Life story of Bonnie Lockwood, wife of Bill.Life story of Bonnie Lockwood, wife of Bill.lockwood, bonnie, bill, mitcham rsl

This work was selected by DVC Andy Smith from the 2012 University of Ballarat End of Year Exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Painting of a tree.art, artwork, whitlock, tree, bonnie-jean whitlock

Bon and Edna on honeymoon in Sydney and Jim was on his way to CanadaBlack and white photograph of Ernest Wesley (Bon / Bonnie), James Edward (Jim) Barrie and Edna Eva Myers [Barrie]local identities

Bonnie Dickson (Mary Bonaventure (Bonnie) Dickson) 18 December 1934 - 22 March 2018. Service booklet from Requiem Mass and article by Rosie Bray on Bonnie's life.8 p. order of service, colour and black & white photographs, with 3 p. obituary by Rosie Bray"Father Stephen Reggi, supported by Father Kevin McIntosh" handwrittenbonnie dickson

View of Bonnie Doon Street, circa 1960. Digital copy of colour photographbonnie doon street greensborough

Copy of sketch of William Poulter's property "Bonnie Vale". William Poulter and his wife Mary arrived in Victoria in 1849 and settled in Greensborough in 1853, constructing "Bonnie Vale" soon after their arrival. The old house was completely destroyed by fire circa 1960. Bonnie Vale, if existent in modern times would have been found in south eastern centre of Poulter Reserve, over the Plenty River is the house property known as 'Blackjack' on 59 Hume Street.Greensborough pioneer family Digital copy of black and white sketch.

From Sondemeyer's overlooking Greenmeyer Court and Bonnie Vale circa 1958Digital copy of black and white photographsondemeyers hill

Bonnie Fagan's County is Wadawurrung. Most of her early learning about her Aboriginality came from the father.Aboriginal dot painting telling the artist's learning journey. Bonnie Fagan wrote of this work: "Ochres reflect my connection with the land of my traditional Wadawurrung Country. Yellow ochre forms the background and white ochre defines my pathway, showing where I have traveled from my past and where I am heading in my future. I use reddish ochres for the larger dots along my pathway to show my footprint and for the smaller dots that ripple outwards to show how I've had some influence, either good or bad. The white lines show my pathway with an entry point from my past marking the start of my journey, a middle part showing were my life will continue. Through the middle part, my teenage years, the pathway is very windy. These years were sometime quite difficult and I struggled. The two circle areas symbolize two chapters in my life, first as a child and then as an adult, when I've felt mostly positive and safe. They are periods when I've been very open to learning, gathering knowledge from people and experiences that I trusted, and the circles within the circles symbolize the layers of support, of experience, of connection and of learning that I experienced. Strong visual symbols at the base of the painting under the first circle area represent the key figures in my learning through my childhood: my father (represented by the traditional symbol, of a man with a spear) and my mothers with me as a small child, The spirit of my paternal grandmother, my Nan, hovers above my childhood circle and near the pathway through to my teenage years, showing the strength of her influence and how she was always there guiding me." (Robyn Brandenburg and Jacqueline Z, Wilson [Eds] Pedagogies for the Future: Leading Quality Learning and Teaching in Higher Education, Sense Publishers, The Netherlands, 2013, pp40-41)bonnie fagan, bonnie chew, wadawurrung, artists, artwork, aboriginal

A digital copy of a letter requesting the availability of accommodation at Marysville House over Christmas of 1934. Marysville House was built in the late 1920s by Arthur Dickinson.A digital copy of a letter requesting the availability of accommodation at Marysville House over Christmas of 1934. Marysville House was built in the late 1920s by Arthur Dickinson.marysville, victoria, australia, marysville house, arthur james dickinson, grace dickinson, arnold spooner, eileen marie spooner, eileen marie dickinson, grace sweetland, eric dowdle, elsie may denton, elsie may dickinson, peter dickinson, linda dickinson, 2009 black saturday bushfires, letter, bonnie wright

Bonnie Dixon [SIC Dickson] retired after forty years at St Mary's Primary School in Greensborough.News article, text and colour image.bonnie dickson, st marys parish primary school greensborough

Gramophone cylinders, black, 6 grooves on interior stored in cardboard round container with detachable lid. Edison Gold Moulded Record, made and sold by National Phonograph Co. at Orange N.J. U.S.A. 9325 Soprano - The Bonnie Banks of Loch Lomond Marie Narelle. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, gramophone cylinder, edison gold moulded record, national phonograph co, the bonnie banks of loch lomond, marie narelle

Portrait of three women and a seated man on verandah of house called Bonnie Doon. Ann Stanton. Jess Mathers. Eliza Stanton. James Mathers. C1900stawell

An interview with Bonnie Dickson and Russell Dickson about their memories of the Greensborough Football Club as the Dickson family (including the late Ray Dickson) is inducted into the Club's Hall of Fame as Members.In 2016, the Greensborough Football Club inducted a number of their past players into the Hall of Fame. These recordings were made for the Hall of Fame Presentation.Digital video recording. MP4. 2 min 32 sec.bonnie dickson, russell dickson, greensborough football club, gfc hall of fame

Hard and soft ground etching with aquatint.Signed 'Bonnie Quirk' lower right under printed image. Title 'Suburb Shifting' middle centre beneath image. Edition 9/50, lower left corner under printed image.

Pru Sanderson, in her groundbreaking ‘City of Kew Urban Conservation Study : Volume 2 - Development History’ (1988), summarised the periods of urban development and subdivisions of land in Kew. The periods that she identified included 1845-1880, 1880-1893, 1893-1921, 1921-1933, 1933-1943, and Post-War Development. These periods were selected as they represented periods of rapid growth or decline in urban development. An obvious starting point for Sanderson’s groupings involved population growth and the associated economic cycles. These cycles also highlighted urban expansion onto land that was predominantly rural, although in other cases it represented the decline and breakup of large estates. A number of the plans in the Kew Historical Society’s collection can also be found in other collections, such as those of the State Library of Victoria and the Boroondara Library Service. A number are however unique to the collection.The Kew Historical Society collection includes almost 100 subdivision plans pertaining to suburbs of the City of Melbourne. Most of these are of Kew, Kew East or Studley Park, although a smaller number are plans of Camberwell, Deepdene, Balwyn and Hawthorn. It is believed that the majority of the plans were gifted to the Society by persons connected with the real estate firm - J. R. Mathers and McMillan, 136 Cotham Road, Kew. The Plans in the collection are rarely in pristine form, being working plans on which the agent would write notes and record lots sold and the prices of these. The subdivision plans are historically significant examples of the growth of urban Melbourne from the beginning of the 20th Century up until the 1980s. A number of the plans are double-sided and often include a photograph on the reverse. A number of the latter are by noted photographers such as J.E. Barnes.The subdivision advertised as the Bonnie Doon Estate in Greensborough was first advertised in 1908. At that stage, the new subdivision included 15 allotments of between one and four acres. By the time the subdivision plan in the Kew Collection was created, only 12 lots of between ¾ and 2½ acres remained. Both the State Library and Kew plans emphasise the distance to the city being 13½ miles, which could be reached by train on weekdays and weekends. Unusually, the plan describes the suitability of lots as locations for ‘Week-end Homes’. Correspondingly, the train line is described as ‘The Holiday Resort for the Northern Suburbs’.bonnie doona estate, subdivision plans - greensborough

Used to mark butter in the boxes from the Port Fairy Butter FactoryPossibly the only butter box marker left from the Port Fairy Butter FactoryTubular embossed "Bonnie Port Western district Choicest" wooden marker. Shaped like a rolling pin. One handleBonnie Port Western district Choicestlocal history, rural industry, butter making, port fairy butter factory

Sepia photo of Peter James (on left) and Bonnie on the bridge of the P.S.Weeroona paddle steamer.transport - shipping, peter james, bonnie, ps weeroona

Ray and Bonnie Dickson moved to Greensborough in 1951, the area was mostly open space with few houses. Bonnie recalls and recounts her life in Greensborough in this interview with neighbour Rosalie Bray.There is some discussion of restrictions to house building in this post war period.3 typed pages of oral history and photograph of Bonnie Dickson. Copy 2: Item 695.bonnie dickson, ray dickson, rosalie bray, nell street, greensborough, oral history

Single page flyer advertising realising sale of villa and land in Mullum Mullum Road, Ringwood, at 3 o'clock on Saturday, August 18th, 1923. Also includes descriptions and photographs of the property, location of the blocks, and summary of local train services.Auctioneer - Knight & Harwood, 315 Collins Street, Melbourne, Tel 10615, 10616, in conjunction with local agent - J.B. McAlpin, Opposite Railway Station, Ringwood, Tel. Ringwood 7.

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Coloured postcard of highland scenes produced as part of the "Fine Art" Series. Valentines Series. The postcard was purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."To Jack / From Inverness 21-8-1928"postcards, george and edith weir, postcards -- scotland (uk), weir collection

Brothers and sons of Charles Ernest BARRIE and Jessie May LANGlocal identities

Donated by Margaret ScarlettSee Supplementary fileCelluloid doll - sleeping doll. Moulded in two sections. Jointed at head, arms and legs. Blue eyes, painted lips and cheeks. Dressed in maroon knitted dress with cream waist cord with 1 pom pom. Cream knitted hat and cream panties.|On Back of doll an inscription reads' Bonnie Baby' in script and 'M' logo of Moldex LtdBonnie Baby 'M'toys, dolls

The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995.