"Essential guide to researching your family history online".430 p., paperback book, black & white illustrationsgenealogy, family history

ill (maps), p.608.non-fictionA summary of the over 100 conflicts that have occurred since 1945 military history - 20th century, revolutions - 20th century

Index, bibliography, notes, ill, maps, p.356.non-fictionxamines the German Luftwaffe's air raid on Coventry, England, on November 14, 1940, and its impact and precedent as a new kind of air warfare.world war 1939-1945 - aerial operations - germany, world war 1939-1945 - coventry

Ill, p.221.non-fictionA personal account of the experiences of a British soldier during the Falkland conflictfalkland island war - 1982, battle of mount longdon

Book with aqua cover and black and white print. Coloured headshot of a woman (author Anna Kent) wearing a surgical mask and scrubs, a necklace and a badge with a blsck firearm within a red circle and a diagonal line through it (a "no guns" or "gun free zone" symbol) wraps around the spine and both front and back covers. Back cover has a tatement by the author and two reviews of the book. In Frontline Midwife, Anna Kent shares her extraordinary experiences as a nurse, midwife and mother, illuminating the lives of women that are irreparably affected, includes her work with Medicines Sans Fromtiersnursing, midwifery, anna kent, medicines sans frontiers

p.115fictionShort stories from the west of Irelandirish fiction, ireland - social life and customs

The Extra Pharmacopoeia Vol 1 Author: William Martindale Publisher: Pharmaceutical Press, 23 Bloomsbury Square, London. W.C.1 Date: 1936 Further Information: Set of two volumes. Hard covered book dark blue title lettering to spine and front board cover in gilt.non-fictionThe Extra Pharmacopoeia (widely known simply as "Martindale") is one of the most famous reference texts in global pharmacy and medicine. While official national pharmacopoeias (such as the British Pharmacopoeia) set strict, legally binding standards for standard medicines, Martindale was created to fill the gaps by providing dynamic, practical, and clinical information on unregistered, experimental, proprietary, and off-label drugs, as well as detailed notes on posology (dosages), drug toxicity, and chemical properties. Volume 1 focuses heavily on the Materia Medica an exhaustive, alphabetical compendium of chemical substances, plant extracts, vaccines, sera, and antitoxins, complete with practical formulations that were used in clinical practice at the time.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, the extra pharmacopoeia vol 1, book, martindale

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This wedding dress was worn by the grandmother of Val Warren.Raw silk wedding dress. The full length dress has lace on the bodice and long sleeves. Other decorative elements include finely pleated silk panels on the bodice, an insert on the skirt and on the cuffs of the sleeves The dress features extensive use of both utilitarian and decorative buttons that are covered in the same silk fabric as the dress. The final photograph shows two early repairs to the dress. Lydia Edwards in 'How to Read A Dress (Bloomsbury Academic, 2017), when describing a 1912 dress in the McCord Museum notes that: 'In 1911-12 the use of buttons for both fastening and decoration was extremely popular, the American women's magazine The Delineator declaring at the end of 1911 that "one cannot use buttons to liberally in the present mode".' (p.132)costumes, wedding dresses, women's fashion - 1910s, fashion design, fashion -- 1910s

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Vol 1 Caulfield's Building Heritage by Dr Geulah Solomon states that Ercildoune was the home of Sir Samuel Wilson and later, Arthur Knox. Knox is likely the person who subdivided the land, creating Ercildoune Street.Page 100 of Photograph Album with two photographs (landscape) of Ercildoune and two photographs (one landscape and one portrait) of two other houses on Inkerman Street.Handwritten: "Ercildoune" (576) [top left] / Inkerman Street [top right] / 138 INKERMAN ST [under bottom left photo] / LABASSA GROVE CORNER OF INKERMAN OPPOSITE ERCILDOUNE [under bottom right photo] / 100 [bottom right]trevor hart, east st kilda, ercildoune, mansions, towers, gardens, bloomsbury, inkerman road, labassa grove, attic houses, porches, inkerman street, caulfield north, st kilda east, sir samuel wilson, arthur knox, ercildoune street, house names

Mullard Limited was a British manufacturer of electronic components. The Mullard Radio Valve Co. Ltd. of Southfields, London, was founded in 1920 by Captain Stanley R. Mullard, who had previously designed valves for the Admiralty before becoming managing director of the Z Electric Lamp Co. The company soon moved to Hammersmith, London and then in 1923 to Balham, London. The head office in later years was Mullard House in Torrington Place, Bloomsbury, now part of University College London. In 1923, in order to meet the technical demands of the newly formed BBC, Mullard formed a partnership with the Dutch manufacturer Philips. The valves (US vacuum tube) produced in this period were named with the prefix PM, for Philips-Mullard, beginning with the PM3 and PM4 in 1926. Mullard finally sold all its shares to Philips in 1927. In 1928 the company introduced the first pentode valve to the British market. Mullard opened a new manufacturing plant at Mitcham, Surrey in 1929 and in late 1930s Mullard opened a new plant in Blackburn, Lancashire. By 1949 Mullard had produced a number of television sets, such as the MTS-521 and MTS-684 and in 1951 Mullard was producing the LSD series of photographic flash tubes. In the early 1980s, Mullard manufactured the SAA5050, some of the earliest teletext decoding modules made in the UK. In 1957 Philips-Mullard helped to set up the Mullard Radio Astronomy Observatory (MRAO) at the University of Cambridge. Philips continued to use the brand name "Mullard" in the UK until 1988. Mullard Research Laboratories in Redhill, Surrey then became Philips Research Laboratories. As of 2007, the Mullard brand has been revived by Sovtek, producing a variant of the ECC83 and EL34. The Z Electric Lamp Co. continued business into the 1970s operating from premises in Thornton Heath, south London, manufacturing lamps of specialised design but it closed due to the recession in the mid 1970s. Sovtek is a brand of vacuum tube owned by Mike Matthews's New Sensor Corporation and manufactured in Saratov, Russia. They are often used in guitar amplificationA box with a 'Mullard' valve for a radioTop of box : MULLARD / ELECTRONIC VALVE / Side of box; GAURANTEED ELECTRONIC / VALVE / MULLARD ( in a shield) : mullard radio valve co. ltd., london, mullard captain stanley, electronic equipment, moorabbin, bentleigh, cheltenham, early settlers

The Devils' Own Cricket Club was also referred to as the Law Cricket Club and the Law (Devils' Own) Cricket Club. The club was formed in 1875 from members of the local legal fraternity and business people in Sandhurst (Bendigo). In addition to the Devils' Own Cricket Club, there were many male cricket clubs formed in Bendigo in the 1870's, for example, the Bendigo United Cricket Club; Epsom Cricket Club; All Trades Cricket Club; New Chum Cricket Club; California Gully Cricket Club; Long Gully Cricket Club; Butchers' Cricket Club; View Point Cricket Club; Myers Street Cricket Club; Australian Natives Association Cricket Club; View Point Cricket Club; Beehive Cricket Club; Advertiser Cricket Club; Kangaroo Flat Cricket Club; Golden Square Cricket Club; North Bendigo Cricket Club; Crusoe Cricket Club; City Cricket Club; Bohemians Cricket Club and the Happy Valley Cricket Club. Where did the name 'Devils' Own' come from? The Inns of Court Regiment, London, has a unique place in history as a result of its ancient and intimate connection with the Law and lawyers. It recruited and 'officered' almost exclusively from the legal profession, drawn from barristers, attorneys, notaries and their clerks and students practising in the area of the Inns of Court comprising Middle Temple, Inner Temple, Lincoln’s Inn and Gray’s Inn. During Napoleonic Wars all Inns raised companies. During a review by King George III in Hyde Park in 1803, the King used his dislike for lawyers – particularly ones carrying arms – to name the massed ranks of the Law Association as "The Devil's Own".[5] "It is understood that the King was in high health and excellent spirits at the time. The Bloomsbury and Inns of Court Volunteers was reformed in 1797 during the Napoleonic Wars. It was shortly afterwards that the regiment gained its enduring nickname. During a review by King George III in Hyde Park in 1803, the King used his dislike for lawyers – particularly ones carrying arms – to name the massed ranks of the Law Association as "The Devil's Own". "It is understood that the King was in high health and excellent spirits at the time. When the 'Temple companies' had defiled before him, his Majesty enquired of Lord David Erskine, who commanded them, as lieutenant colonel, what was the composition of that corps? 'They are all lawyers, Sire,' said Erskine. 'What! What! 'exclaimed the King, 'all lawyers? all lawyers? Call them the Devil's Own, call them the Devil's Own!" "And the Devil's Own they were called accordingly." ( Norton, F.C., A short history of the military & naval services of the Inns of Court and the members of the Bench and the Bar, 1886, William Clowes & Sons, Stamford Street and Charing Cross, London) Did Bendigo’s legal fraternity name themselves DOCC with the intent that they would reflect the distinguished pedigree and qualities of the Devil’s Own regiment? Details of one the players in the 'Devils'Own' CC : Pelling Hugh Gough Pigott Stainsby Conant, solicitor, born Hampshire, England 1846. Arrived Australia 1871. Pelling was the son of Francis Pigott Stainsby Conant Esq., Lieutenant Governor of the Isle of Man. He married Catherine Anne Drummond. In 1874, his practice was in the Albion Chambers, Sandhurst, given as 'Pelling H.G.P.S. Conant, Solicitor'. Organisation-Club/society-sportA transcript of the Devils Own Cricket Club article in the 19th February, 1875 edition of the Bendigo Advertiser docc, devils own cricket club, sandhurst, bendigo advertiser, pelling h.g.p. s. conant, solicitor, barrister

Warrandyte artist, Clara Southern, features on the Artists Trail. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p189 Since early in the 20th century this district has attracted artists and other creative people. So much so, that Eltham has been compared to the Left Bank in Paris, New York’s Greenwich Village and London’s Bloomsbury. That is until the 1970s when Eltham rapidly expanded into a suburb. However many artists still flourish not only in Montsalvat, Dunmoochin and the Bend of Islands but elsewhere in Nillumbik. Some artists who have worked or lived in Nillumbik are well-known nationally and internationally. Artists are attracted to the hilly district’s subtle colours, unique light and the Yarra River and Diamond Creek. The railway’s extension to Eltham in 1902 brought artists to paint for the day or to camp. Then many settled in Eltham, perhaps also because the poor quality land, far from the city, was cheap. Following World War Two they found they could build houses and studios cheaply by making their own mud-bricks. The flexible material, with its warm tones blending into the bush, also satisfied their aesthetic sensibilities. As early as 1900, Will Longstaff, known for his painting The Ghosts of Menin Gate at the National War Memorial in Canberra, lived at Stanhope in Peter Street, Eltham, later to become the home of intellectuals Clem and Nina Christensen. Members of Australia’s first significant art movement, the Heidelberg School of Artists, painted in Eltham, Warrandyte and Diamond Creek. Walter Withers lived at the corner of Bolton and Brougham Street, Eltham and taught Sir Hans Heysen, who for a short while stayed with the Withers family. In Warrandyte were Clara Southern, whom Frederick McCubbin taught at the National Gallery School and Penleigh Boyd, who is represented in all Australian state galleries and the National Collection in Canberra. May Vale, daughter of politician William, lived in Diamond Creek. With Jane Price they feature on the Heidelberg School Artists Trail, part of which runs through Nillumbik. The trail includes signs each displaying a reproduction of a painting by an artist and located near where the artist lived or painted. In Nillumbik the trail includes parts of Warrandyte, Eltham in the Alistair Knox Park, Main Road shopping precinct and Wingrove Park, the Research walking track on Main Road and the Diamond Creek Reserve. In 1916 artist William ‘Jock’ Frater lived at the corner of Arthur and Bible Streets, Eltham. Before then, Frater, with other artists including Percy Leason (who moved to Eltham in the mid 1920s) painted in Eltham on weekends. They camped near Bible and Pitt Streets and along the Diamond Creek where the Eltham Retirement Centre now stands.4 In 1921, painter Peter Newbury (father to painter David Newbury, who was born in Eltham) moved to Cromwell Street, Eltham. Max Meldrum, the first Australian painter to formulate a consistent theory of art largely based on tone,5 taught local artists Alan Martin, Clarice Beckett, Peter Glass and Justus Jörgensen. Meldrum visited Eltham then rented a house there for 18 months opposite Wingrove Park. In 1934, artist and architect Justus Jörgensen and his doctor wife Lil and friends built Montsalvat, the artists’ colony. Montsalvat has played an important part in attracting artists to Eltham and its mud-brick, pisé, stone and recycled building materials has had a major influence on Eltham’s built environment. Jörgensen’s students who also helped him build Monstalvat included Arthur Munday, Lesley Sinclair, Helen Lempriere, Joe Hannan, Helen, Sonia and jeweller/sculptor, Matcham Skipper. Among artists who visited Montsalvat were Clifton Pugh and Angry Penguins’ artists Albert Tucker and Arthur Boyd. Some who painted after World War Two were Alan Martin of Eltham and Warrandyte artists Frank Crozier and Harry De Hartog6, one of Melbourne’s first painters influenced by Cubism.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, clara southern, main road, research (vic), heidelberg school artists trail

Ill, p.292.fictionThe 'sketches' in this volume are more the substance and length of short stories illustrating the development of the tools of the Masters trade: farce, parody, irony, black humour and wonderful one liners which unerringly hit the mark. The ensuing narrative, however, brings the listener bumpily back to earth with a reminder of the mean and often tragic lives that were being endured in the busy, uncaring metropolis. The stories are in the following order and entitled; The Dancing Academy, Shabby Genteel People,The Prisoners Van, The Boarding House, Mr Minns and his Cousin, Sentiment, The Tuggses' at Ramsgate, Horatio Sparkins, The Black Veil, The Steam Excursion, The Great Winglebury Duel, Mrs Joseph Porter, A Passage in the life of Mr Watkins Tottle, The Bloomsbury Christening, The Drunkards Death.english fiction, charles dickens 1812-1870

Ill, p.292.fictionThe 'sketches' in this volume are more the substance and length of short stories illustrating the development of the tools of the Masters trade: farce, parody, irony, black humour and wonderful one liners which unerringly hit the mark. The ensuing narrative, however, brings the listener bumpily back to earth with a reminder of the mean and often tragic lives that were being endured in the busy, uncaring metropolis. The stories are in the following order and entitled; The Dancing Academy, Shabby Genteel People,The Prisoners Van, The Boarding House, Mr Minns and his Cousin, Sentiment, The Tuggses' at Ramsgate, Horatio Sparkins, The Black Veil, The Steam Excursion, The Great Winglebury Duel, Mrs Joseph Porter, A Passage in the life of Mr Watkins Tottle, The Bloomsbury Christening, The Drunkards Death.english fiction, charles dickens 1812-1870