These adjustable elastic trouser braces with brown leather joiner and button hole straps were manufacturered for the Australian Department of Defence (shown by the symbol in the leather of a Borad Arrow with a "D" on each side). The braces are part of the W.R. Angus Collection and are labelled in pencil "ANGUS". They were worn by Dr Angus during his WW2 service for the Australian Department of Defence as Surgeon Capt. Angus 1942-1945. The braces were donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill) According to Berry, her mother Gladys made a lot of their clothes. She was very talented and did some lovely embroidery including lingerie for her trousseau and beautifully handmade baby clothes. Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . Its first station was in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill and purchased a share of the Nelson Street practice and Mira hospital (a 2 bed ward at the Nelson Street Practice) from Dr Les Middleton one of the Middleton Brothers, the current owners of what previously once Dr Tom Ryan’s practice. Dr Tom and his brother had worked as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He had been House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan had gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. When Dr Angus took up practice in the Dr Edward and Dr Tom Ryan’s old premises he obtained their extensive collection of historical medical equipment and materials spanning 1884-1926. A large part of this collection is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. and an ALDI sore is on the land that was once their tennis court). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served as a Surgeon Captain during WWII1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. He had an interest in people and the community They were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection"The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Elastic trouser braces with brown leather joiner and button hole straps. Elastic is white with blue and brown stripss, length adjusts with two silver coloured metal clamps with the words Poice and Firemen on them. Pressed into leather joiner are the symbols for the Australian Department of Defence (Borad Arrow with a D on each side). The braces are part of the W.R. Angus Collection and are labelled in pencil "ANGUS". They were worn by Dr Angus during his WW2 service as Surgeon Capt. Angus 1942-1945. Impressed into leather "D [[broad arrow] D / 36", impreseed into metal clamps "POLICE AND FIREMEN" , written in pencil "ANGUS". flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, dr ryan, surgical instrument, t.s.s. largs bay, warrnambool base hospital, nhill base hospital, mira hospital, flying doctor, department of defence australia, australian army, army uniform, braces for trousers, trouser braces, department of defence braces, braces for police and firemen, trouser bracers, elastic braces, braces, bracers

Police braces for trousersuniform, 1967, general

Woolen kakhi trousers & braces (Use with U263)uniform, 1968, army

Alfred D'Alton is on the left of the photo and his cousin Charles is on the right .The D'Alton's had a keen interest in wildflowers, being heavily involved in the Halls Gap Wildflower Show.Two men dressed in working clothes,one is wearing a vest, the man on the right has braces on his trousers. They are standing beside a bush from which they have picked branches. ...........................................................................................................people, d'alton

Clothing, khaki coloured WW2 army uniform trousers. Side pockets lined with cream coloured cotton fabric. Front fly opening (27 cm) fastened with six 1.5 cm plastic brown buttons. Four 1.8 cm brown plastic buttons across outside on either side of the centre back of waist band, to fasten braces. Trousers belonged to John Kenneth Martin, padre in 2nd Australian Corps AIF. Served overseas as a Chaplain from 1940-1945. Old box 314Y.Name tag stitched inside waist band at back ''J.K.Martin''.costume, military, army uniform trousers ww2

Uniform issued to Graham Russell Wybar Regt No 317098. Uniform is worn at official occasions in the Officers or Sergeants Mess with miniature medals if issued.Military uniform Mess Dress consisting of: .1 Jacket with badges and rank. 2. Black Bow Tie. 3. Set of white braces. 4. Pair of black trousers. 5. Red waist Cumerbund. 6. White shirt.uniforms military, mess dress

These braces of the type known as ‘Police & Firemen’ were originally worn mostly by men wearing a uniform of some sort – police, firemen, members of the armed forces, postmen, other government officials etc. Later the braces were worn by men, mainly workmen, wanting a durable, good quality item to hold up their trousers. Braces are still worn occasionally by men today, mainly as a fashion item. These braces have no known local provenance but are retained as an example of an item of clothing worn by men 100 years ago. These men’s braces have a loop of long heavy quality elasticized cotton held at the top with a metal clip and with the loop forming two long ends made by a leather clamp near the top. The ends of the two cords have metal clips and two leather straps at each end with eyelets for attachment to buttons. The top of the loop also has two leather straps with eyelets. The cords or loops are adjustable and are woven in red, blue and cream patterns. Police & Firemenvintage men’s wear, history of warrnambool

Braces - straps worn over shoulders for holding up trousers http://en.wikipedia.org/wiki/Suspenders Suspenders (Am. English) or braces (British English) are fabric or leather straps worn over the shoulders to hold up trousers. Straps may be elasticated, either entirely or only at attachment ends and most straps are of woven cloth forming an X or Y shape at the back. Braces are typically attached to trousers with buttons using leather tabs at the ends or, incorrectly according to traditional protocol, clips.. HISTORY the modern type were first invented in 1822 by Albert Thurston and were once almost universally worn due to the high cut of mid-nineteenth and early twentieth century trousers, a cut that made a belt impractical. After losing popularity in the first World War, as men became accustomed to uniform belts, suspenders were still standard throughout the 1920s. TODAY http://www.fabsugar.co.uk/Love-Hate-Trousers-Braces-1585776 Androgynous fashion nearly always appears on the catwalk and trousers with braces made an appearance this season at Paul Smith...Grey Elastic braces forming a y shape at the back, with leather tabs to hold clips and braided loops to attach to buttons on trousers. trousers, braces, straps

1. Jacket, Khaki Woollen. Four pockets held shut with copper buttons. Four copper buttons on central front. Two Rising Sun Badges (darkened) on collars. Metal "Australia" badges on each epaulette. 38 Bn colour patch on right shoulder. 2. Trousers - Khaki Woollen. Fly held shut with 6 Bakelite buttons. No belt loops - buttons for braces. Trousers are cuffless. 3. Hat Khaki - fur felt. Light khaki puggaree. Copper A.C.M.F. badge. 4.& 5. Puttee, khaki Woollen. It has a 25mm wide tape at one end. It's length is 116 cm. The broad piece is 202 cm long. Width 10cm 1. Written inside, appears to be "L. Townsend". Stamped date of 1943 has '3' crossed out and '6' inserted.38 bn, aust, ww2, passchendaele barracks trust

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection..1) Khaki battle dress trousers in wool fabric with pleated front. Waistband and pockets lined with light khaki cotton drill fabric. Wide waistband secured with three brown bakelite buttons Inside the waistband are six brown bakelite buttons used to secure braces. On each outer side of the waistband are two tabs with metal fasteners used to adjust the waistband. Extra buttons are sewn onto the outside of the waistband. A zipper fly is on the front of the trousers. Pockets consist of two hip with button down flaps, two lined side and one left leg cargo with button down flap. A light khaki heel protector is sewn into the hem of each trouser leg. .2) Set khaki elastic and leather braces are attached to the trousers via khaki coloured leather button attachments..1) On white calico manufacturer's label - stamped in black ink: 'YF 34". Handwritten on manufacturer's label in black ink: 'PADRE Tom, 556101'.un iform, battle dress, army chaplain, major thomas b. williams

Hilda hill Collection. Black & White Photos Total 10. Backyard Heathcote Sweep the Kelpie August 15 1918 (dog standing on top of wooden ladder), Sections of white picket fence leaning against wooden paling dividing fence, Roof of house in next block showing. Jack in the snow at Mt Buffalo 1923. Hal in the snow at Mt Buffalo July 1923. Man and wife with their 2 sons. The wife is wearing a sun hat and white dress, the man is wearing a hat and white shirt, each of the boys wear white shirts and dark trousers, one of the boys has a stick leaning against his leg, at the Pines January 1919. Four girls seated on the ground, three of them are wearing white dresses and the fourth is wearing a black dress over a white shirt, the Pines January 1919. One girl and three boys sitting on the sand, the girl is swearing a white shirt and dark dress, two of the boys are wearing white shirts, the other wears a darker shirt, all the boys, are wearing braces to keep up dark trousers, Brighton 1918. Lady standing near shrub along side of house, this lady is wearing what appears to be a net top and long white skirt, background shows a porch attached to the house with two steps, Royston Brighton 1918. Elderly lady dressed in black and seated on an outdoor chair in a rear yard, background shows dividing paling fence and a small part of the house next door, Royston Brighton. Maisie, in black, and Dora, in white, in a sitting position, St Aidens Garden Fete 1922.background appears to be bushland. One Tree Hill Bendigo July 1923 St. Aidans Orphanage Gardens Bendigo Fete 1922.Hidla Hill Family Lifeaustralia, history, hill family life

Alex Wright travelled to England in 1930 and was known as the Prince of Mimic although his stage name was Navarre. He died in an air raid in the Hippodrome Birmingham in 1940. Alex was the brother of Frank Wright who was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man in shirt, trousers and braces hugging a woman in a dark frock. They are standing in front of a fence with trees and a paddock in the background. They are Sarah Wright and her son Alex?.Printed on back - Printed at Scott's, Veloxsarah wright, alex wright, frank wright, navarre, smeaton, ballarat

Alex Wright travelled to England in 1930 and was known as the Prince of Mimic although his stage name was Navarre. He died in an air raid in the Hippodrome Birmingham in 1940. Alex was the brother of Frank Wright who was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a standing man, leaning his elbow onto his leg which is resting on a fence rail. He is dressed in shirt, trousers and braces. In the background is a grassy paddock. He is most probably Alex Wright.Printed on back - Printed at Scott's, Veloxalex wright. frank wright, navarre, smeaton, ballarat

Alex Wright travelled to England in 1930 and was known as the Prince of Mimic although his stage name was Navarre. He died in an air raid in the Hippodrome Birmingham in 1940. Alex was the brother of Frank Wright who was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man in shirt, trousers and braces, holding a hat. He is standing beside a fence with a rocky, scrubby hillside pictured behind. The man is most probably Alex Wright.Printed of back - Printed at Scott's, Veloxalex wright. frank wright, navarre, smeaton, ballarat

Black Officer's Dress uniform Trousers with Red Stripes 4.3cm To be worn with BracesRed Stripes Tag on inside CGCF

Made for use by Australian army personal.Sergeants black uniform trousers with a 45mm red stripe on both legs.Has buttons on waist for braces.Labels inside for name and number and manufacturing details.

Standard Australian Army Trousers for use by Military personal in the 1950 to 1970 time frame.Standard issue Australian Army Trousers. Khaki in colour..Has two back Pockets,two on the side and one on front of left leg.The bottom of each leg have ankle shorting straps.The waist has provision for a belt and braces and also has two waist adjusting straps.Makers label inside with EAGLEHAWK CLOTHING CO.VICTORIA. 1951

This belt belonged to a WW1 Australian Anzac who most probably, because of the buttons and badges, served on the Western Front. Records destroyed in 1969 bush fires at Lara means we are unable to determine who owned this in the RSL. The belts is called a 'stable belt' and the one you have acquired is an early example with a leather pocket. It became common in WW1 for both, leather belts (especially that from the 1903 bandolier equipment as worn by those in the Boer War), and stable belts to be used to hold badges collected from fellow soldiers and for that reason it was often known as a 'souvenir belt'. The evolution of the stable belt: It seems that stable belts began to become popular across the Army as a whole around the turn of the 20th century, although they probably originated with the cavalry a little earlier sometime in the 1880s/1890s. All units at that time had horses on their establishment and those soldiers told off to attend them reported for Stable Parade in Stable Dress which consisted of very high waisted and pocket less breeches, or trousers, held up by braces and collarless, woollen flannel shirts with sleeves rolled up. This was to facilitate the rigorous physical effort and flexibility of movement necessary for mucking out and grooming. Braces at that time had no elastic as rubber was expensive, they were made of cotton with no 'give' whatsoever and so soldiers commonly allowed the braces to flop down from the waist so that they could bend over freely. For trousers that fitted loosely (due to the high waist) this meant that they tended to slip down and at first soldiers cinched them in with leather belts. Later on the regimental saddlers began to make belts from the same, plain canvas or wool strapping used for the horses Surcingle and utilising the same double leather strap and buckle arrangement for security (if one strap broke the other would hold and prevent the saddle from coming unseated). One particular feature of these early stable belts was a sewn on (or in) pocket, secured by a stud or clip, within which loose change could be kept, or a pocket watch, as there were no pockets in the breeches. As you might imagine these became very popular as the pocket was useful and the extra breadth afforded by the canvas strapping made them very comfortable. Around about the turn of the 20th century it began to be popular for officers to wear neckties in regimental colours both for sport and less formal, country dress. This habit probably began with the Queens Household troops and Line Cavalry, but quickly spread throughout the Army and it appears as if this use of regimental colours spread to the canvas or wool strapping used to make stable belts. For this reason the stable belts invariably followed the same colour scheme (but not always the same pattern arrangement) of regimental neck ties. This belt is an example of what Australian troops collected when on the Western Front during WW1 and when on leave.Leather Belt with 31 Badges and Buttons from WW1 attachedSee Mediaww1, world war 1, australian army, badges, button, belt, stable belt

This belt belonged to a WW1 Australian Anzac who most probably, because of the buttons and badges, served on the Western Front. Records destroyed in 1969 bush fires at Lara means we are unable to determine who owned this in the RSL. The belts is called a 'stable belt' and the one you have acquired is an early example with a leather pocket. It became common in WW1 for both, leather belts (especially that from the 1903 bandolier equipment as worn by those in the Boer War), and stable belts to be used to hold badges collected from fellow soldiers and for that reason it was often known as a 'souvenir belt'. The evolution of the stable belt: It seems that stable belts began to become popular across the Army as a whole around the turn of the 20th century, although they probably originated with the cavalry a little earlier sometime in the 1880s/1890s. All units at that time had horses on their establishment and those soldiers told off to attend them reported for Stable Parade in Stable Dress which consisted of very high waisted and pocket less breeches, or trousers, held up by braces and collarless, woollen flannel shirts with sleeves rolled up. This was to facilitate the rigorous physical effort and flexibility of movement necessary for mucking out and grooming. Braces at that time had no elastic as rubber was expensive, they were made of cotton with no 'give' whatsoever and so soldiers commonly allowed the braces to flop down from the waist so that they could bend over freely. For trousers that fitted loosely (due to the high waist) this meant that they tended to slip down and at first soldiers cinched them in with leather belts. Later on the regimental saddlers began to make belts from the same, plain canvas or wool strapping used for the horses Surcingle and utilising the same double leather strap and buckle arrangement for security (if one strap broke the other would hold and prevent the saddle from coming unseated). One particular feature of these early stable belts was a sewn on (or in) pocket, secured by a stud or clip, within which loose change could be kept, or a pocket watch, as there were no pockets in the breeches. As you might imagine these became very popular as the pocket was useful and the extra breadth afforded by the canvas strapping made them very comfortable. Around about the turn of the 20th century it began to be popular for officers to wear neckties in regimental colours both for sport and less formal, country dress. This habit probably began with the Queens Household troops and Line Cavalry, but quickly spread throughout the Army and it appears as if this use of regimental colours spread to the canvas or wool strapping used to make stable belts. For this reason the stable belts invariably followed the same colour scheme (but not always the same pattern arrangement) of regimental neck ties.This belt is an example of what Australian troops collected when on the Western Front during WW1 and when on leave.Webbing Belt with Badges and Buttons WW1See Mediaarmy, australian army, western front, aif, s.w.ellis, service number 640, 2 m.g.c., buttons, badges, belt, stable belt

Chicory farming on Phillip Island was introduced in 1870, with the root destined used as a coffee additive or substitute. It reached it's peak during WW2.HistoricalCopy of a small black and white photo of a man wearing trousers with braces and a hat, with hands on his hips, standing in front of a chicory kiln. Tall plants in the foreground.Henry Bennellchicory, photograph, henry bennell

1. Black Polyester trousers, Zip Fly. Two white stripes on outside. Two hip side pockets. No cuffs. 2. Belt, Nylon - green, Silver Buckle. 3. Braces, green elastic. Two leather straps - rear. 4. Braces, green elastic. One leather strap - rear.Trousers - "SGT Long, 19995. 221175". Ticket on marked "SGT Lowe"uniform, post ww2, passchendaele barracks trust

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.Khaki battle dress trousers in wool fabric with pleated front. Waistband and pockets lined with light khaki cotton drill fabric. Wide waistband secured with three brown bakelite buttons Inside the waistband are six brown bakelite buttons used to secure braces. On each outer side of the waistband are two tabs with metal fasteners used to adjust the waistband. Extra buttons are sewn onto the outside of the waistband. A zipper fly is on the front of the trousers. Pockets consist of two hip with button down flaps, two lined side and one left leg cargo with button down flap. A light khaki heel protector is sewn into the hem of each trouser leg.On white calico manufacturer's label - handwritten in black ink: '556101, PADRE Tom'.uniform, army chaplain, battle dress, major thomas b. williams

Herbert Rex WILLIS Regt No 342872, Regular Army, served Vietnam with 161 Independant Reconnaissance Flight from 29.4.1966 - 10.5.1967Jacket - Polyester/Wool, Black, gold coloured buttons, Service ribbons, Insignia badge, Braided Australian Coat of Arms on shoulder. Trousers - Polyester/Wool, Black, Red stripe down outside of each leg. Braces - Elastic, striped, metal clips, leather button attachments to trousers.Service Ribbon Bar Braided Australia Coat of Arms on each shoulder. Insignia Badges on collar of Jacket.uniform, raaf

Replica 4th Light Horse AIF Uniform, WW1, used for Museum displays and Bendigo RSL Commemorative Services.Replica Uniform, Lighthorse WW1. Jacket, Breeches with braces, Shirt, Leggings and Light Horse leather accessories. 1. Jacket, khaki wool fabric. Collar with metal look plastic "Rising Sun" Badge. Shoulder epaulettes with buttons, two metal look plastic "AUSTRALIA" badges and two silver plastic Light Horse rectangular badge - an unofficial shoulder title. Front four patch pockets with button down flap. Sleeves with cuff and button colour patch. rectangular light blue/ mid blue on diagonal top left to bottom right. Brass metal look plastic "A" for ANZAC". No rank stripes - Private. Pleated back and attached half belt with metal slide buckle. Brown plastic buttons. 2. Breeches (fabric as above), ankle length close fitting trousers, snug fit below the knees with side opening and metal eyelets and ribbon laces. Five pockets - money pocket, two inset on an angle and back two inset. Numerous khaki plastic buttons at waist for braces, five button fly. 3. Shirt - grey wool flannel fabric with white cotton mandarin collar and 1/4 waistband. Half opening with three black plastic buttons. Long sleeves with cuff and three buttons. Shirt tails. 4. Braces - set of beige coloured cotton twill webbing with brown leatgher attachments for breeches. 5. Waist belt. 6. Bandolier, brown leather, brass studs and metal buckles. Waist belt with bayonet frog and four pouches and attached bandolier has nine pouches. 7. & 8. Leggings, one pair, L & R, brown leather with two leather straps and brass metal buckles.uniform, replica, light horse, ww1

Replica 4th Light Horse AIF Uniform, WW1. Used for Museum displays and Bendigo RSL Commemorative Services.Replica Uniform, Lighthorse WW1. Jacket, Breeches with braces, Shirt, Leggings and Light Horse leather accessories. 1. Jacket, khaki wool fabric. Collar with metal look plastic "Rising Sun" Badge. Shoulder epaulettes with buttons, two metal look plastic "AUSTRALIA" badges and two silver plastic Light Horse rectangular badge - an unofficial shoulder title. Front four patch pockets with button down flap. Sleeves with cuff and button colour patch. rectangular light blue/ mid blue on diagonal top left to bottom right. Brass metal look plastic "A" for ANZAC". One rank stripe - Lance Corporal. Pleated back and attached half belt with metal slide buckle. Brown plastic buttons. 2. Breeches (fabric as above), ankle length close fitting trousers, snug fit below the knees with side opening and metal eyelets and ribbon laces. Five pockets - money pocket, two inset on an angle and back two inset. Numerous khaki plastic buttons at waist for braces, five button fly. 3. Shirt - grey wool flannel fabric with white cotton mandarin collar and 1/4 waistband. Half opening with three black plastic buttons. Long sleeves with cuff and three buttons. Shirt tails. 4. Braces - set of beige coloured cotton twill webbing with brown leatgher attachments for breeches. 5. Waist belt. 6. Bandolier, brown leather, brass studs and metal buckles. Waist belt with bayonet frog and four pouches and attached bandolier has nine pouches. 7. & 8. Leggings, one pair, L & R, brown leather with two leather straps and brass metal buckles.uniform, replica, light horse, ww1

Replica 4th Light Horse AIF Uniform, WW1. Used for Museum Displays and Bendigo RSL Commemorative Services.Replica Uniform, Lighthorse WW1. Jacket, Breeches with braces, Shirt, Leggings and Light Horse leather accessories. 1. Jacket, khaki wool fabric. Collar with metal look plastic "Rising Sun" Badge. Shoulder epaulettes with buttons, two metal look plastic "AUSTRALIA" badges and two silver plastic Light Horse rectangular badge - an unofficial shoulder title. Front four patch pockets with button down flap. Sleeves with cuff and button colour patch. rectangular light blue/ mid blue on diagonal top left to bottom right. Brass metal look plastic "A" for ANZAC". Two rank stripes - Corporal. Pleated back and attached half belt with metal slide buckle. Brown plastic buttons. 2. Breeches (fabric as above), ankle length close fitting trousers, snug fit below the knees with side opening and metal eyelets and ribbon laces. Five pockets - money pocket, two inset on an angle and back two inset. Numerous khaki plastic buttons at waist for braces, five button fly. 3. Shirt - grey wool flannel fabric with white cotton mandarin collar and 1/4 waistband. Half opening with three black plastic buttons. Long sleeves with cuff and three buttons. Shirt tails. 4. Braces - set of beige coloured cotton twill webbing with brown leather attachments for breeches. 5. Waist belt. 6. Bandolier, brown leather, brass studs and metal buckles. Waist belt with bayonet frog and four pouches and attached bandolier has nine pouches. 7. & 8. Leggings, one pair, L & R, brown leather with two leather straps and brass metal buckles.uniform, replica, light horse, ww1

Replica 38th Battalion AIF Uniform, WW1, used for Museum displays and Bendigo RSL Commemorative Services.Replica Uniform, Light Horse WW1. Jacket, Breeches with braces, Shirt, Puttees and Army leather accessories and boots. 1. Jacket, khaki wool fabric. Collar with metal look plastic "Rising Sun" Badge. Shoulder epaulettes with buttons, two metal look plastic "AUSTRALIA" badges and two silver plastic Light Horse rectangular badge - an unofficial shoulder title. Front four patch pockets with button down flap. Sleeves with cuff and button colour patch, oval shape , purple over maroon, 38th Battalion AIF. Five front buttons - brown coloured plastic. No rank stripes - Private. Pleated back and attached half belt with metal slide buckle. Brown plastic buttons. 2. Breeches (fabric as above), ankle length close fitting trousers, snug fit below the knees with side opening and metal eyelets and ribbon laces. Five pockets - money pocket, two inset on an angle and back two inset. Numerous khaki plastic buttons at waist for braces, five button fly. 3. Shirt - grey wool flannel fabric with white cotton mandarin collar and 1/4 waistband. Half opening with three black plastic buttons. Long sleeves with cuff and three buttons. Shirt tails. 4. Braces - set of beige and green coloured cotton twill webbing with brown leather attachments for breeches. 5. Waist belt. Brown coloured leather with brass studs and metal buckle. Bayonet frog on belt. 6. & 7. Puttees - pair of khaki coloured long strips of woven wool fabric which are wrapped spirally around the lowe leg, ankle to knee. Ribbon tape on end. 8. & 9. Boots - pair of brown/tan coloured leather, above ankle height, boots with eight metal eyelets per side and brown leather laces. No size on leather sole, heel with metal plate.uniform, replica, 38th battalion, aif, ww1

Replica 38th Battalion AIF Uniform, WW1 used for Museum Displays and Bendigo RSL Commemorative Services.Replica Uniform, Army WW1. Jacket, Breeches with braces, Shirt, Puttees and Army leather accessories and boots. 1. Jacket, khaki wool fabric. Collar with metal look plastic "Rising Sun" Badge. Shoulder epaulettes with buttons, two metal look plastic "AUSTRALIA" badges and two silver plastic Light Horse rectangular badge - an unofficial shoulder title. Front four patch pockets with button down flap. Sleeves with cuff and button colour patch, oval shape , purple over maroon, 38th Battalion AIF. Five front buttons - brown coloured plastic. No rank stripes - Private. Pleated back and attached half belt with metal slide buckle. Brown plastic buttons. 2. Breeches (fabric as above), ankle length close fitting trousers, snug fit below the knees with side opening and metal eyelets and ribbon laces. Five pockets - money pocket, two inset on an angle and back two inset. Numerous khaki plastic buttons at waist for braces, five button fly. 3. Shirt - grey wool flannel fabric with white cotton mandarin collar and 1/4 waistband. Half opening with three black plastic buttons. Long sleeves with cuff and three buttons. Shirt tails. 4. Braces - set of beige and green coloured cotton twill webbing with brown leather attachments for breeches. 5. Waist belt. Brown coloured leather with brass studs and metal buckle. Bayonet frog on belt. 6. & 7. Puttees - pair of khaki coloured long strips of woven wool fabric which are wrapped spirally around the lowe leg, ankle to knee. Ribbon tape on end. 8. & 9. Boots - pair of brown/tan coloured leather, above ankle height, boots with eight metal eyelets per side and brown leather laces. No size on leather sole, heel with metal plate. Handwritten owner's name on sole.8. 9. Boots - handwritten - black ink pen. On sole "Walko".uniform, replica, 38th battalion, aif, ww1

Replica 38th Battalion AIF uniform, WW1, used for Museum displays and Bendigo RSL Commemorative Services.Replica Uniform, Army WW1. Jacket, Breeches with braces, Shirt, Puttees and Army leather accessories and boots. 1. Jacket, khaki wool fabric. Collar with metal look plastic "Rising Sun" Badge. Shoulder epaulettes with buttons, two metal look plastic "AUSTRALIA" badges and two silver plastic Light Horse rectangular badge - an unofficial shoulder title. Front four patch pockets with button down flap. Sleeves with cuff and button colour patch, oval shape , purple over maroon, 38th Battalion AIF. Five front buttons - brown coloured plastic. One rank stripe - Lance Corporal. Pleated back and attached half belt with metal slide buckle. Brown plastic buttons. 2. Breeches (fabric as above), ankle length close fitting trousers, snug fit below the knees with side opening and metal eyelets and ribbon laces. Five pockets - money pocket, two inset on an angle and back two inset. Numerous khaki plastic buttons at waist for braces, five button fly. 3. Shirt - grey wool flannel fabric with white cotton mandarin collar and 1/4 waistband. Half opening with three black plastic buttons. Long sleeves with cuff and three buttons. Shirt tails. 4. Braces - set of beige and green coloured cotton twill webbing with brown leather attachments for breeches. 5. Waist belt. Brown coloured leather with brass studs and metal buckle. Bayonet frog on belt. 6. & 7. Puttees - pair of khaki coloured long strips of woven wool fabric which are wrapped spirally around the lowe leg, ankle to knee. Ribbon tape on end. 8. & 9. Boots - pair of brown/tan coloured leather, above ankle height, boots with eight metal eyelets per side and brown leather laces. Size 11 on leather sole, heel with metal plate. uniform, replica, 38th battalion, aif, ww1