Documentary on Melbourne's cable trams assembled from various sources. Covers the period between the two world wars 1919-1939.DVD PAL Region 0 in plastic case with printed iunserttrams, c able trams, melbourne

A puggaree, usually of pleated cloth, has been worn on the Australian slouch hat since it was adopted in 1903. During WWI (1914-1918) it was frequently a plain woollen band often made from puttee material. Different coloured bands denoting Corps were incorporated into the puggaree worn by militia units shortly before WWI and again in the period between the wars. The word puggaree comes from Hindi meaning turban and is thought to have referred to a piece of cloth worn on the British officer’s sun helmet to protect his neck from the sun.Good example of distinctive headwear worn by light horse soldiers.Seven fold puggaree with red band denoting Light Horse of the period between the wars.puggaree, uniform, headwear, light horse

A puggaree, usually of pleated cloth, has been worn on the Australian slouch hat since it was adopted in 1903. During WWI (1914-1918) it was frequently a plain woollen band often made from puttee material. Different coloured bands denoting Corps were incorporated into the puggaree worn by militia units shortly before WWI and again in the period between the wars. The word puggaree comes from Hindi meaning turban and is thought to have referred to a piece of cloth worn on the British officer’s sun helmet to protect his neck from the sun.Good example of distinctive headwear worn by light horse or veterinary corps soldiers.Seven fold puggaree with deep maroon band denoting Light Horse or Veterinary Corps in the period between the wars.puggaree, uniform, light horse, headwear

Curved fabric backed display board with hat badges of 10 light horse regiments of the between the wars and post World War Two periods: 10th, 5th, 20th, 3/9th, RNSWL, 15th, 22nd, 25th, 14th and 21st Regiments.badge, light horse

One single sided foolscap sheet This paper consists of eight parts - Introduction. 1. End of Japan's Isolation. 2. The Rise of Japan. 3. The Meiji Restoration. 4. The Sino-Japanese War 1894. 5. The Russo-Japan War 1904-5. 6.Japanese Expansion 1914-1918. 7. Japan between the Wars.

38th Bn Between the Wars.Group of 6 black / white photos relating to Roy SHADFORTH. Mounted on cardboard with brown border, white background.In pencil on back: "9445T, 9445T, 9445T, 94456, 9445T, 9445T"passchendaele barracks trust, photographs

Coloured stripe on pugeree denoted different Corps. Red indicated Light Horse. Worn in period between the Wars 1920--- 1940.Khaki puggeree with red stripe. Stamped inside " 13LH " and other markings.13LH / M13th, light horse, puggeree

Card sent home from Sth Africa. Part of the collection of Capt Frederick Baxter MC & Bar. Refer Cat No. 4219.White folded over card with a photo image inside of the R.M. Steamer leaving docks in Cape Town. card is cream colour with picture of Table Mountain on the front in green. Photo inside and message on the back, Signed off by Fred.Inside written "Between 1916-18 (War). Message on back "With best wishes from here, trust all are well. We are enjoying the trip. the town is lovely - a delightful background ? Majestic. Goodbye Fred".card, ww1, baxter mc

Standard issue saddle used by the Australian Light Horse, artillery and transport units during WW1 and after (between the wars). The Universal Pattern saddles were designed to have interchangeable parts, making them easy to repair.1912 Universal Pattern steel arch brown leather saddle. Tree is made of wood with shredded cotton waste padding attached. Various brass rings are located on the saddle for attaching sundry equipment. No stirrups, stirrup leathers or girth. The leather seat covers the frame between the front and rear metal arches and is attached to them using linen webbing slings. Leather sweat flaps on each side.Stamped on the rear of the seat: 'S (broad up arrow)'australian light horse, military equipment, saddle, transport

Vol 1 - Episode 1 1788 -1918 Genesis Episode 2 - In all Respects Ready Vol 2 - 1919 - 1945 - Episode 1 - Between two wars, Episode 2 - The world ablaze, Episode 3 - Banzai Volume 1 1778 - 1918 Volume 2 1919 - 1945 Plastic sleeves, with naval pictures on cover.australian navy

Riding crops favoured by Officers in First World War and between wars. Attraction declined with loss of horses and mechanization.Limited display valueTwo platted leather riding crops - one having two .303 rounds arrange as handle, however end flap is missing.saddlery, riding crops, leathercraft, horse riding equipment, bullet casings, wwi, 1914-1918, world war one, first world war, mounted soldiers

The 17th Light Horse was a militia unit between the wars. Members were drawn from Kyneton, Castlemaine and Bendigo areas. In 1936 the regiment, including 100 horses, camped at the Bendigo Racecourse so it is possible this photo was actually 1936.From Dec 1941 this regiment became the 17th Light Horse (Machine Gun) Regiment and was disbanded in April 1943. Members were absorbed into other units.Bendigo Advertiser ''The way we were'' from 2003. Reunion: this photo of the 17 Light horse regiment in front of the Bendigo jockey Club was taken in 1938. While there are numerous copies of the photo, none have the names of the 70 men pictured. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Photocopy of a photograph of WO II W Peeler VC World War I Signed up for World War II|Ancestry of Walter Peeler Victorian Coss Recipient|Extract from Anzac Centenary 2014 to 2018 Walter Peeler between the wars worked for the Department of Lands and at the Sunshine Harvester Works|Typed Report Walter Peeler 1887 to 1968 Family Background World War I Inter War Period World War II Post World War II Addresses Recreation Decorations The Victoria Cross Citation for Walter Peelers Victoria Cross The Victoria Cross for Australia Walters Childrens Service History Kennethwalter peeler, world war 1914 - 1918, world war 1939 - 1945

38th Batt. was set up in WW1 as action regiment but disbanded in 1919. Was re-established in between wars as a part time Military unit.Black and white photo of soldiers of 38th Btn posed in 6 rows in front of a shed. All soldiers are in full uniform. Photo glued to a cardboard back board.On back written "1936".38th battalion, ww2, photograph

Saddle blankets matching regimental colour patch were used by light horse regiments in the period between the wars, 1920-1940. Following WWI (1914-1918) the 13th Light Horse (Gippsland) was raised as a Citizen Forces unit and trained as a cavalry regiment till August 1940, when it converted from horse to mechanised, initially as 13th Motor Regiment then 13th Armoured Regiment. It trained in Victoria and, as the Japanese threat to the mainland declined, was disbanded in October 1943 with men going to other units.Representative of the Light Horse in the period following WWI and the beginning of WWII.Red coloured saddle blanket with white piping and embroidered number '13' and letters 'LH' near lower right edge.military, horse, saddle, light horse, 13 light horse

Rusted Tin Sign – "THIS LAND IS AURIFEROUS AND SUBJECT TO MINING CONDITIONS" This sign was required to be displayed in the vicinity of gold mining sites. From 1850'c to between the two world wars. Found near Rhymney Hill Great Westernc1966stawell

A puggaree, usually of pleated cloth, has been worn on the Australian slouch hat since it was adopted in 1903. During WWI (1914-1918) it was frequently a plain woollen band made from puttee material. Different coloured bands denoting Corps were incorporated into the puggaree worn by militia units shortly before WWI and again in the period between the wars. The word puggaree comes from Hindi meaning turban and is thought to have referred to a piece of cloth worn on the British officer’s sun helmet to protect his neck from the sun.Good example of distinctive headwear worn by light horse soldiers.Seven fold puggaree with white band denoting Light Horse of the pre WWI (1914-1918) period and possible for a time following the war until superseded by the red band.puggaree, headwear, light horse, uniform

The confectionary shop was owned by an Ithacan family who settled in Melbourne between the two world wars.A sepia photograph of three people standing outside a shop which is on a corner of a street.

Australian domestic architecture of the period between the two world wars is a fascinating and complex subject. Our preconceived notions are based on the more obvious styles and impressions, so that visions of bungalows set row upon row spring to mind quickly. Influences in the designs of Australian houses of the 1920s and 1930s were extraordinarily diverse. Apart from their obvious origins, they can be traced to India, Japan, Switzerland, Holland, Germany, Italy, Spain, Mexico and even the American backwoods. Australian architects travelled to England, Europe and North America bringing back ideas and influences.Includes: index, bibliography. Australian domestic architecture of the period between the two world wars is a fascinating and complex subject. Our preconceived notions are based on the more obvious styles and impressions, so that visions of bungalows set row upon row spring to mind quickly. Influences in the designs of Australian houses of the 1920s and 1930s were extraordinarily diverse. Apart from their obvious origins, they can be traced to India, Japan, Switzerland, Holland, Germany, Italy, Spain, Mexico and even the American backwoods. Australian architects travelled to England, Europe and North America bringing back ideas and influences.Front page: Sue Barnettarchitecture, (mr) peter cuffley, dwellings, interior decoration, 1919 - 1929, 1930 - 1939

This photograph was reproduced on the cover of the magazine 'Housewife, Home and Family', in October, 1960 with the heading, 'Miss Frances Burke, Brilliant Australian Textile Designer'. The photograph contains interesting contradictions: Burke, wearing a cocktail hat whilst painting, was never a housewife, nor did she have children. Gladys Hain, editor of the magazine, exhorted women who did have children to get busy, start businesses and contribute to the economy! The image highlights Burke's ability to attract publicity and demonstrates her acute understanding of the power of PR and marketing. Burke established her textile business in 1937, developing it between the wars in a very challenging marketplace by capitalising on opportunities as they presented. Robyn Oswald-Jacobs, 2017Photograph featuring Frances Burke painting at desktextile design, studio, rmit design archives

Sybil CRAIG (18 November 1901-09 September 1989) Born London, England Arrived Australia 1902 The National Gallery School, Melbourne, gave Craig a sound training for her popular flower and portrait studies. However, her association with leading modernists between the wars led her to pursue her art in a deliberately experimental and spontaneous way. Sybil Craig was the third woman appointed by the Australian War Memorial as an official war artist. She was the first woman to paint women working in the munitions’ factories. The Castlemaine Art Gallery & Historical Museum, held the first retrospective exhibition of Sybil Craig's in 2006. The exhibition highlighted her wonderful use of colour and design in a diverse range of media, techniques and subject matter. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.ModernismDrawing in texta of a bright bowl of flowers.art, artwork, sybil craig, craig, texta, flowers

Sybil CRAIG (18 November 1901-09 September 1989) Born London, England Arrived Australia 1902 The National Gallery School, Melbourne, gave Craig a sound training for her popular flower and portrait studies. However, her association with leading modernists between the wars led her to pursue her art in a deliberately experimental and spontaneous way. Sybil Craig was the third woman appointed by the Australian War Memorial as an official war artist. She was the first woman to paint women working in the munitions’ factories. The Castlemaine Art Gallery & Historical Museum, held the first retrospective exhibition of Sybil Craig's in 2006. The exhibition highlighted her wonderful use of colour and design in a diverse range of media, techniques and subject matter. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.ModernismFramed sketch of flowers undertaken in texta colour.art, artwork, sybil craig, craig, flora, texta, texta colour, available

Sybil CRAIG (18 November 1901-09 September 1989) Born London, England Arrived Australia 1902 The National Gallery School, Melbourne, gave Craig a sound training for her popular flower and portrait studies. However, her association with leading modernists between the wars led her to pursue her art in a deliberately experimental and spontaneous way. Sybil Craig was the third woman appointed by the Australian War Memorial as an official war artist. She was the first woman to paint women working in the munitions’ factories. The Castlemaine Art Gallery & Historical Museum, held the first retrospective exhibition of Sybil Craig's in 2006. The exhibition highlighted her wonderful use of colour and design in a diverse range of media, techniques and subject matter. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed pencil drawing of a flower.art, artwork, sybil craig, craig, flowers, drawing