This knitting pattern book was published by The New Idea magazine and contains knitting patterns for womens bed jackets and dressing gowns.The / NEW IDEA / N.S.8 / KNITTING BOOK / Featuring / BED JACKETS / and DRESSING GOWNS / 6Dknitting handicrafts - history, the new idea, knitting, handicrafts - history

This knitting pattern book was published by Madame Weigel Pty Ltd and contains knitting patterns for womens bedjackets.SERIES 8 / SIXTEEN / Lovely Bed-Jackets / and CAPES / PRICE / 8d / Published by / MADAME WEIGEL / Pty. Ltd. / DELIGHTFUL / DESIGNS / in / KNITTING / and / CROCHETknitting handicrafts - history, madame weigel pty ltd, knitting, handicrafts - history

This book was produced by Woolworths and contains knitting patterns baby clothes and for womens bed jackets, under clothes etc.WOOLWORTHS' / "Economy" / KNIT BOOK / No. 18 / UNDERWEAR / BED JACKETS / BABY WEAR / DESIGN No. 2461 / Instructions on Page 3 / 7D / NEW DESIGNS, ECONOMICAL AND EASY TO KNITknitting handicrafts - history, woolworths ltd, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. This book was produced by Woolworths and contains knitting patterns for womens bed jackets, under clothes etc.No. 12 "Economy" / KNIT BOOK / BED JACKETS / and UNDERWEAR / including ... / DRESSING GOWNS / BED SOCKS, ETC. / Design No. / 1928 / 6 1/2d.knitting handicrafts - history, woolworths ltd, knitting, handicrafts - history

The Uebergang family lived at Tooram Park, Allansford from 1912 to 1992. The bed jacket is part of a collection of items relating to rural life in the mid 20th century.White cotton bed jacket with scalloped satin stitch edging and cut work with butterfly motif lace insertions. Front closing with press studs and a tie. Cap sleeves with a V-shaped slit and butterfly motifs either side.201 (on tape at the side)costume accessories, female costume, uebergang, allansford, women's bed wear

The bed jacket, a woman's garment, is a waist-length robe worn to cover the chest, shoulders and arms while sitting up in bed. Its short length and cape-like cut allowed it to be put on (or removed) while in bed. Often made of sheer or lacy fabrics and displaying very feminine trimmings and details, it was often used more for seduction, rather than warmth or modesty. It was popularized in 1930s Hollywood films featuring glamorous settings and glamorous stars lounging languorously in their silken bedrooms. Ostrich feather tips, swan’s down, pleated tulle and shirred lace were just a few examples of the extravagant materials that could be used in creating these confections. These garments are currently very popular with people who have been hospitalized or recommended bed rest. (Source: http://www.wikipedia.com) Pale lemon coloured ladies silk bed jacket with silk lace edging. Figured silk bow tie at front neck.home, lace, female, ladies, silk, bed, jacket, bow, made

This knitting pattern book was published by the Alexandria Mills, Sydney and contains knitting patterns for womens garments.Sun-Glo / KNITTING / BOOK / SERIES 20 / BED JACKETS / AND / UNDERWEAR / PRICE / 6D.knitting handicrafts - history, alexandria spinning mills pty ltd, knitting, handicrafts - history

Twenty page knitting pattern book featuring black and white printed graphics and text. The black and white cover shows a woman wearing a knitted top.front: [printed] "Boudoir / and / Bed Jackets / PRICE / 6D / LINCOLN MILLS / KNITTING BOOK NO. 930knitting, pattern, fashion, knitwear, women

Made by Syliva Maidment in 1947-48 from a pattern in "The Australian Women's Weekly", March 23rd, 1946, page 41.Blue bed jacket knitted by Sylvia Maidment 1944-1948knitting, maidment, mr ian maidment, ms sylvia

Used by Sylvia Maidment.Left over wool used by Sylvia Maidment to knit bed jacket.knitting, maidment, mr ian maidment, ms sylvia, wool, yarn, blue

This bed jacket was crocheted for Carmela Materia (1931-2018) by her mother, Giuseppa Auditore, around the time they emigrated from Italy to Melbourne. Both women were longtime Brighton locals, residing in the area from the 1950s until their deaths. Carmela Auditore was the first woman from her home village of Scaletta, Italy to emigrate to Australia. Setting sail alone in 1950 at the age of 19, she joined her brother John and uncle Frank in McCallum St, Brighton. Frank had arrived some years earlier and had spent the duration of the First World War in an internment camp. John worked at the Brighton Case Company, a box manufacturer on Nepean Highway, and paid for her passage. Carmela found a job sewing children's clothing at Drummonds, a small factory in Church St. Working eight hours a day, five days per week, netted her a weekly wage of three pounds. To earn a little extra, she washed dishes at a St Kilda Road restaurant for ten shillings a shift. Her parents, Salvatore and Giuseppa Auditore, joined her in Brighton in 1952. They rented a house behind an antique shop in Bay Street. Salvatore had been a fisherman in Scaletta, but quickly adapted to the job he found helping around the Garage at Brighton Motors in Male Street. On 14 February 1953, Carmela married her sweetheart, Salvatore Materia, at St James Catholic Church in Gardenvale. Salvatore had been living with his aunt in Well Street and worked on the wharves. Both Carmela and Salvatore were hard workers. They owned a fruit shop in Church Street where Woolworths now stands, and years later Carmela recalled the familiar 6am tap on her window each morning when her husband returned from the market. On dark winter mornings, she felt as if her hands would freeze as she helped Salvatore unload cold cabbages and cauliflowers from his truck. They later owned a shop in Ludstone Street in Hampton. After Salvatore died suddenly at the age of 48, Carmela returned to sewing, working at the Willow Fashions knitting mill in Gardenvale. She later went into partnership with her sister and brother-in-law, this time in the delicatessen business. Her parents, Giuseppa and Salvatore, spent the rest of their days with Brighton. Carmela recalled her father cheerfully walking the streets, greeting people by name. He knew everybody. He loved being in Australia and enjoyed life to the last, insisting on having bread and wine on the table at every meal.Cream crocheted wool bed jacket. Loose around bust with wide sleeves and open sides. Fastens at collar with thin braided ties, and at waist with two pearlescent plastic buttons.bed jacket, migration, 1950s, carmela auditore, carmela materia, giuseppa auditore

Wearer, Ellen Kelly, aunt of Julie Jones, donorQuilted bed jacket, pink nylon; raglan sleeves; collar & front trimmed with nylon pleated trim.costume, female nightwear

This jacket which is possibly a bed jacket is believed to have been made by a schoolgirl Phoebe Lewell aged 15 in 1918 when she was attending St Michael's St Kilda and where she won the Form V Needlework Prize in 1918. It was purchased in the late 1990s by the donor who later moved to Emerald but, at the time, had a 2nd hand decoration shop in Camberwell when she purchased this as part of a group of garments which included bloomers, lace collars and cuffs, camisoles etc. - all of which have been donated to the Museum. The donor was informed at the time of purchase that the garments were over 100 years old. However, the date of this particular item is probably 1918.This lace lawn jacket is a lovely example of a decorative light jacket - possibly a bed jacket - worn in the early 20th century.Cream coloured lawn jacket, open front, lace trimmed with an open lace that ribbon could be passed through. Sleeves are half length and also trimmed with lace. The sailor-type collar is substantial and square shaped with satin stitched embroidery in the corners. The sleeves have bows in champagne coloured ribbon. This jacket may possibly be a bed jacket and it may originally have had a ribbon tie at the front.female, lynne findlay collection, phoebe lowell, clothing, 1918, st michael's

The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows. This is one of 23 garments donated by her granddaugher, Mrs Glenda Ilsley.Pale pink bed jacket, long sleeved, hand knitted. Vertical pattern on sleeves and most of body. Round collar with tie.knitting handicrafts, neale, mrs vera, knitting, handicrafts, bed jacket, clothing, children

Very fine cream silk bed jacket, lace insert down front and on sleeves. Lace all around edges and sleeves.costume, female nightwear

Clothing: salmon pink bed jacket. Lacy pattern overall, with peter pan collar and tie neck. No identifying label on garment. Possibly Hanro ?female, bed jacket, women's clothing, bed jacket, night attire.

This knitting pattern book was published by the magazine "Woman's World" and contains knitting patterns for womens garments.WOMAN'S WORLD / Knitting / PRICE / 6D. / Instructions for knitting this charming drop-stitch jumper, page 14. / 12 ATTRACTIVE KNITTEDS / JUMPERS, CARDIGANS, CAP & GLOVES / BED-JACKET, O.S. TWIN SETknitting handicrafts - history, woman's world, knitting, handicrafts - history

Long white lawn bed jacket pin tucked with lace insets on sleeves and body. Deep lace borders on collar, sleeves and body. Five white buttonscostume, female nightwear

Made by Sylvia Maidment 1947-48.Cream knitted bed jacket. Ends of sleeves, bottom edges and horizontal areas in front and back, patterned. Seven cream buttons down the front. Part of baby set.knitting, maidment, mr ian maidment, ms sylvia, clothing, baby

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by the Alexandria Mills in Sydney and contains knitting patterns for womens bed jackets and undergarments.Sun-glo / Knitting / Book / Design No. / 3561 / Page 5 / Series 109 / 6d.knitting handicrafts - history, alexandria spinning mills pty ltd f.w. hughes pty ltd, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. This book was produced by Patons and Baldwins and contains knitting patterns for womens dressing gowns, bed jackets and under garments.Patons / KNITTING BOOK / NO. 189 / "JANICE" / See page 10 / "CAMILLA" / See page 12 / 6d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by the Alexandria Spinning Mills, Sydney, during WWII and contains knitting patterns for womens bed jackets and under garments.Series 71 / 7d. / Sun-glo / Knitting Book / DESIGN No. 2933 / PAGE 3knitting handicrafts - history, alexandria spinning mills pty ltd, knitting, handicrafts - history

Hand knitted salmon pink coloured ladies woollen bed jacket with set in long sleeves. All over feather and fan pattern with rib pattern on yolk. Fold over collar. Front opening. Pink satin ribbon tie at neck. Apricot coloured ribbon ties at cuff.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, female, ladies bed jacket

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is significant as it is part of 25-piece collection of women’s clothing owned by Edith Mary Weir (nee Betteridge), who was born in Clare, South Australia in 1867 and who died in Kew at the age of 81 in 1948. The items of clothing in the collection date from the 1880s to the 1940s and constitute outstanding examples of dressmaker’s skills from each of these decades. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife of a mining engineer, and later mine manager, Edith Weir’s clothing has historic significance as examples of clothing worn by upper middle class Australian women in domestic circumstances and at social and civic events. The costumes in the collection represent the periods when Edith Weir lived in Broken Hill, New South Wales, and in Kew, Melbourne. A number of the costumes from the 1920s to the 1940s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by the granddaughter of Edith Weir. An Edwardian slik, net and broderie anglaise bed jacket, bought by and worn by Edith Mary (Betteridge) Weir. Given the date of the item, the jacket was initially worn in Broken Hill where the Weir's lived, when her husband was Manager of the North Broken Hill Mine and later brought to Kew, ca. 1917 when the Weirs moved to Princess Street, Kew. The jacket was gifted by Edith Weir's grandaughter. It forms part of the Society's Weir Collection.edith mary weir (nee betteridge), 84 princes street (kew), costumes, fashion & design collection - kew historical society, women's clothing, weir collection

Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and she used these patterns to make clothes etc.for her family and the Choral Society. Madame Weigel who migrated to Melbourne in1877 with her husband Oscar; began publishing in 1878 and distributed paper patterns of the latest fashions, throughout Australia and New Zealand, She and Oscar became the first commercial manufacturers of paper patterns in Australasia, and to publish Weigel's Journal of Fashion (1880-1915) and Madame Weigel's Journal of Fashion (1915-1950). Madame Weigel had an enormous following of women who used her patterns across the generations, and across the life cycle from babies to 'matrons'. Madame Weigel died in 1940 aged 92 years. Finally, after 91 years of business and millions of patterns sold, Madame Weigel's paper pattern business closed in 1969.Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals in the City of Moorabbin and used these patterns for clothes etc for members of her family and the Choral Society. Madame Weigel was one of the most remarkable of early Australasian business women.A black and white booklet of 37 pages with advertisements, sketches, articles, photographs, knitting,crochet and tapestry instructions, dressmaking patterns and recipes. Volume LV111 pages 122 - 159 completeFront Cover ; Registered at the General Post Office Melbourne for transmission by post as a Newspaper / 4d / Published Monthly / MADAME / WEIGEL'S / JOURNAL OF FASHION / Vol LV111 No. 688 / A Delightful Home Journal / JUNE 1, 1937 / 58th YEAR OF PUBLICATION / Illustrated at Right - / Crocheted Cushion of / Unusual Design./popular Bed-Jacket. / ( Daisy Wheel Design) /Illustrated at Left - FREE Pattern ; / Lady's Costume Coat. / 34 Inches Bust Meas. Back Cover : Advertisement for Bushells Blue Label Tea / Printed and Published by Geo. Humphries for Madame Weigel Pty Ltd , Lennox and Rowena Sts., Richmond. Vic.haberdashery, cotton, lace, pillow cases, sheets, clothing, dressmaking, needlework, market gardens, dairy farms, lacework, craftwork, moorabbin shire, bentleigh, moorabbin, cheltenham,reed gladys, clark judy