Framed landscape in oil. If you can provide information on this artist and artwork please use the link below. landscape, arapiles, horsham, margaret burns, horsham student collection

Letter referring to arrangements for the Camp Hill Centenary 1877 - 1977... Also asking for the loan of old photos and to compile a centenary booklet and for help for catering arrangements and other assistance. Rear D1734 - D1783 1784 1934 CENSUS orders ? , initials C.L. horizontal drawing of slender tube with round top?Robert Cook, Secretarydocument, memo, camp hill ss centenary, document, camp hill centenary 1877 - 1977, mr len dobbin, wes harry, ted thompson, margaret haswell, claudia cutting, iris benbow, lynette gregg, robert burns, margaret bearham, john charlton, robert cook

The staff at the Burwood Skyline Drive-In pose for a group photo with the "car hops" dressed in white overalls and the cashiers in blue linen skirts and pink blouses. B&w photodrive in theatres, o'connor> jack, mccarthy> laurie, henshall> joe, gordon> leon, robertson> dave, mccathy> - (mr.), edwards> - (mr.), coghill> - (mr.), humphries> bob, gallagher> noel, hood> john, lanham> geoff, o'connor> alan, ratcliffe> joe, shannon> doug, cavanagh> jack, bishop> les, naismith> ron, riseborough> ian, regester> bob, anderson> brian, bloom> les, owen> bryan, burton> merle, burns> margaret, reid> alan, hair> ron, scott> lyn, rush> clay, skyline, burwood drive-in

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 23 Laburnum St., Blackburn This property is listed as having sold for $553,000 in 1998 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a single story brick house from a left angled street birds eye view. On the left is a driveway curving to a separate carport on the right in front of the house, leading to a second larger carport in the backyard. Pointed hedges fence in the front garden, which features ornamental trees and a small pond. The fenced backyard has a pool on the left and beyond that is a large space of open lawn and trees. There are two holepunch holes on just under the upper edge.23 Laburnum St., B/Burn Margaret Picken - 98 Woodards - Hawthornwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, pool, blackburn

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 7 Laurel Gve, Blackburn This property is listed as having sold in for $840,000 in 1995 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story brick house, with three dormer windows, and portico over the front door. In the center is a driveway leading to a separate double garage with dormer windows. To the right is a wooden fence and gate connecting to the house. In the foreground is a wrought iron and brick post fence enclosing the front yard which features a path to the front door, a greenery and a tree to the right. There are two holepunch holes on just under the upper edge.7 Laurel Gve., B/Burn Margaret Picken - 98 Woodards - C'Wellwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, blackburn

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 29 Laburnum St., Blackburn This property has since been been subdivided since it's listing in 1996 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story brick house. On the right is a driveway curving across the front yard to a separate garage on the left in the background. In the foreground in a front lawn, and garden bed edge the house. There are two holepunch holes on just under the upper edge.29 Laburnum St., B/Burn Margaret Picken - 96 Woodards - B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, blackburn

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 54 Laburnum St, Blackburn This property is listed as having sold for $192,500 in 1994 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story weatherboard house. With an enclosed porch and stained glass sash windows. On the left is a driveway leading next to the house. In the foreground is the front lawn. There are two holepunch holes on just under the upper edge.54 Laburnum St., B/Burn Margaret Picken - 94 Woodards - B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, blackburn, stainglass

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 101 Lake Rd, Blackburn This property is listed as having sold for $226,000 in 1996 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story brick house with a small arched portico over the front door. On the left is a driveway curving to the right toward a connected carport. In the foreground are garden beds with rounded rocks amongst shrubs and trees. There are two holepunch holes on just under the upper edge.101 Lake Rd, B/Burn Margaret Picken - 97 Woodards - B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, blackburn

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 10 Laurel Gve, Blackburn This property is not listed as having sold in 1996 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a double story brick house. On the right is a leading to a carport, steaming of of this is a path toward the font door. At this corner is a light post. In the foreground is a front lawn with surrounding greenery. There are two holepunch holes on just under the upper edge.10 Laurel Gve., B/Burn Margaret Picken - 96 Woodards - B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, blackburn

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 7 Laurel Gve, Blackburn (rear) This property is listed as having sold for $840,000 in 1995 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a double story brick house. On the right is a leading to a carport, steaming of of this is a path toward the font door. At this corner is a light post. In the foreground is a front lawn with surrounding greenery. There are two holepunch holes on just under the upper edge.7 Laurel Gve., B/Burn Margaret Picken - 96 Woodards - B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, blackburn

Bendigo Advertiser ''The way we were'' from Monday, May 23, 2005. Allstars: Bendigo's under 17 softball team from the 1950s. Back: Richie Lee (coach), Floss McCaw, Elva Wicks, Mrs Crapper (scorer), Rose Ashman, Margaret Burns and Stuart Grigg (coach). Front: Jacquie McGann, Dawn Simms, Heather Pain, Maureen Rowe and Shirley Hanson.newspaper, bendigo advertiser, the way we were

Seven girls from the Geelong Legacy Junior Club in the early 1930s. The motto at the bottom says 'The torch you threw to us we caught'. Margaret Burn is the girl on the far right and her family donated the photo. Margaret attended girls classes with Geelong Legacy in the 1930s and Legacy helped her find employment when she left school. Her family donated two photos and a Laurel Badge to Legacy.A very early photo showing Geelong Legacy were looking after the children of deceased soldiers.Sepia photo of seven girls with a banner of the Geelong Junior Legacy from about 1930.geelong legacy, girls classes, margaret burn

A Laurel Club brooch from Geelong Legacy. Laurel Club was a name given by some Legacy clubs to the widows' clubs . The brooch was owned by Margaret Burn who was a junior legatee in the 1930s after the death of her father in World War 1. Her husband served in World War 2 and when he died Margaret joined the Geelong Laurel Club. Her family has donated two photos and the Laurel Badge to Legacy.A brooch signifying membership with a Laurel Club.Gold Legacy emblem on a bar brooch with gold text on blue enamel saying 'Laurel Club. Geelong Legacy'geelong legacy, laurel clubs, margaret burn

A group of children in Geelong who's fathers had served during the first World War. The RSSILA (precursor to the RSL) had held an event for them and took this photo which was then distributed to the families at Christmas 1919. Margaret Burn is possibly one in the front row and her family donated the photo. Margaret later attended girls classes with Geelong Legacy in the 1930s and Legacy helped her find employment when she left school. Her family donated two photos and a Laurel Badge to Legacy.A very early photo shows that Geelong RSSILA were looking after the children of soldiers.Sepia photo in a brown cardboard frame of many children taken at a RSSILA Geelong event in 1919.geelong legacy, margaret burn

Black and white photograph - Grade 5,1945."Attached to photograph" Back Row - L to R: Robert Mathieson, ?, Ken Reynolds, Glen Hubbard, ?. 2nd Row - L to R: ?, ?, Margaret Burns, ?, ?, Muriel Upstill, ?, ?, ?, ?. 3rd Row - L to R: May Burton, ?, ?, ?, ?, ?, ?, ?, Jeanette Burnside. Front Row - L to R: Ian Lynton, Neil Dark, ?, ?, ?, ?, ?, Barry Young. Teacher:

Letter of Reference for Miss Margaret Burn detailing her work as a bookkeeper, machine operator, typist, and stenographer over seven years at Dennys Lascelles Limited. The letter details her leaving the company as she married in 1939. In the same year, Ms Burn returned to the office owing to the shortage of staff caused by various employees being called away for Military Training. Included in the staff called away for military training was her newlywed husband, Mr Jack Ganly. A fellow employee of Dennys, the Ganly name was well known within the company, with three generations of the Ganly family working at Dennys. Margaret worked at Dennys for 7 years during the 1930s. The Letter of Reference is accompanied with a story written by Margaret about her time working at the company. WORKING CONDITIONS & OFFICE WORK DUTIES. Written by Margaret Burn in 2021. Worked at Dennys Lascelles in the 1930s. In the 1930s coming out of the Depression, jobs were hard to come by and had to be clung to by efficiency and subserviency. There was no union to protect workers – bosses could be tough and rough. Dennys Lascelles revolved around fortnightly wool sales in the “season” – September to May. Sale day was always a day of suppressed excitement. Preparation from a clerical point of view was complete and we now awaited the aftermath of the actual wool auction. The building teemed with people. There were country people down to see their wool sold, buyers of many nationalities, or from the big cities, who were coming in and out of the building all day. Their role was to inspect the acres of wool bales displayed on the show floors; however, caterers were present to feed clients, and there was plenty of social interactions on top of business. The office staff did not go home but waited until the first figures came back from the wool sales and the machines went in to action, both human and mechanical, preparing the invoices for the buyers’ firms. This comprised of lists of lot numbers, weights, prices per lb., and the total prices paid. A lot of this was done by old-school typewriters, making this work a big, heavy, tiring job. Before the finished lists could be dispatched, they were collated on an “abstract”. The lists had to balance with the catalogue from which the invoices had been prepared. This never happened automatically. All the paperwork had to be split up amongst pairs of workers and checked until discrepancies were found. This would happen until midnight but occasionally went until 2 or 3 am. Once complete, the invoices could then be rushed off to the buyers’ firms usually in Melbourne, and hire cars took the staff home. It was back on the job the next morning, usually around 8.30. The office hours varied according to the size of the sale and work involved. Some days started as early as 8 and could finish around 5.30. The second phase of work began with the account sales to be prepared for the sellers of the wool. These detailed all the weights, descriptions of wool, brands, and prices. One Sales account could have multitudes of lot numbers, all needing to be individually described. Various charges needed to be deducted such as finance for woolpacks, extra stock, or farmers who were given a loan to live on during the season. Details of how payment was to be made was also noted, whether the seller was to be paid by cheque, to a bank, or credited to their account with the company (which often left the seller still in debt). For a couple of months in the winter, things were quieter when staff took holidays and were sometimes given afternoons off. But there were still weekly skin sales and stock sales around the state. The annual end of June figures to be prepared for a big company like Dennys with branches all around the state also kept the staff busy. In good years there was sometimes a bonus. On sale days there was a bar open for the clients and wool buyers. This added to the excitement for the young girls, who were strictly barred from using it, but somehow managed to sneak a gin and tonic. This is how I had my first ever, before the evening meal. There was also the romantic notion in some minds, with all the influx of males, that some of us might end up on a wealthy station, or be noticed by an exotic buyer. To my knowledge, this never happened at Dennys Lascelles Limited. Group staff photo at Dennys Lascelles Limited. Margaret Burn. Age 18 or 19. Jack Ganly (Margaret’s future husband). 22. Sheet of paper shorter in length than A4 size, creamed with age. Paper has a header for Dennys, Lascelles Limited’s Head Office at 32 Moorabool Street, Geelong. Body of paper is made up of 3 paragraphs in a typewritten message of black ink with subheadings highlighted with a red underline. The text is finished with a signature at the bottom of the paper. Paper is accompanied by its original envelope. Envelope has typewritten text in black ink with a red underline located at the centre. It also has return to sender instructions to Dennys, Lascelles Limited in the lower left-hand corner.Typewritten text, black and red ink. Multiple. See multimediadennys lascelles ltd, worker conditions 1930s, letter of reference

This file contains four items pertaining to the Murrumbeena Spinners: 1/A printout of an article from the Caulfield Contact, dated 12/12/1986, noting the various community groups, such as the Spinners, that participated during the Murrumbeena Day – part of the Caulfield Festival. Contains three black-and-white photographs: one of five members of the Spinners – Evelyn Townley, Jan Knight, Dot Picot, Joy Barton and Jill Wylie – engaged in weaving; one of another member – Val Woolard – engaged in weaving; and one of members of the Country Women’s Association – Doreen Chapman, Beattie Burns, Nancy Rose and Margaret Mann – displaying their work. 2/A page identifying the persons featured in the first two photographs on the following page, and specifying the photographs’ context. 3/A page to which are attached three black-and-white photographs. The first is of members of the Spinners – who are identified in the previous item – standing in front of Murrumbeena House. The second is a printed copy of the first. The third is of Murrumbeena House itself, sans the Spinners. 4/A file note written by Anne Kilpatrick recording source of photographs and information, with contact details for Heather Poppenbeek for any future research.murrumbeena spinners, murrumbeena house, community groups, community houses, picot dot, barton joy, wylie jill, woolard val, warren jeanette, poppenbeek heather, dipnall merle, dynan judy, weaving, weavers, caulfield contact, murrumbeena day, caulfield festival, festival and celebrations, townley evelyn, knight jan, dimock liz, farr beryl, country women’s association, chapman doreen, burns beattie, rose nancy, mann margaret, ryan brenda, sherlock pam, tanner lorna, mansell mary, handweavers and spinners guild, millroy, dunbar margaret, kilpatrick anne

This Remington No.12 typewriter is of the typebar, front-strike class. It was made by the Remington Typewriter Company of Ilion, New York, U.S.A. in about 1925. The Model No. 12 was introduced in 1922 and was one of the first 'visible writer' machines, in which the typed characters were visible to the operator. Previous models were of the upstrike class in which the characters were typed on the underside of the platen. To see what had been typed the operator had to raise the platen, meaning the typist was typing blind much of the time. This machine was used by Margaret Ganly née Burn in the 1930s. It was purchased for her by one of the sons of William Pride, a famous saddle maker in Geelong, William was Margaret’s grandfather. The typewriter was donated with original sales receipt and servicing tools. Margaret worked at Dennys for 7 years during the 1930s. The typewriter is accompanied with a story written by Margaret about her time working at the company. Margret married Jack Ganly, a fellow employee of Dennys. The Ganly name was well known within Dennys, with three generations of the Ganly family working at the company. WORKING CONDITIONS & OFFICE WORK DUTIES. Written by Margaret Burn in 2021. Worked at Dennys Lascelles in the 1930s. In the 1930s coming out of the Depression, jobs were hard to come by and had to be clung to by efficiency and subserviency. There was no union to protect workers – bosses could be tough and rough. Dennys Lascelles revolved around fortnightly wool sales in the “season” – September to May. Sale day was always a day of suppressed excitement. Preparation from a clerical point of view was complete and we now awaited the aftermath of the actual wool auction. The building teemed with people. There were country people down to see their wool sold, buyers of many nationalities, or from the big cities, who were coming in and out of the building all day. Their role was to inspect the acres of wool bales displayed on the show floors; however, caterers were present to feed clients, and there was plenty of social interactions on top of business. The office staff did not go home but waited until the first figures came back from the wool sales and the machines went in to action, both human and mechanical, preparing the invoices for the buyers’ firms. This comprised of lists of lot numbers, weights, prices per lb., and the total prices paid. A lot of this was done by old-school typewriters, making this work a big, heavy, tiring job. Before the finished lists could be dispatched, they were collated on an “abstract”. The lists had to balance with the catalogue from which the invoices had been prepared. This never happened automatically. All the paperwork had to be split up amongst pairs of workers and checked until discrepancies were found. This would happen until midnight but occasionally went until 2 or 3 am. Once complete, the invoices could then be rushed off to the buyers’ firms usually in Melbourne, and hire cars took the staff home. It was back on the job the next morning, usually around 8.30. The office hours varied according to the size of the sale and work involved. Some days started as early as 8 and could finish around 5.30. The second phase of work began with the account sales to be prepared for the sellers of the wool. These detailed all the weights, descriptions of wool, brands, and prices. One Sales account could have multitudes of lot numbers, all needing to be individually described. Various charges needed to be deducted such as finance for woolpacks, extra stock, or farmers who were given a loan to live on during the season. Details of how payment was to be made was also noted, whether the seller was to be paid by cheque, to a bank, or credited to their account with the company (which often left the seller still in debt). For a couple of months in the winter, things were quieter when staff took holidays and were sometimes given afternoons off. But there were still weekly skin sales and stock sales around the state. The annual end of June figures to be prepared for a big company like Dennys with branches all around the state also kept the staff busy. In good years there was sometimes a bonus. On sale days there was a bar open for the clients and wool buyers. This added to the excitement for the young girls, who were strictly barred from using it, but somehow managed to sneak a gin and tonic. This is how I had my first ever, before the evening meal. There was also the romantic notion in some minds, with all the influx of males, that some of us might end up on a wealthy station, or be noticed by an exotic buyer. To my knowledge, this never happened at Dennys Lascelles Limited. Group staff photo at Dennys Lascelles Limited. Margaret Burn. Age 18 or 19. Jack Ganly (Margaret’s future husband). 22.The typewriter has a black painted metal frame. The top section of the typewriter consists of a cylindrical platen on a carriage featuring plated metal fittings. A curved folding paper guide sits behind the platen and moves on the horizontal axis when the user types on the keyboard. A horizontal semicircular type basket with typebar links the top section to the lower keyboard. The ink ribbon is carried between two spools on a horizontal axis, one on each side of the type-basket. At the rear, a paper tray features gold lettering which reads ‘Remington’. At the front, a four-row QWERTY keyboard is found with 42-character keys total. 'SHIFT LOCK' and 'SHIFT KEY' are to the left of the keyboard, 'BACK SPACER' and 'SHIFT KEY' to the right. All keys are circular, white with black lettering. At the top of the keyboard are five circular red keys with the numbers 1-5 displayed behind their respective keys. A Spacebar is found along the front of the keyboard. The typewriter is accompanied by a cardboard box. This box contains the original sales receipt, on blue paper with grey lead handwriting. It also contains spare parts, a spare ribbon stretched between two spools, and cleaning tools such as brushes of differing sizes. Serial Number. Engraved. "LX45395" Gold lettering. Paper tray. “Remington” Gold Lettering. Behind keyboard. “Made in Ilion, New York, U.S.A. Gold Lettering. Mirrored both sides of type-basket. “12”remington, dennys lascelles ltd, worker conditions 1930s

A large collection of photos and documents relating to the Spaldings factory in Sunshine. These items were given to the Sunshine & District Historical Society Inc. at a reunion of ex employees of Spaldings held 24th October 2002.717.01 - A.G. Spaldings Collection - L to R Margaret Donaldson, Phyl Shimmin, Dawn Hancock 717.01 - A.G. Spaldings Collection - L to R Margaret Donaldson, Phyl Shimmin, Dawn Hancock Back 717.02 - A.G. Spaldings Collection - Dawn Hancock 717.02 - A.G. Spaldings Collection - Dawn Hancock Back 717.03 - A.G. Spaldings Collection - Gwen Howlett & Phyl Shimmin 717.03 - A.G. Spaldings Collection - Gwen Howlett & Phyl Shimmin Back 717.04 - A.G. Spaldings Collection - Gwen Howlett & Phyl Shimmin 717.04 - A.G. Spaldings Collection - Gwen Howlett & Phyl Shimmin Back 717.05 - A.G. Spaldings Collection - Golf Ball Painting Machine 717.05 - A.G. Spaldings Collection - Golf Ball Painting Machine Back 717.06 - A.G. Spaldings Collection - Golf Ball Painting Machine 717.06 - A.G. Spaldings Collection - Golf Ball Painting Machine Back 717.07 - A.G. Spaldings Collection - Golf Ball Painting Machine Front 717.07 - A.G. Spaldings Collection - Golf Ball Painting Machine Back 717.08 - A.G. Spaldings Collection - Golf Ball Painting Machine 717.08 - A.G. Spaldings Collection - Golf Ball Painting Machine Back 717.09 - A.G. Spaldings Collection - Valda Davies, Maureen Rau, Margaret Baker, Phyl Shimmin, Dorothy Dunn & Dawn Hancock 717.09 - A.G. Spaldings Collection - Valda Davies, Maureen Rau, Margaret Baker, Phyl Shimmin, Dorothy Dunn & Dawn Hancock Back 717.10 - A.G. Spaldings Collection - Faye Unknown, Hanock, Thomson, McDarnid, Flemming, Taylor, Shimmin, Trembath, Dwyer, Omant 717.10 - A.G. Spaldings Collection - Faye Unknown, Hanock, Thomson, McDarnid, Flemming, Taylor, Shimmin, Trembath, Dwyer, Omant, Whiteside, Unknown, Watson & Unknown 717.11 - A.G. Spaldings Collection - Noreen Omant, Dahpne Thomson, Valda Davies, Phyl Shimmin, Iris Handley, M. Memeanett, J. Whiteside, P. Twigg & J. Taylor 717.11 - A.G. Spaldings Collection - Noreen Omant, Dahpne Thomson, Valda Davies, Phyl Shimmin, Iris Handley, M. Memeanett, J. Whiteside, P. Twigg & J. Taylor Back 717.11 - A.G. Spaldings Collection - Noreen Omant, Dahpne Thomson, Valda Davies, Phyl Shimmin, Iris Handley, M. Memmeanett, J. Whiteside, P. Twigg & J. Taylor 717.11 - A.G. Spaldings Collection - Noreen Omant, Dahpne Thomson, Valda Davies, Phyl Shimmin, Iris Handley, M. Memmeanett, J. Whiteside, P. Twigg & J. Taylor Back 717.12 - A.G. Spaldings Collection - Palmer, Watson, Andrews, McKenize, Menhennet, King, Davies, Hanley, Inglis, Hjorth, Shimmin & Omant 717.12 - A.G. Spaldings Collection - Palmer, Watson, Andrews, McKenize, Menhennet, King, Davies, Hanley, Inglis, Hjorth, Shimmin & Omant Back 717.13 - A.G. Spaldings Collection - Phyl Shimmin 717.13 - A.G. Spaldings Collection - Phyl Shimmin Back 717.14 - A.G. Spaldings Collection - Jenny Hill, Doris Leece, Nella Zammit, Vicki Unknown, Karen Millman, Noreen Omant & Phyl Shimmin 717.14 - A.G. Spaldings Collection -- Jenny Hill, Doris Leece, Nella Zammit, Vicki Unknown, Karen Millman, Noreen Omant & Phyl Shimmin Back 717.15 - A.G. Spaldings Collection - Valda Davies, Jack Mawhinney, Phyl Shinnin & Joan Fleming 717.15 - A.G. Spaldings Collection - Valda Davies, Jack Mawhinney, Phyl Shinnin & Joan Fleming Back 717.16 - A.G. Spaldings Collection - Andrews, Kowk, Unkn, Shimmin, Menhennet, McKenzie, Unkn, Unkn, Omant, Inglis, Handley, Watson, Thomson, Taylor & Hjort 717.16 - A.G. Spaldings Collection - Andrews, Kowk, Unknown, Shimmin, Menhennet, McKenzie, Unkn, Unkn, Omant, Inglis, Handley, Watson, Thomson, Taylor & Horth Back 717.17 - A.G. Spaldings Collection - Taylor, Davies, Watson, Thomson, Koek, Omant, Smith, Whitton, Shimmin, Rau, Hampley, Coughlin & Lewis 717.17 - A.G. Spaldings Collection -Taylor, Davies, Watson, Thomson, Koek, Omant, Smith, Whitton, Shimmin, Rau, Hampley, Coughlin & Lewis Back 717.18 - A.G. Spaldings Collection - Ike Burns, Margaret Johnson, Joyce Arnold, Kath Atkins, Max Smith, Phyl Shimmin 717.18 - A.G. Spaldings Collection - Ike Burns, Margaret Johnson, Joyce Arnold, Kath Atkins, Max Smith, Phyl Shimmin Back 717.19 - A.G. Spaldings Collection - Tennis Rackets & Tennis Balls 717.20 - A.G. Spaldings Collection - Tennis Rackets 717.21 - A.G. Spaldings Collection - Tennis Rackets & Basket Balls 717.22 - A.G. Spaldings Collection - Soccer Balls & Bags 717.23 - A.G. Spaldings Collection - John Schmidt, Phyl Simmin, Pieter de Blaun & Arthur Mills 717.23 - A.G. Spaldings Collection - John Schmidt, Phyl Simmin, Pieter de Blaun & Arthur Mills Back 717.24 - A.G. Spaldings Collection - L to R Ron Cameron, Phyl Shimmin, Noel Aldenhoven & Peter Schafer 717.24 - A.G. Spaldings Collection - L to R Ron Cameron, Phyl Shimmin, Noel Aldenhoven & Peter Schafer Back 717.25 - A.G. Spaldings Collection - Van der Hurk, Mills, Tribe, Stucey, Gathercole, May, De Blaun, Shimmin, Omant, Harris, Hume, Clemson & Goudie Back 717.25 - A.G. Spaldings Collection - Van der Hurk, Mills, Tribe, Stucey, Gathercole, May, De Blaun, Shimmin, Omant, Harris, Hume, Clemson & Goudie 717.26 - A.G. Spaldings Collection - Joyce Arnold, Ann Cottee & Margaret Johnson 717.26 - A.G. Spaldings Collection - Joyce Arnold, Ann Cottee & Margaret Johnson Back 717.27 - A.G. Spaldings Collection - Tom Tribe & Barry Priest 717.27 - A.G. Spaldings Collection - Tom Tribe & Barry Priest Back 717.28 - A.G. Spaldings Collection - D. de Blawn, L. Davidson, N. Omant, J. Schmidt, P. Shimmin, P. de Blawn & A. Mills 717.28 - A.G. Spaldings Collection - D. de Blawn, L. Davidson, N. Omant, J. Schmidt, P. Shimmin, P. de Blawn & A. Mills Back 717.29 - A.G. Spaldings Collection - Dave Harris, Noreem Omant & Phyl Shimmin 717.29 - A.G. Spaldings Collection - Dave Harris, Noreem Omant & Phyl Shimmin Back 717.30 - A.G. Spaldings Collection - Factory Maintenance Crew Allan Hariman, Alec Masson, Edgar Schultz & Dave Jones Back 717.30 - A.G. Spaldings Collection - Factory Maintenance Crew Allan Hariman, Alec Masson, Edgar Schultz & Dave Jones 717.31 - A.G. Spaldings Collection - Factory Maintenance Crew Edgar Schultz & Dave Jones Back 717.31 - A.G. Spaldings Collection - Factory Maintenance Crew Edgar Schultz & Dave Jones 717.32 - A.G. Spaldings Collection - Tony Casun (Right) & Unknown (Left) 717.32 - A.G. Spaldings Collection - Tony Casun (Right) & Unknown (Left) Back 717.33 - A.G. Spaldings Collection - Tony Cascun (Middle), Louis (Right), Leone Zerafa (Front) & Unknown (Left) Back 717.33 - A.G. Spaldings Collection - Tony Cascun (Middle), Louis (Right), Leone Zerafa (Front) & Unknown (Left) 717.34 - A.G. Spaldings Collection - Leone Zerafa 717.34 - A.G. Spaldings Collection - Leone Zerafa Back 717.35 - A.G. Spaldings Collection - Spaldings 25 Years Service Roll 717.36 - A.G. Spaldings Collection - 1978 Years Of Service Presentation 717.36 - A.G. Spaldings Collection - 1979 Years Of Service Presentation 717.36 - A.G. Spaldings Collection - 1980 Years Of Service Presentation 717.36 - A.G. Spaldings Collection - 1981 Years Of Service Presentation 717.36 - A.G. Spaldings Collection - 1982 Years Of Service Presentation 717.36 - A.G. Spaldings Collection - 1983 Years Of Service Presentation 717.36 - A.G. Spaldings Collection - 1984 Years Of Service Presentation 717.36 - A.G. Spaldings Collection - 1985 Years Of Service Presentation 717.36 - A.G. Spaldings Collection - 1986 Years Of Service Presentation 717.36 - A.G. Spaldings Collection - 1987 Years Of Service Presentation 717.36 - A.G. Spaldings Collection - 1988 Years Of Service Presentation 717.36 - A.G. Spaldings Collection - 1989 Years Of Service Presentation 717.37 - A.G. Spaldings Collection - Spalding On Q Newsletter Volume 3 No 4 April 1972 717.37 - A.G. Spaldings Collection - Spalding On Q Newsletter Volume 4 No 3 March 1973 717.37 - A.G. Spaldings Collection - Spalding Questor World Newsletter Volume 5 No 9-11 Sept, Oct - Nov 1974 717.37 - A.G. Spaldings Collection - Spalding Questor World Newsletter Volume 7 No 1-3 Jan - March 1976 717.37 - A.G. Spaldings Collection - Spalding Questor World Newsletter Volume 7 No 4-7 April - July 1976 717.37 - A.G. Spaldings Collection - Spalding Spalding Questor World Newsletter Volume 6 No 1-2 Dec 1974 & Jan - Feb 1975 717.37 - A.G. Spaldings Collection - Spalding Spalding Questor World Newsletter Volume 6 No 5-6 May - June 1975 717.37 - A.G. Spaldings Collection - The Spalding Star Newsletter Volume 1 No 1 August 1988 717.37 - A.G. Spaldings Collection - The Spalding Start Newsletter January 1989 717.38 - A.G. Spaldings Collection - 1990 Years Of Service Awards 717.38 - A.G. Spaldings Collection - 1991 Years Of Service Awards 717.38 - A.G. Spaldings Collection - 1992 Years Of Service Awards 717.38 - A.G. Spaldings Collection - 1993 Years Of Service Awards 717.38 - A.G. Spaldings Collection - 1994 Years Of Service Awards 717.38 - A.G. Spaldings Collection - 1995 Years Of Service Awards 717.38 - A.G. Spaldings Collection - 1996 Years Of Service Awards 717.39 - A.G. Spaldings Collection - Social Annual General Meeting Minutes 1953 - 1976 717.40 - A.G. Spaldings Collection - 1976 Price List Effective 1st January 1976 717.40 - A.G. Spaldings Collection - 1976 Price List Effective 1st May 1976 717.40 - A.G. Spaldings Collection - 1977 Price List Effective 1st August 1977 717.40 - A.G. Spaldings Collection - 1977 Price List Effective 1st January 1977 717.40 - A.G. Spaldings Collection - 1978 Export Price List 1st August 1978 717.40 - A.G. Spaldings Collection - 1978 Price List Effective 1st February 1978 717.40 - A.G. Spaldings Collection - 1979 Price List Effective 1st December 1979 717.41 - A.G. Spaldings Collection - The Spalding Social & Sports Club Journal From 1934 717.42 - A.G. Spaldings Collection - Newspaper Article - That's a lot of balls, fellahs Gary Buckenara & Tommy Tribe 717.43 - A.G. Spaldings Collection - Golf Illustrated Article - 1943 Memo Defence Contracts Wood Consumption 717.44 - A.G. Spaldings Collection - Golf Illustrated Article - Spaldings From The Beginning Page 72 717.44 - A.G. Spaldings Collection - Golf Illustrated Article - Spaldings From The Beginning Page 73 717.44 - A.G. Spaldings Collection - Golf Illustrated Article - Spaldings From The Beginning Page 74 717.45 - A.G. Spaldings Collection - The Factory 717.47 - A.G. Spaldings Collection - Reunion 2002 R - L Stan Henry, Mrs. Betty Henry, Frank Saliba, John Willaton & Laurie Mottin 717.48 - A.G. Spaldings Collection - Reunion 2002 R - L Stan Henry, Mrs. Betty Henry, Frank Saliba, Mrs Saliba & Laurie Mottin 717.49 - A.G. Spaldings Collection - Reunion 2002 Norm Carlton 717.50 - A.G. Spaldings Collection - Reunion 2002 L - R Frank Ford & Norm Carlton 717.51 - A.G. Spaldings Collection - Reunion 2002 L - R Frank Ford, Unknown & Norm Carlton 717.52 - A.G. Spaldings Collection - Reunion 2002 L - R Frank Ford, Unknown & Norm Carlton 717.53 - A.G. Spaldings Collection - Reunion 2002 Unknown 717.54 - A.G. Spaldings Collection - Reunion 2002 L - R Noram Carlton & Unknown 717.55 - A.G. Spaldings Collection - Reunion 2002 Unknown 717.56 - A.G. Spaldings Collection - Reunion 2002 L - R Norm Carlton & Phyl Shimmin 717.57 - A.G. Spaldings Collection - Reunion 2002 Unknown 717.58 - A.G. Spaldings Collection - Reunion 2002 Unknown 717.59 - A.G. Spaldings Collection - Reunion 2002 L - R Norm Carlton & Unknown 717.60 - A.G. Spaldings Collection - Reunion 2002 L - R Norm Carlton & Ron Cameron 717.61 - A.G. Spaldings Collection - Reunion 2002 L - R Unknown, Unknown, Unknown & Phyl Shimmin 717.62 - A.G. Spaldings Collection - Reunion 2002 Crowd 717.63 - A.G. Spaldings Collection - Reunion 2002 3rd From Left Norm Carlton & 5th From Left John Willaton 717.64 - A.G. Spaldings Collection - Reunion 2002 Front L - R W. O'Brien, Mrs M. Harrison, D. Parsons & D. Webster 717.65 - A.G. Spaldings Collection - Reunion 2002 Front L - R Les Noble, Wally O'Brien & Unknown 717.66 - A.G. Spaldings Collection - Reunion 2002 Crowd 717.67 - A.G. Spaldings Collection - Reunion 2002 Crowd 717.68 - A.G. Spaldings Collection - Reunion 2002 Eric Wegener At Table 717.69 - A.G. Spaldings Collection - Reunion 2002 Crowd 717.70 - A.G. Spaldings Collection - Reunion 2002 Crowd 717.71 - A.G. Spaldings Collection - Reunion 2002 L - R Unknown, Unknown, Unknown & Unknown 717.72 - A.G. Spaldings Collection - Reunion 2002 Spaldings Products 717.73 - A.G. Spaldings Collection - Reunion 2002 L - R Unknown, Unknown, Unknown & Unknown 717.74 - A.G. Spaldings Collection - Reunion 2002 L - R Unknown, Unknown, Unknown & Unknown 717.75 - A.G. Spaldings Collection - Reunion 2002 L - R Unknown, Unknown, Unknown & Unknown 717.76 - A.G. Spaldings Collection - Reunion 2002 L - R Unknown & Unknown 717.77 - A.G. Spaldings Collection - Reunion 2002 L - R Unknown, Unknown & Unknown 717.78 - A.G. Spaldings Collection - Reunion 2002 L - R Unknown, Unknown, Unknown, Unknown & Unknown 717.79 - A.G. Spaldings Collection - Reunion 2002 Norm Carlton & Unknown 717.80 - A.G. Spaldings Collection - Reunion 2002 L - R Unknown & Unknown 717.81 - A.G. Spaldings Collection - Reunion 2002 Mrs B. Foxcroft 717.82 - A.G. Spaldings Collection - Reunion 2002 2002 Norm Carlton & Unknown 717.85 - A.G. Spaldings Collection - Index Folder (Blank) 717.86 - A.G. Spaldings Collection - Visitors Book 717.86 - A.G. Spaldings Collection - Visitors Book 10th April 2015 717.86 - A.G. Spaldings Collection - Visitors Book 28th April 2015 717.86 - A.G. Spaldings Collection - Visitors Book Schools Exhibition October 2016 717.87 - A.G. Spaldings Collection - Reunion 2002 - Spaldings Reminiscence Day Large Flyer 717.87 - A.G. Spaldings Collection - Reunion 2002 - Spaldings Reminiscence Day Small Flyer 717.87 - A.G. Spaldings Collection - Reunion 2002 Documents - A Glimpse From The Past By Alma Smith 717.87 - A.G. Spaldings Collection - Reunion 2002 Documents - How Tennis Balls Are Made 717.87 - A.G. Spaldings Collection - Reunion 2002 Documents - How Tennis Rackets Are Made 717.87 - A.G. Spaldings Collection - Reunion 2002 Documents - Letter Norm Anderson 717.87 - A.G. Spaldings Collection - Reunion 2002 Documents - Newspaper Article A Tribute To The Past P. Shimmin, R. Cameron & N. Carlton 717.87 - A.G. Spaldings Collection - Reunion 2002 Documents - Newspaper Article Spalding Returns Serve J. May, P. Shimmin, N. Omant & J. Arnold 717.87 - A.G. Spaldings Collection - Reunion 2002 Documents - Reunion Attendence List No 1 717.87 - A.G. Spaldings Collection - Reunion 2002 Documents - Reunion Attendence List No 2 717.87 - A.G. Spaldings Collection - Reunion 2002 Documents - Spaldings Family Planning Reunion D. Coupe, P. Shimmin & R. Cameron 717.87 - A.G. Spaldings Collection - Reunion 2002 Documents - Spaldings Sporting Goods Products 717.87 - A.G. Spaldings Collection - Reunion 2002 Documents - Splading Our Fifty Years In Australia 717.88 - A.G. Spaldings Collection - Spaldings Cricket Team Premiers B Grade Season 1936-37 Team Photographspaldings, ballarat road, sunshine north

Ballarat Teachers' College was opened on may 4th, 1926, at S.S. 33, Dana Street, with an enrollment of sixty-one students, its original staff consisted of the Principal, Mr W. H. Ellwood, M.A., m.Ed. (Chairman of the Teachers' tribunal from its inception in 1946 until 1954), Miss A. Bouchier, B.A., and Mr A.B. Jones, B.A. (Lecturers). In 1927 Miss P.A. Hamano joined the staff. Teaching practice and special rural school work were carried on in schools in or near Ballarat - drawing, crafts and singing were taught by local teachers. In 1927 the college moved to the old Ballarat East Town Hall (remodelled for their use) in Barkly Street. During 1927 the numbers in the College were augmented by twenty-six Manual arts students who had formerly received their training at Ballarat High School. Manual Arts students continued till 1930, when, on grounds of economy, their training was concentrated at Melbourne Teachers' College.\During the four succeeding years approximately sixty students annually entered the primary course. Inclusive of Manual Arts students, and private fee-paying students, exactly 400 trainees passed through the college in its brief span of life (1926-1931) Fourteen years were to pass before they were again opened to students on February 2nd, 1946. The college was re-commenced at S.S. Dana Street under the guidance of Mr W.F. Lord, M.C., M.M., B.A., Dip.Ed., (Acting Principal 1946-1950), and a staff consisting of Miss E.B. Hughes, B.A., Dip. Ed., Mr C.B. Bryan, B.A., V.Com., Dip.Ed., Miss M.H. Miller, L.Mus.A., and Miss G. Kentish, Dip.Phys.Ed. The opening ceremony was performed by the Minister for education at that time, the Hon. F. Field, M.L.A., accompanied by the Hon. T.T. Hollway, M.L.A., and the then Director of Education, Mr J.A. Seitz. It was originally intended to cater for women students only (for whom 130 Victoria Street was purchased as a hostel) but, at the last moment, men were also accepted. A co-educational college was thus set up instead, and has continued as such. The original Staff has been considerable augmented, and the number of Students has been more than trebled. 1951 saw the introduction of the two-year course, successful students being presented with the Trained Primary Teachers' Certificate at the final College assembly each year. In December, 1855, College held its first Graduation Ceremony, with its own Graduation hymn, the words of which were written by Miss C.M. Canty of the staff. Mr Ellwood, former Principal,delivered the occasional address and presented the Ellwood Prize to the outstading student of the year (Mr C.P. Handreck). Students who had successfully completed the course received their certificates from Mr E.B. Pederick, Chief Inspector of Primary Schools. College accomodation having been strained for several years, it was pleasant news when tenders were called in July, 1956, for the building of the first section of the new Ballarat Teachers' College in Gillies Street, near the Botanical Gardens. At the beginning of 1958 the new College was occupied, and staff and students have appreciated greatly the appointments and cacilities of the new buildign. In 1968 the three-year Diploma Course began, co-existent with the other courses which will continue during the transitional period. Successful students in the course receive the Diploma of Teaching (Primary).Black and white photograph of students and staff of the Ballarat Teachers' College. The people are in four rows, and they stand in front of the Dana Street Primary School. Back Row: Jim Howlett; Milton Rice; Keith McLean; Jim Williams; George Nield, David Cooper, Ray Terrill, William Gleeson; Tom Pascoe; Lindsay Harley; Ron Carless; Robert Giddings; Colin Connelly; Alex Magill; Eddie Blake; William Punshon; Athol Aisbett; Kevin Collins; John O'Shannessy. Second Row: Beth Leslie; Faye Dreher; Gwen Pamphilon; Arthur Lelean; Howard Pattenden; Jack Tyers; Hugh Fraser; William Henderson; Jack Mallett; Alan Martin; Keith Boyd; John Ellifson; John Collins; Tom Hill; Wal Henning; Burns Roddis; Fred Marshman; Dawn Doney; Pat Watts; Ann McKinnon. Third Row: Ethel Esmore; Joy Love; Pat Luxford; Jean Elliott; Josie Bunny; Phyllis Borley; Joyce Matheson; Val Witney; Ruth Tozer; Nancy Kerr; K.ath Tobin; Muriel Morrish; Jean Clode; Peg Purdue; Joyce Kennedy; Margaret Palmer; Marie Faulds; Thelma Ritchie. Fourth Row: Pat Lewin; Mavis Poland; Lorna Welsh; Lynette Lynch; Nancy Alexander; Betty Williams, Val Gorrie; Alan Sonsee; Trudy Kentish; Carl Bryan; Monica Miller; W.F. Lord; Beth Hughes; Mephan McMcEwin; Mattie Hayes; Neila Vallance; Pat Robinson; Elva Surman; Joan Gunning; Norma Dally; Beatrice Freeman; Kath Crossett.ballarat teachers' college, education, dana street primary school, 1947

All participants attended BTC (Ballarat Teacher's College) in 1947.Much of this document is handwritten so is significant as an example of teacher's handwritten letters.Two Ballarat Courier newspapers dated 5 June 1991 and 1 June 1991 bound at side with white contact adhesive. The newspapers are used as an alphabetical filing system for correspondence relating to reunions. They have been cut along the top edge to create an indented filing system with a number and name put onto each tab. .1) Newspaper dated 5 June 1991, comprising tabs 1 Athol/Aisbett - 27 Gleeson. The information contained in the pages is sometimes biographical, with names, addresses and occupations. * 1. Athol/Aisbett 6 pages * 2. Nancy Alexander (McDonald) 7 pages * 3. Jessie Batson 3 pages * 4. Eddie Blake - * 5. Phyllis Borley (Smith) 10 pages * 6. Keith Boyd 1 page * 7. Owen Brennan - * 8. Josie Bunning (Humphries) 1 page * 9. Ron Carless 15 pages * 10. Jean Clade (Courten Coster) * 11. John Collins 3 pages * 12. Kevin Collins 2 pages * 13. Colin Connelly 1 page * 14. David Cooper 9 pages * 15. Kath Crossnett (Ward) 1 page * 16. Norma Dally (Gittson) 4 pages * 17. inez Domaschenz (Reimers) 3 * 18. Dawn Doney (Spencer) 5 pages * 19. Fay Dreher (O'Toole) 6 pages * 20. John Ellifson - * 21. Jean Elliott (Elliott) 1page * 22. Ethel Esmore (White) 17 pages * 23. Marie Faulds 3 pages * 24. Hugh Fraser 2 pages * 25. Beatrice Freeman (Sanders) 6 pages * 26. Bob Giddings 2 pages * 27. Bill Gleeson 2 pages 15105.2 Newspaper dated 1 June 1991, comprising tabs 28. Gorrie/Gunning to 81. Williams/Witney, then names in alphabetical order and one tab "information" at back of newspaper filing system. The following pages are listed after the second name of the "tab" * 28. Val Gorrie (Lynch) * 29. Joan Gunning (Jennings) 17 pages * 30. Madeline Hannan (Meehan) * 31. Lindsay Harley 6 pages * 32. Bill Henderson * 33. Wal Henning 2 pages * 34. Tom Hill * 35. Jim Howlett 13 pages * 36. Claire Kennedy (McLachlan) * 37. Joyce Kennedy (Evans) 3 pages * 38. Nancy Kerr (Harley) * 39. Arthur Lelean 2 pages * 40. Beth Leslie (Only) (Stutterd) * 41. Pat Lewsin (Williams) 12 pages * 42. Joy Love (Robertson) * 43. Pat Luxford (Steer) 3 pages * 44. Lynette Lynch (vickery) (McCl;ure) * 45. Ann McKinnon (Oldfield) 29 pages * 46. Alex McLachlan * 47. Keith McLean 3 pages * 48. Alex Magill * 49. Jack Mallett 12 pages * 50. Fred Marshman * 51. Alan Martin 11 pages * 52. Joyce Mathison (fraser) * 53. Maurine Merlin (Carter) 9 pages * 54. Muriel Morrish * 55. Mary Murnane (Bergin) 15 pages * 56. George Nield * 57. John O'Shannessy 1 small note * 58. Margaret Palmer (Alexander) * 59. Gwen Pamphiton 20 pages * 60. Tom Pascoe * 61. Howard Pattenden 12 pages and two small notes * 62. Ruth Pearse (Marshall) * 63. Betty Ferry (Ellis) 7 pages plus small note * 64. Mavis Polard (Grant * 65. Bill Punshon 4 pages and 2 small notes * 66. Peggy Purdue (Wood) (Jakeman) * 67. Milton Rice 29 pages * 68. Thelma Ritchie * 69. Pat Robinson (Kloppenborg) 6 pages * 70. Burns roddis * 71. Elva Surman (Murphy) - nil * 72. Ray Terrill * 73. Kath Tobin (Hatfield) 2 pages * 74. Ruth Tozer * 75. Jack Tyers 10 pages * 76. Neila Vallance (Peart) * 77. Pat Watts (Knight) 12 plus 2 newspaper articles * 78. Lorna Welsh (Davis) * 79. Betty Williams (Maynard) 12 pages plus 2 small notes * 80. Jil Williams * 81. Val Witney (Kelm) 12 pages * Carl Bryan * Mattie Hayes (Uton) - nil * Beth Hughes * Trudi Kentish 7 pages * W. Lord - nil * Mephan McEwin - 12 pages plus newspaper obit * Monica Miller (Rawlings) 5 pages includes funeral booklet * Win O'Brien (Lloyd) 9 pages * Alan Sonsee - nil * Information - 25 pages of acceptances and addresses of students who attended BTC in 1947 Most of the notes and letters contained in this document are handwritten. All the tabs are handwritten, mostly in blue ink or biro.btc, ballarat, ballarat teachers' college, education, 1947, harley, tozer, pattenden, sonsee, lelean, miller

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders in the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Photograph of thirteen students enrolled in Certificate IV in Occupational Health and Safety: Intake 22, January 2002.Colour photograph laminated. Names of students under photographNames of studentsviosh, victorian institute of occupational safety and health, occupational health and safety, certificate iv, intake 22, january 2002, jason ahearn, lyndon barry, gwynne brennan, max burns, lawrence butler, jason crombie, stephen faure, robyn fisher, daniela fragale, peter freeman, ron friedrichsen, ann gibson, leigh guiney, alan hudson, natalie karacsay, margaret locarnini, john mcinnes, peter mckoy, dennis maltby, jackie mann, robert marsh, adele morton, mark nixon, robyn place, nathan ractiffe, max roscoe, paul smith, amanda tonks, martin ryan, derek van der heide, greg whitelaw, geoff wilkinson, megan wright

Margaret Malone was associated with a kaolin mine at Mount Egerton. WOMAN WHO MANAGES A MINE Works With A Vision (By a Special Corespondent) BALLARAT, August 22.—Like a Heroine in a Bret Harte story of the Soaring: Forties Miss Margaret Malone, the only woman mine manager in Australia, has lived most of her life in an atmosphere where hope springs eternal in the gold-seeking breast. Forty years ago her father gave up farming to seek the elusive mineral near Ballarat. "One day my mother went for a walk along the Gordon-Egerton road and picked up a pebble with a few specks of gold in it," she told an interviewer yesterday, recounting the early history of the nine she now runs at Egerton. "Dad said, There must be more where that came from,' and hopefully sank a shaft. Our hopes were dashed, however, when he found only white clay. No one realised then the value of the disappointing looking white stuff which was all that Dad could find from every shaft he sank. At last be gave up the search, and the kaolin remained untouched." Later an Englishman from a pottery town in the old country urged Mr. Malone to try and sell his clay, and he sent some to the Bendigo potteries, but nothing came of it, and it was left to Miss Malone, after her father's death, to start on her unusual career by finding purchasers in Sydney and Melbourne for her clay, and herself working the mine. Strenuous Work "Mine managing is strenuous work in more ways than one," she admitted. "I have, to go down my mine daily, ad sometimes have to descend perpendicular ladders for about 150 ft. to reach areas being worked. I have to be my own manager, she explained, "because it is necessary to teach the men I employ the methods of grading clays." A New Cure She is convinced that a number of uses for kaolin, apart from pottery, soap and drugs, are yet to be discovered. "One of my employees has already found a new use for it," she said, "although scarcely one to be generally recommended, perhaps. By chewing a small piece of the clay he firmly believes that he "cured himself of heart burn." "All That Glistens" There is more in Miss Malone's mining than meets the eye, however. The actual working of the field and the substantial profit she makes on it do not fill her days. Always before her - dangles the compelling vision that caused her father, in his day, to give up farming to seek for gold. "All the time I am getting my clay dug," she confessed, "1 am watching for the colour of gold. One of these days I may strike it." WOMAN WHO MANAGES A MINE Works With A Vision (By a Special Corespondent) BALLARAT, August 22.—Like a Heroine in a Bret Harte story of the Soaring: Forties Miss Margaret Malone, the only woman mine manager in Australia, has lived most of her life in an atmosphere where hope springs eternal in the gold-seeking breast. Forty years ago her father gave up farming to seek the elusive mineral near Ballarat. "One day my mother went for a walk along the Gordon-Egerton road and picked up a pebble with a few specks of gold in it," she told an interviewer yesterday, recounting the early history of the nine she now runs at Egerton. "Dad said, There must be more where that came from,' and hopefully sank a shaft. Our hopes were dashed, however, when he found only white clay. No one realised then the value of the disappointing looking white stuff which was all that Dad could find from every shaft he sank. At last be gave up the search, and the kaolin remained untouched." Later an Englishman from a pottery town in the old country urged Mr. Malone to try and sell his clay, and he sent some to the Bendigo potteries, but nothing came of it, and it was left to Miss Malone, after her father's death, to start on her unusual career by finding purchasers in Sydney and Melbourne for her clay, and herself working the mine. Strenuous Work "Mine managing is strenuous work in more ways than one," she admitted. "I have, to go down my mine daily, ad sometimes have to descend perpendicular ladders for about 150 ft. to reach areas being worked. I have to be my own manager, she explained, "because it is necessary to teach the men I employ the methods of grading clays." A New Cure She is convinced that a number of uses for kaolin, apart from pottery, soap and drugs, are yet to be discovered. "One of my employees has already found a new use for it," she said, "although scarcely one to be generally recommended, perhaps. By chewing a small piece of the clay he firmly believes that he "cured himself of heart burn." "All That Glistens" There is more in Miss Malone's mining than meets the eye, however. The actual working of the field and the substantial profit she makes on it do not fill her days. Always before her - dangles the compelling vision that caused her father, in his day, to give up farming to seek for gold. "All the time I am getting my clay dug," she confessed, "1 am watching for the colour of gold. One of these days I may strike it." (WOMAN WHO MANAGES A MINE Works With A Vision (By a Special Corespondent) BALLARAT, August 22.—Like a Heroine in a Bret Harte story of the Soaring: Forties Miss Margaret Malone, the only woman mine manager in Australia, has lived most of her life in an atmosphere where hope springs eternal in the gold-seeking breast. Forty years ago her father gave up farming to seek the elusive mineral near Ballarat. "One day my mother went for a walk along the Gordon-Egerton road and picked up a pebble with a few specks of gold in it," she told an interviewer yesterday, recounting the early history of the nine she now runs at Egerton. "Dad said, There must be more where that came from,' and hopefully sank a shaft. Our hopes were dashed, however, when he found only white clay. No one realised then the value of the disappointing looking white stuff which was all that Dad could find from every shaft he sank. At last be gave up the search, and the kaolin remained untouched." Later an Englishman from a pottery town in the old country urged Mr. Malone to try and sell his clay, and he sent some to the Bendigo potteries, but nothing came of it, and it was left to Miss Malone, after her father's death, to start on her unusual career by finding purchasers in Sydney and Melbourne for her clay, and herself working the mine. Strenuous Work "Mine managing is strenuous work in more ways than one," she admitted. "I have, to go down my mine daily, ad sometimes have to descend perpendicular ladders for about 150 ft. to reach areas being worked. I have to be my own manager, she explained, "because it is necessary to teach the men I employ the methods of grading clays." A New Cure She is convinced that a number of uses for kaolin, apart from pottery, soap and drugs, are yet to be discovered. "One of my employees has already found a new use for it," she said, "although scarcely one to be generally recommended, perhaps. By chewing a small piece of the clay he firmly believes that he "cured himself of heart burn." "All That Glistens" There is more in Miss Malone's mining than meets the eye, however. The actual working of the field and the substantial profit she makes on it do not fill her days. Always before her - dangles the compelling vision that caused her father, in his day, to give up farming to seek for gold. "All the time I am getting my clay dug," she confessed, "1 am watching for the colour of gold. One of these days I may strike it." (Adelaide Observer, 31 August 1929.)Hand written letter from Margaret Malone of the Mount Egerton Mine.Mount Egerton Mine February 10/14 The Manager Mining Dept Dear Sir, Last Monday week, I left with Mr Martell, a parcel of stone to be treated, requesting that cost of treatment, be deducted from some and balance of gold be forwarded me to above address. I was informed, this would occupy about a day or so, but not having received any communication so far, I shall be glad to hear from you are same. Yours faithfully Margaret Malonemargaret malone, female mine manager, kaolin, mount egerton, women

Gold embossed black hard covered book with names and comments by attendees at Maroondah Federation Estate marking the 1921-2021 centenary of the school's Greenwood Avenue location. Celebrations took place on 12th November, 2022, delayed due to COVID pandemic. Event Planning Committee: Russ Haines (Chair) Peter Fry (Treasurer) Susan Adolphson Jan Adolphson Barry Box Cheryl Mullens Margaret Taylor Michael Anderson Neville Burns Assisted by Rob Carter, Ken Briscoe, Sue Breese.

Soft cover book of 36 pages, with spiral wire spine.Memories of Stella, Margaret and Neville Burns growing up in Ringwood in the 1940s to the 1960s

Black and white photograph - Grade 5A, 1956"Attached to photograph" Back Row- L to R: Wally Zielinski, Lylle Reeves, Mal Corin, T Cartright, Terry Segren, Kevin Burden, Wayne Ennis, ?, B James, Ian Simpson, Arthur Wigley, Doug Sjorgren. 2nd Row - L to R: Ian McLeave, Neal McCarten, Tom Guest, Margaret Cleator, Helen Bird, June Robinson, Marg Allsop, Susanne King, Olwyn Hayes, Lynette Broadway, ?, Alan Byrne, Maurice Johnson. 3rd Row - L to R: Lawrence Sumpter, Janice Bomford, Glenys Paul, Rhonda Thompson, Anita Hill, Pat Carpenter, Carol Pavey, Erica Burns, Lorraine Guscott, Angela Ochram, Kathleen Haywood. Front Row - L to R: Stan Bjerking, Ian Marshall, Barry Cooper, Robin Harris, Les Pattendon, Rod Clutterbuck, Kevin Divola, Kenny Gowers, Terry Wood, Ian Wilton. Absent - Dawn Riedel Teacher: Mr Reid.