Used 1960School broadcast bookClass Book III and IV Broadcast to Schools, Junior Primary.

Photographs taken when ABC Radio held a live broadcast in the Gardens around 1989 to 1991.18 colour photographs of a live broadcast from the ABC at Burnley Gardens. The public and garden views. Includes negatives. Many photographs taken, extras in the spares box.abc radio, broadcast, gardens

A recording of Major-General Sir Rohan Delacombe, the Governor of Victoria to promote the start of Legacy Week in 1972. The tape has not been played so the content is not known. It would presumably be a promotion of Legacy to be broadcast to the general public during Legacy Week. The Governor of Victoria was the patron of Legacy and had a strong relationship with Legacy through the years, including Government House parties for junior legatees and inclusion of the Governor in many events that Legacy held.A record of a prominent Australian supporting Legacy during Legacy Week in 1972.A audio recording on tape of a Legacy Week broadcast by the Governor of Victoria in 1972.Klarion Enterprises Proprietray Limited Telephone 329 - 7900, 321 William St., Melbourne 3000. His Excellency The Govenor of Victoria, Major-General Sir Rohan Delacombe, K.C.M.G., K.C.V.O., K.B.E., C.B., D.S.O., K.St.J., 'Legacy Week" message for Broadcast on 27-8-1972. (Not Before 6P.M. On this date.)legacy week, legacy promotion, governor of victoria

Thomas Edison (1847–1931), an American, invented the phonograph in 1877, making it possible to record sound waves vertically and reproduce them on a wax cylinder so they could be heard again. Later, the German American, Emile Berliner (1851-1929), improved on Edison’s principles, greatly increasing the quality of the reproduced sounds with his invention of the gramophone in 1887, which recorded the sound waves laterally onto a flat shellac disc, or ‘record’. Records could be mass-produced in a factory where audio recordings were converted to a physical copy of that recording on a plate-sized disc. A gramophone machine reproduced the sound by spinning the record on a turntable at a specified number of rotations per minute (RPM) and using a stylus or needle to transfer the vibration via a membrane to a speaker, which amplified the sound. Berliner helped set up affiliated businesses overseas. One of his representatives was William Barry Owen (1860–1914), who, on 23 February 1889, partnered with Edmund Trevor Lloyd Williams (1859–1946) in England to register The Gramophone Company. His Master’s Voice (HMV) soon became the company’s major recording label, popular worldwide. The business based the label's logo of a dog looking into a gramophone horn for ‘his master’s voice’ was based on a painting by English artist Francis Barraud, which featured a terrier called Nipper beside a gramophone. Early gramophone records were mostly made from a material referred to as shellac, a natural ingredient combined with slate powder, and a filler of manilla copal, wood resin, carnauba wax, and carbon black. Although Bakelite seemed a useful, synthetic product, it was unsuccessful as a product for records. Around the time of World War II, lightweight, flexible synthetic vinyl records began replacing shellac records. Common diameters of records: 7 inch, 10 inch, 12 inch and 16 inch Revolutions Per Minute include: 33 1/3, 45, 78 Minutes per side of record: 3, 5.5, 7, 8, 9, 12, 15 and 22 Labels, in minutes per side: Single Play 3-5 min, Extended Play (EP) 7-12 min, Long Play (LP) 12-22 min This gramophone represents a step in the evolution of recording sound. In the 19th century, the human voice was first recorded on wax cylinders and replayed. It was the beginning of a new era in sound. Then, in the 1880s, voice could be recorded onto flat discs like this record, reliably reproduced and replayed many times, even on portable devices. Later, in the mid-20th century the following generation of electronic audio recording began, and later that century, digital recording gave even better reproduction. The record represents a popular means of entertainment for personal and social activities, as well as in some businesses. Shellac gramophone record with a red, cream and gold label. Title: Dancing Tamborine Artist: Harry Bidgood and his Broadcasters Publisher: Broadcast, British Vocalion Number: A193 Size: 8 inch Electrically recorded, promoted by Broadcast as The Long Playing Record.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, gramophone, phonograph, sound waves, record, reproduction, audio record, music, sound, thomas edison, emile berliner, 1887, shellac, rpm, william barry owen, edmund trevor lloyd williams, the gramophone company, his master’s voice, hmv, francis barraud, nipper, electrically recorded, the long playing record, broadcast, british vocalion, middlesex, a193, dancing tamborine, harry bidgood and his broadcasters, 8 inch

Thomas Edison (1847–1931), an American, invented the phonograph in 1877, making it possible to record sound waves vertically and reproduce them on a wax cylinder so they could be heard again. Later, the German American, Emile Berliner (1851-1929), improved on Edison’s principles, greatly increasing the quality of the reproduced sounds with his invention of the gramophone in 1887, which recorded the sound waves laterally onto a flat shellac disc, or ‘record’. Records could be mass-produced in a factory where audio recordings were converted to a physical copy of that recording on a plate-sized disc. A gramophone machine reproduced the sound by spinning the record on a turntable at a specified number of rotations per minute (RPM) and using a stylus or needle to transfer the vibration via a membrane to a speaker, which amplified the sound. Berliner helped set up affiliated businesses overseas. One of his representatives was William Barry Owen (1860–1914), who, on 23 February 1889, partnered with Edmund Trevor Lloyd Williams (1859–1946) in England to register The Gramophone Company. His Master’s Voice (HMV) soon became the company’s major recording label, popular worldwide. The business based the label's logo of a dog looking into a gramophone horn for ‘his master’s voice’ was based on a painting by English artist Francis Barraud, which featured a terrier called Nipper beside a gramophone. Early gramophone records were mostly made from a material referred to as shellac, a natural ingredient combined with slate powder, and a filler of manilla copal, wood resin, carnauba wax, and carbon black. Although Bakelite seemed a useful, synthetic product, it was unsuccessful as a product for records. Around the time of World War II, lightweight, flexible synthetic vinyl records began replacing shellac records. Common diameters of records: 7 inch, 10 inch, 12 inch and 16 inch Revolutions Per Minute include: 33 1/3, 45, 78 Minutes per side of record: 3, 5.5, 7, 8, 9, 12, 15 and 22 Labels, in minutes per side: Single Play 3-5 min, Extended Play (EP) 7-12 min, Long Play (LP) 12-22 min This gramophone represents a step in the evolution of recording sound. In the 19th century, the human voice was first recorded on wax cylinders and replayed. It was the beginning of a new era in sound. Then, in the 1880s, voice could be recorded onto flat discs like this record, reliably reproduced and replayed many times, even on portable devices. Later, in the mid-20th century the following generation of electronic audio recording began, and later that century, digital recording gave even better reproduction. The record represents a popular means of entertainment for personal and social activities, as well as in some businesses. Shellac gramophone record with a red, cream and gold label. Title: Just Another Day Wasted Away Artist: Harry Bidgood and his Broadcasters Publisher: Broadcast, British Vocalion Number: A184 Size: 8 inch This small record was electronically recorded. It was promoted as Broadcast, The Long Playing Record.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, gramophone, phonograph, sound waves, record, reproduction, audio record, music, sound, thomas edison, emile berliner, 1887, shellac, rpm, william barry owen, edmund trevor lloyd williams, the gramophone company, his master’s voice, hmv, francis barraud, nipper, electrically recorded, the long playing record, broadcast, british vocalion, middlesex, a184, just another day wasted away, harry bidgood and his broadcasters, 8 inch

This is a CD of broadcast material from the procession of the Warrnambool Florado Festival in 1960. The Florado Festival was a week of festivities held in Warrnambool in the second week of March with the aim of advancing local art, culture, education and recreational activities. The Festivals were held in the 1950s and 60s.This CD is of some importance to researchers and others interested in the 1950s and 60s Florado festivals. There were a good example of the popularity in Australia of these types of festivals held during those decades. This is a Compact Disc Re-Writable 700B, made in Taiwan.On disc – 3YB Broadcast 1960 Florado Procession Warrnanmbool On back of paper accompanying the disc – 3YB Florado Procession Broadcast 1960 On front of paper – TDK, 700 MB, CD-RW80, CD-RW, CD – Re-Writable, 4 x Multi Speed Compatible, Compact Disc Rewritableflorado festivals warrnambool, 3yb

Thomas Edison (1847–1931), an American, invented the phonograph in 1877, making it possible to record sound waves vertically and reproduce them on a wax cylinder so they could be heard again. Later, the German American, Emile Berliner (1851-1929), improved on Edison’s principles, greatly increasing the quality of the reproduced sounds with his invention of the gramophone in 1887, which recorded the sound waves laterally onto a flat shellac disc, or ‘record’. Records could be mass-produced in a factory where audio recordings were converted to a physical copy of that recording on a plate-sized disc. A gramophone machine reproduced the sound by spinning the record on a turntable at a specified number of rotations per minute (RPM) and using a stylus or needle to transfer the vibration via a membrane to a speaker, which amplified the sound. Berliner helped set up affiliated businesses overseas. One of his representatives was William Barry Owen (1860–1914), who, on 23 February 1889, partnered with Edmund Trevor Lloyd Williams (1859–1946) in England to register The Gramophone Company. His Master’s Voice (HMV) soon became the company’s major recording label, popular worldwide. The business based the label's logo of a dog looking into a gramophone horn for ‘his master’s voice’ was based on a painting by English artist Francis Barraud, which featured a terrier called Nipper beside a gramophone. Early gramophone records were mostly made from a material referred to as shellac, a natural ingredient combined with slate powder, and a filler of manilla copal, wood resin, carnauba wax, and carbon black. Although Bakelite seemed a useful, synthetic product, it was unsuccessful as a product for records. Around the time of World War II, lightweight, flexible synthetic vinyl records began replacing shellac records. Common diameters of records: 7 inch, 10 inch, 12 inch and 16 inch Revolutions Per Minute include: 33 1/3, 45, 78 Minutes per side of record: 3, 5.5, 7, 8, 9, 12, 15 and 22 Labels, in minutes per side: Single Play 3-5 min, Extended Play (EP) 7-12 min, Long Play (LP) 12-22 min This gramophone represents a step in the evolution of recording sound. In the 19th century, the human voice was first recorded on wax cylinders and replayed. It was the beginning of a new era in sound. Then, in the 1880s, voice could be recorded onto flat discs like this record, reliably reproduced and replayed many times, even on portable devices. Later, in the mid-20th century the following generation of electronic audio recording began, and later that century, digital recording gave even better reproduction. The record represents a popular means of entertainment for personal and social activities, as well as in some businesses. Shellac gramophone record with a red, cream and gold label. Title: Barcarole Artist: Teddy Brown with his Military Band, Publisher: Broadcast, British Vocalion, Middlesex Number: A152 Size: 9 inch, Electrically recorded, promoted as Broadcast, The Long Playing Record.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, gramophone, phonograph, sound waves, record, reproduction, audio record, music, sound, thomas edison, emile berliner, 1887, shellac, rpm, william barry owen, edmund trevor lloyd williams, the gramophone company, his master’s voice, hmv, francis barraud, nipper, electrically recorded, the long playing record, broadcast, british vocalion, middlesex, a152, barcarole, teddy brown with his military band, 9 inch

Legacy hold an Anzac Commemoration Service for Students every year. For many years it was simultaneously broadcast on the ABC radio stations around the State for students that could not attend. This tape has not been played but presumably from the date it is a recording of the broadcast of the 1957 service.A record that the Anzac service for students was of significant importance that it was broadcast on the ABC.An audio recording on a clear plastic spool of an Annual Anzac Commemoration Service for Students in 1958 in a cardboard box with the Mastertape logo. Top of box. Mastertape, M.S.S. Recording company Ltd., in red print The master sound system in blue print. Poyle Farm, colnbrook, Bucks, England in blue print. Type PM15 Bottom Box, handwritten, black ink Anzac OBS COMTE. In blue ink, A.B.C. Broadcast April 24th 1957. In pencil, Simpson and the donkey. Spool M.S.S. side no1 no2. Tape, magneticanzac commemoration for students, wreath laying ceremony

Collar the Lot tells story of the round up of enemy aliens, sinking of Arandora Star and trip to Australia and life in camps in Australia.cream coloured cd in plastic case.BBC Radion Broadcast 27 April 2013 Collar the Lot Dunera and Italiansarandora star, enemy aliens

Broadcast Listener's Licence renewed for Mrs M. Gilbert in 1951 of 28 Brunswick Road, Mitcham.radio broadcasting, gilbert, m

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.1). Black and white photograph of a group of five men seated around a table in the outdoors. They appear to be listening to the tape playing on a reel to reel tape player which is located on the table. The man in the middle is Frank Wright and the place is Simpelveld in Holland. 2). Same as above although only the hand is visible of the fifth man.Written in pencil on back - Broadcast from Simpelveld Holland, on Music Concourse (Kenknade), Aug 1954simpelveld, frank wright, reel to reel tape player, brass bands

Channel six Mobile Broadcast Van Stawell Gift Easter 1988stawell sport

Article on the first of a series of broadcasts from historic churches arranged by the Australian Broadcasting Commission, this from St Helena Chapel (St Katherine's Church St Helena)One page typed transcript of article from The Advertiser, 5 November 1937Transcribed by Lindsay Mannst katherine's church st helena

Film has not been played. From the paper label it would appear to be a broadcast from the ABC about Kokoda. Produced and aired in 1956. Presumably it was given to or acquired by Legacy to be viewed by Legatees at one of their gatherings.A film about an important campaign in World War 2. It may have been shown at a gathering of Legatees such as a Comradeship gathering. Comradeship meetings were very important to the Legatees. Legatees supported each other by coming together for various events throughout the year. An ABC recording about Kokoda. A metal canister with a plastic spool of tape.VP785 world war two, legatees, kokoda

A Broadcast Listener's Licence was issued by the Commonwealth of Australia, in Melbourne via the Postmaster General's Department. In this era (1960s) 'free to air' radio required the payment of a licence fee. The fine for operating unlicenced equipment was up to 100 pounds.Although the address on the licence is Garden City, Mrs Bray is a long-time resident of GreensboroughLicence, black text on buff card.radio licences, telecommunications

Authorisation to use all broadcast receivers (wireless radios) that are ordinarily kept at the address shown on the licence (including any installed in a vehicle). Licences were issued by the Postmaster General under the Commonwealth Broadcasting and Television Act. The stamp on this licence indicates that the fee was paid at Elsternwick Post Office. Separate licences were required to view television.Buff card printed in black on both sides with a red stripe along the top front edge. Date stamped in black ink, and signed in blue ink.Details of licence holder: G Watson 12 Austin Ave S3 Licence number: 15 3931 Fee: £2 15 0 Expiry: 2 8 65 Signature of issuing officer: indecipherable Time issued: 1045 am Stamped: Eltsernwick Vic 27 Au 64wireless licence, radio licence, listener's licence

Compact Diskette with CD Audio file within a black plastic case with a clear cover. CD titled "ABC Radio Melbourne Breakfast Show Broadcast from Melbourne Tram Museum on 23rd May 2018". Features the ABC Melbourne 774 breakfast show presenters Sami Shah and Jacinta Parsons, along with Kevin Tierney, Adam Chandler, Roberto D'Andrea, Malcolm Just, Colin Tyrus (former ABC Radio newsreader and now does the stop announcements for Yarra Trams) and "The Singing Connies" See Reg item 2839 for associated photographs.trams, tramways, abc radio news, melbourne tram museum, conductors, hawthorn depot, radio stations, music

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.78 RPM vinyl, 1 vinyl disk, plastic sleeve, no cover, contents unknown.lp, sound recording

Compact audio cassette Emtec Type FE I Cassette labelled "Books & Writing - R/N Alan Marshall" Converted to MP3 file; 67.5MB, 0:50:07alan marshall, audio cassette, audio recording, australian broadcasting commission, books and writing, radio national

Compact audio cassette Sony AD90 IEC I/Type I Cassette labelled "Hindsight Donald Thomson" Converted to MP3 file; 75.7MB, 0:54:37aboriginal people, audio cassette, audio recording, australian broadcasting commission, donald thomson, hindsight, radio national

Seed broadcaster were used to distribute seed across a small area or to fill in patches where seeding has been missed. This method does not ensure a uniform distribution of seeds unless the person using the machine walks at a very measured pace. It also requires a lot of time and manual labour if used in larger areas. It was most used for planting cover crops, grains, grasses and similar plants that do not need to be in neat rows. The hand-crank broadcast seed spreader was invented in 1868 by Samuel S. Speicher (aka. Spyker) in Indiana, USA. By 1955 new developments included the invention of a seed broadcaster on wheels and these smaller spreaders started to disappear.This item is representative of agricultural machinery used on a local, national and international level in the late 19th and early 20th century.A metal hand seed broadcaster. A hopper at the top was the receptacle for seed. The wheel with a handle on the side when turned drives the cogs attached to an axle. This action rotates the attached spindle with blades to propel seed out the front of the broadcaster. The broadcaster would have had a shoulder strap and a bag of seed would have been added to the hopper and secured with twine through the holes around the top.agricultural tools, farm machinery