Showing 6 items matching "blockbuster"

Whitehorse Historical Society Inc.
Photograph, 'Blockbuster' Video Store, 1994

Black and white photograph of the interior of the 'Blockbuster' Video Store in the Mitcham Shopping Centre - 1994video stores mitcham shopping centre
Eltham District Historical Society Inc
Photograph, Fay Bridge, Sunset, Main Road, Eltham, 22 July 2016

Viewed from intersection of Main Road and Luck Street overlooking Liquorland (previously Blockbuster Video and now Grill'd Eltham)fay bridge collection, 2016-07-22, blockbuster, eltham, grill'd, liquorland, luck street, main road, sunset
Eltham District Historical Society Inc
Photograph, Liz Pidgeon, EDHS Heritage Walk: Shillinglaw Farm, Eltham, 2 September 2023

On Saturday September 2, 2023, Russell Yeoman led a group of 22 society members and interested others on a walk following trhe bounadries of the original Shillingalw farm. Commencing at the corner of Panther Place and Library Place, we proceeded up to Shillinglaw Cafe then the Shillinglaw trees at the former Eltham Shire Office site then along Main Road to the fire station then throughh St Laurence Lane and uinder the railway line , along Diamond Street then return via the Diamond Creek trail behind Andrew Park. The actual farm boundary went past the creek and further up the hill. The original farm comprised lot 90 of Holloway’s 1851 subdivision of Little Eltham. Its area was 30 acres lying east of the Diamond Creek and north of Henry Street. A number of stops were made to look at maps and early photos illustrating the gradual reduction of the farm area and the early history of the railway and other community uses, that occupied parts of the site.2023-09-02, activities, eltham, eltham district historical society, heritage excursion, shillinglaw farm, 895 main road, amplifon, andrew park, andrew pocket park, arthur street, bar de tapas, barber shop, barry plant estate agent, blockbuster, bus depot, car park, carparks, central park, cleaver & co hair, commonwealth bank, crust pizza, divine bridal, dr ash constance, dudley street, eltham book shop, eltham convenience store, eltham fire station, eltham library, eltham newsagency, eltham optical, eltham railway station, eltham shops, fay bridge, fire bell, flagpole, flight centre, grill'd, information sign, iso chook, jellis craig estate agent, judge book village, kebab nation, kx pilates, la zanyas, liquorland, little drop of poison, lorraine jones & associates solicitors, luck street, machan indian restaurant, main road, mecho en mexico, missing gorilla, morrison kleeman real estate, pavilion menswear, platform 3095, playtherapy melbourne, pryor street, ray white real estate, restaurants, sage bulk whole foods, shillinglaw trees, sign, snap fitness, southern cross medical imaging, specsavers, st laurence lane, st vincents care service, thompson's pharmacy, todaro, united service station, vyve body & skin, welcome to eltham town, westpac bank, yang's kitchen, youth road
Mission to Seafarers Victoria
Article, New Light on the Light of the World
Abstract William Holman Hunt's Light of the World (1851-53) was a remarkable painting that depicted an idealised vision of his conversion to Evangelical Protestantism. The derogatory critics and fierce debates that greeted the Pre-Raphaelite paintings at Royal Academy exhibitions from 1850 in no way abated when the Light of the World and other PRB works were hung in 1854. Acceptance of the Light of the World was gradual, significantly aided by a long explanatory letter from John Ruskin published in The Times (5 May 1854 p. 9) that explained the symbolism in great detail, championing the work as the principal Pre-Raphaelite picture in the Exhbition and one of the noblest works of sacred art ever painted. Curious Londoners flocked to see it, but there was no inkling then of its influence on religious art, poetry and illustration that would continue well into the twentieth century; no less influential was its impact on stained glass. Almost immediately it was embraced as a new subject for church windows of all denominations. The global tour of Hunt's larger copy of the Light of the World reached Australia in 1906 where, preceded by clever pre-publicity, it generated huge interest in cities and country centres here and in New Zealand. The effect of the 'blockbuster' tour was far-reaching, with hundreds of stained glass windows appearing in churches across the country for the next fifty years. This paper explores William Holman Hunt's co-option of illumination as metaphor and reality, the factors behind the longevity of the Light of the World as a stained glass phenomenon in Australia, and its universal appeal to Protestant church-goers.
non-fictionAbstract William Holman Hunt's Light of the World (1851-53) was a remarkable painting that depicted an idealised vision of his conversion to Evangelical Protestantism. The derogatory critics and fierce debates that greeted the Pre-Raphaelite paintings at Royal Academy exhibitions from 1850 in no way abated when the Light of the World and other PRB works were hung in 1854. Acceptance of the Light of the World was gradual, significantly aided by a long explanatory letter from John Ruskin published in The Times (5 May 1854 p. 9) that explained the symbolism in great detail, championing the work as the principal Pre-Raphaelite picture in the Exhbition and one of the noblest works of sacred art ever painted. Curious Londoners flocked to see it, but there was no inkling then of its influence on religious art, poetry and illustration that would continue well into the twentieth century; no less influential was its impact on stained glass. Almost immediately it was embraced as a new subject for church windows of all denominations. The global tour of Hunt's larger copy of the Light of the World reached Australia in 1906 where, preceded by clever pre-publicity, it generated huge interest in cities and country centres here and in New Zealand. The effect of the 'blockbuster' tour was far-reaching, with hundreds of stained glass windows appearing in churches across the country for the next fifty years. This paper explores William Holman Hunt's co-option of illumination as metaphor and reality, the factors behind the longevity of the Light of the World as a stained glass phenomenon in Australia, and its universal appeal to Protestant church-goers.jesus, stained glass windows, bronwyn hughes, pre-raphaelite, william holman hunt (1827-1910)
Monbulk RSL Sub Branch
Book, Paul Brickhill, The dam busters, 1953
On 17 May 1943, nearly 350 million tons of water crashed into the valleys of the Ruhr when the Lancaster bombers of 617 Squadron breached the giant Moehne and Eder Dams with colossal ‘blockbuster’ bombs. The Dam Busters tells the story of the raid and the squadron of fearless airmen who carried it through. Again and again, the crews of 617 Squadron Bomber Command used their flying skills, their tremendous courage and Barnes Wallis’ highly accurate bouncing bombs to deal devastating blows to Nazi Germany.
Ill, p.287.non-fictionOn 17 May 1943, nearly 350 million tons of water crashed into the valleys of the Ruhr when the Lancaster bombers of 617 Squadron breached the giant Moehne and Eder Dams with colossal ‘blockbuster’ bombs. The Dam Busters tells the story of the raid and the squadron of fearless airmen who carried it through. Again and again, the crews of 617 Squadron Bomber Command used their flying skills, their tremendous courage and Barnes Wallis’ highly accurate bouncing bombs to deal devastating blows to Nazi Germany. world war 1939-1945 - aerial operations - britain, dam buster raid - germany
Monbulk RSL Sub Branch
Book, Readers book club, The dam busters, 1954
On 17 May 1943, nearly 350 million tons of water crashed into the valleys of the Ruhr when the Lancaster bombers of 617 Squadron breached the giant Moehne and Eder Dams with colossal ‘blockbuster’ bombs. The Dam Busters tells the story of the raid and the squadron of fearless airmen who carried it through. Again and again, the crews of 617 Squadron Bomber Command used their flying skills, their tremendous courage and Barnes Wallis’ highly accurate bouncing bombs to deal devastating blows to Nazi Germany.
Ill p.254.non-fictionOn 17 May 1943, nearly 350 million tons of water crashed into the valleys of the Ruhr when the Lancaster bombers of 617 Squadron breached the giant Moehne and Eder Dams with colossal ‘blockbuster’ bombs. The Dam Busters tells the story of the raid and the squadron of fearless airmen who carried it through. Again and again, the crews of 617 Squadron Bomber Command used their flying skills, their tremendous courage and Barnes Wallis’ highly accurate bouncing bombs to deal devastating blows to Nazi Germany.world war 1939 – 1945 – britain – aerial operations - europe, royal air force - 617 squadron