Brenda TAYLOR This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.AbstractAbstract paintingart, artwork, brenda taylor

104 page paper covered book. Through women's eyes at pioneering days / compiled by B. Leitch for the B.P.W. Club Wangaratta. ISBN 0958970416Written at top of title page: "Jeanette D Jasper"pioneer women, north east victoria, wangaratta

Written below photograph, "The Rev'd. A. J. Thomson and Mrs. Brenda Thompson".

Oonah (b 1906) and Brenda (b 1912) Hardy, both daughters of Douglas Hardy and Anna Frances McHaffie (daughter of John David McHaffie - first permanent European settler of Phillip Island). Oonah, the taller girl, is on the left. One of 4 photos donated by Nancy McHaffie.Black & White photograph of Oonah & Brenda Hardy in what looks like school uniforms.On back: Oonah and Brenda Hardyoonah & brenda hardy, n mchaffie, mchaffie family

Arthur Edmund Tranter POW. Refer Cat No 7944 for his service history.Soft cardboard cover, black print on front, white background, front sepia half portrait photo of a soldier in uniform. 60 pages, cut, plain, white. Illustrated with black / white, sepia & colour photos, maps, diagrams, illustrations. Adhesive label on front end paper: “Handwritten signature” Adhesive label front end paper handwritten in blue ink: “Brenda M Tranter”book, 2/29th

Biography, cardboard cover with black print on yellow background. Front cover has 2 black & white portrait photos, a male in uniform & a female in civilian clothing. Also a small photo of poppies with the words 'At Peace in Flanders'. Back cover has black print comments & a colour photograph of a wreath. 220 pages, cut, illustrated with black & white photos.Title page in handwritten blue ballpoint ink: To Shirley and David with best wishes Brenda S.C 2014books - biography, military history - army

Honkie & Ginny is a journey that travels from the cottages of Port Melbourne to Gallipoli, the battle fields of the Western Front and the gold fields of Bendigo. A personal tale from a grand niece.Biography. Honkie & Ginny from Black Sheep to Holy Dove - Henry Foster Midgley 1894 - 1917. Soft cardboard cover, black print on front, spine & back, yellow background. Front has 2 sepia portraits, smaller one of women superimposed over corner of soldier in uniform, small colour photo of At Peace in Flanders poppies below portraits. Back cover has colour photo of a wreath. 220 pages, cut plain paper. Illustrated in black & white photos, line drawings, posters & paintings. Handwritten in black ink on title page: "To Bendigo Memorial Museum with many thanks. Brenda S-C, August 2013" books, biography, western front

This story was written by Brenda Johnson and details her time in Orbost from 1959 -1966 settling on land at Lake Road in Newmerella.This book is a useful and interesting reference tool on life in Newmerella in the mid 20th century.A thin stapled paperback book of 31 pp. It is titled "The Orbost Story 1959 to 1966 Lake Road Newmerella Victoria". The cover is shiny silver with black print. In the centre is a black/white photograph of the block with numbers ( 2 3 ?) carved into a tree. There is a Land Rover in the background.Stapled inside back cover - "Bob Johnson" with telephone details and email address.newmerella-history johnson-brenda rural farming

A tribute to Martin D Donoghue's Bravery Author Brenda Ryan Light brown colour soft cover . photo of " B" Squadron 8th LHR riding along Camp Road Broadmeadows for a parade through Melbourne 02 20.1.1915 Photo across both back and front coverFirst page signature of " Brian P O'Donoghue" written in inkbooks, military history

One of a series of images of roads and infrastructure taken by Eltham Shire Council Planning and Engineering officers, May 1983 specifically looking at road conditions and drainage in Research (Vic.) around Thompson Crescent.35 mm colour positive transparency (1 of 11) Mount - Kodak Kodachrome Cardroads, infrastructure, research (vic.), brenda street, research-warrandyte road

One of a series of images of roads and infrastructure taken by Eltham Shire Council Planning and Engineering officers, May 1983 specifically looking at road conditions and drainage in Research (Vic.) around Thompson Crescent.35 mm colour positive transparency (1 of 11) Mount - Kodak Kodachrome Cardroads, infrastructure, research (vic.), brenda street, research-warrandyte road

Written on list in sleeve, "High School - Bedford Rd. Ringwood. Photo Pupils - Form 1D. Reading from Left to Right: Back row boys: 1. Alan Carter, 2. ??, 3. Maurice Henry, 4. Peter Van Ketwich, 5. Douglas Hume, 6. ??, 7. John Callam, 8. ??, 9. ??, 10. ??, 11. Peter Gluth, 12. ??, 13. Geoff Edwards, 14. Len Armfield, 15. Ray Davidson".

439 pages : illustrations, portraitsbrenda niall, mannix, daniel, 1864-1963, catholic church - bishops - biography, melbourne (vic) - history - 20th century

Grey linen hardcover book with black and brown image on the front and black text on the spine. B&w line drawings. non-fictionscots' church sabbath school heidelberg, jean wilson, william lindsay superintendent

Refer to Cat No. 7944. Item in the collection of "Arthur E. Tranter", V50166 - VX52843 2/29th Bn. P.O.W.Document - copy of a soldier's story from WW2. White colour paper with black print. Illustrated front page - black and white portrait of A.E. Tranter; and a colour cartoon on Page 30. 66 pages - cut, plain A4 paper. Loose pages stored in plastic sleeve.Information on title page (front page); "From Gloegoer/ A book written for his little daughter Brenda,/ between June 21, 1943 and / December 17, 1943/ by Lieut. Arthur E. Tranter, VX52843/ whilst a POW in Gloegoer, North Sumatra". "(included are two lectures by Lieut. Wessels, a Dutch POW, in October and November/ 1943, his notes)".document, booklet, ww2, arthur e tranter

Brenda Smith's parents lived throuh two World Wars and the Depression. As an adult migrant arriving in Australia from England in 1970, when she looked back she realised her family spoke very little about what they had endured and she was not even aware of them going through the Spanish Flu pandemic. Smith has written a diary since 2009 and as a consquence of her family's earlier experiences with similar but lack of documentation and stories passed on, was determined to chronicle her experiences during the COVID-19 pandemic covering 2020-2021. This pandemic continues unabated in its third year (2022). The journal documents the daily life of living through the COVID-19 pandemic and the influences it had uopon the local community from both locally and interantionallycovid-19, coronavirus pandemic, journal, person, personal narrative

Please find 5 photographs taken by me & my wife Brenda, at Ballarat, on 14 December 1993. Unfortunately, I did not take photographs of the building that housed the exhibit, probably because I thought just how sad and pathetic the entire memorial display looked. It comprised a reconstructed slab hut and nearby a partly-rebuilt fence that represented the hastily-built Eureka Stockade. The signage that detailed the events surrounding the Eureka Stockade was affixed to the hut wall beside the entrance to the interior diorama. In the first photograph, you can see the dark, bare timber colour of the slab wood that held the signage plus (on the left side) one of the numerous holes in the slab walls. This made the display very cold and draughty in its interior. Once inside, you were confronted with an earthen, gravel and leafy floor, which became muddy, after rain, as it was on the day of our visit. The diorama was held in a glass and cement display case. with no lights on. It was dark inside the hut so the diorama was not easy to see unless you inserted a coin into a metal pay-box. Then lights would turn on and a recording of shouting and gunfire (representing the battle noise) would play. I remember the whole experience to be short and underwhelming. To get an idea of the scale of the diorama, you can see Brenda’s elbow & part torso to the left of the photograph labeled “diorama- hut exit”. Once outside the diorama’s slab hut, you could walk across to a partial representation of the stockade’s fortifications, complete with two wagon wheels. This space was also graveled to distinguish it from the rest of the green-lawn park. Finally, you walked up the hill, from the hut and outside display, to visit the old Eureka Stockade monument & cannons. This is still in existence today. Digital photographeureka stockade, sign, diorama, jack ford, brenda ford, memorial

Please find 5 photographs taken by me & my wife Brenda, at Ballarat, on 14 December 1993. Unfortunately, I did not take photographs of the building that housed the exhibit, probably because I thought just how sad and pathetic the entire memorial display looked. It comprised a reconstructed slab hut and nearby a partly-rebuilt fence that represented the hastily-built Eureka Stockade. The signage that detailed the events surrounding the Eureka Stockade was affixed to the hut wall beside the entrance to the interior diorama. In the first photograph, you can see the dark, bare timber colour of the slab wood that held the signage plus (on the left side) one of the numerous holes in the slab walls. This made the display very cold and draughty in its interior. Once inside, you were confronted with an earthen, gravel and leafy floor, which became muddy, after rain, as it was on the day of our visit. The diorama was held in a glass and cement display case. with no lights on. It was dark inside the hut so the diorama was not easy to see unless you inserted a coin into a metal pay-box. Then lights would turn on and a recording of shouting and gunfire (representing the battle noise) would play. I remember the whole experience to be short and underwhelming. To get an idea of the scale of the diorama, you can see Brenda’s elbow & part torso to the left of the photograph labeled “diorama- hut exit”. Once outside the diorama’s slab hut, you could walk across to a partial representation of the stockade’s fortifications, complete with two wagon wheels. This space was also graveled to distinguish it from the rest of the green-lawn park. Finally, you walked up the hill, from the hut and outside display, to visit the old Eureka Stockade monument & cannons. This is still in existence today. digital photographeureka, diorama, 1993, jack ford, brenda ford, eureka monument, memorial, eureka stockade, eureka diorama

111p., [24]p. of col.plates : ill.non-fictionRetail trades. Australia, 1850-1920retail trade, melbourne, general store, history

Looking back on the Vietnam War is haunting in its unflinching critique and intervention to denaturalize warfare and disentangle its afterlife.vietnam war (1961-1975), 1961-1975-peace

Digital coloured photograph of two people at the Eureka Stockade Monument in Ballarat East.eureka, diorama, 1993, jack ford, brenda ford, eureka monument, memorial

The signage that detailed the events surrounding the Eureka Stockade diaroma was affixed to the hut wall beside the entrance to the interior diorama. In the first photograph, you can see the dark, bare timber colour of the slab wood that held the signage plus (on the left side) one of the numerous holes in the slab walls. This made the display very cold and draughty in its interior. Once inside, you were confronted with an earthen, gravel and leafy floor, which became muddy, after rain, as it was on the day this photograph was taken. The diorama was held in a glass and cement display case. with no lights on. It was dark inside the hut so the diorama was not easy to see unless you inserted a coin into a metal pay-box. Then lights would turn on and a recording of shouting and gunfire (representing the battle noise) would play. The Photographer remembers the whole experience to be short and underwhelming. Once outside the diorama’s slab hut, you could walk across to a partial representation of the stockade’s fortifications, complete with two wagon wheels. This space was also graveled to distinguish it from the rest of the green-lawn park. digital photographeureka stockade, diorama, jack ford, brenda ford, eureka stockade memorial

The signage that detailed the events surrounding the Eureka Stockade diaroma was affixed to the hut wall beside the entrance to the interior diorama. In the first photograph, you can see the dark, bare timber colour of the slab wood that held the signage plus (on the left side) one of the numerous holes in the slab walls. This made the display very cold and draughty in its interior. Once inside, you were confronted with an earthen, gravel and leafy floor, which became muddy, after rain, as it was on the day this photograph was taken. The diorama was held in a glass and cement display case. with no lights on. It was dark inside the hut so the diorama was not easy to see unless you inserted a coin into a metal pay-box. Then lights would turn on and a recording of shouting and gunfire (representing the battle noise) would play. The Photographer remembers the whole experience to be short and underwhelming. Once outside the diorama’s slab hut, you could walk across to a partial representation of the stockade’s fortifications, complete with two wagon wheels. This space was also graveled to distinguish it from the rest of the green-lawn park.digital photographeureka, diorama, 1993, jack ford, brenda ford, eureka monument, memorial

Index, bib, plates. p.320.non-fictionBiography of Father Hackett S.J.australia - irish culture, catholic church - history - great britain

Index, bib, ill, plates. p.526.non-fictionThe first full study of Nora Joyce from prior to her marriage till after the death of James Joyce.nora joyce - biography, james joyce - personal life