Portrait - Margaret Campbell c1920-25 Wife of Hugh Campbellstawell

Mrs Florence Anderson was President of Uniting Church Adult Fellowship in 1986 and 1989. Mrs Margaret Campbell was President in 1988. Mrs Campbell is the wife of Rev Malcolm Campbell who was UC executive secretary of Ecumenical Mission Division at the time.B & W waist length photograph of Mrs Florence Anderson (left) and Mrs Margaret Campbell (right).campbell, margaret; anderson, florence; campbell, rev. malcolm; uniting church adult fellowship

Collection of Newspaper Clippings from Scrap Book 1960 - 1973Photos of the Homestead and cool store at Churchill Island which was Sister Margaret Campbell's home.sister margaret campbell, churchill island homestead, churchill island homestead cool store, jean jamieson

Yellow card, folded. Bendigo North Primary School Children's Ball held at the White Hills Technical School on Thursday 16th August, 1984. Front page has a large spider web with a big spider and printed over the web is 'Come to our ball'. Written in the bottom right corner is Ellis reserved. On the inside is the list of Ballroom, Colonial and Folk Dances and the grades performing them. Also included was a playet (sic) titled The Spirit of the Tree and a Special Item titled Charlotte's Web. The back page has the Acknowledgements to: Neil Ross, Merilyn Tatt, Heather & Noel Ridge, Greg Kaska, Brian Hillman, Lloyd George, Graham Balam, Maree Murrell, Mark Walters, Ken McKindlay, Lexie Ottrey, Peter Ellis, Faye McCaig, Viv MacDonald, Val Lee, Lesley Campbell, Margaret Gilbee, Ruth Sloan, Kaye Trimble,Jennette Price, Joy Miles, Janet Holland, Liz Rowell, Anne Gibson, Joan McColl, Joy Daniel, Elaine Carmichael, Evelyn Bruhn, Sandra Kaska, Olga Chafer, Lyn Craig, Gail Kingdom, Maureen Warren, Jenny Mollison, Coral McClure, Robyn Murphy, Helen Penna, Dale Little, John Shiel, Sandra Kaska, Glynis Goulter, Margaret Walker, Maree Walker, Bill Garvin, Stan Doye, Robyn Wetzig, Jim Lawson, Rodger O'Hara, Sue Treloar, Margaret Gregson and Di Milich.Bendigo North Primaryentertainment, dance, ball, peter ellis collection, bendigo north primary schol, white hills technical school, brenda coulter, neil ross, merilyn tatt, heather & noel ridge, greg kaska, brian hillman, lloyd george, graham balam, maree murrell, mark walters, ken mckindlay, lexie ottrey, peter ellis, faye mccaig, viv macdonald, val lee, lesley campbell, margaret gilbee, ruth sloan, kaye trimble, jennette price, joy miles, janet holland, liz rowell, anne gibson, joan mccoll, joy daniel, elaine carmichael, evelyn bruhn, sandra kaska, olga chafer, lyn craig, gail kingdom, maureen warren, jenny mollison, coral mcclure, robyn murphy, helen penna, dale little, john shiel, sandra kaska, glynis goulter, margaret walker, maree walker, bill garvin, stan doye, robyn wetzig, jim lawson, rodger o'hara, sue treloar, margaret gregson, di milich

Collection of Newspaper clippings from Scrap Book 1960 - 1973Artical about Sister Margaret Campbell. She inherited Churchill Island from the Jenkins family. Photo of Mr Bill Ousley beside the cannon on Churchill Island.sister margaret campbell, mr bill ousley, churchill island, the "shannandoah" cannon on churchill island, jean jamieson

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 78 Campbell Street, Kew by Margaret Picken.78 CAMPBELL ST., KEW / MARGARET PICKEN ~(c) / REALTORartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 78 campbell street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 26 Campbell Street, Kew by Margaret Picken.26 CAMPBELL STREET, KEW / MARGARET PICKEN ~91 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 26 campbell street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 30 Campbell Street, Kew by Margaret Picken.30 CAMPBELL ST., KEW / MARGARET PICKEN ~90 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 30 campbell street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 35 Campbell Street, Kew by Margaret Picken.35 CAMPBELL ST., KEW / MARGARET PICKEN ~99 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 35 campbell street -- kew

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Various newspaper articlescouncillor, mayor, jack campbell, felicitie campbell, margaret darling, darren overend, kingsley david, labassa

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 1/6 Campbell Street, Kew by Margaret Picken.1/6 CAMPBELL ST., KEW / MARGARET PICKEN ~91 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 1/6 campbell street -- kew (vic.)

Colour photograph of the Country Ramblers music group at Nowa Nowa Hotel in 1975. Colin Campbell on drums and Margaret Campbell vocalist. Nowa Nowa Victoriagenealogy, musicians

Student Nurses, Ballarat & District Hospital. L-R: ? McCallum, Muriel Nicholls, Joan Campbell, Margaret Ying, ? Lavery, ? Fordstudent, nurses, ballarat, hospital, ealy 1940s, mccallum, nicholls, campbell, ying, lavery, ford, prendergast

Black and white photograph of Margaret Campbell nee Darcy with her pets in 1958genealogy

Black and white photograph of Margaret Campbell and her two children Erin and Stewartgenealogy

HistoricalColoured booklet with original drawings by Robert Ingpenvictoria churchill island, graham pizzey, robert ingpen, victoria conservation trust, moonah trees, samuel amess, margaret campbell, churchill island cannon

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 16 Campbell Street, Kew by Margaret Picken.16 CAMPBELL ST., KEW E. / MARGARET PICKEN ~96 / WOODARDS ~ HAW.artist -- margaret picken 1950-, property illustrations — buildings — kew (vic.), 16 campbell street - kew (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 20 Campbell Street, Kew by Margaret Picken.20 CAMPBELL ST., KEW E. / MARGARET PICKEN ~99 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, property illustrations — buildings — kew (vic.), 20 campbell street - kew east (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 25 Campbell Street, Kew by Margaret Picken.25 CAMPBELL ST., KEW E. / MARGARET PICKEN '89 / WOODARDS ~ KEWartist -- margaret picken 1950-, property illustrations — buildings — kew (vic.), 25 campbell street - kew (vic)

Also a colour photograph showing Mrs Edith Bulmer and Ian Bunty Bulmer seated on the verandah at Nyerimilang homestead Australia Day 1995 04796.1 10 x 15 cmColour photograph showing Margaret Campbell making presentation to Ian Bunty Bulmer during Australia Day ceremony at Nyerimilang Park Nungurner Victoriacelebrations, genealogy, historic houses

welcoming public to Australia Day celebrations on forecourt of Information Centre Lakes Entrance Victoria January 1996Colour photograph of Margaret Campbell President of LERHS Also three colour photographs taken at same event showing Shire Commissioner Bruce Evans presenting awards celebrations, events

Black and white photograph showing Lorna Mitchelson nee Peel being presented with 1996 Australia Day Citizen of the Year certificate by LERHS President Margaret Campbell and Marie Fishcelebrations, genealogy

Jack Allen, Margaret Campbell Progress Assoc Clyde Sykes Rotary Harold Harwood Progress Assoc Mrs Harwood Barbara Gray Garden Club Joan Chandler Vera Bennett Cemetery Trust Marj Smith Cr Barry Seacomb Cemetery Trust Julie Seacomb, Black and white photograph taken of community members present at opening of shelter and storage shed donated by Progress Association Garden Club ,at the Garden Cemetery Palmer Road Lakes Entrance Victoria. Also two other colour photographs of shelter and storage shed cemeteries

THE CLUNES HOSPITAL WAS DESTROYED IN A BUSHFIRE IN JANUARY 1944..1 SEPIA REPRODUCTION PHOTOGRAPH OF GROUP OF ADULTS AND CHILDREN TAKEN AT THE OPENING OF THE TOURELLO WARDS AT THE REDEVELOPED CLUNES HOSPITAL 1936 .2 BLACK AND WHITE COPY OF THE ABOVE PRINTED ON MATTE PAPER .3 Original black and white photograph mounted on buff coloured matt board .3 OPENING OF THE TOURELLO WARD AT THE REDEVELOPED CLUNES HOSPITAL, CRESWICK ROAD, 1936 "Thornton" Studios Ballarat imprinted in mount board BACK ROW. BILL KINNERSLEY, DICK LENEGHAN, BILL MOORE, JIM COOK, ARTHUR PICKFORD, BILL GRENFELL, ERIC CLARKSON SECOND BACK ROW; MRS LESTER, GLADYS KINNERSLEY, IVY KNIGHT, GWEN PICKFORD, ALMA PICKFORD, PAM HENDER, JANE CAMPBELL, MRS RITCHIE, MARGARET WILSON, MARY RITCHIE, MARGARET LESTER (ADDED TO LIST HANDWRITTEN IN BLACK PEN) THIRD BACK ROW; EDNA RITCHIE, MISS DOUGAL, MRS SEARLE, NELL WEBB, ALAN SEARLE (SCHOOL TEACHER), MRS TROUP, HARRY PICKFORD, MRS COUTTS, EVELYN ROBERTS, MARGARET LESTER (CROSSED OUT) FOURTH BACK ROW; MAVIS KINNERSLEY, MRS W KINNERSLEY, MRS CLARKSON, MRS ANDERSON, IAN SEARLE, ARTHUR LEAD, DOCTOR BAKER, MRS PICKFORD, MISS ROSS, LENA HUTCHINS, MRS LENEGHAN, MRS GRANFELL, MURIEL KINNERSLEY. CHILDREN; BETTY CLARKSON, GRACIE ANDERSON, PEGGY LENEGHAN, REG KINNERSLEY, RICHARD LENEGHAN, BETTY LENEGHAN, LIONEL KINNSERSLEY, ALEX ANDERSON, BERT ANDERSON, MAX COUTTS, DON ANDERSON, LEO LENEGHAN, DAN LENEGHAN, JACK LENEGHAN, BILL ANDERSON, HAZEL KINNERSLEY, GEORGIA COUTS, AUDREY ANDERSON, BETH PICKFORD, JOAN LENEGHAN, AND BABY EAMON LENEGHAN.photography, photographs, hospital, hospital 1936

Queen Victoria was born at Kensington Palace, London, on 24 May 1819. She was the only daughter of Edward, Duke of Kent, the fourth son of George III. Her father died shortly after her birth and she became heir to the throne because the three uncles who were ahead of her in the succession - George IV, Frederick Duke of York, and William IV - had no legitimate children who survived. Warmhearted and lively, Victoria had a gift for drawing and painting; educated by a governess at home, she was a natural diarist and kept a regular journal throughout her life. On William IV's death in 1837, she became Queen at the age of 18. Queen Victoria is associated with Britain's great age of industrial expansion, economic progress and, especially, empire. At her death, it was said, Britain had a worldwide empire on which the sun never set. In the early part of her reign, she was influenced by two men: her first Prime Minister, Lord Melbourne, and then her husband, Prince Albert, whom she married in 1840. Both men taught her much about how to be a ruler in a 'constitutional monarchy, in which the monarch had very few powers but could use much influence. Albert took an active interest in the arts, science, trade and industry; the project for which he is best remembered was the Great Exhibition of 1851, the profits from which helped to establish the South Kensington museums complex in London. Her marriage to Prince Albert produced nine children between 1840 and 1857. Most of her children married into other Royal families in Europe. Edward VII (born 1841), married Alexandra, daughter of Christian IX of Denmark. Alfred, Duke of Edinburgh and of Saxe-Coburg and Gotha (born 1844) married Marie of Russia. Arthur, Duke of Connaught (born 1850) married Louise Margaret of Prussia. Leopold, Duke of Albany (born 1853) married Helen of Waldeck-Pyrmont. Victoria, Princess Royal (born 1840) married Friedrich III, German Emperor. Alice (born 1843) married Ludwig IV, Grand Duke of Hesse and by Rhine. Helena (born 1846) married Christian of Schleswig-Holstein. Louise (born 1848) married John Campbell, 9th Duke of Argyll. Beatrice (born 1857) married Henry of Battenberg. Victoria bought Osborne House (later presented to the nation by Edward VII) on the Isle of Wight as a family home in 1845, and Albert bought Balmoral in 1852. Victoria was deeply attached to her husband and she sank into depression after he died, aged 42, in 1861. She had lost a devoted husband and her principal trusted adviser in affairs of state. For the rest of her reign she wore black. Until the late 1860s she rarely appeared in public; although she never neglected her official Correspondence, and continued to give audiences to her ministers and official visitors, she was reluctant to resume a full public life. She was persuaded to open Parliament in person in 1866 and 1867, but she was widely criticised for living in seclusion and quite a strong republican movement developed. Seven attempts were made on Victoria's life, between 1840 and 1882 - her courageous attitude towards these attacks greatly strengthened her popularity. With time, the private urgings of her family and the flattering attention of Benjamin Disraeli, Prime Minister in 1868 and from 1874 to 1880, the Queen gradually resumed her public duties. In foreign policy, the Queen's influence during the middle years of her reign was generally used to support peace and reconciliation. In 1864, Victoria pressed her ministers not to intervene in the Prussia-Denmark war, and her letter to the German Emperor (whose son had married her daughter) in 1875 helped to avert a second Franco-German war. On the Eastern Question in the 1870s - the issue of Britain's policy towards the declining Turkish Empire in Europe - Victoria (unlike Gladstone) believed that Britain, while pressing for necessary reforms, ought to uphold Turkish hegemony as a bulwark of stability against Russia, and maintain bi-partisanship at a time when Britain could be involved in war. Victoria's popularity grew with the increasing imperial sentiment from the 1870s onwards. After the Indian Mutiny of 1857, the government of India was transferred from the East India Company to the Crown, with the position of Governor-General upgraded to Viceroy, and in 1877 Victoria became Empress of India under the Royal Titles Act passed by Disraeli's government. During Victoria's long reign, direct political power moved away from the sovereign. A series of Acts broadened the social and economic base of the electorate. These acts included the Second Reform Act of 1867; the introduction of the secret ballot in 1872, which made it impossible to pressurise voters by bribery or intimidation; and the Representation of the Peoples Act of 1884 - all householders and lodgers in accommodation worth at least £10 a year, and occupiers of land worth £10 a year, were entitled to vote. Despite this decline in the Sovereign's power, Victoria showed that a monarch who had a high level of prestige and who was prepared to master the details of political life could exert an important influence. This was demonstrated by her mediation between the Commons and the Lords, during the acrimonious passing of the Irish Church Disestablishment Act of 1869 and the 1884 Reform Act. It was during Victoria's reign that the modern idea of the constitutional monarch, whose role was to remain above political parties, began to evolve. But Victoria herself was not always non-partisan and she took the opportunity to give her opinions, sometimes very forcefully, in private. After the Second Reform Act of 1867, and the growth of the two-party (Liberal and Conservative) system, the Queen's room for manoeuvre decreased. Her freedom to choose which individual should occupy the premiership was increasingly restricted. In 1880, she tried, unsuccessfully, to stop William Gladstone - whom she disliked as much as she admired Disraeli and whose policies she distrusted - from becoming Prime Minister. She much preferred the Marquess of Hartington, another statesman from the Liberal party which had just won the general election. She did not get her way. She was a very strong supporter of the Empire, which brought her closer both to Disraeli and to the Marquess of Salisbury, her last Prime Minister. Although conservative in some respects - like many at the time she opposed giving women the vote - on social issues, she tended to favour measures to improve the lot of the poor, such as the Royal Commission on housing. She also supported many charities involved in education, hospitals and other areas. Victoria and her family travelled and were seen on an unprecedented scale, thanks to transport improvements and other technical changes such as the spread of newspapers and the invention of photography. Victoria was the first reigning monarch to use trains - she made her first train journey in 1842. In her later years, she became the symbol of the British Empire. Both the Golden (1887) and the Diamond (1897) Jubilees, held to celebrate the 50th and 60th anniversaries of the Queen's accession, were marked with great displays and public ceremonies. On both occasions, Colonial Conferences attended by the Prime Ministers of the self-governing colonies were held. Despite her advanced age, Victoria continued her duties to the end - including an official visit to Dublin in 1900. The Boer War in South Africa overshadowed the end of her reign. As in the Crimean War nearly half a century earlier, Victoria reviewed her troops and visited hospitals; she remained undaunted by British reverses during the campaign: 'We are not interested in the possibilities of defeat; they do not exist.' Victoria died at Osborne House on the Isle of Wight, on 22 January 1901 after a reign which lasted almost 64 years, then the longest in British history. Her son, Edward VII succeeded her. She was buried at Windsor beside Prince Albert, in the Frogmore Royal Mausoleum, which she had built for their final resting place. Above the Mausoleum door are inscribed Victoria's words: "Farewell best beloved, here, at last, I shall rest with thee, with thee in Christ I shall rise again." Source: https://www.royal.uk/queen-victoria This picture captures Queen Victoria in her later years. It may well have been painted to commemorate her Golden Anniversary in 1887, or her Diamond Anniversary in 1897.Picture, print, reproduction of a drawing or photograph of Queen Victoria. She is wearing a dark-coloured dress, white headdress and a diamond necklace and earrings. On her left shoulder is the Royal Order of Victoria and Albert, awarded to female members of the British Royal Family and female courtiers. There are four grades or classes of this Royal Order as well as the Sovereign's Badge, which is exclusive to her. Also across her left shoulder, is a blue riband representing the Order of the Garter. The picture is in a medium-coloured timber frame with a white string across the width at the rear. The label says it was framed by Hoy Art, Warrnambool. The signature of the Queen is on the picture but is not obvious since the picture has been re-framed."HOY ART / PICTURE FRAMING / 48 Kepler St, Warrnambool 3280 / Phone (055) 62 8022" Signature (hidden by new framing) "Victoria H.R.S."flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, picture of queen victoria, queen victoria, the royal order of victoria and albert, the order of the garter, hoy art

Back Row (L-R): Russell Smart, John Mead, Peter Norman, Kim Hunter, Richard Lynch, Stephen Short, Gilbert McGloughlin, Don Muir, Jeff Steele, Geoffrey Thorpe, Ian Murray, Marcus Skipper, Ray ( ? ), Robert Spencer Third Row (L-R): Bruce Martin, Neville Myers, Nelson (Smart?), George Sutherland, Robert Dowdell, David Campbell, Ken Dickerson, Kit Hill, Wayne Brodford, Martin Fowler, Michael Kilpatrick, Colin Graham, Ken Brown, David Boss, Greg Lewis Second Row (L-R): Bora Meredith, Heather Dyke, Linda Morris, Janne Miles, Biddy Quinlan, Cheryl Croft, Terry Croft, Margaret Box, Shelley Barker, Wendy Bradley, Sandra Black, Lynette Pitcher Front Row (L-R): Sally Lewis, Faye Harris, Elizabeth Jolley, Wendy Rainsbury, Helen Corrie, Bronwen Cavistock, June Skippington, Gloria Oldfield, Anna Jacka, Ruth GangellNames written on reverse and photographer's stamp1958, anna jacka, biddy quinlan, bora meredith, bronwen cavistock, bruce martin, cheryl croft, class photo, colin graham, david boss, david campbell, don muir, elizabeth jolley, eltham state school no. 209, faye harris, faye walker (nee harris) collection, geoffrey thorpe, george sutherland, gilbert mcgloughlin, gloria oldfield, grade 2, greg lewis, heather dyke, helen corrie, ian murray, janne miles, jeff steele, john mead, june skippington, ken brown, ken dickerson, kim hunter, kit hill, linda morris, lynette pitcher, marcus skipper, margaret box, martin fowler, michael kilpatrick, nelson smart, neville myers, peter norman, richard lynch, robert dowdell, robert spencer, russell smart, ruth gangell, sally lewis, sandra black, shelley barker, stephen short, terry croft, wayne brodford, wendy bradley, wendy rainsbury