This kind of beads was commonly worn by women in the early to mid 20th century. This string of beads belonged to Mrs Alice Yardy, mother of Mrs. Jean Raper. Mrs Yardy died on 2 Dec 1974 in Albury, New South Wales aged 84 years old.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A short string of black beads of varied sizes. The beads are joined by metal hooks and has a hooked clasp.fashion accessory, decorative items, women's jewellery

This kind of beads was commonly worn by women in the early to mid 20th century. This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A long string of mauve faceted beads. Faceted beads have many flattened edges done in such a way as to make them look like a cut gemstone.decorative items, women's jewellery, fashion accessory

This kind of beads was commonly worn by women in the early to mid 20th century. These strings of beads belonged to Mrs Alice Yardy, mother of Mrs. Jean Raper. Mrs Yardy died on 2 Dec 1974 in Albury, New South Wales aged 84 years old.2 strings of glass beads. Both necklaces have a metal clasp and are strung on a cord of thick cotton.decorative items, women's jewellery, fashion accessory

These beads were made by Fred Walker, then of Wodonga, during the Depression. He created them to make additional income when work was scarce. They were sold for 3 shillings per necklace. The snakes he caught were boiled to separate the flesh from the bones. After saturating the market in Wodonga, Fred and a friend took to the road. At one stage they travelled with live snakes which had been de-fanged and kept them alive with frogs until more necklaces were needed. He travelled much of the east coast of Australia until the economic conditions improved, when he settled in Melbourne. After the death of his wife in the mid 1970s, Fred took to the road again, resurrecting the making of snake jewellery as he travelled the countryside. These beads were purchased by Mrs. Lilian Black of Kergunyah, Victoria when Fred Walker visited her family farm in the 1930s.These beads demonstrate enterprising activities carried out by Australian people in order to survive during the Great Depression of the 1930s.A necklace made from black beads and treated snake bones. There are 5 coloured beads in the middle of the necklace.snake jewellery, the great depression, survival during the depression

Strings of beads were a common fashion accessory for women in the early to mid 20th century. They were usually made from glass beads but other natural item such as seeds or shells were also popular.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A short necklace of 60 uniform sized beads or possibly shrub seeds. They are strung on thick twine with a metal catch. The catch has worn over time.decorative items, fashion accessory, women's jewellery

Made by the cousin of Brighton local Olga Black. The cousin gave her the doll in 1937, when Olga was around seven years old. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Handmade painted wooden bead doll representing a sailor. Cream coloured body and limbs and pink head. The body is made from one long oval bead and the limbs from small round beads.doll, child's toy, childhood, sailor, olga black

The Kew Historical Society's Fashion & Design collection includes a small and representative collection of reticules, purses and handbags, purchased, inherited or collected by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products. Beaded purse with butterscotch bakelite frame and chain.The purse contains an internal mirrorcostume accessories, purses, handbags, reticules

Personal costume jewellery donated by Dione McIntyre Medium length, clear red plastic necklace made of moulded plastic beads.necklaces, costume jewellery, fashion accessories

MEDIUM: Digital print. DESCRIPTION: A fractal exploration on 192 gsm archival matt. Image ranges from yellow, orange, and red to darker tones. Gold outer frame with a glass front. The Mandalas geometric designs are symbolic of the universe and used in Hinduism and Buddhism as an aid to meditation. The creative possibilities that exist in these sacred circles, are often based on a step-and-repeat principle, centre, and symmetry. Here we see this put into practise. The mandala has an iris quality about it with 16 pillars pulling centrally to what looks like a pupil, the centre of the mandala. This then has more points around it and then more once again. This fractal approach gives the work a textural depth. The use of blurring and merging in a kaleidoscopic fashion creates movement, the circular flow repetitive and calming. The use of reds throughout mandata art represent the glowing sun and of fire, red generally taken to be the color of life, love, joy and rage, the polar values of the color. Orange the colour of cheerfulness and gaiety, a colour mixed from red and yellow, it stands for kind-heartedness and warm-heartedness. Signed, titled, dated and editioned on image across bottom.de, print, digital, dear, amber, bead, mandala, fractal, expolration

Bought in Moorabool Antique Galleries for $675 by Margaret Mills.Small picture of a peacock and two chicks in a garden. Entirely beaded (including background) in very fine beads in beige. Gold frame."NA 1861" in pink beadsbeading, panel, peacock, england

Ballarat Grammar’s 23 acre site facing Forest and Howitt Streets, Wendouree was chosen carefully by the Committee set up by the Church Assembly (Synod) in November 1908. Classes began for the 38 boys enrolled on 14 February 1911. The first building accommodated 90 day boys and 25 boarders. It comprised the Headmaster’s residence, three classrooms, one large dormitory, a small bathroom, two cubicles for assistant masters and the matron’s room. During the first year the property was fenced, trees and cypress hedges were planted, a carriage drive was constructed and work commenced for the School Cricket Oval. Three Noopsi Badges celebrating 100 years of Anglican education at Ballarat & Queens Anglican Grammar School. These are beaded badges in blue, yellow and brown with "100" in yellow, mounted on a safety pin. "100" in worked in yellow beadsballarat, badge, queens, 100, cegs, 2011, bgs, noopsi, century-celebration, grammar-school, qceggs

Ballarat Grammar’s 23 acre site facing Forest and Howitt Streets, Wendouree was chosen carefully by the Committee set up by the Church Assembly (Synod) in November 1908. Classes began for the 38 boys enrolled on 14 February 1911. The first building accommodated 90 day boys and 25 boarders. It comprised the Headmaster’s residence, three classrooms, one large dormitory, a small bathroom, two cubicles for assistant masters and the matron’s room. During the first year the property was fenced, trees and cypress hedges were planted, a carriage drive was constructed and work commenced for the School Cricket Oval. Three Noopsi Badges celebrating 100 years of Anglican education at Ballarat & Queens Anglican Grammar School. These are beaded badges in blue, yellow and brown with "100" in yellow, mounted on a safety pin. "100" in worked in yellow beadsballarat, badge, queens, 100, cegs, 2011, bgs, noopsi, century-celebration, grammar-school, qceggs

Ballarat Grammar’s 23 acre site facing Forest and Howitt Streets, Wendouree was chosen carefully by the Committee set up by the Church Assembly (Synod) in November 1908. Classes began for the 38 boys enrolled on 14 February 1911. The first building accommodated 90 day boys and 25 boarders. It comprised the Headmaster’s residence, three classrooms, one large dormitory, a small bathroom, two cubicles for assistant masters and the matron’s room. During the first year the property was fenced, trees and cypress hedges were planted, a carriage drive was constructed and work commenced for the School Cricket Oval. Three Noopsi Badges celebrating 100 years of Anglican education at Ballarat & Queens Anglican Grammar School. These are beaded badges in blue, yellow and brown with "100" in yellow, mounted on a safety pin. "100" in worked in yellow beadsballarat, badge, queens, 100, cegs, 2011, bgs, noopsi, century-celebration, grammar-school, qceggs

A sample of beaded workA strip of lace made of beads made of dotted stripe along each edge with design resembling bee hives and plants with palm shapped leaves. - Bronze seed beads - Some silver/bronze beads - Some pearl beads - On beige nylon netting beaded lace border, bronze neads, elsie doris whitten, patrice jennigs

Lottie Lillian (Dolly) McDonald married Richard Clement (Clem) Eastick on 25 May 1942 at St. Andrew's Presbyterian Church, Nhill, Victoria.Both Dolly and Clem were born in Nhill, and continued to live in Nhill after their marriage.A delightful classical gown of white silk velvet with draped bodice and fell from the side of the skirt with soft full folds, the tiny shoulder and hip yokes were embroidered with small crystal beads.Shoulder and hip yokes were embroidered with small crystal beads.1942 weddings, wedding dresses, nhill - weddings, st. andrew's presbyterian church, mcdonald - eastick, textiles - bridal - fashion

Good example of beaded trim possibly for mourning attire.Beaded applique trim with black bugle and small round beads arranged in a trailing floral pattern. Attached to an orange grosgrain ribbon.

Metal Abacus Counting Bead used by the Wlodarczyk Family after migranting to AustraliaMetal Abacus Counting Beadjoseph 'joe' wlodarczyk, abacus

Tilly Aston was also a talented crafts person. This open-weave evening purse was made by her in the 1920s, and features delicate, milky-white beads threaded on wire with green and pink glass beaded flowers.Beaded bag with red flowers on green stemsassociation for the blind, tilly aston

This beaded dress collar is of a style from the mid 20th century - possibly even as early as the 1930's. It is designed to be easily removed and worn with different outfits - e.g. a dress, knitted top or blouse. Articles from Australian newspapers (particularly the Women's fashion pages) in the decades from the 1930's through to the 1950's often mentioned society ladies wearing "beaded collars" when describing their fashions and in the 1950's "beaded collars" were being made and imported from Japan however this particular collar appears to have been handmade. Unfortunately the maker of this collar is unknown.This item is an example of how women in the mid 20th century used their needlework skills to personalise and embellish an item of clothing (a collar) designed in a practical way to be able to be used with different items of clothing. Lady's beaded collar with a decorative floral design of flowers made with blue beads, outlined with bronze beads on a white beaded background. Bronze beads have also been used to "draw" leaf shapes and tendrils and outline a border all around the collar. A hook and eye are attached to a fine cotton bias band at the top of the collar and the beading is sewn onto a fine net lining.flagstaff hill maritime museum and village, warrnambool, great ocean road, fashion, beaded collar, beading, decorative fashion, collar, lady's fashion

Attached letter: "This was originally a screen used to screen the faces of 18th century ladies from being scorched by drawing room fires. It belonged to the parents of R.W. Patterson the husband of Matilda, nee Upton. (I M H Upton sister to M S M Sleep nee Upton). R W Patterson's sister Hilda gave it the beaded part, to Aunt Mattie who didn't know what to do with it and gave it to to my mother M S M Sleep. She had it mounted on grey grosgrain fabric and it was hung on the fire screen which was later altered again to take the rose tapestry as a present. I had the beaded part mounted to hang in Susan Geissmann's (nee Arnold, my daughter) bedroom at Syndal about 1964. The firescreen was made by Myer's, Melbourne about 1935. "Brown and cream beads on a blue beaded background. Subject is flowers and leaves. Beaded on canvasbeading, pole screen

Brown beaded handbag circa 1960's?, purchased by donor at flea market in New York in 1980'sCircular shaped beaded bag with a firm rim and gathered body. Fitted lid with mirror insert. Beaded handle attached with plastic rings

Donated by Helen Burgess former lecturer in Craft at the Ballarat School of Mines and the Ballarat College of Advanced Education. This abacus was purchased while Helen was visiting Asia. http://www.youtube.com/watch?v=CvsnftXXKdw Usage: check wikipediaRectangular abacus, Chinese style rosewood or blackwood with brass fittings on corners and dividing framework,13 rods, 65 lower beads, 26 upper beads. Gift of Helen BurgessManufacturing stamp on lower RHS inside frame: "1963 6" Unidentified Chinese characters on the framework behind the lower beads on both central vertical supports, on the LHS framework and on the centre portion of the lower framework.abacus, abacus chinese, rosewood stained, helen burgess, mathematics

This is a case to hold bodkins. A Bodkin is shaped like an oversized sewing needle with a blunt point and large eye and is used to pull a drawstring through a fabric casing- an essential to clothes fastenings for centuries. Beaded cases were popular from late 18th century through to Victorian timesWhen most clothes were laced, bodkins were essential tool for dressing. This is a luxury item in which to store bodkins. Complex beadwork completely covers a bone frame.Cylindrical ivory bodkin case decorated with blue, white and red seed beads in diamond design on an opalescent seed bead background with blue beads banding join. Blue Beads top and bottombodkin case, beadwork

The origin of this necklace of facetted amber-coloured glass beads is unknown. However, its design is reminiscent of jewellery that was fashionable in the late 19th and early 20th centuries.This necklace of facetted amber-coloured glass beads is an example of a women's fashion accessory of the late 19th and early 20th centuries. Necklace; metal chan with facetted ambe beads attached to the lower half. A small chain is added to the clasp. Each teardrop-shaped amber-coloured glass bead is linked to smaller round, lighter-coloured beads, which are then joined to the chain links.flagstaff hill maritime village, shipwreck coast, flagstaff hill, warrnambool, flagstaff hill museum and village, accessory, fashion accessory, necklace, facetted beads, amber beads, glass beads, late 19th century, early 20th century

Example of a fancy beaded evening bag from the 1950s or 1960s. This style of handbag continued through out both decades.c. 1950/1960s cream pearl style beaded handbag. Beading in flower designs with scalloped flap top and beaded handle. White polyester lining with 1 small pocket.handbag, beads, beading, metal, 1950s, 1960s

This kind of beads was commonly worn by women in the early to mid 20th century. This string of beads belonged to Mrs Alice Yardy, mother of Mrs. Jean Raper. Mrs Yardy died on 2 Dec 1974 in Albury, New South Wales aged 84 years old.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A long string of black jet beads of even size stung on dark coloured twine.fashion accessory, women's jewellery, decorative items

This kind of beads was commonly worn by women in the early to mid 20th century. This string of beads belonged to Mrs Alice Yardy, mother of Mrs. Jean Raper. Mrs Yardy died on 2 Dec 1974 in Albury, New South Wales aged 84 years old.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A long string of yellow glass beads of graduated sizes strung on thick cotton thread.decorative items, women's jewellery

Pretty and tiny beaded bags and purses were highly decorated to match the dresses of the era. They were small enough to carry makeup compacts, a few coins, and they were fashion accessories more than practical handbags.This item is an example of a clothing accessory used by women in the early 20th century.Fully beaded drawstring bag with designs of flowers. Tassel of beads attached to bottom of bag. Small wooden hooks on the inside to hold black rope drawstring.bag personal-effects money-container beading drawstring-bag

This wooden frame is designed to sit over paper pages. The elastic strands provide a guide to the writer to maintain a straight line of writing, with the beads allowing indication of space between words or sentences. This frame allows those who have deteriorating sight to continue writing handwritten notes.1 wooden frame with elastic and beads and metal cornersassociation for the blind, assistive devices