Carlton's Cheerleaders sponsored by Dr Geoff EdelstenA short lived but significant episode in Carlton FC history, they formed a guard of honour for the players and performed a dance routine. It was Carlton's contribution to bring glitz & glam to the game experience.Black & White Photo

Copy of a plan of the Ballarat Children's Home (formerly Ballarat Orphanage) in Victoria Street. The plan names each building, and identifies the oval, tennis courts, playground and farm. The hall, dining room and school have been highlighted in orange. The 'Blue Birds' building has an orange question mark over it. WGS 84 37degrees 33' 35" S 143 degrees 53' 10" EWritten in blue "Board meeting next Wed"ballarat children's home, ballarat orphanage, orphanage farm, farrel cottage, swimming pool, gym, leach building, school, infant school, junior's wing, administration, laundry, blue birds, superintendent's residence, assistant superintendent's residence

Eastern bluebirds are well-known song birds that live in eastern North America. They are sexually dimorphic, easily recognised by the male's bright royal blue upper plumage, chest of reddish brown and white abdomen. The females is duller in colour than the male, with greyer upperparts and blue tinges to her wings. These Bluebirds, the European variety, are the most common of the three Bluebird species. When not nesting, these birds fly in small flocks around the countryside. Bluebirds feed on small insects including moths, termites and mosquitoes. They also eat grasshoppers, crickets and caterpillars. The Bluebird can spot caterpillars and other insects in tall grass from a distance of over 45 meters. The Bluebird is commonly identified in numerous cultures as being symbolic as a harbinger of happiness. Often in Russian fairytales, the Bluebird is used as a symbol of hope. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This female bluebird (likely Eastern) has a medium brown head and back, a rufous breast, and a cream belly. The bird has blue-tinged wing and tail feathers. The bill is short and has been stylized with the bill partly open to provide the illusion that the bird is making a call. This specimen stands upon a wooden mount and has an identification tag tied around its leg. The bird's plumage has faded since it was first preserved; females generally have duller colouring than their male counterparts but the colour of this particular specimen is paler than it would have been.Label: 122a. Blue-Bird / Catalogue Page 29. / Metal tag: 107taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, american birds, bluebird

Isobel McNamaraCream card with illustration of a blue bird on a tree branch.Petless Pet Show First Prize awarded to Section 1 Greeting cardpetless pet show

Item relates to H E HEWSTON No 40, 3rd Pioneer Battalion AIF. Refer Cat No Cat No 2759.2 for his service history. Part of the HEWSTON collection WW1 & WW2.Square cream silk handkerchief with a scalloped lace edging heavily embroidered with coloured flowers & a blue bird.Embroidered: “Souvenir of Belgium 1914-18 War AIF”costume accessories, military history - souvenirs, belgium, silk

Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the bird pendant necklace has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Necklace with a gold toned metal chain and a small blue bird pendant with a small faux pearl above it.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, necklace, bird pendant

Written information and photocopies of newspaper articles included with catalogue sheetBlack and white photograph of Peels ferry M V Blue Bird north Arm Lakes Entrance boats and boating, tourism

Metal clasp for belt; silver coloured with gold coloured blue bird decoration. Attached to cardboard display packaging(On display cardboard) The 'Duchess' ladies belt clasp|The best clasp made. No prongs or hooks requiredcostume accessories, female

Hand embroidered bib c 1940's Part of McNamara collectionHand embroidered, cream cotton baby bib with crochet edging, cotton neck ties. Bunny eating carrot in meadow motif with flying blue bird.Nilbaby bib, heather mcnamara

A Seaway Blue Bird tennis racquet. Made in Pakistan. Materials: Wood, Nylon, String, Vinyl, Paint, Ink, Cloth, Glue, Lacquer, Metal, Papertennis

The Eurasian Jay is a small passerine bird occurring in Europe, northern Africa, and Asia. There are very distinct variations between the species of the Jay which assists in their identification. These birds inhabit mixed woodland, parks, orchards, and large gardens. They are generally solitary but can gather in large communal roosts during periods of cold weather. Eurasian Jays are known for their mimicry. They can often sound like a different species and during the day may mimic the birds they are attacking in order to confuse their opposition. This particular specimen has been mounted in an accurate but stylised fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Eurasian Jay, as depicted in this specimen, has distinctive blue, white and dark brown stipes at the top of the wing. The body and head are light brown with a reddish undertone and there are streaks of dark brown at top the head. The tail, bottom of the wings and underneath the eyes are dark brown. This particular specimen stands upon a wooden mount and has an identification tag tied around its leg. It has pale coloured glass eyes which are accurate for this species.Swing Tag: [illegible] / to Sydney - N =99taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, bird, jay, eurasian jay, europe, european birds, blue stripes

Names included on cloth: Colliver, Whelpdale, E. Williams, Ms Lynch, Slender, Dowell, Corrigan, McDonald, Hutchinson, Loveden, Young, Hogan, Maher, Reilly, Fraser and Fahey.Square cotton tablecloth embroidered in blue silk, crocheted around edges. Fancy worked blue birds holding cards with local family names from reserve, south of Tatura,1920's - 1930's.local craftwork, cotton tablecloth, colliver, whelpdale, e williams, lynch, slender, dowell, corrigan, mcdonald, hutchinson, loveden, young, hogan, maher, reilly, fraser, fahey

Gramophone cylinders, black, 6 grooves on interior stored in cardboard round container with detachable lid. Edison Record, made and sold by National Phonograph Co. at Orange N.J. U.S.A. 7168 Piccolo Blue Bird Polka. Form 1330 April 1908.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, gramophone cylinders, national phonograph co, piccolo blue bird polka

Camisole. Sleeveless. 5cm wide embroidered lace edges the neckline and arm holes. A 7cm wide peplum, with a spoke stitched hem. Three lace loops are sewn into the back of garment, two of which enclose the blue bird, and pink flower embroidery. Machine stitched.costume, female, underwear

Mairin Ni Shiochain Máirín Ní Shíocháin’s practice reflects a lifelong affinity with non-human animals. Her observation of animals and birds in natural habitats in and around Ballarat and district was the foundation for this research. She won a Ballarat Art Foundation Award in 2012. This item is part of the Federation University Art Collection. The Art Collection features over r000 works and was listed as a 'Ballarat Treasure' in 2007.Blue headed bird perched on a wooden stand. Individual feathers are made from paper, coloured with watercolour. art, artwork, mairin ni shiochain, bird, sculpture

Handkerchiefs have been used for centuries as a piece of cloth deemed useful for personal hygiene. They are usually kept in one's pocket but at times through history have been fluttered to attract attention or send a message. In harder times they proved to be a cheap item often used to add interest to an outfit. This item is one of five handkerchiefs which were brought back from France after WW1 by great uncles of Gloria Redman and have been passed down through her grandmother and mother.This item has significance as an item linked to a local family and World War 1 and as such has social, and historical significance. It is well provenanced and can be used to provide interest to the relating of a fairly common story whereby many soldiers brought or sent back small items such as handkerchiefs to their loved ones at home.White linen painted with an image of a lady in red crinoline dress with black lined pattern around bottom of dress. Three blue birds on the left side.and surrounded by semicircles of flowers around bottom half of hankerchief. Bordered with pink printed line and hemmed in green stitching.warrnambool,, world war 1 hankerchief, printed silk hankerchief, redman hankerchief, crinoline lady hankerchief

The card is a 21st birthday greeting from her mother and brother Alwyn. Dated 28.1.1944. Refer to document and photograph collection.Birthday greeting card. Cream cardboard with yellow ribbon bow; blue border. Four pages held by the yellow ribbon. Inside page has a printed verse and a personal greeting. Front of card has a bunch of flowers in a vase, a box of envelopes, two blue birds and a doll statue.documents, cards

Donated by Mr Greg Thomson, a former resident of RutherglenBlack & white reproduction, unframed, laminated. This photograph is of Main St Rutherglen facing east. At the end of the right hand side in middle of photograph is a small white patch, this is the Chinese camp. Left hand corner is where Fire Station now stands, old Blue Bird Hall is next (now Goodfellows Supermarket)On back of photo: "Main St Rutherglen - facing east"main street, chinese camp, blue bird hall, goodfellows supermarket

Two vases with grey background and blue pattern of birds, leaves and flowersdomestic items, ornaments / decorative

Domestic Pottery - Blue Ornament (Vase) with Birds and Flower designsstawell

To recognise the achievements of those who undertook and completed a transcription course, this certificate was awarded to "a duly qualified Braille writer and competent to transcribe Books for the Blind", by the Sydney Industrial Blind Institution. These volunteers were involved in the expansion of the library as they created Braille from the print version of texts. 20/10/1917 - Elizabeth Harris. Signed by the President Thomas Anderson Stuart illegible date (1921-1932) - Mollie Turner. Signed by the President Sir Alfred Meeks.Cream page attached to cardboard with col. illustrationsFrame with garden decorations around writing, and a white flower/waratah/blue bird/Braille board sits amongst wattle in various corners. A B/W image of the Sydney Industrial Blind Institute building in William Street sits above the main text, whilst two women reading or using Braille and a building labelled 'Library for the Blind' sit to the left and right of the frame.sydney industrial blind institution, mollie turner, elizabeth harris

Porcelain tile in wooden frame featuring image of a blue and green bird surrounded by branches with pink flowers. Below the tile is text.Front: "PORT OF HAKATA" Reverse side: "Presented by/ PORT OF HAKATA DELEGATION (55)/ VICE MAYOR, FUKUOKA CITY/ to DEPUTY CHIEF EXECUTIVE &/ GM COMMERCIAL & TECH SERVICES/ MONDAY 23 OCTOBER 1995" "PMA 0316/1"

Items issued to either R.G Bennetts No’s 119452, 36088 RAAF, R.R Bennetts No A312177 RAAF. Badges represent rank..1) Badge Cloth RAAF Khaki Background with Dark Blue Propeller .2) Badge Cloth RAAF Khaki Background with Light Blue Propeller .3) Badge Cloth RAAF Dark Blue Background with Light Blue Winged Bird.badges, raaf, accessory, rank raaf

In the early 20th century it was common for ladies to work doilies in lace or embroidered cloth. They were used to decorate sideboards or dressing tables and also on trays underneath crockery and on plates under food. These could be made from purchased kits or pattern books. They may form part of a trousseauWhite cotton rectangular tray cloth embroidered with boronia, wattle, blue flower and two birds.tray cloths, household textiles

This artwork is part of 69Fifteen, the book published in 2013 celebrating 69 Smith Street Gallery’s 15th year in operation as an artist-run space.Image of two birds sitting on a tree branch with flowers. The background is light blue, the branch is dark blue and the birds and flowers are made from cut-out pieces of metal.e justine cromb, 69 smith street gallery, artist-run initiative, artist-run space, mixed media, birdlife in art, melbourne art galleries

Malone Collection. Greeting card. Card with a bunch of flowers in the centre with a tree behind and three small blue & pink birds sitting on a branch. Blue sky. White under the flowers With Happiness (gold print) be yours from day to day. (In blue print).Blue & gold border. Given to Miss Malone from some of her students.Raphael Tuck & Sons Ltdperson, individual, greeting card, malone collection, greeting card

Supplied to children at Camp 3Pencils (2). 1 red, 1 blueRed "Emperor" (Substitute_ Made in Australia. A royal soverign product (Wartime finish). Blue 751 * "Aristoc" (Bird) Made by Columbia P & C Co. in Australiatatura, war camps, schools, equipment, pencil