Hilda Pert Group of Girl Guides with cakes on table at guide hall corner of Layzell and Patrick Street A Marshall Studios Quality Prints guides

Business card for a local pasticceria and gelateria, Pelligra Cakes, at 71 Main Street Greensborough.Business card, white card with blue text and colour image.business cards, pelligra cakes, main street greensborough, cake shops

Colour Advertising pamphlet for Wendy's Birthday Cakes. Wendy's had a store in Greensborough Plaza in 2001. Tri-fold pamphlet printed in colourgreensborough plaza, wendy's

Instructions on cake/sponge making Revolving wheel giving time - Regulo Mark to be used - ingredientsCake Baking Wheel - revolving - red Produced by Woman and Home Red wheel shows Cooking Mark (Regulo) Temperature Variations - baking time- ingredients Types of cake/sponge Reverse side - ingredients/measurementsWoman and Home Cake Baking Wheelhome baking guide for cakes and sponge

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. The textiles in the Haeusler collection belonged to Ilma Margaret Ernestine Haeusler (née Tasker), born in 1900 in Tallangatta. These textiles were handmade by Ilma between 1919 and 1928 for use in the family home during her marriage to Louis Alfred Haeusler (b.1878). Ilma died in childbirth in 1928, leaving one surviving son, John Alfred Lyell (b.1922). This textile is one of the many domestic objects in the Haeusler Collection that represent family and home life in early twentieth century Wodonga. In the nineteenth and early twentieth century prior to the mass production of clothing and textiles, needlework, alongside motherhood, was the defining work of women. Hand sewing and embroidery was central in the everyday lives and domestic roles of women. The item is handmade and unique, with well documented provenance. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history.Hand embroidered doily with floral design and word "CAKE" stitched around outer rim of fabric "CAKE"textiles, sewing, handiwork, women's history, domestic, craft

The Geelong Handweavers and Spinners Guild Inc. entered "The Afternoon Tea Party" , designed by Val Ingeme, into the "Five Articles" Section of the Melbourne Sheep and Woolcraft Show c.1992. To qualify, the entry needed to form a group and be able to demonstrate a number of wool crafts in at least five different items. "The Afternoon Tea Party" was loaned to the NWM for display and was subsequently donated in 2003. This piece was designed and made by Anna Rahoferagricultural shows textile art handicrafts, geelong handweavers and spinners guild inc., crochet, embroidery, ingeme, mrs val rahofer, anna - geelong handweavers and spinners guild inc., agricultural shows, textile art, handicrafts

The Geelong Handweavers and Spinners Guild Inc. entered "The Afternoon Tea Party" , designed by Val Ingeme, into the "Five Articles" Section of the Melbourne Sheep and Woolcraft Show c.1992. To qualify, the entry needed to be from a group of five people and be able to demonstrate a number of wool crafts in at least five different items. "The Afternoon Tea Party" was loaned to the NWM for display and was subsequently donated in 2003. This piece was designed and made by Val Ingeme from wool blend yarn, the plate mae by Les Clarke from wool.agricultural shows textile art handicrafts knitting, geelong handweavers and spinners guild inc., ingeme, mrs val, agricultural shows, textile art, handicrafts, knitting

Box of Recipe Cardswalsh st library

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

Charles Henry Fulford was a Wonga Park orchardist. He was the first child born in the Eight Hour Pioneer Settlement at Wonga Park. He was born 4/8/1896 and married 11/2/1922 Violet May Hooper at St Mark's Church of England Wonga Park (being the first wedding held at that new church building) He lived initially in Paynters Road with his parents and later in Fulford Road. He had two sons and six daughters - Dorothy Isabel born 11/12/1893, Violet May born 19/5/1928, David Walter born 24/9/1926, Madge born 7/8/1928, James Henry born 17/6/1930, Betty born 4/12/1934, Ethel Beatrice born 19/5/1939 and June born 29/1/1943White coloured card with Blue printing

Charles Henry Fulford was a Wonga Park orchardist. He was the first child born in the Eight Hour Pioneer Settlement at Wonga Park. He was born 4/8/1896 and married 11/2/1922 Violet May Hooper at St Mark's Church of England Wonga Park (being the first wedding held at that new church building) He lived initially in Paynters Road with his parents and later in Fulford Road. He had two sons and six daughters - Dorothy Isabel born 11/12/1893, Violet May born 19/5/1928, David Walter born 24/9/1926, Madge born 7/8/1928, James Henry born 17/6/1930, Betty born 4/12/1934, Ethel Beatrice born 19/5/1939 and June born 29/1/1943White coloured card with Red printing

Charles Henry Fulford was a Wonga Park orchardist. He was the first child born in the Eight Hour Pioneer Settlement at Wonga Park. He was born 4/8/1896 and married 11/2/1922 Violet May Hooper at St Mark's Church of England Wonga Park (being the first wedding held at that new church building) He lived initially in Paynters Road with his parents and later in Fulford Road. He had two sons and six daughters - Dorothy Isabel born 11/12/1893, Violet May born 19/5/1928, David Walter born 24/9/1926, Madge born 7/8/1928, James Henry born 17/6/1930, Betty born 4/12/1934, Ethel Beatrice born 19/5/1939 and June born 29/1/1943White coloured card with Blue printing

Charles Henry Fulford was a Wonga Park orchardist. He was the first child born in the Eight Hour Pioneer Settlement at Wonga Park. He was born 4/8/1896 and married 11/2/1922 Violet May Hooper at St Mark's Church of England Wonga Park (being the first wedding held at that new church building) He lived initially in Paynters Road with his parents and later in Fulford Road. He had two sons and six daughters - Dorothy Isabel born 11/12/1893, Violet May born 19/5/1928, David Walter born 24/9/1926, Madge born 7/8/1928, James Henry born 17/6/1930, Betty born 4/12/1934, Ethel Beatrice born 19/5/1939 and June born 29/1/1943White coloured card with Red printing

Short story collection.Green cloth- bound hardcover book with embossed decoration to front and back covers. Spine torn, front cover separated from body. Foxing throughout. 342 pp. Poor condition.Kilmore Mechanics Institute stamp inside front cover. Indecipherable markings (X77)? top left corner. Flyleaf, upper centre, '166', red ink underlined.adult fiction, kilmore mechanics institute library.

The party was organised on the Saturday 8 December 1928, 3pm. Captain Charles Alfred Melbourne Derham, son of Frederick Thomas Derham, partner and managing director of Swallow & Ariell Pty Ltd (biscuit company in 1854 in Port Melbourne). The Derham family had been involved with the Port Melbourne mission since the beginning as the factory was producing "ship biscuits". The company was renowned for its patriotic fundraising campaigns during both world wars. They also supplied the mission with plum puddings on every Christmas events. Captain C.A.M Derham enlisted in 1915 and was discharged in 1919. The same year he married Eileen Cuscaden sister of Beatrice Cuscaden (Honorary Secretary of the South Yarra branch of the LHLG), and daughter of Dr George Cuscaden, previously ship surgeon, honorary surgeon of the Women's Hospital and director of Swallow & Ariell. The photograph was published in the 1928 Annual Report. The print shows the curtain background.Photograph of the cake presented to the LHLG in 1928: on top of the cake a lighthouse.Ladies Harbour Light Guild - 21st Birthday Cake Present by Captain C.A.M. Derham 1928charles alfred melbourne derham, swallow and ariell, frederick thomas derham, cyanotyp, eileen cuscaden, beatrice cuscaden, dr george cuscaden, lhlg, anniversary, lighthouse, flag

The 3 items in this display - bell, crystal vase and cake server- were presented to the Wodonga Auxiliary of the Royal Victorian Institute for the Blind (RVIB) marking 50, 60 and 70 years of service respectively. This auxiliary was formed in March 1932 with K.D. Watson as the Inaugural President. Its purpose was to raise funds to assist blind and visually impaired people across the state of Victoria. The volunteers over 70 years spent countless hours door knocking in the annual fundraiser, and selling raffle tickets at street stalls. As the City of Wodonga expanded the areas to be door-knocked increased, creating a challenge for the mainly elderly members of the Auxiliary. Eventually it closed down in 2002 when the RVIB amalgamated with Vision Australia. The longest serving member of the Auxiliary was Mrs. Jean Burbidge.These items have local and state significance as they represent the work carried out by a local group of volunteers to support an important state wide institution.3 awards received by the RVIB Wodonga Auxiliary for recognition of their service. They include a crystal vase, a gold bell and a silver cake server. 18/10 is stamped on the reverse of the cake slicer. This relates to the percentage of chrome and nickel within the steel.On the bell: 'Presented to Wodonga R.V.I.B. Auxiliary 50th Anniversary" Around the middle of the vase: 'Presented to RVIB Wodonga Auxiliary 60th Anniversary, 1992" On the cake server: "Presented to RVIB Wodonga Auxiliary for 70 years service March 1932 to March 2002" On back of cake server:" 18/10 and initials FK inside 2 circles.royal victorian institute for the blind, rvib wodonga auxiliary

Cake to celebrate the Club's 60th anniversary at the Ladies' lunch 1988, Heidelberg Golf ClubColour photograph of cake on tableheidelberg golf club, 60th anniversary 1988, women at hgc

A cake decorated to look like the Shrine of Remembrance. The event is the annual Fete in 1993. The cake was entered into the Melbourne Show and shows a lot of skill. It was used as a raffle prize at the 1993 fete held at Legacy House (see the article from The Answer). The article says: The 31st annual Club Fete was held at Legacy House and a highlight of the event was a raffle to win a spectacular cake depicting the Shrine of Remembrance. The cake, made by Mrs Audrey McMaster (friend of a former Junior Legatee) was a 1993 prize-winning cake at the Royal Melbourne Show. Mrs McMaster kindly donated the cake to Legacy and nearly $200 was raised from the raffle (won by Mrs Mary Thompson of Reservoir).Part of the annual fete organised by the Legacy Widows' Clubs for fundraising.Colour photo x 2 of a cake decorated to resemble the Shrine of Remembrance.Printed on back "NOV93". 00673.1 has P6 No 3 in pencil and E in blue pen.fundraising, answer, widows, cake

Imitation fruit cake made by Amanda Ginsberg for an exhibition at The Embroiderers Guild Victoria celebrating efforts made by women at home during World War 1Imitation embroidered fruit cake in traditional cake tin. Made of textiles embellished with freestyle machine embroidery.cake, anzac, war, women

Imitation fruit cake made by Amanda Ginsberg for an exhibition at The Embroiderers Guild Victoria celebrating efforts made by women at home during World War 1Imitation embroidered fruit cake in traditional cake tin. Made of textiles embellished with freestyle machine embroidery.cake, anzac, war, women

Tin used to send cake to troops serving overseas, possibly WW1 or WW2Round grey metal cake tin with lid“Willow”cake tin, willow

Photos taken at the 125th Anniversary school reunion. Collection includes 5 colour photographs: Principal Mark Smith with Gladys Greenwood, oldest student and Jack Mansour, youngest student; Gladys Greenwood with Jack Mansour; Gladys Greenwood cutting cake (2); cake.Five colour photographs. Principal Mark Smith with Gladys Greenwood, oldest student and Jack Mansour, youngest student; Gladys Greenwood with Jack Mansour; Gladys Greenwood cutting cake (2); cake. Names of people, occasion and date on back of prints.greensborough primary school, gladys greenwood

Roger (Rod) O'Beirne and Joan Kerrins married at St Alipius Catholic Church, Ballarat on December 31 1966.Black and white photograph of bride and groom cutting three-tiered wedding cake.rod o'beirne, joan o'beirne, joan kerrins, weddings, cakes

It was and still is customary for a piece of Wedding Cake to be given to the guests on their departure from the reception. . Some customs suggest single women will find a husband if they put this piece of cake under their pillow at night. --- the man of their dreams will come calling …..!A small tin with a lift -off lid for a piece of Wedding Cake traditionally given to guests at the reception as a take home gift .2 wedding bells engraved on lidweddings, early settlers, tinsmiths, moorabbin, bentleigh, cheltenham, celebrations, souvenirs