Showing 556 items
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Wodonga & District Historical Society Inc
Decorative object - Black bead necklace, c1920s
This kind of beads was commonly worn by women in the early to mid 20th century. This string of beads belonged to Mrs Alice Yardy, mother of Mrs. Jean Raper. Mrs Yardy died on 2 Dec 1974 in Albury, New South Wales aged 84 years old.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A short string of black beads of varied sizes. The beads are joined by metal hooks and has a hooked clasp.fashion accessory, decorative items, women's jewellery -
Wodonga & District Historical Society Inc
Decorative object - Faceted Bead Necklace, c1920s
This kind of beads was commonly worn by women in the early to mid 20th century. This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A long string of mauve faceted beads. Faceted beads have many flattened edges done in such a way as to make them look like a cut gemstone.decorative items, women's jewellery, fashion accessory -
Wodonga & District Historical Society Inc
Decorative object - Two Glass bead necklaces, c1920s
This kind of beads was commonly worn by women in the early to mid 20th century. These strings of beads belonged to Mrs Alice Yardy, mother of Mrs. Jean Raper. Mrs Yardy died on 2 Dec 1974 in Albury, New South Wales aged 84 years old.2 strings of glass beads. Both necklaces have a metal clasp and are strung on a cord of thick cotton.decorative items, women's jewellery, fashion accessory -
Wodonga & District Historical Society Inc
Decorative object - Bead and Snake bone necklace, Fred Walker, c1930
These beads were made by Fred Walker, then of Wodonga, during the Depression. He created them to make additional income when work was scarce. They were sold for 3 shillings per necklace. The snakes he caught were boiled to separate the flesh from the bones. After saturating the market in Wodonga, Fred and a friend took to the road. At one stage they travelled with live snakes which had been de-fanged and kept them alive with frogs until more necklaces were needed. He travelled much of the east coast of Australia until the economic conditions improved, when he settled in Melbourne. After the death of his wife in the mid 1970s, Fred took to the road again, resurrecting the making of snake jewellery as he travelled the countryside. These beads were purchased by Mrs. Lilian Black of Kergunyah, Victoria when Fred Walker visited her family farm in the 1930s.These beads demonstrate enterprising activities carried out by Australian people in order to survive during the Great Depression of the 1930s.A necklace made from black beads and treated snake bones. There are 5 coloured beads in the middle of the necklace.snake jewellery, the great depression, survival during the depression -
Wodonga & District Historical Society Inc
Decorative object - Bead Necklace, c1920s
Strings of beads were a common fashion accessory for women in the early to mid 20th century. They were usually made from glass beads but other natural item such as seeds or shells were also popular.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A short necklace of 60 uniform sized beads or possibly shrub seeds. They are strung on thick twine with a metal catch. The catch has worn over time.decorative items, fashion accessory, women's jewellery -
Brighton Historical Society
Doll, Bead doll, c.1937
Made by the cousin of Brighton local Olga Black. The cousin gave her the doll in 1937, when Olga was around seven years old. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Handmade painted wooden bead doll representing a sailor. Cream coloured body and limbs and pink head. The body is made from one long oval bead and the limbs from small round beads.doll, child's toy, childhood, sailor, olga black -
Kew Historical Society Inc
Accessory, Glass Bead, Bakelite & Silk Reticule, 1930s
The Kew Historical Society's Fashion & Design collection includes a small and representative collection of reticules, purses and handbags, purchased, inherited or collected by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products. Beaded purse with butterscotch bakelite frame and chain.The purse contains an internal mirrorcostume accessories, purses, handbags, reticules -
Kew Historical Society Inc
Accessory, Red Plastic Bead Necklace, 1960s
Personal costume jewellery donated by Dione McIntyre Medium length, clear red plastic necklace made of moulded plastic beads.necklaces, costume jewellery, fashion accessories -
Churchill Island Heritage Farm
Clothing - Trim, Black Beaded
At 11cm in width, this lavishly embroidered lace would have been used as a trim or an insertion piece for evening wear, perhaps as a trim on the bodice of an off the shoulder evening gown. It comprises two layers: a strong base possibly machine made and a fine top layer luxuriously embossed with sequins and bugle beads which was possibly done by hand. It appears to have been made using matte black silk which was known as grenadine and used on the Pusher machine which could only make the pattern and the net. The outline had to be put in by hand. Nottingham stopped making Pusher lace in the early 20th century but it continued to be made in France.Churchill Island has a large lace collection, which was added to by three successive generations of the Amess family - Jane, Janet, and Unity. The Amess family owned Churchill Island from 1872 to 1929. Jane was wife of Samuel Amess, who was the first Samuel Amess to own Churchill Island. The examples of lace are notable for their variety, and provide respresentative examples of techniques from the late nineteenth to the early twentieth centuries. length of black beaded trim with two layers: machine made lace with hand-stitched overlay of sequins and jet cylindrical beads in abstract designs.Packaged with note: "Black beaded trimming (hand beaded)".janet amess lace collection, churchill island, lace, sequined, amess, trim -
Footscray Community Arts
Amber Bead Mandala, Rosemary De Dear, (exact); 2002
MEDIUM: Digital print. DESCRIPTION: A fractal exploration on 192 gsm archival matt. Image ranges from yellow, orange, and red to darker tones. Gold outer frame with a glass front. The Mandalas geometric designs are symbolic of the universe and used in Hinduism and Buddhism as an aid to meditation. The creative possibilities that exist in these sacred circles, are often based on a step-and-repeat principle, centre, and symmetry. Here we see this put into practise. The mandala has an iris quality about it with 16 pillars pulling centrally to what looks like a pupil, the centre of the mandala. This then has more points around it and then more once again. This fractal approach gives the work a textural depth. The use of blurring and merging in a kaleidoscopic fashion creates movement, the circular flow repetitive and calming. The use of reds throughout mandata art represent the glowing sun and of fire, red generally taken to be the color of life, love, joy and rage, the polar values of the color. Orange the colour of cheerfulness and gaiety, a colour mixed from red and yellow, it stands for kind-heartedness and warm-heartedness. Signed, titled, dated and editioned on image across bottom.de, print, digital, dear, amber, bead, mandala, fractal, expolration -
Whitehorse Historical Society Inc.
Craft - Beaded sample on netting
A sample of beaded work- Bronze seed beads - Some silver/bronze beads - Some pearl beads - On beige nylon netting - Handmade?beaded lace border, bronze neads, elsie doris whitten, patrice jennigs -
Vision Australia
Decorative object - Object, Beaded bag, 1920s
Tilly Aston was also a talented crafts person. This open-weave evening purse was made by her in the 1920s, and features delicate, milky-white beads threaded on wire with green and pink glass beaded flowers.Beaded bag with red flowers on green stemsassociation for the blind, tilly aston -
Flagstaff Hill Maritime Museum and Village
Clothing - Beaded collar, circa mid 20th century
This beaded dress collar is of a style from the mid 20th century - possibly even as early as the 1930's. It is designed to be easily removed and worn with different outfits - e.g. a dress, knitted top or blouse. Articles from Australian newspapers (particularly the Women's fashion pages) in the decades from the 1930's through to the 1950's often mentioned society ladies wearing "beaded collars" when describing their fashions and in the 1950's "beaded collars" were being made and imported from Japan however this particular collar appears to have been handmade. Unfortunately the maker of this collar is unknown.This item is an example of how women in the mid 20th century used their needlework skills to personalise and embellish an item of clothing (a collar) designed in a practical way to be able to be used with different items of clothing. Lady's beaded collar with a decorative floral design of flowers made with blue beads, outlined with bronze beads on a white beaded background. Bronze beads have also been used to "draw" leaf shapes and tendrils and outline a border all around the collar. A hook and eye are attached to a fine cotton bias band at the top of the collar and the beading is sewn onto a fine net lining.flagstaff hill maritime museum and village, warrnambool, great ocean road, fashion, beaded collar, beading, decorative fashion, collar, lady's fashion -
Nhill & District Historical Society Inc.
Clothing - 1942 Wedding dress of Lottie Lillian (Dolly) McDonald
Lottie Lillian (Dolly) McDonald married Richard Clement (Clem) Eastick on 25 May 1942 at St. Andrew's Presbyterian Church, Nhill, Victoria.Both Dolly and Clem were born in Nhill, and continued to live in Nhill after their marriage.A delightful classical gown of white silk velvet with draped bodice and fell from the side of the skirt with soft full folds, the tiny shoulder and hip yokes were embroidered with small crystal beads.Shoulder and hip yokes were embroidered with small crystal beads.1942 weddings, wedding dresses, nhill - weddings, st. andrew's presbyterian church, mcdonald - eastick, textiles - bridal - fashion -
Flagstaff Hill Maritime Museum and Village
Accessory - Necklace, Late 19th to early 20th century
The origin of this necklace of facetted amber-coloured glass beads is unknown. However, its design is reminiscent of jewellery that was fashionable in the late 19th and early 20th centuries.This necklace of facetted amber-coloured glass beads is an example of a women's fashion accessory of the late 19th and early 20th centuries. Necklace; metal chan with facetted ambe beads attached to the lower half. A small chain is added to the clasp. Each teardrop-shaped amber-coloured glass bead is linked to smaller round, lighter-coloured beads, which are then joined to the chain links.flagstaff hill maritime village, shipwreck coast, flagstaff hill, warrnambool, flagstaff hill museum and village, accessory, fashion accessory, necklace, facetted beads, amber beads, glass beads, late 19th century, early 20th century -
Wodonga & District Historical Society Inc
Decorative object - Black Jet beads, c1920s
This kind of beads was commonly worn by women in the early to mid 20th century. This string of beads belonged to Mrs Alice Yardy, mother of Mrs. Jean Raper. Mrs Yardy died on 2 Dec 1974 in Albury, New South Wales aged 84 years old.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A long string of black jet beads of even size stung on dark coloured twine.fashion accessory, women's jewellery, decorative items -
Wodonga & District Historical Society Inc
Decorative object - Yellow glass beads, c1920s
This kind of beads was commonly worn by women in the early to mid 20th century. This string of beads belonged to Mrs Alice Yardy, mother of Mrs. Jean Raper. Mrs Yardy died on 2 Dec 1974 in Albury, New South Wales aged 84 years old.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A long string of yellow glass beads of graduated sizes strung on thick cotton thread.decorative items, women's jewellery -
Orbost & District Historical Society
beaded bag, late 19th -early 20th century
Pretty and tiny beaded bags and purses were highly decorated to match the dresses of the era. They were small enough to carry makeup compacts, a few coins, and they were fashion accessories more than practical handbags.This item is an example of a clothing accessory used by women in the early 20th century.Fully beaded drawstring bag with designs of flowers. Tassel of beads attached to bottom of bag. Small wooden hooks on the inside to hold black rope drawstring.bag personal-effects money-container beading drawstring-bag -
Federation University Historical Collection
Equipment - Object, Abacus, c.1963
Donated by Helen Burgess former lecturer in Craft at the Ballarat School of Mines and the Ballarat College of Advanced Education. This abacus was purchased while Helen was visiting Asia. http://www.youtube.com/watch?v=CvsnftXXKdw Usage: check wikipediaRectangular abacus, Chinese style rosewood or blackwood with brass fittings on corners and dividing framework,13 rods, 65 lower beads, 26 upper beads. Gift of Helen BurgessManufacturing stamp on lower RHS inside frame: "1963 6" Unidentified Chinese characters on the framework behind the lower beads on both central vertical supports, on the LHS framework and on the centre portion of the lower framework.abacus, abacus chinese, rosewood stained, helen burgess, mathematics -
Vision Australia
Functional object - Object, Writing frame
This wooden frame is designed to sit over paper pages. The elastic strands provide a guide to the writer to maintain a straight line of writing, with the beads allowing indication of space between words or sentences. This frame allows those who have deteriorating sight to continue writing handwritten notes.1 wooden frame with elastic and beads and metal cornersassociation for the blind, assistive devices -
Vision Australia
Functional object - Object, Millard metal frame
This metal frame opens from the side to allow paper to be placed between the two pieces and held into place with a metal clasp on the side. The elastic strands provide a guide to the writer to maintain a straight line of writing, with the beads allowing indication of space between words or sentences. This frame allows those who have deteriorating sight to continue writing hand written notes.1 japanned metal frame with elastic and beadsassociation for the blind, assistive devices -
Greensborough Historical Society
Accessory - Handbag, Beaded handbag, 24/07/1968
Small beaded bag, possibly an evening bag. Included in the original box is the purchase receipt from Myer Melbourne dated 24 July 1968. Small pearl-beaded handbag with fabric lining, metal clasp and chain handle, in original cardboard box with purchase receiptpurses, handbags, evening bags -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Dairy Equipment, doiley, 20thC
Early settler women were skilled craft workers and crocheted doilies and other napery for their household. This Doiley is a cover for a jug or cup, with the glass beads providing the weight to secure it, to protect the contents from flies, insects and dust while on the kitchen table.Early settler women were skilled in dressmaking, crochet, knitting as they made clothes, furnishings, drapery and tableware for their families c1900A cotton, crocheted doily with a teapot pattern and green beads at edges to keep it in place when protecting contents of a jug or cupkitchen equipment, crochetwork, napery, doilies, milk jugs, early settlers, market gardeners, cooking utensils, kitchenware, castiron cooking pots, blacksmiths, slow cooking, moorabbin shire, bentleigh, mckinnon, highett, cheltenham, -
Whitehorse Historical Society Inc.
Accessory - Beaded Bag
The bag belonged to Dorothy's mother who resided in Canterbury Road, Vermont, Unit 1, next to Steven Reserve for 20 years until she died. Information from Dorothy Meagher re bead bag:-Dorothy Mavis Don (owner of bag) was born in Cowangie, S.A. in Mallee country in 1907. She married Douglas William Stewart on 22-1-1927 in the Presbyterian Church in Cowangie. Dorothy (known as Mavis) was an accomplished designer and sewer who made clothes etc. up to her death.Multicoloured wooden beaded handbag with handles and zipper. Fan shape.costume accessories, female -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Theatrical prop, waistband beaded eveningwear, c1950
This beaded sequined waist band for evening wear was a clothing prop used in the plays and musicals performed in the the City of Moorabbin. Gladys Reed was a member of the Ormond Choral Society c 1950. Gladys Reed was a member of the Ormond Choral Society c 1950. and this beaded sequined clothing prop was used in the plays and musicals when performed in the the City of Moorabbin A Theatrical prop, evening wear as a taffeta waistband with beading, multi coloured sequins, and corded cotton waist ties.c1950 Shown with Theatrical prop white beaded lace hat MAV 00295clothing, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george -
Tatura Irrigation & Wartime Camps Museum
Abacus, Between 1939-1945
Camp 3 was one of the Tatura Group of civilian & prisoner of war internment camps during World War 2. Camp 3 was a civilian 'family' camp. The abacus was made by a German internee, for his son in the camp. It was made from scrap materials found in and around the camp & the beads & other wooden parts of the abacus were turned on a lathe also constructed by the internees. Wood & metal abacus with wooden base, sides & beads (100), & metal rails. Wood painted red & black. camp 3, tatura, internment camps, civilian internees -
Brighton Historical Society
Dress, Wedding dress, 1966
This dress was worn by Brighton model Coral Triplett when she married John Knowles at St John's Church, Toorak, on 18 June 1966. Made from beaded wool lace, it was commissioned by the Australian Wool Board for the Gown of the Year competition and made by Jinoel, a high-end Melbourne fashion house run by husband and wife team Jill and Noel Kemmelfield.White French wool lace wedding gown with low neckline and high empire waist. Bodice embroidered with beads.wedding dress, 1960s, coral triplett, coral knowles, john knowles, jinoel, australian wool board, gown of the year, wool lace -
Flagstaff Hill Maritime Museum and Village
Article - Abacus, Probably second half of 19th Century or first half of the 20th Century for this particular item
The abacus has been used by many civilisations, and is still in use today. Its origin is masked in the depths of time, but it is believed to have originated in crude form around the years c.2500 BCE. It is interesting to note that this abacus, although in use in Australian schools, contains ten rows, each containing ten beads, suggesting that it was heavily influenced by the decimal system. The number 12 was quite prominent in Australia, no doubt introduced by the British during the first settlements. It's use, as in dozens, twelve shillings in the pound and twelve inches in a foot, was widespread until decimalisation in 1966. Even today, many items are sold in dozens or sixes.Before more sophisticated adding machines and then calculators were developed in the 19th and 20th centuries, the abacus would have been in worldwide use.Abacus or counting frame with ten rows, each containing ten wooden beads.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wood, abacus -
Stratford and District Historical Society
Snakebone necklace
Makers of Snakebone Necklaces Two local women who made these necklaces were: Minnie Blucher (nee Wanke) (c.1891-1976) who lived at Briagolong in the 1940s. Highly artistic, she eagerly sought out snakes, killing many around Noble's Bridge. Peter Mills of Briagolong remembers that she would hang them on fences for maggots to eat away the fresh, and painted and dyed the bones. She also used spine bones from cattle for ornaments. Bella Buttsworth (1882-1951) was the daughter of Thomas and Rachel Mills of Briagolong, and the aunt of Ina Worseldine of Maffra. Ina remembers her making these necklaces in the 1920s, and that she placed beads in between the bones. The comment was also made that she often put large bones at the front and smaller ones to the back. Bella obtained the bones by boiling the dead snakes down, and then left the bones out on logs in the sun to bleach.A circular necklace made of spine bones from snakes and red beads, threaded onto copper wire. It contains 20 bones, each with a red bead between it and the next, with five red beads near a rough hook catch. The bones appear painted, possibly with calcomine.craft, handcrafts -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Personal Effects, evening bag, c1900
In the 17th century young girls were taught embroidery as a necessary skill for marriage, this also helped them make very beautiful handbags. By the late 18th century, fashions in Europe were moving towards a slender shape and women wanted purses that would not be bulky or untidy in appearance, so reticules were designed. Reticules were made of fine fabrics like silk and velvet, with wrist strap often decorated with pearls, sequins, beads and embroidery. A lady's black velvet, silk lined, evening bag with draw-string and hand made tassels. The bag is decorated with beads in a floral designmoorabbin, brighton, early settlers, pioneers, cheltenham, craft work, dressmaking