Black and white photo. Vincent Kelly's photographic studio in the former Colonial Bank, Pall Mall, Bendigo. Sign at top 'Vincent Kelly. Photo Shop'. The three shop windows each have sign writing on them the left and right windows read: Show Rooms, the centre window: ? Markings/Inscriptions: Front: Vincent Kelly Photo. Rear: 15 BUFS, 1204, FSPVincent Kellyorganization, business, vincent kelly, photographer, vincent kelly

Every's newsagency was on the corner of Kilian's Walk, Bendigo. Buff coloured invoice. Written across top in black text 'The Bendigo Independent, W. Wright, Manager, Williamson Street, Bendigo, Dr. to The Proprietor, General Printer and Bookbinder, re Probate Notice, 1 at 6/-. Every Collection.frank j. every, newsagents, bufs, the bendigo independent, newspaper

Buff coloured paper, on top left hand corner 'Bendigo Independent Office, Williamson Street, across the top 'Memo from the Manager'. Handwritten letter ' The bearer Mr. F. J. Every has been employed for the past 7 years as canvasser for the Bendigo Independent and also assisting in reporting work. He is a thoroughly trustworthy and reliable man, a first class canvasser and can always be depended upon. Mr. Every is a most conscientious worker and always does his best in the interests of his employer. I have every confidence in recommending him for any similar position feeling confident that he will find satisfaction with anyone employing him'. Signed W. Wright (fairly illegible) Every Collection.frank j. every, newsagents, bufs, the bendigo independent, newspaper

Loose page book contains photos and descriptions of cast iron verandah's deemed worthy of preservation in the City of Bendigo. Buildings include: shamrock Hotel, Dr. Long's surgery, Cnr. Mundy and McCrae Sts., Batchelder, 346 McCrae St., Bendigo, Favaloro's, 139 Pall mall, Bendigo Jockey Club, pall Mall, View Point Hotel, Johnson, 274 High St.,Hopetoun Hotel, 147 Mitchell St., Cumberland Hotel, 279 Williamson St., Limerick Castle Hotel, Williamson St., BUFS Dispensary, 75 View St., Rifle Brigade Hotel, 137 View St., Goldmines Hotel, Marong Road, Manchester Arms Hotel, 302 Eaglehawk Rd., Victoria Hotel, 48 High St., Eaglehawk.cottage, miners, bendigo, heritage, verandahs, cast iron work, wrought iron

Frank J. Every's business was Every's Newsagency, corner of Kilian's Walk, Bendigo.Six handwritten references, 1904, various size papers, for Francis James Every. The following individuals and organisations attested to Frank's character: J.B. Young, Manufacturing Stationer, Bendigo " Francis James Every served his apprenticeship with me as a bookbinder and paper ruler'; H.C. Taylor Baptist Minister ' he is trustworthy, honest, able and upright'; United Friendly Societies Dispensary 'was employed by us at the Bendigo Dispensary for some years as boy and general messenger'; Albert Blackwell, Minister ' he was strictly upright, honourable and reliable .... an unblemished character,; The Bendigo Independent, Williamson Street, Bendigo ' excellent character... trustworthy' and Fred P. Morris, he is 'full of energy, has a good address and would make an ideal Secretary of any public body'. Every Collectionfrank j. every, newsagents, j.b. young, h.c. taylor, baptist minister, bendigo united friendly societies dispensary, bufs, baptist church, bendigo, the bendigo independent, newspaper, fred p. morris

Green cover, on front ' Eighty second annual issue The Foresters' Directory 1926', 564 pages. Contains location and names of all Foresters Societies in that year. Bendigo United District (1862) had 5 Courts in 1926 - 136 adult benefit, 4 honorary members, £6984. District secretary Mr. M.H. P Webb; 7 Beehive Chambes, Bendigo. 3549 Bendigo 1861 (year of commencement) Bee Hive Mining Exchange, Pall Mall. Bendigo; fortnightly, Sec, T.A. Considine, Hope S. Bendigo. Treasurer E.B. Newell. 3768 Banner of Hope 1862. Foresters' hall, Kangaroo Flat, fortnighty Sec. C. Yeates, Kangaroo Flat, Treas C.A.F. Taylor. 3770 King of the Forest 1862, Mechanics' institute, Mount Korong Road, Long Gully; every four week. Sec. M.H. P. Webb, Long Guly Bendigo. 5500 Pride of Marong, 1871, Marong; Sec FM. palmer Post office Marong. Court for females only: Star of Bendigo 1894, BUFS Dispensary Hall Bendigo. alternate Tuesdays, Sec Miss Petersen, California Gully, Bendigo Treas Miss M. Baker.bendigo, clubs, foresters

Receipt written on blue paper and dated Sept 23/72. Received from Court King of the Forest the sum of 17s/6 being part of the preliminary expenses incurred previous to starting a Friendly Societies Dispensary. Signed I. A. Niemann, Secretary. B.U.F.S. Dispensary.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, court king of the forest, friendly societies dispensary, i a niemann, bufs dispensary

Bendigo United Friendly Societies Dispensary, A Goldfields Child 1872 - 2000, published by Bendigo United Friendly Societies, 52 pages with photographs.Ray Wallaceclubs and associations, sport, bendigo united friendly society., friendly societies, bendigo united friendly society, bufs dispensary.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.