ornaments, ceramic, vase

Pottery brown demi-john, covered in basket weave cane. Basket weave covers entire object, with top visible with cork (broken off) visible. Donor comment: the wicker covering was applied by the pottery's blind workers, they being very efficient at their task. These workers were believed to have been paid piece work. Two gallon capacity Bendigo Pottery product.domestic equipment, containers, bendigo pottery demi-john

Unknown at this stageAnsett Hostess hat. Navy blue basket-weave nylon narrow-brimmed sunhat style with rounded crown. 1.5cm interior grosgrain ribbon bandNo inscriptions or identifying marksansett airlines of australia, hostess / stewardess, sunhat, navy

Bendigo Pottery brown demi-john, covered in basket weave cane. Basket weave covers sides of object only. Donor comment: the wicker covering was applied by the pottery's blind workers, they being very efficient at their task. These workers were believed to have been paid piece work. One gallon capacity. Missing. Unable to be located at History House. 27/08/23bendigo pottery, demi-john, james lerk

This basket forms part of a large collection reflecting the Irish heritage and collecting interests of the family. While this piece was purchased there are other Belleek pieces in both private and public collections across Ballarat once belonging to the same extended family. This piece is one of 100 examples from the Belleek factory that reflects the family's and Ballarat's Irish heritage. It forms part of a significant and representative historical collection that reflects Ballarat's local history from a family perspective. It contributes to our understanding of social and family life in twentieth century Ballarat and providing interpretative capacity for family, local, and social history themes.Large three strand lidded basket in a pearl finish with a single ribbon to the base impressed with makers mark Belleek Co Fermanagh over the basket weave base.Belleek Co Fermanagh on base of basket.belleek, irish, ballarat

Helena Francis Warren (nee McKeown) was married to William John Warren and lived in Newmerella. She was a fine amateur photographer who supplied the photos for the Back-To-Orbost celebration book in 1937 and also designed the Back-To-Orbost badge. She was known for her soft toy making. (by Ivy Rodwell in from Personalities and Stories of the Early Orbost District by Mary Gilbert)This item is an example of a handcrafted item and reflects the needlework skills of women in the first half of the 20th century.Two dolls - one male and one female - made of maize husks. They are both painted colourfully and are in a plastic box. There is a certificate from the country Women's Association for First prize in Basket Weave Handcrafts and Home Industries.doll handcraft toys maize cwa

The horse bridle was owned by Heather May (Piper) who participated in many regional shows throughout her years. It is unclear how Heather acquired the bridle from W. Cattlin but 'she was generally interested in good riders and horses and saw the unique opportunity to acquire it'. (Steven May, Heather's son, email 2.4.25). The bridle was originally owned by W. Cattlin and it was used in 1913 at the Bendigo Show in a riding event. W. Cattlin was involved in many coursing events in the early 1900's. W. Cattlin is mentioned in a Bendigo Advertiser article 6th October, 1904, when he was competing at the Rochester Show. Leather bridle with metal bit and fine basket weave material reins. Card attached to bridle with hand written note: ' Bridle used by Mr. W. Cattlin at 1913 Bendigo Show/ now Heather Piper'.bendigo show, w. cattlin, bridle, leather, fabric, heather may

Summer dress hat, with a very fine basket weave, scalloped edges, and gauze trim. Inside the hat is a label, "A Calvert Model". Dating from c.1940s. N.B.Calvert was liquidated in 1973. Owned by Mrs Jean Robinson, b. 1921.

This carry bag was used in the 1980's to carry items bought at the Healesville Sanctuary Shop. Many bags have been used since the inception of the shop and this is one of many used over the years. It is interesting to note that paper was used widely throughout the early years and in latter years as the Sanctuary became more dedicated to preservation of the environment, more environmentally-friendly materials have been used.This is a white paper carry bag. The illustration in black and white is of a family group of grey kangaroos; 5 adults and joey. A light green basket-weave pattern forms the background. It has rafia handles and is inscribed with the name of the Healesville Sanctuary underscored in red.Inscription on the lower edge of the paper bag reads "HEALESVILLE / SANCTUARY / A TRULY AUSTRALIAN EXPERIENCE". On the underside of the bag it reads "For Re-order B.S.B. (03) 801 9255"paper-bag, shop, healesville-sanctuary, grey-kangaroo, kangaroo, 1980's

This pot is part of a three piece condiment set which has a Guernsey coat of arms insignia badge attached. See entry 3531 for Salt and Pepper Shakers in this set. It was used in the 1900's and was originally owned by Edward Lloyd Mauger.A small vintage chrome plated mustard pot with a basket weave outer container and a cobalt blue glass insert to hold the mustard. There is no lid or spoon. On one side is attached a blue, red and gold with three lions Guernsey coat of Arms badge.'Guernsey' is stamped on the badge. 'Cromplate' is stamped on the production label underneath the chrome outer container.tableware, food containers, condiment sets, mustard pots

They are part of a vintage three piece condiment set which has a Guernsey coat of arms insignia badge attached to the mustard pot not pictured here. See entry 3531. The salt and pepper shakers and mustard pot were used in the 1900's. It was originally owned by Edward Lloyd Mauger.A pair of vintage small chrome plated salt and pepper shakers with a basket weave outer container and a cobalt blue glass insert to hold either the salt or pepper. They have domed screw top lids and a hole in each silver base. They are part of a three piece condiment set - see entry 3531 for the mustard pot.'Cromplate' on the base of the mustard pot.tableware, salt and pepper shakers, food containers, condiment sets

This cottage-like dwelling has changed ownership several times since it was first built in the 1850s by local tanner John Pearson. The Living and Learning Centre as we know it today is the product of the energetic, reforming era of the Whitlam Government. Set up by the local council in 1974. Unedited amateur video (filmed by Vivienne?) with some voiceover and chatting with others. Significant VHS tape noise/flicker and colour pulsing. Opens with Living & Learning Centre sign on Main Road and “Open Day Here Today” attached to it. Views of entrance into carpark, dog obedience class demonstration near entrance, leadlight construction display in workshop, basket weaving, face painting, exterior garden landscape with herb garden, brick pottery shed, peppercorn tree, children’s activities, interior views showing artworks of life drawings, general engagement with other people (audio), candle room, pottery, children’s entertainer in garden, wool spinning, some attempts at engagement with Claire Fitzpatrick, Thai Chi demonstration, floral presentations, patchwork, needlepoint, knitting, some interior scenes very dark, weaving, cane basket weaving.VHS Video cassette (poor quality) Converted to MP4 file format 00:31:39; 746MBeltham living and learning centre, open day, dog obedience class, leadlight, basket weaving, face painting, artworks, life drawing, candle room, pottery, wool spinning, claire fitzpatrick, thai chi, patchwork, needlepoint, knitting, weaving, cane basket weaving, main road, eltham, video recording, shire of eltham archives

In 1965 16 year old Danny Fuller of Sunnybank, commences his first day of work at the Queensland Industrial Institute for the Blind, learning how to weave a cane basket.1 x B/W photograph of boy weaving a basketBlind Institute, F37829, 9-5-61, 3 col x 7 1/4queensland industrial institute for the blind, danny fuller

The badge was issued by the British Medical Association 'BMA'. It is known as the Female Relative's Bade or Ladies' Badge. It was manufactured in Melbourne in 1935 by Stokes of Melbourne. The BMA badge is one of a set of badges collected by Dr W R Angus from the organisations in which he was involved. They are now part of Flagstaff Hill’s comprehensive W.R. Angus Collection, donated by the family of Dr W R Angus, surgeon and oculist. The W.R. Angus Collection: - The W.R. Angus Collection includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. It includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. During World War II He served as a Military Doctor in the Australian Defence Forces. Dr Angus and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the responsibility of part-time Port Medical Officer and was the last person appointed to that position. Both Dr Angus and his wife were very involved in the local community, including the planning stages of the new Flagstaff Hill and the layout of the gardens there. Dr Angus passed away in March 1970.This badge is significant for connecting Doctor Angus with organisations that support men and women who performed military service for Australia. The badge was specifically for a female relative of the person who did service, showing compassion for women. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The Collection includes historical medical objects that date back to the late 1800's.This BMA badge is an overall rectangular shape made in a silver metal. It has a raised oval section in the centre. The badge has embossed text and a basket weave background pattern within the metal. It is a Ladies Badge, made for the women connected to members of the British Medical Association. It was made in Melbourne in 1935. This badge is part of a set of badges collected by Dr W R Angus. the set represents organisations that he was involved in, and is part of the W.R. Angus Collection.Front embossed; “BMA” “LADIES” “BADGE. Back embossed; “MELBOURNE / 1935 “ “STOKES MELB”flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, w.r. angus, badge, bma, british medical association, ladies’ badge, female relative's badge, military service, stokes, melbourne, w.r. angus collection

Basket weaving and brush making was a source of income for those who worked in the workshops at RVIB and other institutions in New South Wales and Queensland. A diverse range products could be produced with cane, such as cane chairs, cots, washing baskets and trolleys, and the Institution sought to highlight these in the annual report. Over time the demand for, and supply of, cane changed - particularly during World War 2 when Asian sources were under attack or destroyed. At home, other materials such as plastics as well as the ability to import cheaper pre-produced products further reduced the demand for workshop pieces. 1 cane basket with 2 side handlesroyal victorian institute for the blind, employment

Basket weaving and brush making was a source of income for those who worked in the workshops at RVIB and other institutions in New South Wales and Queensland. A diverse range products could be produced with cane, such as cane chairs, cots, washing baskets and trolleys, and the Institution sought to highlight these in the annual report. Over time the demand for, and supply of, cane changed - particularly during World War 2 when Asian sources were under attack or destroyed. At home, other materials such as plastics as well as the ability to import cheaper pre-produced products further reduced the demand for workshop pieces. This style of washing basket was commonly used by families until the introduction of cheap plastic baskets.1 cane basket with 2 side handlesemployment, royal victorian institute for the blind

Basket weaving and brush making was a source of income for those who worked in the workshops at RVIB and other institutions in New South Wales and Queensland. A diverse range products could be produced with cane, such as cane chairs, cots, washing baskets and trolleys, and the Institution sought to highlight these in the annual report. Over time the demand for, and supply of, cane changed - particularly during World War 2 when Asian sources were under attack or destroyed. At home, other materials such as plastics as well as the ability to import cheaper pre-produced products further reduced the demand for workshop pieces. This basket was made at RVIB, possibly during the 1980s due it's lack of discolouration and good condition. 1 cane basket with two side handlesemployment, royal victorian institute for the blind

Basket weaving and brush making was a source of income for those who worked in the workshops at RVIB and other institutions in New South Wales and Queensland. A diverse range products could be produced with cane, such as cane chairs, cots, washing baskets and trolleys, and the Institution sought to highlight these in the annual report. Over time the demand for, and supply of, cane changed - particularly during World War 2 when Asian sources were under attack or destroyed. At home, other materials such as plastics as well as the ability to import cheaper pre-produced products further reduced the demand for workshop pieces. RVIB eventually closed down it's workshop production of materials in 2009 with the sale of the warehouse in High Street, Prahran and the movement of staff to Macaulay Road, Kensington.6 scanned images of basket making from RVIB annual reportsroyal victorian institute for the blind, employment

Basket weaving and brush making was a source of income for those who worked in the workshops at RVIB and other institutions in New South Wales and Queensland. A diverse range products could be produced with cane, such as cane chairs, cots, washing baskets and trolleys, and the Institution sought to highlight these in the annual report. Over time the demand for, and supply of, cane changed - particularly during World War 2 when Asian sources were under attack or destroyed. At home, other materials such as plastics as well as the ability to import cheaper pre-produced products further reduced the demand for workshop pieces. This cane basket was used for storage as well as transporting heavier items. The base has been reinforced with two thick boards that allow the basket to hold more weight than regular baskets, and this also allows it to sit higher and the contents slightly above ground level.1 deep cane basket with two side handlesemployment, royal victorian institute for the blind