Black and white photograph of St Nicholas Church of England Vicarage, showing a timber building, hip and gable roof, half veranda at front, water tank at rear corner, surrounded by trees and a profusion of bracken fern. Lakes Entrance VictoriaC of E Vicarage, surrounded by brackenreligion, houses

Ill, p.315.non-fictionA detailed listing of World War II fighting aircraftairplanes - military - history, world war ii - fighting aircraft

Ill, p.320.non-fictionIllustrated and textual history by country of World War II fighting shipsworld war two - naval operations, navies - history - 20th century

Index, ill., p.223.non-fictionThis book was based upon the travels and observations of Richard Lovett. The reader can accompany him on a tour of the length and breadth of Hibernia.ireland - history, ireland - travel

A Sketch of the Early Digging Days and Rogers of Eaglehawk. Signed in front cover, 'compliments of Hugh Anderson, June 2004'. Dear Old Bendigo was first published by John Robshaw, Bendigo 1892.Thomas Brackenbendigo, history, early digging days, bendigo, gold, gold mining

A side vie of Silverband Falls.The photo shows a side view of a waterfall (Silverband Falls). To the right of the falls there is a rock face and in the foreground there is a large log and a rock among bracken.scenery, silverband falls

The cottage is typical of the holiday houses that could be rented in Halls Gap. This house was called "The Wattles" and was one of the houses used as "Girls Hut".The photo shows a weatherboard cottage set in bush. A sandy path through bracken can be seen in the foreground. There is a tall gum tree in the right of the photo."The Wattles" written in pen on rear.buildings, houses

Victorian Farmers' Union - 23 page Constitution and Rule Book; adopted by Third Annual Conference, September 1918. Printer: J. F. Bracken, Melbourne.organization, business, farming

Cottage once stood in the Mafeking area and was owned in the 1920s/1930s by a prospector and timber worker, name unknown.Wooden slab cottage with corrugated iron roof in apparent good condition. Small front yard enclosed in picket fence, bracken in forefront and eocalypt trees at rear.buildings, houses

Small black and white photograph showing seven armed men standing in a row. From right to left: Bany, Bracken, Phillips, Arthur, Kelly, Canny, Gascoignekelly gang, bushrangers, charles gascoigne, james murdoch arthur, daniel barry, hugh bracken, william cranny, john kelly, john phillips

Bracken fern covered lane beside property late developed as Lambert Street.Black and white photograph of a house in Myer Street, clad in cement sheet with hipped roof, clipped hedge inside wire lace front fence, footpath in front of property is unsealed. House at 37 Myer Street, in background, known as Ardlui. Lakes Entrance Victoriaroads and streets, houses, heritage study

Black and white photograph of a grave headstone for Pryor family located in the Linton Cemetery. Has a part of cast iron fence to the left of the photograph also shows bracken ferns and tall trees behind.linton cemetery, grave, headstone, joseph pryor, ann pryor, thomas henry pryor, mary ann pryor

View of Mountain Grange Homestead with Great Barn. Tree stumps still visible. Fruit tress still present. Less cultivation near house. Fences more uniform and indication of a road.Woman in dress and bracken in foreground.kalorama, mountain grange

This is a photo of one of the trestle bridges on the Heatherlie Quarry train line. It is located near the current site of "the Pines" campground. The woman on the bridge is Janet Witham.Photo is of a derelict trestle bridge over a shallow creek, taken on an angle. There are many sleepers missing and the bridge is surrounded by thick bush and trees. There is bracken in the left foreground. A woman wearing a blue top and grey/brown slacks.structures, bridges, quarrying, heatherlie

.1 PHOTOGRAPH MOUNTED OF CREAM COLOURED MAT BOARD OF ASSORTED GROUP OF PEOPLE AT MT. BECKWORTH. BOILER, BASKETS AND DOG IN FOREGROUND. SOME PEOPLE WITH BUNCHES OF BRACKEN FERN. .2 AS ABOVE, BUT WITH GOLD BORDER ON MAT BOARDNillocal history, photography, photographs, events and celebrations, mount beckworth

A hand sickle is typically used for harvesting grain crops or cutting succulent forage chiefly for feeding livestock (either freshly cut or dried as hay). this one was used for cutting back bracken fern.Sickles were not used as often on farms after the mechanisation of harvesting. They were still used for cutting awkward shaped small plots, for opening a path for the tractors and for clearing bracken. This item is an example of a tool used by the early settlers of the Orbost district.A wooden handled sickle used for fern cutting. It has a steel curved blade.Stamped on blade - RY4 MADE IN ENGLANDtool farming-implement sickle

Hardback with dust cover – Coffee Table Book Introduction by Martin Gilbert Foreword James Bishop (Editor in Chief the Illustrated London News) Bracken Books London: 1989 ISBN: 1 851170 265 2

Fish were transported to the Melbourne market in wicker baskets with layers of bracken fern between the fish. The last known shipment of fish in baskets from Paynesville was around 1900, when wooden boxes were introduced.wicker, baskets, transport

Sepia toned large format postcard of a bend in the Princes Highway at Kalimna. It shows a bracken covered hill in foreground, some larger trees, steep roadside cutting and post and rail fence at the edge of the road. Picture shows fog rising through trees. Lakes Entrance VictoriaPrinces Highway Lakes Entrance roads and streets, topography

Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Strip of knitted fabric samples showing the 14 wool colour options for the ladies' line of Kathryn knitwear for the winter season of 1980. Label printed in pale blue paper lists season and colour names and is attached to sample strip with two metal staplesLADIES WOOL COLOR SWATCH WINTER 1980 RED BLACK MAGNOLIA OYSTER SILVER BLUE SHADOW NAVY TEAL GREEN BRACKEN RYE BROWN BURGUNDY DEEP REDfabric sample, textile sample, fabric swatch, textile swatch, fashion textile production, textile manufacturing

Regional fishermen supplied fish to the Melbourne market in these cane baskets. The basket had a flat lid (we are searching for a lid) and bracken fern was packed between the fish as ice was not available at the time. Photos show that fish boxes were introduced in 1900 and no post 1900 photos of baskets in use have been found. The baskets were mainly destroyed once boxes were introduced and only two baskets have been found. . Oval shaped large wicker work basket

Sepia toned photograph copied from a postcard showing two sailing boats at the shore of a lake. Shore edged with reeds in front of dense scrub and teatree. Reeves River later Cunninghame Arm Lakes Entrance Victoria.Also a sepia toned copy of photograph of four dwellings near waterway dense bracken fern in foreground, may be early Lakes Entrance waterways

This is a photo of one of the trestle bridges on the Heatherlie Quarry train line. It is located near the current site of "the Pines" campground.Photo is of a derelict trestle bridge over a shallow creek, taken on an angle. There are many sleepers missing and the bridge is surrounded by thick bush and trees. There is bracken in the foreground. A woman wearing a blouse made of material with a white background with a colourful pattern, blue jeans, a white "golf shade" and a red jumper ot jacket tied around her waist is walking on the near side of the bridge. Two men and two women are standing at the opposite end.structures, bridges, quarrying, heatherlie

Cliff Beauglehole was an orchardist at Portland, Victoria, who throughout hislife took an intense interest in the plants of Victoria. Over his lifetime he collected 90,000 plant specimens as part of a comprehensive study of Victoria's plants and wrote thirteen books under the heading The Distribution and Conservation of Vascular Plants in Victoria, each written to cover the 13 study areas of the Victorian and Conservation Council.A mounted botanical specimen.beauglehole herbarium, herbarium specimen, botany, herbarium, plant science, plant specimen, field naturalists' club ballarat, federation university herbarium, pteridium esculentum, bracken, dennstaedtiaceae

Black and white photograph - Grade 5B, 1962"Attached to photograph" Back Row- L to R: ?, ?, ?, ?, Bill Reid, ?, ?, ?, ?, ?, ?. 2nd Row- L to R: ?, ?, Jeanette Goodchild, ?, Karen Bibby, Gabriella Iwenowicz, Valerie Robinson, Susan Jamieson, ?, Lorraine Bowring. 3rd Row- L to R: Ian Anderson, Maureen Bosaid, Robyn Myles, ?, ?, ?, ?, Dawn Bracken, ?, Jennifer Elliot, Susan Deuter, ?, ?. Front Row- L to R: No names. Teacher:

Photo of a woman of about sixty standing in a garden with a house in the background. The woman has thick grey/white hair swept back, and she is unsmiling and looking to her left. She is wearing a dark skirt and jacket with three buttons over a pale blouse with a frilled collar. In her hands is a twig or piece of grass or similar. There is a wedding ring on her hand. The house in the background is the same house as in other photos. The land slopes upwards and Monbulk Road is most likely hidden by the thick bush behind the house. Trees and bracken edge a cleared area of land. The house is probably located at present-day 20 Monbulk Road, Belgrave and is no longer standing.

Black and white photograph - Grade 6, 1963."Attached to photograph" Back Row- L to R: Ian Anderson, Garry Simpson, ?, ?, ?, ?, ?, ?, ?, Graham Pratten. 2nd Row- L to R: Robert Hearn, Robert Pratt, ?, ?, ?, ?, ?, ?, ?, ?. 3rd Row- L to R: ?, ?, Anne Joyce, Jeanette Goodchild, Virginia Mynott, Fay Beasley, Karen Bibby, ?, Gabriela Iwanowicz, Vivienne, Upstill, ?. Front Row- L to R: Maureen (?), Ailsa Radford, ?, ?, ?, ?, ?, ?, Dawn Bracken, Susan Deuter. Teacher: Mr Anderson