GALVANISED IRON TANK RIG ORR OAT BIN MIRAPHOTOGRAPH OF GALVANISED IRON OAT BIN WITH ONE MAN SITTING ON RIM OF TANK ANOTHER MAN STANDING ON WOODEN LADDER AGAINST THE TANK.photographs, weickhardt, tank, oat bin

In 1957, its first year as an active residential college, International House hosted a drama presentation called 'Oriental Rendezvous'. Domestic and international students from the University of Melbourne presented cultural performances, including Mohamed Shah bin Hussan, Isa Ahmad, Zubaidah Mohd Said, and Abang Bohari, all of Malaysia.performing arts, fundraising

Edna Barrie and unidentified people standing in front of a collection binchurches, local identities

Bon Barrie had a lifetime association with Melton Uniting Church (and its predecessors the Methodist, Methodist-Presbyterian churches) which extended from childhood when he attended Sunday school until his death in 1985. Member of the Presbyterian Board of Management for more than 25 years in which he held positions of Honorary Secretary and Treasurer, Board member of the Parish Council and Member of the Committee of Management. He was a Sunday school teacher 1933. Ernest W (Bon) Barrie with a group of people standing next to the donation binchurches, local identities

Gary Stranks won the prize for boy, 4 years and under with a fancy dress costume of a rubbish bin.Digital file only scanned by EDHS from item on loanaileen jackson, cathie law, cr. g.c. dreverman, dale baxter, david stewart, eltham east primary school, eltham high school, gary stranks, glenn teagle, karen vicars, kelly teagle, mark baxter, martin kluster, mick blake, mrs. dreverman, natalie law, paul anderson, sonia law, tania warwick, vicki jackson, wendy cripps

Artist Georg Rosenkranz, crewman aboard the HSK Kormoran, painted this while at Graytown Prisoner of War Camp.Watercolour sketch of a man with a wheelbarrow, rooster on top of garbage bin.With a garbage bin to smuggle food in the camp.graytown pow camp, georg rosenkranz, illustrations, watercolour

Homemade bread for the family was stored in these type of large bins to keep them fresh. As there were no preservatives in those days, the bread would not last long before it went stale or mouldy. A vintage extra large cream coloured enamel bread bid with a lid and two handles on the side. It has white enamel inside the lid. The brown plastic handle on the top of the lid is attached with two brown screws. It has a damaged label with the word 'Bread' in green lettering on a gold background. Bread is stamped on the back side of the bin.It has a damaged label with the word 'Bread' in green lettering on a gold background. "Bread" is indented on the back side of the bin.food storage containers, food bins

Lower Eltham Cricket Club building, Eltham Lower Park Chris Gregory 1988 (9 yrs old) Entrant No. 25 Ref: Series 34, Items 9, 56, 57 SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Front: Entrant No. and name on printed label Rear: Entrant No., name and address on printed label; also 'Series 34' and the 'Item No.' in pencilshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, eltham photographic survey exhibition, series 34, series 35, chris gregory, eltham lower park, film - kodak ga 100 5095, scan - 35mm negative, lower eltham cricket club building

One of a set of display images thought to be produced by the Shire of Eltham c.1979-1987Illustrative of services provided by former Shire of ElthamColour photograph 20 x 29 cm mounted on green-painted chipboard 28 x 35.5 cm (string on back for hanging)Title printed on label adhered to board below photograph (replaced June 2017)bin collection, waste disposal, rubbish bin

Index, bibliography, ill, maps, p.625.non-fictionIn the wake of the September 11th horror, nothing could be timelier than this exploration of world terrorism and the forces that fight it--armies and missions often shrouded in mystery. A foremost expert on guerrilla warfare presents, for the first time, a comprehensive investigation of covert military operations from Vietnam to Afghanistan. Among the revelations: that the CIA handed out shoulder-fired antiaircraft missiles "like lollipops" to Osama bin Laden and other mujahadeen leaders, weapons they may now turn against us how British SAS operated inside Afghanistan against the Russians and used "former special forces" personnel for clandestine missions why secret militia and locally recruited fighters successfully defeated guerrillas and terrorists in Oman, Malaya, and Borneo, but could not in Indochina and Algeria and how "fighting dirty" sometimes meant helping drug dealers in exchange for their support. Most relevant is the detailed analysis of why Russia failed to conquer Afghanistan, what we can learn from their experience, and the perils awaiting any invader. special forces - operations - 20th century, special forces - operations - 20th century

With two young kids, I often find myself at Coburg Lake on a weekend, playing amongst the natural beauty of the park area, rugged embankments, local birdlife, and... ‘Bin Chicken Island’. Bin Chicken Island has become a running joke in the community, known for its wafting stench and as an environmental eyesore (never go to the park on a warm day with an easterly breeze). So much so that someone added a campground listing on the island to Google Maps. Whenever I drive past the lake, I always keep an eye out for disgruntled backpackers who have realised that the only camping to be had is by the Bin Chickens themselves. I am a local graphic designer who lives in Pascoe Vale and works in Brunswick. I head up the design studio, Atticus Design.10Press brings together a diverse group of creatives who were invited to make a new artwork inspired by the theme of ‘Moreland: its creative future, its past or other hidden stories’. Artists were invited to respond to the prompt ‘Moreland’, using only one or two colours. This body of work was created in 2022 during a significant time in local history, which saw Council’s name change from ‘Moreland’ to ‘Merri-bek’. The printed bellyband of the folio highlights this transition, with the word ‘Moreland’ crossed out and replaced with Woiwurrung language name ‘Merri-bek’. Commoners Press is a Coburg-based print studio that works with artists and designers in Australia and abroad on short run projects. Established by Jan Brueggemeier, Rob Eales and Neal Haslem in 2017, Commoners Press focus on projects that are community-centred, experimental and sustainable. Donated by Commoners Press Letterpress print

Black and white photograph. Media bins in the Old Nursery. One of a group of photographsOn reverse, "Old soil bins on west side of glasshouses - removed Jan 1942."1941, soil bins, glasshouses, media bins, old nursery

Significant to mining history of Bendigo.Black and white photograph: framework for ore bins at Napoleon (BML) Gold Mine, being erected alongside head frame at mine site. Trestle way visible in extreme top of image. Written in pencil on back of photograph : 'Erecting ore bins at Napoleon 27/8/56'napoleon gold mine, anticline

Used to collect the combed top from a noble comb. Consists of a cast iron stand and base with steel pinch rollers and a rotating iron feed tube to empty the top into a receiving bin.combing, windchest, machine, wool processing, industry, wool, rollers, bin

Esplanade showing Black Ball Basket Mini Golf and Slipway Cafe. Narrow lane between businesses to access rear residences. Phone booth and garbage bin on footpath Lakes Entrance Victoria. Site of original Claremont Guest HouseColour photograph of businesses on Esplanade showing Black Ball Basket Mini Golf and Slipway Cafe. Narrow lane between businesses to access rear residences. Phone booth and garbage bin on footpath Lakes Entrance Victoriaroads and streets, historic site, recreation, entertainment

Battle of Bin Bapicture, vietnam, army

of critical significance WOODEN BIN WITH LID AND LEGS - rectangular wooden bin with loose lid and 4 legs. Metal brackets are nailed to the four sides of the top and bottom bin as well as the corner sides.