The 2 vases were a gift to the museum .An eucumenical church service was held to mark the centenary of the procla. ..mation as a township November 17th 1985..2 brass vases placed on timber stands-.stands have inscriptionbrass vases with engravings .On timber base is inscription date 17th November 1985.

This pair of brass altar vases is from the St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, during religious services there. The Church was operated by the Mission to Seamen organisation. Each vase is inscribed with the donors' names and the year of presentation - Margaret R. Pearson 1944, Mrs B Raybould 1944, - and the maker's name T. Gaunt & Co. The two donors presented the vases to St Nicholas Seamen's Church in Williamstown as part of the furniture and furnishings for the new church that officially opened in 1944. T. Gaunt & Co. engraved on both vases. T. Gaunt & Co. of Melbourne, is a manufacturer, importer and retailer of a wide variety of goods including jewellery, clocks and watches, navigational and measuring instruments, dinnerware, glassware and ornaments. Thomas Gaunt's photograph was included in an album of security identity portraits of members of the Victorian Court, Centennial International Exhibition, Melbourne, 1888. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. This par of vases is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The connection of pair of vases to the original donation to the Mission to Seamen highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Vase: pair of two polished brass altar vases, round, pear-shaped, bulbous body on a round pedestal, two neck rings and flared lips. Inscriptions on both vases in script around the base. Made by T. Gaunt & Co. One was presented to the church by Margaret R Pearson and the other presented by Mrs B. Raybould in 1944 The vases are part of the St Nicholas Seamen's Church Engraved on the 625.1 "Presented By Margaret R. Pearson 1944." Engraved on 625.2 "Presented By Mrs B. Raybould. 1944." Both engraved "T GAUNT & Co"flagstaff hill maritime museum and village, flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, religion, religious service, st nicholas seamen’s church, williamstown, missions to seamen victoria, brass vases, metal craft, brassware, altar vase, church vase, mrs r raybould, margaret r pearson, t gaunt & co, church furnishing

Pair of Brass Vases made from ammunition shells stawell

Brass vase. Hammered 'reptile skin' design around base flowing up 2/3 of the way. Five circles around top, with vase of flowers design inside each circle.

The quatrefoil design similar to other chapel decorative arts, suggests these vases may belong originally in one of the MIssion Chapels. Possibly either the demolished 1937 Building at Port Melbourne or the original Chapel from the early 20th C at the previous Mission Building in Port Melbourne. Possibly donated in the name of Olive Cramer along with an organ lamp and memorial plaque mounted in the Chapel of St Peter.Many people see the quatrefoil as representing good luck. Christians, on the other hand, see the quatrefoil as representing the four Gospel writers: Matthew, Mark, Luke, and John. Some Christians also regard it as being symbolic of the cross.Pair of small fluted heavy brass vases with quatrefoil opening and small footprint. Highly polished outer surface and unpolished inner; each of the undersides seem to be of lead or coarse alloy lined finish.quatrefoil, clover, shamrock

Brass Trencg Art, Vases (X2)miscellaneous, general

Marion Rosalie Mapperson, 1920-1946, was the daughter of the Mr and Mrs C Mapperson and was born in a home mission parsonage where she grew up to realise the presence and power of Jesus Christ. She became a fully-accredited local preacher then joined the staff of the Methodist Homes for Children at Cheltenham from there she began her training to be a Methodist Deaconess. Her funeral service was held at the Palmerston Street Church, Carton; it was conducted by the Warden of the Deaconess Institute, the Rev A W Pederick and Rev D W Risstrom. Marion Mapperson was buried at Fawkner Memorial Park. G135.1 and G135.2 brass conical shaped vases with a dedication engraved at the base.G137.1: "Presented by the W.H.M.L. I Memory of Marion Mapperson" G137.2: "Presented by the Deaconesses In Memory of Marion Mapperson"women's home missionary league, marion rosalie mapperson, methodist deaconess, methodist home mission

No information known about this item. Some research needed.Brass, conical shaped vase with etched decoration around base and sides.No maker's marks.vases, domestic objects

This vase, one of a part of a pair of organ vases, was part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. This vase, and its pair, is significant through its association with the St Nicholas' Mission to Seamen Church in Williamstown, Melbourne, established in 1857. The items in our collection from the Missions to Seamen in Williamstown, Victoria, have historical and social significance. They show that people of the 1800s and 1900s cared about the seafarers’ religious, moral, and social welfare, no matter what the religion, social status or nationality. It had its origins in Bristol, England when a Seamen's Mission was formed in 1837. The first Australian branch was started in 1856 by the Rev. Kerr Johnston, a Church of England clergyman, and operated from a hulk moored in Hobson’s Bay; later the Mission occupied buildings in Williamstown and Port Melbourne. Vase, one of a pair, of organ vases, polished brass church vases with truncated conical shapes. White sticker under vase with hand written number "136" This is one of the original items in our ‘St Nicholas Seamen's Church Williamstown Collection’.White sticker under vase with hand written number "136" flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, vase, church vase, brass vase, conical vase, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, missions to seamen victoria, mission to seafarers, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, flying angel club, organ vase

Item belonged to Arthur C Clarke VX79039 2nd AIF. Refer 532 for main details. Item 530 goes with this to make a pair. Vase , brass, made from a 2 pounder shell. The top is flared out. On each side is attached 2 x .303 cartridges at base.2 PR No 21, 518 MF , WC 1942↑ CF No 12 TPG 5/41, 59 ME 11/41arms - ammunition, metalcraft, brassware, ornaments - metals/vases, trench art

2 x brass candlestick holders (vase shape) with decorative feather patterns on the side. The opening for the candles is shaped like open flower petalscandlestick holders, candles, light

The item belonged to William David Maher No 68, 8th LH Regt AIF. Refer 532 for main details.Vase, brass, made from a shell, approx 40mm caliber, has floral brass/bronze arrangement on two sides with a small depiction of a medal in between.OKT, 1916, KT, L11.147arms-ammunition, metalcraft-brassware, illustrations-engraving, trench art

This cup was presented to Stan Wieland in 1934 for the best apples grown at the Ringwood Show (Submitted by his granddaughter)Brass trophy - tall, slim, vase shaped on a round base. Wide flutes at top. +Additional Keywords: Chandler, A. E. / Wieland, StanRingwood Horticultural Show 1934/Presented by Hon A.E. Chandler MLC for Greatest Number of Points Fruit Section.

A large lamp used used to light a room by showing light from above. Used in the Orbost district late 19th to early 20th century prior to electricity connection. Generally, lamps like this had a matching decorations on the shade and vase. It would have been almost impossible to find an exact match if the shade was broken so the next best thing was to replace it with a plain white one. The majority of the removable slip fonts were made to the same dimensions so it was not uncommon for an original font to be replaced with a different brand if it became unusable. This is an example of a domestic lighting device in use before the widespread connection of electricity to houses in Orbost.A large lamp which hangs from a bracket. It has a large white glass cover above the wick burner and below is a white bowl decorated with flowers. The hanging lamp is American and, from the design and pattern of the brass work, it was made by Edward Miller & Co. Both the shade and vase (font holder) are glass. It is most likely that the shade has been replaced at some stage. (ref. oillampantiques.com) illumination-lamp hanging-lamp kerosene-lamp

2 matched brass shell cases made into vases for use as bowls trophiesWaverley RSL Lawn Bowls Section Challenge Trophy 6Pr 1934

Vase & Jug made from shells brought home by Gunner Harold Salmon VX32173, enlisted 18.06.1940, discharged 17.09.1945.1 Jug, made from shell casing and silver or chrome plated. Handle is made of rifle cartridges soldered on. .2 Brass casing for "shotgun" type starting system for English Electric engine..1 Stamped on side "Syria", base has "75 DE C ATL 953 18C" .2 On base "Cart Elec Eng Start ME 79/2 87 ME 7/80", stamped in black ink "N010 Mk2"arms-ammunition, metalcraft-brassware, epns, trench art

Item belonged to Arthur C Clarke VX79039 2nd AIF. Refer 532 for main details. Item 531 goes with is one to make a pair.Case , brass, made from a 2 pounder shell , top is flared out. On one side at base is attached a .303 cartridge. One .303 cartridge is missing on opposite side.2 Pr No 2 237 MF , HX 1941 C IL↑ No 12 1 PG 5/41, 6 ME7/41arms - ammunition, ornaments -metal, vases, metalcraft, brassware, trench art

Trench Art. Vase made from an 18 (pounder) shell casing, brass. The top has been rolled out widening the diameter of the opening.“18 PR IV 161 MF CF 5 1940 (up arrow)56”souvenir, trench art

The 2 items were presented to “DAVID M KEARIN by the Gun Crew HMAS COOTAMUNDRA. “KEARIN D M No R 41516 RAN 1952-58”.1) & .2) Trench Art made from brass 40 mm shell casings. Engraving is along the length of the caseings..1) & .2) “40 mm M4 LOT 175 1951 (up arrow) AN HMAS COOTAMUNDRA 1957”military history - trench art, ornaments, souvenirs

Shell casing brass, tapered, used as a tall vase. Item classed as trench art.“76 x 636 DM 30 LOT SM 104 0103”military history - souvenirs, arms - ordnance, metal craft- brassware

Items classed as Trench art..1) Shell casing, brass with flared end to make a vase. Engraving on the side is a depiction of an ancient building with place & date. .2) Same as 1.) above. Items were classed as Trench Art..1) “75 X FB ARS 69L 39D - BAALBECK 1941” .2) “75 X FB, ARS 11L 33.A - BAALBECK 1941”military history - souvenirs, arms - ordnance, metalcraft brassware

This is one of an original pair.Trench Art. Brass shell casing, made into a vase. The top has been flared out, near the top has 3 rolled folds around the diameter. On each side are ornamental handles. Inside is a plastic cylinder to hold water. The surface has been given a roughened appearance going from a bronze colour to black.military history - souvenirs, arms - ordnance, metalcraft- brassware

This trophy was presented by the Country Women's Association (C.W.A) Kiewa Valley Branch circa 1950's. This was in a period when the C.W.A. was the major women's organisation which had the greatest influence amongst rural women (especially in isolated areas). This was a period when broad based communications were mainly by radio,women orientated magazines and the telephone. The CWA was an organisation that catered exclusively to women's needs. The atmosphere was one of "sisterhood" and covered nearly all the needs of rural based women. This one organisation incorporated knowledge and learning targeting women who physically may be isolated but not mentally. The C.W.A. motto "Honour our God, Loyalty to the throne, Service to the country, Through country women, For country women, By country women."The Kiewa Valley Group of the C.W.A. was a focal point for women in this still relatively isolated rural region to have a place of refuge from the heavy domestic demands that family and business exerted, and the need of a time and space to gain all the mental relaxation and group bonding necessary to balance the sometimes harsh environment that rural life presented.Silver plated chalice trophy has two "block ear" type handles fastened at the top lip and going 40mm vertically down to reconnect with the bowl. The bowl is connected to the dark brown plastic base by a brass (silver plating has worn off) stem (flower vase shaped).the chalice stem is attached to a circular tapered dome 30mm high which is also silver plated. The plastic base has a 35mm high extension rising from the broader circular bottom section and is rectangular in shape except for the quarter circular indent at each corner. The final circular base provides the chalice with the stability to stand on a flat surface. The whole of the base is hollow allowing the stem fastening nut to be viewed. The inscription on the chalice has been carefully and professionally scribed into the metal. "*C W A* KIEWA VALLEY GROUP H & H.I. EXHIBITION-PRIZE FOR MEMBERS. 40 & OVER" mementos, acknowledgement, cwa awards, trophies, rural women's club

Vases (2) heavy brass with floral designed base, narrow stem widening to larger top.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, vase

This spiky, pointy metal flower holder, often called a flower frog or kenzan, was made around the late 19th to the early 20th centuries by Stayput Products of Melbourne, Australia. The flat metal base has been made in layers with the head of the spikes between the layers. It is likely to be handmade. Heavy flower holders made of non-corrosive metals are designed to sit in the base of a vase, dish, bowl or other suitable holder so that cut flower stems can be pushed into the spikes and held firmly in the arrangement. Flower frogs can be made of glass, ceramics or, more recently, synthetic materials.The flower holder is an example of Victorian era domestic decoration aids that have carried through to the 21st century.Flower holder, rectangular block made from layers of metal, with spikes embedded into the metal. The block is heavy, likely to be lead, and the spikes are strong brass pints arranged evenly in rows. There are remnants of florist's putty between some spikes. An inscription within concentric oval rings is moulded in the flat base. Made by Stayput Products, Melbourne, Australia.Stamped into the metal: "STAYPUT / PRODUCTS / MELB. AUST."flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, flower frog, flower arrangements, flower holder, pin-holder, stayput, flower aid, ikebana flower arrangement, kenzan, moribana style, flower support, melbourne manufacturer, spiky pin frog, metal flower holder, stayput products, flower block, flower arranger, vintage, antique, late 19th to early 20th centuries, vase accessory, decorative item, floral arrangement support, florist accessory, floral art, needle aids, victorian era

Specimen flower vase. Glass with hobnail pattern, brass top with holes for flowers.ornaments, glass, vase