Short hatpin with light blue glass bead on one end.costume accessories, hat accessories, hat pin, blue glass bead

Hand crochet and decorated with blue glass beads with one in centre.handcrafts, crocheting or crochet work, domestic items, food storage & preservation

Purchased at a fete by Pat Richardson in the 1990sWidely used in Australian homes to protect milk from insects until the advent of bottled milkWhite crocheted milk jug cover, with blue glass beads at regular intervals around edge to weight the coverdomestic items, food storage & preservation, handcrafts, crocheting or crochet work

Milk jug cover used by Betty McPhee during 1930's and 1940's.Cream crochet, 25 cm milk jug cover as used in 1930's and 1940's before refrigeration. Design: rings of yellow and blue glass beadsdomestic items, food storage & preservation, handcrafts, crocheting or crochet work

Made by Sarah Johnson.Two white, hand crocheted jug covers. One: circular with orange edging and white glass beads. Two: Square, with white edging and blue glass beads.milk jugs, vessel covers, food covers

From collection of Betty McPhee. A round, cream cover with yellow and blue glass beads. Design: 6 radiating diamonds with centres of blue and yellow diamonds worked alternately. Outer edge: fans decorated with tear-drop shaped glass beads.handcrafts, crocheting or crochet work

Transferred to Cultural Collection from Records, July 2006.Photograph of Queen Elizabeth in jewelled and beaded cream dress with crown, necklace, blue sash and medallions. Seated on chair with red brocade and gilded wood. Framed in gold frame, under glass.

Presented to Warrnambool Cheese and Butter Factory in 2003 as part of the Dairy Industry Association of Australia awards for factory physical appearance and presentation.Round silver-plated tray with raised embossed and beaded edge; inscription on disc in centre of tray. Encased in square timber presentation box with glass lid and lined with blue fabric.Best Kept Factory Award/Western District DIAA/Warrnambool Cheese and Butter Factory 2003/Proudly Sponsored by Ensign the Uniform Peopleallansford, dairy industry, warrnambool cheese and butter factory, wcb, ensign, trophies

These bobbins were given to donor by her aunt and were part of the set on which the donor learned to make Nine Pin edging when she was 8 years old. (approx 1911) 2 wooden lacemaker bobbins, decorated on ends with coloured glass beads attached with wire. Bobbin one has 4 red beads, 4 clear beads, 2 black beads and 1 white bead with green and red colour band. Bobbin two has 2 brown beads, 2 blue beads, 1 black bead and 1 clear bead. Bobbins have shaped and turned shafts. bobbins lace, wood turning, hand craft

The Fenton Art Glass Company was founded in 1905 by brothers Frank L. Fenton and John W. Fenton in an old glass factory in Martins Ferry, Ohio. Originally, they painted glass blanks from other glass makers, but started making their own glass when they became able to buy the materials they needed. They moved across the Ohio river to Williamstown, West Virginia, and built a factory in 1906. The first year for glass production was 1907. Frank Fenton was the designer and decorator. Jacob Rosenthal, a famous glass chemist is known for developing chocolate and golden agate glass. Perfume bottles for the Wrisley Company in 1938 were made in French opalescent glass with the hobnail pattern In 1939, Fenton started selling Hobnail items in milk glass. During the Great Depression and World War II, Fenton produced practical items such as mixing bowls and tableware. Fenton ceased "traditional" glassmaking at the Williamstown, West Virginia factory in July of 2011. However, the factory remains open as a jewellery making operation, producing handcrafted glass beads and Teardrop earrings.Late early to mid 20th century Jack-in the- Pulpet style Fenton vase. Hand-blown outer aqua blue glass over base of white milk glass. Heavily ruffled and crimped rim, with clear glass edging. The narrow neck joins to larger circular base. The body of the vase is also decorated with swirling ridges. Clear glass handle. Pont mark on base, but no Makers Mark. Fenton's glassware bore no Makers Mark until the 1950s.glassware, lights, fenton art glass company, ohio, west virginia, usa, fenton frank l., fenton john w., rosenthal jacob, early settlers, pioneers, market gardeners, moorabbin, bentleigh, ormond, cheltenham

A lady's small metal brooch with coloured glass bead inserts, a central larger pale blue glass insert and a pin clasp at back.

These hat pins represents women's fashion in the late 19thC and early 20thC. As the material used in the construction is not of a high monetary value it can be assumed it was everyday woman's apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important and many women used their craftwork skills to create their own hat pins. This item is a reflection of the fashion mode of the late 19thC and early 20thC when long hair needed to be controlled by hair pins It is also an example of society's mores of tidiness 14 lady's steel hat pins in various styles numbered A -i A) 6x pearl tear-drop ; B) 1x pink metal beads;C) gold ball in 'oyster shell'; D) gold ball; E) pink plastic weave; F) silver metal ball; g) black bead; h) white ball; i) pale blue glass set in brassmoorabbin, brighton, early settlers, pioneers, cheltenham, craftwork, clothing

Royal blue rayon knee length dress made of rayon fabric. Bodice is sleeveless with three shoe string straps on each side. Straps have a decorative knot at shoulder joining the three straps. The neckline is an inverted U shape across the front. The bodice is lined with the royal blue rayon fabric. The front of the bodice has two pleated panels running diagonally from the top with the right side overlapping diagonally. The skirt is an A line shape attached to the bodice with two pleats on either side of the front and back. The skirt is lined with brown paper stiffening fabric. A 9cm horizontal band with three pleats is attached above the waist line. On each pleat is a row of decorative buttons (6, 5, 6) made of strings of clear glass beads coiled into a spiral shape. The central back opening has a 36cm zipper.Tag sown inside back of bodice on RHS - Styled by Jeffrey of Melbourne All Rayoncostume, female daywear, dress

Clothing. Pink silk satin drawstring bag, with a sheer pink organza overlay. A 1 cm wide silk ''drawstring'' passes through eight 1.3 cm diameter plastic rings, sewn inside the bag, 4.5 cm from the top, creating a 4.5 cm frill when closed. The top edge of this frill, is decorated with cm long glass beads and tiny round glass beads. The lower edge of the bag is gathered in tightly, and a silk tassell, decorated at the head, with tiny red, dark and light blue, and white beads. The tassell falls from a thread covered cone shape, 2.3 cm long, and decorated with yellow, red, blue and white beads. The inside of the bag is lined with silk organza.costume accessories, female, pink silk drawstring bag

Clothing. Oval in shape, 4 cms deep at the back, and slightly flattened to 2 cms deep at the front. Deep brown straw on the outside, with a slight sheen, deep blue straw on the inside with a glossy finish. A fine elastic is attached at each side, to hold the hat in place. A band of stiffening lines the inside of the back, to hold the shape. Attached to the front of the hat is a 51 cm long, deep brown ostrich feather. A cluster of seven deep red (one loose) glass bead 'berries' and a scrunch of dark red velvet, hold the feather in place. The feather passes over the top of the pill box and extends an extended 30 cms over the back edge, in a sweeping, gracious curve.costume accessories, female, straw pill box hat with feather

Blue velvet jacket with pink and blue brocade velvet yoke. Glass & plastic bead trim.

Wedding gift to Mr. and Mrs. L. Wilms in 1909.White, china milk jug with hand-painted pink flowers and gold edging. (missing) White, rectangular, net jug cover with blue running stitch edging and clear glass beads.household textiles., milk jugs

Marine art, Maritime artLarge framed glazed landscape format painting depicting in foreground a rusty hull of a ship against a deep aqua blue sky. The hull appears to be in a dry dock with a stylized figure with a red top and blue pants looks down from the prow at the set of low buildings and yard in the foreground. Another ship appears to be moored behind the rusty hull but only the bridge of the ship is visible. At near right in foreground there appear to be two rounded graves or headstones.The frame is sharply beaded and with gilding. The painting has a window mount and is glazed with glass. Paint surface is thinly but intensley painted and seems to be gouache or watercolour on paper. Sealed at back with brown paper mostly intact and a corded hanging system.at lower right corner quadrant there seems to be a mainly rectangular ciphertankers, marine painting, artwork-paintings

Dr. S.A. Mellick was a long standing member of the Faculty of Anaesthetists, Royal Australasian College of Surgeons (FARACS) and gifted this object to the Faculty at the end of his term in 1989. Dr. Mellick was the first Australian to have become President of the International Society for Cardiovascular Surgery. The provenance and date of the salt cellar is verified by the hallmarks at the base of the dish made in 1804 during the reign of Britain's King George III.Sterling silver open cut salt cellar with blue glass bowl insert, boat shaped, featuring four ball feet, beaded borders with pierced and engraved detailing to the sides.[stand] PRESENTED BY S.A. MELLICK / FARACS / JUNE 1989 [hallmark] S E D (indicates maker as S & E Davenport), Image of Lion (indicates sterling silver), I (Indicates made in 1804) Image of kings head (indicates made in London), image of Sovereign's Head (indicates duty mark) Three cursive initials on side of dish are difficult to recognize however may possibly be identified as J E Wopen cut work, salt cellar, sterling silver, s & e davenport, dr sam mellick, faracs, salt cellar